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78475 Los(e)/Seite
Los 647
†GEOFFREY HEATH WEDGWOOD, RE (1900-1977) TRATTORIA GATTI ROME etching, 1930, signed by the artist in pencil, dated and inscribed, 20 x 19cm and two other etchings Venetian subjects by James Alphege Brewer and Sydney Mackenzie Litten (1887-1949) (3) ++All in apparently very good condition, unexamined out of the frame
Los 651
JAMES ABBOTT MCNEILL WHISTLER (1834-1903) READING BY LAMPLIGHT, K32, M30, GLASGOW 37 etching and drypoint, 1859, third state of three, 6.2 x 12cm, with wide margins, hinged on a mount with inscription in pencil "Purchased at Edmistons Glasgow 1931", unframed Provenance: Acquired by the family of the present vendor in 1931. ++In very good condition with light to moderate foxing mainly confined to the margin; deframed for the present sale
Los 161
Heidi König (German, born 1964)/Sumwapala/edition 26/50, signed and dated 97'/colour etching, 49cm x 49cm Condition Report: Artist's resale right may apply to this lot if the hammer price is equivalent of 1000 Euros or more. Please contact the office if you require further information about this.
Los 171
Austin Davies (British 1926-2012)Portrait of Dame Beryl Margaret Bainbridge/numbered 8/75/etching, 37cm x 29cm Condition Report: Artist's resale right may apply to this lot if the hammer price is equivalent of 1000 Euros or more. Please contact the office if you require further information about this.
Los 177
Brenda Hartill (British born 1943)/Theo's Shed/signed and dated 1984/limited edition 23/100/colour etching, 44cm 59cm Condition Report: Artist's resale right may apply to this lot if the hammer price is equivalent of 1000 Euros or more. Please contact the office if you require further information about this.
Los 1184
Graham Clarke (b. 1941), two signed etching and aquatints - Crabbers Retreat (Artists Proof) and Vita's White Garden, 124 / 300, in glazed frames, 29.5cm x 35cm CONDITION REPORT Crabbers image in very good condition. Vita's image has a staining mark above the house and discolouration to the mount. Scuff to one frame, otherwise good condition
Los 1320
Howard Somerville (1873 - 1952), signed etching - portrait of a seated lady, Miss Norah Baring, dated 1932, in glazed frame, 34cm x 22cm CONDITION REPORT Condition generally good, overall some discolouration - ghost of a previous scheme of mounting below pencil to border. Possibly one or two minor fox marks, basically good
Los 214
A pair of aquatints etching with hand colouring depicting The Chinese Pagoda and Bridge Erected over the Canal in St. James's Park for the Grand Jubilee of the 1st of August 1814 A Perspective View of the temple of Concord erected for the display of the National Fireworks in Commemoration of Peace, being the Celebration of the Grand Jubilee and City Gates No2 London : Alexander Hogg, 1784. in a black wooden frame with gold beading and cream and gold inlay 46 x 39cm
Los 416
An Edwardian walnut veneered bracket clock, with broken arch silvered dial, regulator and chime/silent selector with three train movement, striking on gongs with repeat pull, with presentation plaque dated 1912 from the Congregation of St. Leonards Church, Aldrington, Sussex, and together with a small related etching, showing the church
Los 737
An early 20th century Moghul type painting of a standing male figure with two swords, 38 x 30 cm approx together with a colour print of an oriental character seated on the globe, 22 x 17 cm approx both framed, also together with a late 19th century signed coloured etching of a shipping scene by Alec Grieve, a signed limited edition print of an estuary scene signed Lafitte and a continental coloured etching of a canal scene.
Los 803
A collection of pictures including a 19th century engraving of the Duke of Beaufort in the Uniform of the Gloucestershire Yeomanry, after H. de Daubrawa, an early 19th century coloured engraving of an officer of the 92nd Highland Regiment of Foot and a further military etching signed WA Cox all framed, together with an oil on canvas style printed portrait of a young girl reading, in moulded gilt frame and three nursery prints after Beatrix Potter.
Los 774
A signed coloured limited edition etching by Rainer Viktorin of an abstract architectural style subject, signed bottom right Viktorin, edition no 121/375, 39 x 26 cm approx sheet size, framed together with two 1960's exhibition catalogues of the work of Rupprecht Geiger dated 1965 and 1967 and also together with a small collection of oriental pictures and prints, including an embroidered silk panel.
Los 767
A pair of early 20th century oil paintings on card by Victor Mathias showing country landscapes with figures both signed bottom right V Mathias, 20 x 29 cm in wood and gilt frames, together with a pair of 1920's paintings on silk of ladies in 18th century style costume both in Burwood style frames with gilt slips, a late 19th century caricature of men in a pub - They Toil Not Neither Do They Spin, together with a black and white etching by F Robson of John Knox's House, Edinburgh.
Los 792
A collection of unframed maps including 19th century maps of the USA and British North America published by Archibald Fullerton of Glasgow, an 18th century map of The Five Great Lakes with parts of Pennsylvania, New York etc, a 19th century map of the United States published by Longman, Rees, Orme, Brown and Green 1828, all approx sheet size 22 x 28 cm, together with further 18th and 19th century engravings etc, subjects including the Kings of England after G Vertue, a coloured etching of Magdalene Tower Oxford by Grant Edwards, a black and white etching of Dunster by Reginald Barker, etc.
Los 718
A collection of watercolours, etchings and engravings all showing windmills including a watercolour painted in tones of grey and blue, signed bottom left Callison 25 x 38 cm, a limited edition etching signed M Hayward showing a windmill inscribed Cley, an etching of a ploughing team beside a windmill signed P Hodgson and a pen and ink study of a windmill and cottages, signed bottom left Helen Corser, etc all framed.
Los 727
A signed coloured print after Deborah Jones showing a group of dolls and teddies signed bottom right and with blind embossed Fine Art Trade Guild stamp bottom left, published by the Alexander Gallery, Bristol 35 x 50 cm in gilt frame, together with two further unsigned coloured prints after Deborah Jones both of teddies and dolls and a 19th century monochrome etching by T George Cooper showing a pair of setter dogs in a landscape, all framed.
Los 805
A quantity of pictures and prints including a 19th century black and white etching after J Dupre of a landscape with horse drawn wagon, signed in pencil F Krasterig, various watercolours of marine subjects, a watercolour of a Gothic/Chinese Lighthouse after Naysmith signed Simmons etc, various sizes, all framed.
Los 27
John Sinclair (British, 1872-1922) Ascot 1822 Oil on canvas, 53” x 84” $30,000. – 50,000. The image above depicts the King’s Stand at Royal Ascot as recorded in an etching by James Pollard in 1822. The original drawing was given to the British Museum by Arthur Du Cane in 1933 along with a large collection of Pollard’s original etchings and drawings. John Sinclair transformed Pollard’s etching into this large, spirited painting which captures the horses and jockeys as they reach the winning post. Pollard captured the frenzied crowd in the grandstand and the royal patrons as they took in the Ascot races from the King’s Stand, a precursor to the Royal Enclosure that henceforth has become a permanent fixture at the Ascot Heath races. The history surrounding the conception and construction of the King’s Stand is a sordid affair, as are many of the accounts that accompany the reign of King George IV. King George IV began to set his mark as sovereign upon his reign and its pleasures. Ascot received the Royal attention and the man whose taste was so splendidly elegant and whose morals were so gross, brought to Ascot the atmosphere which sets it apart from all other racecourses. First, he had constructed for himself a new Royal box designed by architect than John Nash—responsible for Buckingham Palace, Regent Street and the Nash Terrace of Regents Park. The New Stand was described in The Sporting Magazine as: These races have for many years been distinguished above all others in the kingdom by the immediate patronage and presence of the Sovereign; hence forward however they will be still more identified with Royalty by the erection of a Royal Stand a substantial building of brick and stone calculated to endure for ages, this regal sporting box has been erected immediately opposite to the grand stand. It is a square stuccoed building of two stories and each story is divided into two apartments. One of these is elegantly furnished for the use of his Majesty and the Royal family the other is also handsomely furnished for the attendants…The exterior of the building in front has a handsome appearance. The basement story is of stucco rusticated horizontally and from this springs a series of fluted stone columns of the Doric order supporting a remarkably ponderous entablature and parapet which enclosing the flat leaded roof forms a stand capable of containing nearly a hundred persons. The interstices between the columns are filled up with light sashes so that two sides of each upper apartment are entirely window and afford an admirable view of the whole course. These windows were hung with spotted muslin draperies which gave a light and elegant appearance to the whole. The stand is very pleasantly situated as independent of the attractions of the passing scene the front has a very fine look over a beautiful wood land and picturesque country. It was completed in the short space of five weeks by Mr. Perkins, the clerk of the works and able assistants under the architectural direction of Mr. Nash.
Los 812
A Vic officer’s 1821 pattern sword of The Royal Horse Artillery, slightly curved, fullered blade 35”, by “Landon & Morland, 17 Jermyn St, London” (1848-56), etched on one side with crowned VR cypher and “Royal Horse Artillery” and on the other crowned VR cypher, “Ubique” scroll and cannon, all in scrolled panels, regulation steel hilt with sideloop and two sidebars, stepped pommel, plain backstrap, wirebound fishskin grip, in its black painted steel scabbard with 2 rings. Basically GC (blade worn, etching faint, hilt rusted).
Los 1
"Marguerite" David Hockney, O.M., C.H., R.A. (b. 1937) etching with aquatint in colours, 1973, on Arches paper, signed and dated in pencil, numbered 85/100, published by Petersburg Press, London and New York, the full sheet, in fair to good condition H24cm W18cm (without border measurement). [ARR]
Los 2071
CLAES THURE OLDENBURG (AMERICAN, B. 1929), ETCHING & AQUATINT, 1976, PLATE SIZE: H 13", W 21", "ICE CREAM DESSERTS"Colored pencil initialed; #33/50; 1976 at bottom of paper; paper: 22 1/2" x 31 1/4"; floated in the frame. Cantor/Lemberg Gallery, Birmingham, MI label on verso.As viewed in the unopened frame: artwork appears to be in good condition; linen mat is slightly soiled; molding had an only on it that is now removed. Rf- For High Resolution Photos visit Dumouchelles website.
Los 2087
JOAN MIRO (SPANISH 1893-1983), ETCHING, H 33", W 25", FRONTISPIECE FOR THE PORTFOLIO, "ESPRIU"Pencil signed; #11/50; folder style with back sheet in a shadowbox frame. 34 1/2" x 28 1/2" paper size. Provenance: Irving Feldman Gallery, Southfield, MI.As viewed in the unopened frame: slight crease in the far LR corner; handling crease along the right edge; slight edge yellowing. Rf- For High Resolution Photos visit Dumouchelles website.
Los 2287
AMEDEO MODIGLIANI, (ITALIAN, 1884-1920), ETCHING ON PAPER, H 6 1/2", W 4 3/4", "TETE DE FEMME II"Framed; plate signed in reverse; framed. Being sold for the benefit of Marygrove College, Detroit, MI. No other provenance available.As viewed under room light in the unopened frame: browning; some foxing. Rf, 6-3-2015- For High Resolution Photos visit Dumouchelles website.
Los 35
JOHN FULWOOD F.S.A., R.B.A. (British, 1854-1931) "KILCHURN CASTLE, LOCH AWE"Drypoint etching, Limited edition of 150 signed artist proofs. Signed in pencil, image size 35cm x 20cm Mounted, framed and under glass.JOHN FULWOOD F.S.A., R.B.A. (British, 1854-1931) "LOCH FEOCHAN"Drypoint etching, Limited edition of 150 signed artist proofs. Signed in pencil, image size 35cm x 20cm Mounted, framed and under glass.2 Etchings
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78475 Los(e)/Seite