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78475 Los(e)/Seite
Los 1
Attributed to Thomas Rowlandson- 'The Republican- Attack', H. Humphrey, Publ. Nov. 1st, 1795; hand-coloured etching, 24.7x35cm: R. Bowyer, publ., 1802- 'Mosque of Abou- Mandou'; hand-coloured aquatint: together with five other prints relating to the Middle East, including a bird's-eye view of Jerusalem by Fr.Wentzel, (7)
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PIERRE-AUGUSTE RENOIR (1841-1919) BAIGNEUSE DEBOUT, A MI-JAMBES (Melot 23) Etching, 1910, a posthumous impression, printed with tone, on cream laid, with margins, originally published in "Manet and the French Impressionists" by T. Duret, London 17 x 10.75cm. ++ Needs a clean; some general pale time staining
Los 1
HERBERT THOMAS DICKSEE (1862-1942) HEAD OF A BLOODHOUND Etching, printed with tone, on cream wove, published by Frost and Reed, 1921, with blindstamp, signed in pencil Image 37.5cm. diam.; Plate 43 x 41cm. ++ A strong impression; generally very good condition; small repair in margin lower centre
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JOHN STANESBY (Fl.c.1850) PORTRAITS OF EMILY AGNES WHITAKER; and of ALFRED WHITAKER A pair, each depicted half length wearing dresses, initialled and dated (Oct 6) 1850, signed and inscribed on the backpaper, watercolour and pencil vignettes Each 22 x 16.5cm.; with a bronzed silhouette portrait of a lady, c.1840-1850; and an etching by T. Richardson of Derby. (4)++ Some foxing and paper discoloration
Los 1
A rare Thomas Webb & Sons etched and polychrome- infill black glass vase, with a bird and flowers or butterfly and ferns in Greek key borders, 24cm h, oval etched mark GUEST BROS PATENT 1877, c1880 The collaboration between Thomas Webb and the Guest Brothers is confirmed by the allocation of certain designs to the Guest's in the Thomas Webb Pattern Books. A similar but unmarked vase , almost certainly a Webb/Guest product is illustrated Hajdamach (Charles R), British Glass 1800-1914, col plt 40. Guest's were well known for some of the finest etching on glass in the Stourbridge district and such excellence not surprising given that one of the two brothers had been John Northwood's partner in 1859. In fine condition
Los 1
Mempes (Mortimer) - Whistler as I knew Him, from the edition de luxe of 500, this copy no 80, signed by the author, plts and an original etching, ivory, cloth gilt; Adam & Charles Black, 1904; Water Shaw Sparrow - A Book of British Etching 1926; Beverley Nichols - A Book of Ballads, illus H M Brock, 1934 (3)
Los 1
WILLIAM WASHINGTON Clocks to Mend etching, dated 1930 in the plate, signed in pencil, 27 x 23.5cm In excellent condition and apparently not laid down although unexamined out of the modern frame. A good impression and excellent example of this artist's highly realistic print making, reminiscent of the engravings of Stanley Anderson
Los 1
WILLIAM LIONEL WYLLIE Extensive Industrial Landscape with Shipping etching with roulette and drypoint, signed pencil and with Print Sellers Association blindstamp, published by L H Lefevre & Sons, 1903, 25 x 45cm Some even light time staining with mild vertical bands, a few cuts and scratches to the paper surface which are not too noticeable and do not detract from the appearance
Los 1
A South German small cabinet inlaid with etched steel plaques, last quarter of the 16th Century of rectangular form, veneered in rosewood, the corners each reinforced by a shaped etched steel bracket, the outer faces each inlaid with pairs of white metal bands framing a raised moulding enclosing a large steel plaque, each etched with scrolling foliage enclosing a central panel of differing scenes, including on the reverse Christ entering Jerusalem on the reverse, a marine monster on one side, a grotesque demi-figure on the other, and with biblical scenes on the top and front, the latter opening to reveal a series of drawers and a central door, the door secured by a contemporary lock, the drawer and panel fronts all inlaid with steel plaques etched with scrolling foliage and strapwork bands, the inside of the lid inlaid with white metal bands and a large steel plaque etched with the Arrest of Christ in the Garden (the carrying handle and keys each missing, the etching with areas of light wear, the veneer with one small chip and cracks on the reverse, one foot associated) 24.1 cm ; 9.5in by 30.4 cm ; 12 in by 21.6 cm ; 8.5in
Los 1
An North Italian etched comb morion, circa 1580, possibly Brescian with one-piece skull rising to a tall roped comb, pierced with a pair of holes for a plume-holder, encircled around the base with brass-caped lining rivets on brass rosette washers (two missing from each side), down-turned brim rising to a point front and rear, turned roped edge (the skull with several small holes and an internally patched repair), etched throughout in the so-called Pisan manner, comprising an elaborate strapwork panel involving elements of armour on each side of the comb, the skull decorated with a trellis design filled with further elements of armour, and the brim bordered with acanthus at the base of the skull (etching refreshed) 29.2 cm ; 11.5in high A Brescian morion with similar etched ornament on the comb and brim is preserved in the Doge's Palace, Venice.
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78475 Los(e)/Seite