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Pablo Picasso (Spanish, 1881-1973)"Garcon et Dormeuse a la Chandelle" - 1934Aquatint and etching on Montval laid paper. Pencil signed lower right. Appraised for $78,850 in 2021.Comes with COA from Martin Lawrence Galleries.Impression Size: 9.25 x 11.5 in.Overall Framed Size: 24.75 x 27 in.Framed behind glass.Garcon et Dormeuse a la Chandelle is one of 100 different etchings from the Vollard Suite (Plate 26), a series Picasso produced from 1930 to 1937 for Parisian publisher Ambroise Vollard. While over 300 sets were printed, complete suites are exceedingly rare, instead the prints from this series now are often found individually.The suite spans Picasso's passionate, sometimes tumultuous affair with his teenage model and muse Marie-Therese Walter. Many of the earlier works in the series portray a sculptor in his studio among his work?alluding to the classical myth of Pygmalion (see lot 263). The later prints become increasingly dark as both his relationship with Marie-Therese waned and Europe marched toward World War II.This particular print marks a turning point in Picasso's relationship with Marie-Therese, as it was created when Picasso learned that she was pregnant with his child in 1934. Her pregnancy marked the end of Picasso's then marriage to the Ballet Russe dancer Olga Koklova and also the beginning of the end for his relationship with his young model (just one year later he would meet Dora Maar?with whom Marie-Therese would become embattled over Picasso's affection).This print, however, portrays a tranquil scene of a sleeping woman (Marie-Therese); her fertile feminine features illuminated by candlelight, with a young man (likely intended to symbolize Picasso himself) sitting and thoughtfully watching her at rest. A single candle illuminating the scene creates a stillness and chiaroscuro reminiscent of Rembrandt's nocturnal scenes.The onset of World War II and the sudden death of the publisher Vollard in a car crash in the south of France in 1939 delayed the distribution of this major suite of etchings until the 1950s. Bloch 226; Geiser 440.
A mid 20th Century pastel full length portrait of girl seated on stool, and early 20th Century etching of Manchester Grammar School, signed indistinctly; 'The Bagman's Toast' sweethearts and wives, late 19th Century/early 20th Century coloured print, framed and glazed; John Thorley watercolour of traditional house, framed and glazed.
Julien Temple (b. 1953) A framed and glazed monochrome etching depicting a parrot perched on a branch with one claw raised, signed and dated 1970, overall size approx. 80cm x 49.5cm.Julien Temple is a British film, documentary and music video director, known for his work with the Sex Pistols including 'The Great Rock 'n' Roll Swindle'.
After George Cruikshank (1792-1878) Etching Two hand-coloured etched caricatures "The Blue Devils", published by G Humphrey, Jan. 10th 1823, framed and glazed, mount aperture 20cm x 24.5cm and "Inconveniences of a Crowded Drawing Room", published Aug. 1st by Thomas Mclean 1835, framed and glazed, image size 27.5cm x 40cm, together with a further 19th century caricature (3) Condition Report Browning to edges, some brown areas on prints, accretions behind glass. Blue devils has title cut out from bottom of print. Some fading/discolouration. General wear and tear.
Collection of 19th century coloured engravings and lithographs of military interest, including: a framed panel of three coloured engravings after J.C. Stadler of the Royal Artillery 105.5cm x 45cm overall inc. frame and another titled Full-Dress Uniform of a Field Marshall, two early 19th century French coloured engravings, Troupe Francaises Garde Royale, Lanciers and Cuirassier de Conde Cie Regt, 19.5cm x 13.4cm, an etching, Armee, after W.H. Pyne, and Getting into his Billet after Rowlandson (6)
After Thomas Rowlandson (1756-1827) Hand-coloured etching Four etched caricatures with contemporary hand-colouring, "Comfort in the Govt." 26.5cm x 37cm, "The Sad Discovery of the Graceless Apprentice" 25.5cm x 37.5cm, "A Cully Pillaged" 26.5cm x 37.5cm, published July 1st 1802 by S.W. Fores and "House-Breakers, with aquatint by J. Malton, 35.5cm x 43.5cm, all framed and glazed (4) Condition Report Varying degrees of browning to paper on all. accretions behind glass. Some minor foxing in places on some. House-Breakers with cloudy area on backside of glass but doesn't seem to have affected print. Some fading/discolouration. Minor creases to some. All with margins. General wear and tear.
Lionel Lindsay (1874-1961) Etching with drypoint on paper 'A bridge Estremadura, 1926', signed in pencil, with plate tone, from the edition of 75 artist's proofs, published by P. & D. Colnaghi, London, Eveling & Tress label to frame verso, plate size 17.5cm x 25cm, framed and glazed (39 x 47.5 cm), together with Hendrik 'Rik' Frans Schaefels (1827-1904) etching on paper 'Longboats at Arnemuiden, 1882', signed within plate 'Rik Schaefels', image size 14cm x 21.5 cm), framed and glazed (35 x 43.5 cm) (2) A bridge Estremadura, Mendelssohn 388. A trial proof of this print is held in the National Gallery of Victoria, Australia - Accession Number 1021-4.
A QUANTITY OF ASSORTED PRINTS ETC, to include two Turner prints, a Wilfred C. Applebey drypoint etching of 'The General Hospital Birmingham', signed and titled to lower margin, an oil on board signed R. Goodyear depicting a square rigged ship, approximate size 25cm x 29cm, an early 20th century Japanese mixed media painting depicting Mount Fuji and boats on the water, prints of Sevres porcelain, reproduction map of Staffordshire, assorted prints etc, Some prints have damaged and or dirty frames

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