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Los 7

Willi Kissmer (German 1951-2018) signed limited edition etching, female torso, no. 101 / 250, mounted in glazed frame, 37 x 64cm

Los 98

1st issue signed etching of Lord Nelson and of Victory Ship plus a Wade commemorative bowl and plate 

Los 14

Willi Kissmer (German 1951-2018) limited edition coloured etching signed in pencil, 68/250

Los 9

Willi Kissmer (German 1951-2018): limited edition coloured etching signed in pencil, 65cm x 35cm

Los 3

 Bellver, Fernando - Spanish, Madrid b.1954- coloured etching Suite "Mujeres": Magritte - (Women), printer Taller Mayor 28 (Madrid) handsigned and numbered 4/77

Los 12

Willi Kissmer (German 1951-2018):sensual female study, limited edition coloured etching signed in pencil, 58/250 65cm x 35cm

Los 71

After Lionel Lindsay (Australian 1874-1961) Dahlias, etching, limited edition 30/100, signed, 16.5cm x 16.5cm and a cartoon of a bird and dinosaur, ink and watercolour, 8cm x 16cm. (2)

Los 161

Ernest Llewellyn Hampshire (British 1882-1944). Saint Paul's From the River, etching, signed, 16.5cm x 24.5cm.

Los 441

After Alan Jay Gaines (American b.1942). The Lookout, etching, signed, dated 1981, 32cm x 42cm.

Los 91

Pablo Picasso (Spanish, 1881-1973)"Garcon et Dormeuse a la Chandelle" - 1934Aquatint and etching on Montval laid paper. Pencil signed lower right. Appraised for $78,850 in 2021.Comes with COA from Martin Lawrence Galleries.Impression Size: 9.25 x 11.5 in.Overall Framed Size: 24.75 x 27 in.Framed behind glass.Garcon et Dormeuse a la Chandelle is one of 100 different etchings from the Vollard Suite (Plate 26), a series Picasso produced from 1930 to 1937 for Parisian publisher Ambroise Vollard. While over 300 sets were printed, complete suites are exceedingly rare, instead the prints from this series now are often found individually.The suite spans Picasso's passionate, sometimes tumultuous affair with his teenage model and muse Marie-Therese Walter. Many of the earlier works in the series portray a sculptor in his studio among his work?alluding to the classical myth of Pygmalion (see lot 263). The later prints become increasingly dark as both his relationship with Marie-Therese waned and Europe marched toward World War II.This particular print marks a turning point in Picasso's relationship with Marie-Therese, as it was created when Picasso learned that she was pregnant with his child in 1934. Her pregnancy marked the end of Picasso's then marriage to the Ballet Russe dancer Olga Koklova and also the beginning of the end for his relationship with his young model (just one year later he would meet Dora Maar?with whom Marie-Therese would become embattled over Picasso's affection).This print, however, portrays a tranquil scene of a sleeping woman (Marie-Therese); her fertile feminine features illuminated by candlelight, with a young man (likely intended to symbolize Picasso himself) sitting and thoughtfully watching her at rest. A single candle illuminating the scene creates a stillness and chiaroscuro reminiscent of Rembrandt's nocturnal scenes.The onset of World War II and the sudden death of the publisher Vollard in a car crash in the south of France in 1939 delayed the distribution of this major suite of etchings until the 1950s. Bloch 226; Geiser 440.

Los 191

Louis Icart (French, 1888 - 1950)"Venus"Aquatint Etching. Pencil signed lower right.Image Size: 13.75 x 19.25 in.Overall Framed Size: 24.25 x 28 in.Framed behind glass.

Los 210

Victoria Ebbels Hutson Huntley (American, 1900 - 1971)"Florida Deer"Etching. Pencil signed, dated (1949) and titled lower margin.Image Size: 9.75 x 13.5 in.Sheet Size: 12 x 16 in.Unframed.

Los 247

Raphael Soyer (American, 1899 - 1987)"Waiting"Etching and drypoint on wove paper. Signed and titled lower margin.Edition of 250, published by Associated American Artists.Sight Size: 7.25 x 9.25 in.Overall Framed Size: 14.25 x 15.75 in.Framed behind glass.

Los 825

A mid 20th Century pastel full length portrait of girl seated on stool, and early 20th Century etching of Manchester Grammar School, signed indistinctly; 'The Bagman's Toast' sweethearts and wives, late 19th Century/early 20th Century coloured print, framed and glazed; John Thorley watercolour of traditional house, framed and glazed.

Los 223

An 1889 pattern Victorian British officer's sword with VR to basket hilt, etching to the blade, length 83cm with leather wrapped scabbard.

Los 15

David Young Cameron (1865-1945), 'Souvenir d'Amsterdam', drypoint etching, signed in pencil, plate size 15" x 10.25" (38 x 26cm).

Los 28

Francis Seymour-Haden (1818-1910), a Thames view, etching, signed in pencil, plate size, 4.5" x 7" (11.5 x 17.5cm), unframed.

Los 32

Ruben Ward Binks (1880-1950), a pointer in a landscape, etching, signed in pencil, plate size 5.5" x 7.5" (14 x 19cm), unframed.

Los 13

Giovanni Francesco Grimaldi (1606-1680), 'The Creeping Man', etching, tondo, 7.25" diameter.

Los 34

Luigi Kasimir (1881-1962), a Vienna street scene, etching and aquatint, signed in pencil, 15" x 18" (38 x 46cm), unframed.

Los 37

Anna Ravenscroft, 'Gangland Cats', etching and aquatint, signed inscribed and numbered in pencil, plate size 10.5" x 7" (27 x 18cm).

Los 249

Frank B Jowett (1879-1943) Bamburgh, monochrome etching, signed in pencil, 25 cm x 17 cm.

Los 7249

Julien Temple (b. 1953) A framed and glazed monochrome etching depicting a parrot perched on a branch with one claw raised, signed and dated 1970, overall size approx. 80cm x 49.5cm.Julien Temple is a British film, documentary and music video director, known for his work with the Sex Pistols including 'The Great Rock 'n' Roll Swindle'.

Los 849

Black and white artist signed etching, figures in a rowing boat before a bridge, signed, possibly Williams, 10 x 21cm, framed

Los 969

Neil Pittaway, artist signed proof drypoint etching, Phinnermont Square, dated 1997, 51 x 37cm, framedPaper is stained around the edge from the mounting slip, otherwise in good condition.

Los 1069

Gilt framed portrait print of a fairy with a butterfly, framed etching, view of Whitgift Church and six other various prints

Los 872

Sir William Russell Flint RA, etching, titled ' The Prison Door, Concarneau ', signed by the artist (bearing original label verso), 25 x 20cm and a small gilt framed print of two young ladies by the same artist

Los 565

Giovanni Battista Piranesi (Italian, 1720-1778) -Veduta interna del Sepolcro di S. Costanza -Etching on laid paper (trimmed) -40.5 x 54cm

Los 583

*Eveleen Buckton (British, 1875-1955) -A scene in the woods, with figures in the foreground -Etching -27.5 x 40cm -Signed in pencil lower right margin -A student of the printmaker Frank Short, Buckton exhibited with the New English Art Club and the Royal Academy.

Los 567

Giovanni Battista Piranesi (Italian, 1720-1778) -Tempio detto Volgarmente di Giano -Etching on laid paper (unframed) -47 x 71cm

Los 572

Francis Dodd (British, 1874-1949) -Greenwich - Drypoint etching -14 x 24cm - 50 x 40cm framed - Signed in pencil lower right margin

Los 562

Giovanni Battista Piranesi (Italian, 1720-1778) -Veduta degli Avanzi del Foro di Nerva (trimmed) -Etching on laid paper -46.5 x 69cm -Signed lower right to the plate

Los 589

*Sir Frank Brangwyn (British, 1867-1956) - Street scene with medieval loggias - Etching - 12.5 x 18cm Signed in pencil lower margin

Los 731

*Frank Brangwyn (1867-1956) - Bridge, Barnard Castle -Etching -44 x 55cm - 67 x 76cm framed -Signed in pencil bottom right margin

Los 588

David Roberts (British, 1796-1864) Pyramids of Geezeh, from the Nile Tinted lithograph 31.5 x 37cm (sight) Plate 128 from 'The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia'. London: F.G. Moon, 1842-1849 Together with an etching by A.M.Elliott of Egyptian interest (2)

Los 576

Herbert Thomas Dicksee (British, 1862 -1942) - 'Ready' - A wire-haired Fox Terrier, 1928 - Etching - 35 x 56.5cm - Signed in pencil lower left with Fine Art Trade Guild blind stamps.

Los 582

Berthe Morisot (French, 1841-1895) -Seated nude 'Nu de dos' -Drypoint etching -13.5 x 10cm (plate)

Los 561

Giovanni Battista Piranesi (Italian, 1720-1778) -Veduta del Pantheon d'Agrippa oggi Chiesa di S. Maria ad Martyres -Etching on laid paper (trimmed) -46 x 69.5cm

Los 563

Giovanni Battista Piranesi (Italian, 1720-1778) -Veduta dell'Anfiteatro Flavio, detto il Colosseo -Etching on laid paper (trimmed) -41.5 x 70cm -

Los 564

Giovanni Battista Piranesi (Italian, 1720-1778) -Veduta del Tempio della Sibilla in Tivoli -Etching on laid paper (trimmed) -40.5 x 63.5cm

Los 566

Giovanni Battista Piranesi (Italian, 1720-1778) -Veduta della Basilica di S. Giovanni Laterano -Etching on laid paper (trimmed) -37.5 x 52.5cm

Los 342

After George Cruikshank (1792-1878) Etching Two hand-coloured etched caricatures "The Blue Devils", published by G Humphrey, Jan. 10th 1823, framed and glazed, mount aperture 20cm x 24.5cm and "Inconveniences of a Crowded Drawing Room", published Aug. 1st by Thomas Mclean 1835, framed and glazed, image size 27.5cm x 40cm, together with a further 19th century caricature (3) Condition Report Browning to edges, some brown areas on prints, accretions behind glass. Blue devils has title cut out from bottom of print. Some fading/discolouration. General wear and tear.

Los 329

Collection of 19th century coloured engravings and lithographs of military interest, including: a framed panel of three coloured engravings after J.C. Stadler of the Royal Artillery 105.5cm x 45cm overall inc. frame and another titled Full-Dress Uniform of a Field Marshall, two early 19th century French coloured engravings, Troupe Francaises Garde Royale, Lanciers and Cuirassier de Conde Cie Regt, 19.5cm x 13.4cm, an etching, Armee, after W.H. Pyne, and Getting into his Billet after Rowlandson (6) 

Los 341

After Thomas Rowlandson (1756-1827) Hand-coloured etching Four etched caricatures with contemporary hand-colouring, "Comfort in the Govt." 26.5cm x 37cm, "The Sad Discovery of the Graceless Apprentice" 25.5cm x 37.5cm, "A Cully Pillaged" 26.5cm x 37.5cm, published July 1st 1802 by S.W. Fores and "House-Breakers, with aquatint by J. Malton, 35.5cm x 43.5cm, all framed and glazed (4) Condition Report Varying degrees of browning to paper on all. accretions behind glass. Some minor foxing in places on some. House-Breakers with cloudy area on backside of glass but doesn't seem to have affected print. Some fading/discolouration. Minor creases to some. All with margins. General wear and tear.

Los 307

Lionel Lindsay (1874-1961) Etching with drypoint on paper 'A bridge Estremadura, 1926', signed in pencil, with plate tone, from the edition of 75 artist's proofs, published by P. & D. Colnaghi, London, Eveling & Tress label to frame verso, plate size 17.5cm x 25cm, framed and glazed (39 x 47.5 cm), together with Hendrik 'Rik' Frans Schaefels (1827-1904) etching on paper 'Longboats at Arnemuiden, 1882', signed within plate 'Rik Schaefels', image size 14cm x 21.5 cm), framed and glazed (35 x 43.5 cm) (2) A bridge Estremadura, Mendelssohn 388. A trial proof of this print is held in the National Gallery of Victoria, Australia - Accession Number 1021-4.

Los 338

Tom Carr (1912-1977)  Pair coloured etchings "The College Valley", 53/75 and "Rattlin' the Rails", 53/75, each signed in pencil and titled, 27cm x 36cm  Tom Carr (1912-1977)  Coloured etching  "Hounds Gentlemen, Please", all framed and glazed (3)  

Los 337

Henry Wilkinson (1921-2011)  Set of three coloured etchings  Gundogs and various fowl, each signed in pencil and variously numbered, framed and glazed, 27.5cm x 36.5cm  Coloured etching Signed, by the same artist, three dogs investigating a tree trunk, framed and glazed (4) 

Los 274

Henry Wilkinson etching, game dogs, together with a signed Hugh Casson print and an oil of cattle in a highland landscape

Los 134

An indistinctly signed and editioned figurative etching entitled 'Aphrodite'. Framed and glazed. H.91 W.69cm

Los 137

Amedeo Lanci (b.1943), a signed, limited edition etching 'Gallo' 1992 with the artist's blind stamp. With notes and an original sketch to the reverse. H.52 W.37cm

Los 107

PIERRE- AUGUSTE RENOIR (1841-1919) LE CHAPEAU EPINGLE ETCHING A DRYPOINT ON LAID PAPER 11.5CMS X 7.5CMS SIGNED IN THE PLATE

Los 683

Benjamin Lander (Amercian,1842-1915), landscape etching on silk, signed in pencil lower right, 42x57cm, framed and glazed.

Los 296

Barry Pittar, pencil signed etching of a river scene with tall ships

Los 528

A QUANTITY OF ASSORTED PRINTS ETC, to include two Turner prints, a Wilfred C. Applebey drypoint etching of 'The General Hospital Birmingham', signed and titled to lower margin, an oil on board signed R. Goodyear depicting a square rigged ship, approximate size 25cm x 29cm, an early 20th century Japanese mixed media painting depicting Mount Fuji and boats on the water, prints of Sevres porcelain, reproduction map of Staffordshire, assorted prints etc, Some prints have damaged and or dirty frames

Los 1302

A collection of early 19th century bills and flyers etc and an etching of Rossetti, etching 14cm x 12cm. Condition - poor to fair

Los 1676

Ru van Rossem (1924-2007), colour etching, ‘Horse and Kidek’, signed in pencil and dated '54, limited edition 18/35, 34 x 20cm. Condition - fair

Los 1701

Leon Underwood (1890–1975), monochrome etching, study of a resting cow, signed and dated '22 in pencil, 23 x 28cm. Condition - fair, discolouration to the margin

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