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Los 515

William Russell Flint, ARA Spanish Christening Etching 23cm x 30cm

Los 415

Frank Henry Mason (1876-1965), Richmond Castle, Yorkshire, print, signed, 37cm x 45cm.; together with an etching `at Midhurst`, Arthur Evershed.(2)

Los 418

Anthony Gross (1905-1984), Canal de Borgogne, etching, signed and inscribed in pencil, 21cm x 31cm.; together with a watercolour by the same hand.(2)

Los 419

Meta Plückebaum (1876-1954), Puppies and kitten, etching, signed in pencil, 11.5cm x 24cm.

Los 453

A group of assorted prints and maps, including a colour etching `Old Ironsides in chase` signed Harold Wyllie, an etching by Walter W. Burgess, four 19th century county maps, and others.(qty)

Los 499

A group of of assorted prints and engravings, including an old master engraving of Jupiter and Sylvas, an etching by William Strang `The Ancient Mariner`, an aquatint by Joseph Farington `View of London from Greenwich Park`, a pair of prints of Highgate, a reproduction print of a portrait, and a photograph of Dalston Lane 1986 by Dennis Connoly.(6)

Los 472

HENRY RUSHBURY. Bow Bells, 1943, pencil signed, etching, Pl.11 x 8 1/2 in

Los 138

Edgar Holloway - `Fountains Abbey`, monochrome drypoint etching, signed and editioned 9/75 in pencil, together with another etching by Holloway.

Los 162

After Luigi Rossini - `Veduta di Ponte Fabrizio, Roma`, monochrome etching, titled and dated 1822, within an ebonized frame, together with an 18th Century engraving.

Los 171

Chas H. Clark - A View of Harrow School, with the Town beyond, sepia etching, signed and editioned 57/200 in pencil, together with another print of Harrow School and a watercolour.

Los 102

F. Haagensen - `Water Falls`, ltd ed etching, 3/75, pencil signed to margin, 32.5 x 23 cm

Los 127

After Terence Cuneo - `Duchess of Hamilton`, ltd ed 361/850 print, pencil signed to margin, 56 x 77 cm to/w after Walter Kershaw, ltd ed 18/750 print `The Conversion of Bury`, pencil signed and dated 1991, 54 x 74 cm, and Eggil A. Eggebaken etching `Somernatt` pencil signed to margin, ltd ed 141/188, 12.5 x 17 cm (3)

Los 523

A framed etching of St Pauls and the Thames, signed in pencil View on staceyauction.com

Los 1353

A good etching after Rembrandt of the Old Man with beard , fur cap and velvet cloak. A strong but possibly late impression of the final state on warm cream asiatic (Japan) wove paper. Provenance: The Beer family Vienna.

Los 2133

An etching Proof, The Fall to Pandemonium series 6, c 1980 by Terry Shave

Los 200

18th century etching Giovanni Battista Piranesi "Verduta del Tempio de Bacco...", 42 x 62cm

Los 202

Etching Norman Wilkinson Salmon jumping out of river in hilly landscape, entitled on verso, "Berrifched Pool on the Orchy", signed in pencil, 24 x 30cm

Los 203

Etching Norman Wilkinson Men fishing in river, inscribed on reverse "The Island Pool, River Orchy", signed in pencil

Los 232

Quantity of prints and pictures including:- etching after Monk (4)

Los 272

Four Various Napoleonic Prints consisting black and white etching of Napoleon on his charger. Red seal to front with pencil signature. The rear with Limited Proof label 1 of 150. Framed ... Black and white print of Napoleonic Officers in a winter landscape. Signed to the base. Framed with retailer’s rear label ... Coloured print `Decisive Charge of the Life Guards at Waterloo`. Modern framing ... Coloured print `The 23rd Royal Welsh Fusiliers.` Modern framing. 4 items.

Los 537

Victorian Naval Officer’s Sword single edged blade with large central fuller. Floral etching with Victorian crowned anchor. Cast brass guard with Victorian Naval cartouche. Folding back guard flap absent. Lion mask backstrap pommel. Shagreen covered grip wit twist wire binding. Contained in its brass mounted leather scabbard. Minor pitting to blade.

Los 539

Wilkinson 1912 Officer Pattern Cavalry Sword long straight single edged blade with central fuller. Foliage and KC GRV cypher etching. The forte with Wilkinson maker’s details and number `536699`. Chrome plated bowl guard with heavy foliage etching. Heavy pommel. Shagreen covered grip with twist wire binding. Some service wear with minor plating absent.

Los 544

Late 19th Century Cavalry Officer’s Sword single edged blade with central fuller. Traces of floral and panel etching. Chrome plated honeysuckle hilt. Checkered backstrap with plain pommel. Shagreen covered grip with twist wire binding. Contained in its leather covered field scabbard complete with Sam Browne sword frog. Brown leather sword knot. Minor rusting to blade.

Los 1375

Jan Both (Dutch, 1610-1652) etching, The Ponte Molle, 7.5 x 10.5in. and four other etchings including Zeeman and Hollar.

Los 1425

Phillips after Drummond & Basebe coloured etching, The Cricket Match between Sussex and Kent, at Brighton 1849, 23.5 x 36in. with key.

Los 1453

Herbert Dicksee (1862-1942) etching on parchment, The Destroyers, signed in pencil, 15.75 x 27in.

Los 1455

Herbert Dicksee (1862-1942) etching on parchment, `Girl and Aylesbury Ducks`, signed in pencil, 18 x 12.75in.

Los 1458

Edward Julian Detmold (1883-1957) etching, The Captive, signed in pencil, 13.5 x 11in.

Los 1477

Pierre Auguste Renoir (1841-1919) etching, Le Chapeau Épinglé., signed in the plate, 4.5 x 3.25in.

Los 1535

Louis Icart (French, 1888-1950) etching, drypoint and aquatint, Vitesse (Speed II), signed in pencil, 15 x 24.5in.

Los 1549

William Lionel Wyllie (1851-1931) etching, `Unloading a leaky tender ship`, signed in pencil, 9 x 14in.

Los 1550

Sir Frank Brangwyn (1864-1956) etching, La Boucherie, Antwerp, signed in pencil, Unframed, 15.5 x 12in.

Los 1551

Sir Frank Brangwyn (1864-1956) etching, Alpine bridge, signed in pencil, Unframed, 12 x 17in.

Los 1552

Sir Frank Brangwyn (1864-1956) etching, Street in Puy, signed in pencil, Unframed, 16 x 12in.

Los 1553

Sir Frank Brangwyn (1864-1956) etching, One man band and crowd before an old house, Ditchling, signed in pencil, Unframed, 12 x 15.5in.

Los 1555

Sir Frank Brangwyn (1864-1956) etching, Buttress, Pont Neuf, signed in pencil, Unframed, 16 x 11.5in.

Los 1558

Sir Frank Brangwyn (1864-1956) etching, Portrait of Dr Barnes, 14 x 10in., a signed photograph of Brangwyn sent to Barnes, an oil sketch of Brangwyn by William Barribal, a sketch of Brangwyn and Barnes by Barribal and other ephemera.

Los 1574

Edmund Blampied (1886-1966) etching, Chef and maid, signed, 82/100, 10 x 7.75in.

Los 1627

Julian Trevelyan (1910-1988) etching and aquatint, `Thames`, signed in pencil, 57/150, 14 x 19in.

Los 427

PABLO PICASSO (1881-1973), `Trois Tetes D`Hommes`, original etching on BFK Rives paper, 45cm x 34cm, published by Albert Skira, printed by Roger Lacouriere Paris, framed.

Los 48

Albany E Howarth (1872-1936) Etching, circa 1925 `New College Oxford` Signed in pencil under 7 3/4 x 11 3/4"

Los 15

UNSIGNED, BLACK AND WHITE ETCHING, Figure Group, 8” x 5”

Los 88

JOHN CROME, ANTIQUE BLACK AND WHITE SOFT GROUND ETCHING, “Three Trees” (First Edition Published by Mrs Crome), 9” x 7”, Provenance: William Weston Gallery, 10 Albemarle Street, London (see gallery label verso); together with one further NORWICH SCHOOL PRINT (2)

Los 99

LEONARD RUSSELL SQUIRRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A Scottish Loch, 9” x 14”

Los 103

CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING, Inscribed “On The Bure near Acle”, 6” x 8”

Los 106

HENRY JOHN STARLING, SIGNED AND DATED ’80 IN PENCIL TO MARGIN, LIMITED EDITION (32/100) BLACK AND WHITE ETCHING, Inscribed “Maddermarket Theatre”, 7 ½” x 5 ½”

Los 110

BRIAN SOWERBY, SIGNED AND DATED 1988 IN PENCIL TO MARGIN, LIMITED EDITION (1/75) BLACK AND WHITE ETCHING, Inscribed “Homeward Bound”, 5” x 9 ½”

Los 112

ANDERS NAVIN, SIGNED AND DATED 1923 IN PENCIL TO MARGIN, TWO BLACK AND WHITE ETCHINGS, Harbour Scene, and Langside; plus J A JONES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “The Old Boathouse, Bosham, Sussex”, assorted sizes (3)

Los 115

CHARLES J WATSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “St Pierre Lisieux”, 12” x 8 ½”; ERNEST LABOWE, SIGNED TO MARGIN, DATED 1911 TO IMAGE, BLACK AND WHITE ETCHING, “A La Petite Chaise”, 4” x 5”; ALC, INITIALLED TO IMAGE, BLACK AND WHITE ETCHING, “Thorpe”, 3 ½” x 2 ½”; and one other (4)

Los 116

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (4/60) COLOURED ETCHING, Inscribed “Pugs”, 8” x 6”; plus BAXTER PRINT, Bridge of Sighs (2)

Los 118

EINER HANSEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “New York Skyline”, 5” x 7”

Los 120

A SIMES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Exterior of Lady Chapel, St Bartholomew’s Church”, 4” x 5 ½”; plus four further ETCHINGS by different artists (5)

Los 123

J LEO ALMOND, SIGNED IN PEN TO MARGIN, BLACK AND WHITE ETCHING, “Mozart”, 6 ½” x 5”

Los 124

JAMES MACINTYRE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Street Scene, 8” x 10” (mounted but unframed); together with four further ETCHINGS by different artists (5)

Los 125

E M SYNGE, BLACK AND WHITE SECOND STATE ETCHING, “St Petersburg” (see further information verso), 3 ½” x 5”

Los 130

DOUGLAS ION SMART, SIGNED IN PENCIL TO MARGIN, GROUP OF FOUR BLACK AND WHITE ETCHINGS, Town and Coastal Views; plus INITIALLED PROOF ETCHING, Cathedral, assorted sizes, all unframed (5)

Los 134

VERA DOWN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Sir Winston Churchill, 9” x 7”

Los 135

FRED A FARRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “The Rialto Bridge, Venice”, 12” x 19”

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