![* Napoleon Bonaparte . La Crise salutaire, [1814], hand-coloured etching on laid paper, some light soiling and handling marks](https://cdn.globalauctionplatform.com/27556d06-14f1-4e11-85a7-ac1e00d5ce41/81dc96bf-b454-4a1d-9b15-ac1e010583e6/468x382.jpg)
* Napoleon Bonaparte . La Crise salutaire, [1814], hand-coloured etching on laid paper, some light soiling and handling marks, plate size 268 x 190 mm (7.5 x 10.6 ins), sheet size 305 x 228 mm (12 x 9 ins), with contemporary ownership signature in ink (along lower edge of the plate mark) of Alexander Hordern, together with: Proposition de Constitution aux Habitans de l'Ile St. Hélène par l'Ex Empereur et Roi, [1815], hand-coloured etching on laid paper, published Paris, chez tous les Marchands de Nouveautés, close-trimmed to top margin, just touching plate mark, some light handling marks to margins, and contemporary ownership signature of Alexander Hordern to lower left margin, plate size 255 x 330 mm (10 x 13 ins), sheet size 261 x 371 mm (10.25 x 14.25 ins), plus two others related: Testament de Buonaparte, and Les Anglaises de 1814, both hand-coloured etchings on laid paper, each with contemporary ownership signature of Alexander Hordern to lower marginQty: (4)NOTESBritish Museum Satires 12239.
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Hardie (Martin). Etchings and Dry Points from 1902 to 1924, by James McBey, A Catalogue, 1st edition, P. & D. Colnaghi & Co., 1925, original etching (Artist and Model), bound in as frontispiece, from the edition of 510 proofs, signed in ink, monochrome illustrations, top edge gilt, original quarter reversed calf, rubbed and worn on spine, with loss, 4to, limited edition 443/500, signed by the publisher, together with: Carter (Charles). Etchings and Dry Points from 1924 by James McBey, A Supplement, Aberdeen Art Gallery, 1962, monochrome illustrations, original cloth, some light soiling and handling marks, 4to, plus: Dodgson (Campbell). Etchings & Dry Points by Muirhead Bone. I. 1898-1907, A Catalogue, 1st edition, Obach & Co., 1909, original etched frontispiece, top edge gilt, remainder untrimmed, original quarter reversed calf gilt, rubbed and scuffed to joints and head and foot of spine, 4to, limited edition 208/275, signed by the publishers, and: Dodgson (Campbell). A Catalogue of Etchings by Augustus John 1901-1914, 1st edition, Charles Chenil and Co., 1920, monochrome illustrations, original quarter cloth, rubbed and some soiling and staining, 4to, limited edition 134/325, with an exhibition catalogue of etchings by Augustus John at the Chenil Gallery, 1919, loosely inserted, 4to, and others related: Louis A. Wuerth, Catalogue of the Etchings of Joseph Pennell, Alan Wofsy Fine Arts, 1998, Loys Delteil & Harold J.L. Wright, Catalogue Raisonné of the Etchings of Charles Meryon, Alan Wofsy Fine Arts, 1989, Richard S. Schneiderman, The Catalogue Raisonné of the Prints of Charles Meryon, Garton & Co., 1990, Edward G. Kennedy, The Etched Work of Whistler, Alan Wofsy Fine Arts, 1978, Hjert & Hjert, Zorn, Engravings, A Complete Catalogue, 1980, plus a bound photocopy of Continuation of Etchings & Dry Points by Muirhead Bone, mostly in dust wrappers, all 4toQty: (10)
After Francesco Solimena (1657-1747) A framed and glazed etching with aquatint with multiple tones 'The Judgement of Soloman'. Made by Johann Gottlieb Presel, published by Artaria and Co. circa 1783. Enscribed "Dessin de Francois Solimena de Naples/tire de la Collection de Mr Mathes, Peintre a Hambourg./ J.T Prestel sc." (A copy of this is held in the British Museum) Image size 32cm x 44cm
KEVIN SINNOTT (Welsh b.1947) A framed and glazed limited edition etching with aquatint titled 'Impressions'. Pencil signed and dated '90 and numbered 12/20. Plate size 59cm x 45.5cm (Sinnott has work in the National Museum of Wales, Metropolitan Museum of Modern Art New York, Ashmolean, British Museum and Arts Council.
KEVIN SINNOTT (Welsh b.1947) A framed and glazed limited edition etching with aquatint titled 'Thin Man'. Pencil signed and dated '90 and numbered 11/20. Plate size 60.5cm x 37cm. (Sinnott has work in the National Museum of Wales, Metropolitan Museum of Modern Art New York, Ashmolean, British Museum and Arts Council.
John Bluck. (act. 1791-1819), after Thomas Christopher Hofland RBA (1777-1843), a set of six Derbyshire landscapes, of Dovedale, Matlock Bath and Matlock, numbered consecutively from 1-6, ruled borders painted in grey wash, [London: Published by T. Barber and T. Hofland, 1805], aquatint and etching with hand-colouring, 31cm x 39cm, framed en suite in contemporaneous rosewood with gilt insets, [6]
Bernard Baron (1696? - 1762), after William Hogarth FRSA (1697-1764), The Right Reverend Father in God, Dr Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, ÆT. 67. A.D. 1743, [London: 1743-1744], etching, 41.5cm x 28cm, gilt and ebonised frame; Francesco Bartolozzi RA (1727-1815), after Giovanni Battista Cipriani RA (1727-1785), [The Rape of Dejanira], [London]: Publish'd as the Act directs by F. Bartolozzi 1787], monochrome etching, 26.5cm x 32cm; Pierre-Etienne Moitte (1722-1780), after Pierre-Antoine Baudouin (1723-1769), [Le Confessionnal], unlettered state, [Paris: 1777], etching and engraving, 32.5cm x 42cm, [3]
Giovanni Battista Piranesi (Italian 1720-1778) Perspective view of a funerary monument of a boar's headed rhyton on a vase (Wilton-Ely 994); Altar dedicated to Apollo, found in the Villa of Pompey the Great in Albano (Wilton-Ely 990); Large marble cinerary urn (Wilton-Ely 919); Perspective view of an ancient cinerary marble vessel (Wilton-Ely 920); Marble tripod found at Ostia (Wilton-Ely 947); Marble tripod found at Ostia (Wilton-Ely 948) Six each etching, from 'Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati' Each 75.7 x 49.1cm; 30 x 19ÎŒin (6)
Henry Bunbury (1750-1811) The Breakfast: Symptoms of Drowsiness Hand-coloured etching 22.3 x 30.4cm; 8ÎŽ x 12in Together with 'The Roads from London to Barnstable contains as follows & Comences at Andover'; two strip maps including Andover, Honiton and Ashburton; each 18.8 x 12.9cm; 7½ x 5in framed as one (2)
Adrien Godefroy (French 1777-1865) La Promenade en Bokei; Le Boulevard de Gand a Paris A pair, both hand-coloured etching, from 'Le suprκme bon ton' Each 21.6 x 27cm; 8½ x 10½in (image) Together with Johann Georg Mansfeld (Austrian 1764-1817) after Vincenz Georg Kininger (Austrian 1767-1851); Gemeiner Hussar Links; Hussaren Officier; a pair, both hand-coloured engraving; each 43.5 x 30.1cm; 17 x 11ÎŽin (image) (4)
Piers Brown, "Along the fields as we came by" (from A E Housman's A Shropshire Lad), signed inscribed and dated '79, etching with aquatint, numbered 30/100, 16cm x 23cm; J B Gray, The Pool of London, signed, watercolour; contemporary print of Waverley Station; ytwo equestrian portrait photographs, mounted.
* ANGELA LEMAIRE (BRITISH CONTEMPORARY) TWO ACTORS BEFORE WINDOW linocut print, signed, titled, dated '77 and numbered 1/5 in pencil 31cm x 23cm Mounted, framed and under glass. Note: Angela Lemaire was born in Buckinghamshire and went to the Lyçée Français de Londres and Wispers School in Sussex, then to PLC Pymble in Sydney Australia. She returned to Britain in 1962 and went to Chelsea School of Art, London (1963) and Camberwell School of Arts and Crafts (1964-67, Dip. AD.), where she was taught relief printmaking by Michael Rothenstein. After this she went to Morley College, Lambeth, where she continued etching. The wood-engraver Frank Martin, who taught at Camberwell, gave her a box of wood-engraving tools which had belonged to a colleague of his who had died. With these tools she taught herself wood-engraving; it hadn’t been taught at art-school. She was by then already friends with the wood-engraver and letterer Michael Renton and had watched him at work. She decided she would work principally as a printmaker and with text and image. Angela lives and works in the Scottish Borders and has exhibited widely including numerous solo shows at prestigious galleries around the UK and beyond.
PUMA, GERMANY A SCARCE CASED SPORTING-KNIFE, MODEL '6374 COUGAR', serial no. 83774, for 1977, the 7in. clip-point bolo blade with serrations for the first 1 3/8in, the back-edge with substantial gutting hook, the right hand side etched '6374 HAND ' over 'PUMA COUGAR' over 'GENUINE PUMASTER STEEL - GERMANY' above the patent number '1225073', the reverse with an etching of a recumbent puma, polished alloy finger-guard, shaped natural staghorn scales held by three washered rivets and bored through with a brass lined lanyard aperture, appearing unused with its leather scabbard, warranty tag and in its foam lined Puma pine box (lid lining perished and absent). This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)
JULIA MANNING (LATE 20TH CENTURY ENGLISH SCHOOL) 'Le Meutre Au Chateau Abandonne', etching, signed, inscribed, dated '95 and numbered 18/50 in pencil in the margin, 18cm x 24.5cm together with a 17th century style still life of flowers on a stone shelf, signed Botkin, oil on panel, 24cm x 18.5cm Condition: both generally in good condition with some slight marks to the frames
19TH CENTURY STREET SCENE watercolour, 29cm x 20cm; a continental lake scene, oil on canvas, 30cm x 38cm; 19th century etching depicting Parcheminier by R Nerici, 32cm x 20cm; Kemp 1989, watercolour 'Kneeling Nude', 18cm x 18cm (4) Condition: some surface marks, oil painting with cracking to the paint down one side
EARLY 20TH CENTURY SCHOOL 'Bruges', etching, signed in pencil dated '35 and numbered 16/50 in the margin, 22.5cm x 24cm together with three decorative Oriental pictures to include a print of Korenori by Fujiwara, two decorative watercolours (4) Condition: the etching with some minor foxing over the surface and with stain to the mount, within an oak frame; the Oriental pictures with marks to the mounts and frames, generally reasonable condition overall
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