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78475 Los(e)/Seite
Los 142
John Copley (1875-1950). Palma de Mallorca. Etching on Van Gelder Zonen laid paper. 21 x 31cm (8 1/4 x 12 1/4 in). Signed and inscribed, imp, in pencil, lower middle, [Cooke 52], [1932]. With an Ethel Gabain, Pierrot, lithograph on japan paper, 35 x 20.5cm., signed in pencil, lower right, c.1930 (2)
![James Abbott McNeill Whistler (1834-1903). Old Clothes Shop No.1. Etching, 1st state [K.257], c.1886. With blank signature ta](http://lot-images.atgmedia.com/SR/1574/2796802/171-2010623114649_468x382.jpg)
![Sir David Muirhead Bone (1876-1953). Montagu Glass, 1923. Etching with drypoint, only state [C.D.394]. Signed in pencil at lo](http://lot-images.atgmedia.com/SR/1574/2796802/173-2010623114655_468x382.jpg)
Los 173
Sir David Muirhead Bone (1876-1953). Montagu Glass, 1923. Etching with drypoint, only state [C.D.394]. Signed in pencil at lower right, and titled at lower left, inscribed below Printed in New York, MB. 13 x 17.5cm (5 1/8 x 7 in). With 4 other etchings, including 3 by W.H. Sweet, including views of Durham and Worcester cathedrals, and Venice. All unframed (5)
Los 332
A mixed group of prints. Including a large etching of a surgeon fighting with Death over a naked woman, a tribute to Andy Warhol titled Cuba’s Soup, a portrait of Nelson and a Turkish street scene. Etchings, screen print, stipple-engraving. Various sizes, largest 73.5 x 53.5cm ( 29 x 21 in), this one unframed (4)
![* Claude (Le Lorrain, [i.e. Claude Gelee]). Le Bouvier (The Cowherd), 1636 [but later, 5th state], etching on 18th c. laid pa](http://lot-images.atgmedia.com/SR/10729/2796907/197-201072185353_468x382.jpg)
Los 197
* Claude (Le Lorrain, [i.e. Claude Gelee]). Le Bouvier (The Cowherd), 1636 [but later, 5th state], etching on 18th c. laid paper, close-trimmed to image (with slight loss at edges), 13 x 19.7cm (5 x 7.75ins), mounted, together with Le Troupeau a l’abreuvoir (The herd at the watering-place), 1635, etching on paper, trimmed to image with loss of borders, 10 x 16.5cm (4 x 6.5ins), mounted, and Le Depart pour les champs (Departure for the fields), c.1638-41, etching on paper, trimmed to image with loss, some dampstaining, 12.5 x 17.2cm (5 x 6.75ins), mounted, plus two others. Mannoci (Lino), The Etchings of Claude Lorrain, pub. Yale University Press, 1988, no. 18v (p.146), no. 16 (p.122) and no. 34 (p.204). (5)
Los 198
* Cort (Cornelis, 1533-1578). St. Francis Penitent in the wilderness, 1575, engraving by Cornelis Cort after Girolamo Muziano, pub. Bonifazio Breggi, Rome, trimmed to ruled border, some surface marks, 510 x 370mm (20 x 14.5ins), together with Galle (Cornelius II, 1615-1678), Landscape with Tobias and The Angel, etching, [pub. Suzanna Verburggen], trimmed to image, 290 x 415mm (11.5 x 16ins), framed and glazed. Hollstein 114. (2)
Los 200
* Rembrandt (Harmensz van Rijn, 1606-1669). Christ before Pilate: larger plate, etching, with drypoint, 1636 [but later, probably early 18th c.], on wove paper, without watermark, margins trimmed, some light surface soiling and a few small nicks to extreme edges, plate size 56 x 45.5cm (22 x 18ins). Bartsch 77. A good strong impression. (1)
Los 206
* Abbe (Solomon van, 1883-1955). Barrister at Work, etching with drypoint, signed and numbered 18/50, plate size 26 x 26cm (10.25 x 10.25ins), framed and glazed, together with Short (Sir Frank, 1857-1945), A South Coast Road, etching, signed in pencil, plate size 147 x 267mm (5.75 x 10.5ins), framed and glazed, plus Bradshaw (Brian, 1923-), Revolutionaire, drypoint etching, signed and titled in pencil to lower margin, 24.5 x 36cm (9.5 x 14ins), framed and glazed (3)
![* Austin (Robert Sargent, 1895-1973). [Daisies], etching, signed and limited 66/75 in pencil below image, 10.5 x 13.5cms (4 x](http://lot-images.atgmedia.com/SR/10729/2796907/210-201072185413_468x382.jpg)
Los 210
* Austin (Robert Sargent, 1895-1973). [Daisies], etching, signed and limited 66/75 in pencil below image, 10.5 x 13.5cms (4 x 5.25ins), together with, untitled image of a female wood cutter, etching, etched initials of, R S A below image, signed in pencil in lower margin, 16 x 11.5cms (6.25 x 4.5ins). Robert Sargent Austin taught engraving at the Royal College of Art from 1927 to 1944 and was a member of the Royal Watercolour Society, The Royal Society of Etchers and The Royal Academy. (3)
![* Brockhurst (Gerald Leslie, 1890-1978). Una [also called ‘The Young Creole’], 1929, etching, signed in pencil be](http://lot-images.atgmedia.com/SR/10729/2796907/216-201072185421_468x382.jpg)
![* Brockhurst (Gerald Leslie, 1890-1978). Fabian [1921], etching, signed in pencil below image, plate size 17.5 x 12.5cm (7 x](http://lot-images.atgmedia.com/SR/10729/2796907/217-201072185423_468x382.jpg)
Los 220
* Hubbard (Eric Hesketh, 1892-1957). The Fair Gound, etching, signed , titled and numbered 57/100 below image, 20 x 29.5cm (8 x 11.5ins), together with a signed woodcut by the same artist, plus The Mower, etching, signed, titled and numbered 33/50 below image, 20 x 15cm (8 x 6ins), and Short (Frank), The New Inn, Poole, etching, signed in pencil below image, 25 x 17.5cm (9.75 x 7ins), plus Osborne (Malcolm), Female portrait, etching, signed below image by artist, 23 x 17.5cm (9 x 7ins), and Blaylock (Thomas Todd), The Ebbing Tide, woodcut printed in colours, signed and titled below image, 17 x 25cm (6.75 x 9.75ins), and, Woollard (Dorothy C.)Ye Old Lattice Inn, etching, signed in pencil below artist, 19.5 x 27cm (7.75 x 10.75ins) (7)
Los 228
* McBey (James, 1883-1959). The Passing Gondola, 1926, etching, signed and numbered LVI in ink to lower margin, (from the British edition of 60 numbered in Roman numerals), 21.4 x 26.6cm (8.5 x 10.5ins), framed and glazed. Wofsy, Etchings & Dry-points of James McBey (1997) 230. A further twenty prints were published for America, numbered AI-AXX. (1)
Los 236
* Rosenberg (Louis Conrad, 1890-1983). Greek cafe, etching, signed below image in pencil, 13.5 x 19cms (5.5 x 7.5ins), mounted, framed and glazed, together with, Hallward (Reginald, 1858-1948), Angel and Old man, 1939, soft ground etching, signed, dated and limited 1/25 below image, 21.5 x 27.5cms (8.5 x 10.75ins), mounted, framed and glazed, with, Buchanan (Birtram), Seascape from the cliffs, late 20th. century, etching, signed in pencil below image, 11 x 22cms (4.25 x 8.75ins), mounted, framed and glazed, with another two similar, plus a folder containing twenty-two etchings, engravings and gravures, various sizes and condition (27)
Los 248
* Walcot (William, 1874-1943). Two city scenes, two etchings, both signed in pencil below image, one with a personalinscription to Malcolm Salaman, one image laid on near contemp. card, 13 x 12cms (5 x 4.75ins), the other 18 x 25cms (7 x 10ins). Malcolm Salaman was an English author, journalist and critic, particularly on prints, who frequently contributed to the art magazines of the day. He also wrote the introductions to the 33 volume series ‘Modern Masters of Etching’ published between 1925-32 by ‘The Studio’. (2)
Los 285A
Wilfred Crawford Applebey - Original signed etching of "The Royal And Ancient Club House" produced to celebrate the 200th Anniversary ltd ed no 3/75 - signed in pencil and inscribed to the border "The Headquarters of Golf Bicentenary Etching - 75 /No3" image 8.5 x 13.75" - scarce. W C Applebey studied at Glasgow School of Art, exh Glasgow 1912, GI x 48 and RSA x 14.
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78475 Los(e)/Seite