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Los 26

William Lionel Wyllie (1851-1931) SHIPS AND SMALL VESSELS ON THE THAMES signed etching in brown, printed in brown ink 22 x 37cms; 8 3/4 x 14 1/2in.

Los 425

AN ITALIAN ETCHING OF CHRIST CARRYING A CROSS DATED 1725, FRAMED

Los 407

After G. Hollis, Cambridge University Almanack 1827, etching

Los 1047

James Priddy: a signed hand coloured etching, view of Broadgate Ludlow, and two companion etchings, "Low Water Eventide" and "Fair Wind Astern"

Los 228

LEONARD SQUIRREL ETCHING OF A COTTAGE DATED 1918; ETCHING OF A LUCK GATE DATED 1922, 13.5 X 18CM AND 15 X 26CM, TOGETHER WITH TWO ETCHINGS BY A.G. PETHERBRIDGE AND AN ETCHING BY CATHERINE NICHOLS R.E., (NORWICH ART CIRCLE)

Los 2078

A limited edition etching `Old school House, Greshams` signed, no 43/75 and an etching of Country Cottage by Alfred Gwatkins.

Los 148

"Edward Millington Synge, (1860-1913, 20th century), `Low Tide`, signed in pencil, etching, 9.5 x 12.5 cm, an engraving of Cromer, larger and a set of six early 19th century engravings depicting pastimes and pursuits "

Los 27

An etching Windsor Castle by Edward Burrow, together with an 18th century portrait print of George III.

Los 28

A Geoffrey Garnier etching aquatint, Seventy-fours returning to harbour, signed and No. 14 from an edition of 100.

Los 697

William Lionel Wyllie, an etching, The River Nile and The pyramids. 7 ins x 15 ins, signed, framed (see illustration).

Los 698

William Lionel Wyllie, an etching, Valletta, Malta. 7 ins x 15 ins, framed, signed (see illustration).

Los 699

William Lionel Wyllie, an etching, Gibraltar. 7 ins x 15 ins, framed, signed (see illustration).

Los 612

Charles Frederick Tunnicliffe (RA 1901-1979); limited edition etching "The Cattle Market, Waters Green, Macclesfield", signed, 31/75, 21 x 28cm, framed and glazed (Illustrated).

Los 1423

After Tom Carr. `Hounds Gentlemen Please`, limited edition etching, 67/75, signed in pencil and a Christopher Curtis illustrated verse. (2).

Los 1426

After Henry Rushbury. St Martin`s-in-the-Field, dry point etching, signed, 31cm x 28cm.

Los 1445

Lawrence Josset. artist signed colour etching horse after shire.

Los 2239

Drive point etching of Broadstairs and various prints.

Los 566

§ TSELKOV, OLEG B. 1934 Demonstration Series, two works both signed twice and dated 1976, also titled in Cyrillic "Demonstration", one numbered "III-3/100" and the other numbered "II-5/11" Each etching on paper, one measuring 84.5 by 61.5 cm and the other 81.5 by 63.5 cm. Provenance: Acquired directly from the artist. The Lili Brochetain collection, Paris.Authenticity has been confirmed by the artist.Literature: Tselkov, Le Grandi Monografie, Milan, Fabbri Editori, 1988, p. 120, illustrated. Exhibition catalogue, Oleg Tselkov, Eduard Nakhamkin Fine Arts, USA, illustrated.

Los 1569

Toni Martina, `The Turbine Hall, Tate Modern`, signed, inscribed with title and numbered 4/50 in pencil, etching and aquatint, 35.5cm x 26.5cm

Los 534

After Sam Garratt (1865-1947) BRECON CASTLE, first proof etching, signed and titled in pencil to margin, card mounted, ebonised frames under glass. 19cm(h) x 23cm(w).

Los 536

Elyse Ashe Lord (British 1900-1971) A COLOURED ETCHING, ‘CHINESE’ two female figures in typical dress, signed in pencil to margin, numbered 33/75, within a card mount and moulded frame under glass. 46cm(h) x 33cm(w).

Los 537

Elyse Ashe Lord (British 1900-1971) A COLOURED ETCHING, ‘RED PLUM BLOSSOM’, an oriental female reclining against a blossoming plum tree, signed in pencil to margin, numbered 55/100, within a card mount and gilt framed under glass. 43cm(h) x 34cm(w).

Los 538

Elyse Ashe Lord (British 1900-1971) A COLOURED ETCHING, ‘JOY RIDE’, a male and female figure and chariot, signed in pencil to margin, numbered 46/75, within a wash line mount and moulded frame under glass. 26cm(h) x 20cm(w).

Los 187

GERALD LESLIE BROCKHURST RA (1890 -1978) Anais No 2 etching, signed & dated 1930 23cm x 17cm Note: Anais was the artist`s first wife.

Los 220

JOHN PIPER (British 1903 - 1992) Blue Vase etching in colours, signed in pencil and numbered 44/100 42cm x 55cm

Los 244

ALAN DAVIE Day of the Fish etching and chine colle, signed, 2003 28.5cm x 34.5cm

Los 247

* JOHN BELLANY CBE HRSA RA By Siloam`s Shady Rill etching, signed in pencil, 15/16 20.5cm x 25cm

Los 248

* JOHN BELLANY CBE HRSA RA Netherworld etching, signed in pencil, 18/20 20cm x 25cm

Los 52

FRANCOLIN, Hans von (1520-86). Thurnier Buech Warhafftiger Ritterlicher Thaten, so in dem Monat Junii des vergangnen LX. Jars in und ausserhalb der Statt Wienn zu Rosz und zu fuesz, auff Wasser und Lannd gehalten worden. Vienna: Raphael Skrzetusky, called Hoffhalter, for the author, [1560-61]. 2° (289 x 191mm). Collation: A6; B-N4 (N4 blank), O-P4 Q2, R-X4, x2, Y-Z4; 7 large folded etched plates, including two by Hanns Lautensack (at G4 and N4), one attributed to Francesco Terzi (at H2), one by the monogrammist FA (at I3), one attributed to Giovanni Guerra (at Q2), one unsigned (at X3) and one attributed to Johann Thwenger. Gothic type. Title printed in red and black surrounded by a border of 10 armorial woodcuts, full-page woodcut portrait of Holy Roman Emperor Ferdinand I by Donat Hübschmann on verso, large emblematic etching by Johann Schlutpacher de Rauris (A6v), full-page woodcut by Hanns Lautensack of the standard-bearer Heinrich the younger, Burgrave of Meissen (E1r), 45 woodcut coat-of-arms in quire x, on Z1r woodcut device incorporating the arms of the printer, a Polish nobleman. (Stain on title and final leaf with colophon, sheet A1.6 somewhat browned, one sheet and one plate detached, short tear in fold of 4 plates, 3 plates just shaved on one side.) Contemporary limp vellum (small hole in spine, ties missing, a second book removed from the binding). Provenance: green library stamp on title (unidentified) -- Lathrop Harper (sold in 1955 to:) -- Paul and Marianne Gourary. FIRST EDITION IN GERMAN of the finest early printed book on tournaments. It describes in detail and spectacularly illustrates the tournaments, staged battles (including an elaborate naval scene), balls and banquets, held at Vienna to honour the visit of Albrecht V Duke of Bavaria (1528-79), son-in-law of Emperor Ferdinand I and brother-in-law of King Maximilian of Bohemia (from 1564 Emperor Maximilian II). According to Graesse (II, 629), the Latin edition of the same year has different illustrations, which he describes as 'moins bonnes', and the same is true for Feyerabend's Frankfurt edition appended to Rüxner's Thurnier Buch (1566). The author served as Herald to John II Sigismund, King of Hungary. In complete condition with the full complement of etched plates, the book is OF THE GREATEST RARITY; both Ruggieri copies were imperfect and Bartsch describes only three of the etchings. FINE IMPRESSIONS. Brunet Supplement II: 767; Mayer, Wiens Buchdruckergeschichte I, 88-89 ('Pearl of all the books printed in Vienna'); Ruggieri 827; Watanabe 21. View on Christie's.com

Los 75

HERBERT DICKSEE etching, unframed - lion and lioness on a rock, published by Frost & Reed 1898, signed in the margin, 16 x 26

Los 430

After Stanley Pollitt, Incorporated Accountants Hall, London, monogram etching, pencil signed, titled No. 61/150, Caxton Galleries, label verso.

Los 467

After Henry Wilkinson, setter with a pheasant, coloured etching, limited edition, pencil signed No. 14/150 and a similar etching, (2).

Los 167

Christopher Richard Wynne Nevison (1889-1946): The Fountain, etching signed in pencil 21cm x 32cm

Los 169

Valerious Saedeleer (1867-1941): The Windmill, woodcut signed inscribed and dated 1939 numbered 31/300 in pencil, 45cm x 52cm; `Vieux Verger en Hiver Etikhove`, etching 60cm x 70cm (also included a small collection of family photos,signed cards and ephemera) Provenance: By decent from the artist

Los 175

Willi Kissmer (1958-): `White Ribbons`, etching signed and numbered in pencil EA, 65cm x 36cm Provenance: With Westcliffe Gallery, Sheringham, Norfolk

Los 517

ABRAHAM-LOUIS-RODOLPHE DUCROS (1748-1810) AND GIOVANNI VOLPATO (1732-1801) VUE DU TEMPLE DE JUPITER STATOR A ROME signed Volpato et Ducros and inscribed on the original mount, watercolour over etching in double black line border, 71 x 92cm (78 x 58cm overall) Ducros and Volpato`s Vues de Rome des Des Environs proved a great success with aristocratic grand tourists. Meusel, writing in his Miscellaneen of 1781 stated that "M Ducros of Yverdon, who has gained an excellent reputation in Rome, is working in collaboration with M Volpato on a collection of illuminated views… twelve pieces in the format of the School of Athens are finished, as well as twelve of medium size. M Ducros engraved [sic] the copper plates making only the outline, then, under his and M Volpato`s direction the engravings [sic] are illuminated by young artists with the result that they are barely distinguishable from original drawings". Ducros` fellow Swiss, Peter Birmann (1758-1844) who worked in the studio from 1782 recalled that "Ducros, in collaboration with the celebrated engraver Volpato, had an art business which he ran almost alone, while his associates guided and supervised the engravers and painters in a superb studio." The present example conforms to others, some of which bear a date of between 1780 and 1784 accompanied by the title, either written in ink or printed on a separate piece of paper serving as the mount. See Images of the Grand Tour Louis Ducros 1748-1810, Exhibition Catalogue, London, Manchester and Lausanne, 1985-86, p20.1. ++In a reasonably good state of preservation with some old treated feint spots of foxing the mount slightly misaligned, reframed probably in the early/mid 20th c since when undisturbed. Some mild surface/handling marks and light stains in the margin

Los 127

Rembrandt van Rijn (Dutch 1606-1669) - Etching - Beggar Woman Leaning On A Stick, dated 1646, 8cm x 6.25cm

Los 183

Paolozzi, Eduardo (1924-2005) - Limited edition etching - Study of a standing man, No.41/100, signed, numbered and dated 1987 in pencil, 20cm x 10cm

Los 461

EARLY 20TH CENTURY SCHOOL Farm sheds in a landscape, black and white etching, indistinctly signed in pencil to lower margin, 17cms x 30cms, Thos. Agnew Gallery label verso

Los 261

After Henry Wilkinson, A Black Retriever Flushing a Brace of Partridge, coloured etching, signed in pencil and numbered 52/150, 27cm by 36cm

Los 429

†† Henry Alken (British, 1785-1851) The High Mettled Racer-The Foal; In Training; The Racer; The Hunter (H Alken del and H Alken and T Sutherland sculpt) Published March 1, 1821, by S and J Fuller at their Sporting Gallery, 34, Rathbone Place etching with aquatint 24 x 29cm (9.36 x 11.31in) (four, from a series of six)

Los 442

Heywood Hardy (British, 1842-1933) Head of a Horse; Head of a Lion; and The Village Doctor, 1880; together with A Cockerel, by another hand signed indistinctly published by Messrs Dowdeswell, London, 1882 all signed lower left "Heywood Hardy" and The Village Doctor with a date of 1880 etching 35 x 27cm (13.65 x 10.53in) (4)

Los 621

AFTER LEMUEL FRANCIS ABBOTT. Golfers at Blackheath, restrike etching , with some browning, 24 x 17 in; and a small selection of other framed prints including examples after or by F. Wheatley, R. Cosway, E. Wardle, and G. Keating (5)

Los 18

John Emms (1843 - 1912) The Hon Ralph P Nevill mounted on a grey hunter with his pack of hounds at foot hand coloured etching signed in pencil by the artist in the margin also inscribed `Presented to Hon Ralph P Nevill by the farmers of the West Kent Hunt after thirty years mastership Nov 1898 54cm x 67cm.

Los 21

Raoul Dufy (1877 - 1953) `Baigneuse` coloured etching 24cm x 33cm

Los 25

William Lee-Hankey (1869 - 1952) Old woman and young lady etching with monogram and blind stamp to the margin 27cm x 19cm.

Los 43

Bernard Dunstan (b.1920) Girl in Bed charcoal drawing signed with initials, inscribed, numbered 9/15 and dated 1972 25 x 38cm, unframed together with a small group of other pictures including an aquatint by R A le Bas, pastel drawing by Gabrielle Belly, etching by Diana M Armfield (b.1920), watercolour of Bawdsley Ferry by Sybil Mullen Glover (fl.1940), oil still life by Rita Greig (b.1920) and two watercolours of South Devon by Donald Greig (1916-2009).

Los 1069

* Richard Bawden (b1936) limited edition etching in glazed frame entitled - Southwold, 36/75 signed and inscribed in pencil, 34.5cm x 47cm

Los 623

C B CHAPMAN (LATE 20TH CENTURY) - Flowers by a Pavement, etching signed in pencil and dated `77 and numbered 11/30, 8" x 9 3/4" together with a further decorative but indistinctly signed etching, and other pictures and prints (7)

Los 626

AN EARLY 20TH CENTURY LIMITED EDITION ETCHING of Victor Gilsoul indistinctly signed, numbered 18/90 and bearing date 1913 9 3/4" square together with an engraving of Nelson, a print of Chateau de Blois, an etching after Claude le Lorrain and a print of Alexader Innes esq after D Alexander (5)

Los 711

J MAYBERY - JOHN KNOX`S HOUSE, etching signed and titled in pencil in the margin 7 3/4" x 6" together with three further decorative pictures (4)

Los 754

AN 18TH CENTURY ETCHING of a Radcliffe Library, Brazen Noze College, Oxford, 7" x 10 1/2", together with three further college prints (4).

Los 424

LOUIS ****** French Alleyway etching, signed indistinctly 19.5cm x 9cm

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