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§ TSELKOV, OLEG B. 1934 Demonstration Series, two works both signed twice and dated 1976, also titled in Cyrillic "Demonstration", one numbered "III-3/100" and the other numbered "II-5/11" Each etching on paper, one measuring 84.5 by 61.5 cm and the other 81.5 by 63.5 cm. Provenance: Acquired directly from the artist. The Lili Brochetain collection, Paris.Authenticity has been confirmed by the artist.Literature: Tselkov, Le Grandi Monografie, Milan, Fabbri Editori, 1988, p. 120, illustrated. Exhibition catalogue, Oleg Tselkov, Eduard Nakhamkin Fine Arts, USA, illustrated.
FRANCOLIN, Hans von (1520-86). Thurnier Buech Warhafftiger Ritterlicher Thaten, so in dem Monat Junii des vergangnen LX. Jars in und ausserhalb der Statt Wienn zu Rosz und zu fuesz, auff Wasser und Lannd gehalten worden. Vienna: Raphael Skrzetusky, called Hoffhalter, for the author, [1560-61]. 2° (289 x 191mm). Collation: A6; B-N4 (N4 blank), O-P4 Q2, R-X4, x2, Y-Z4; 7 large folded etched plates, including two by Hanns Lautensack (at G4 and N4), one attributed to Francesco Terzi (at H2), one by the monogrammist FA (at I3), one attributed to Giovanni Guerra (at Q2), one unsigned (at X3) and one attributed to Johann Thwenger. Gothic type. Title printed in red and black surrounded by a border of 10 armorial woodcuts, full-page woodcut portrait of Holy Roman Emperor Ferdinand I by Donat Hübschmann on verso, large emblematic etching by Johann Schlutpacher de Rauris (A6v), full-page woodcut by Hanns Lautensack of the standard-bearer Heinrich the younger, Burgrave of Meissen (E1r), 45 woodcut coat-of-arms in quire x, on Z1r woodcut device incorporating the arms of the printer, a Polish nobleman. (Stain on title and final leaf with colophon, sheet A1.6 somewhat browned, one sheet and one plate detached, short tear in fold of 4 plates, 3 plates just shaved on one side.) Contemporary limp vellum (small hole in spine, ties missing, a second book removed from the binding). Provenance: green library stamp on title (unidentified) -- Lathrop Harper (sold in 1955 to:) -- Paul and Marianne Gourary. FIRST EDITION IN GERMAN of the finest early printed book on tournaments. It describes in detail and spectacularly illustrates the tournaments, staged battles (including an elaborate naval scene), balls and banquets, held at Vienna to honour the visit of Albrecht V Duke of Bavaria (1528-79), son-in-law of Emperor Ferdinand I and brother-in-law of King Maximilian of Bohemia (from 1564 Emperor Maximilian II). According to Graesse (II, 629), the Latin edition of the same year has different illustrations, which he describes as 'moins bonnes', and the same is true for Feyerabend's Frankfurt edition appended to Rüxner's Thurnier Buch (1566). The author served as Herald to John II Sigismund, King of Hungary. In complete condition with the full complement of etched plates, the book is OF THE GREATEST RARITY; both Ruggieri copies were imperfect and Bartsch describes only three of the etchings. FINE IMPRESSIONS. Brunet Supplement II: 767; Mayer, Wiens Buchdruckergeschichte I, 88-89 ('Pearl of all the books printed in Vienna'); Ruggieri 827; Watanabe 21. View on Christie's.com
Valerious Saedeleer (1867-1941): The Windmill, woodcut signed inscribed and dated 1939 numbered 31/300 in pencil, 45cm x 52cm; `Vieux Verger en Hiver Etikhove`, etching 60cm x 70cm (also included a small collection of family photos,signed cards and ephemera) Provenance: By decent from the artist
ABRAHAM-LOUIS-RODOLPHE DUCROS (1748-1810) AND GIOVANNI VOLPATO (1732-1801) VUE DU TEMPLE DE JUPITER STATOR A ROME signed Volpato et Ducros and inscribed on the original mount, watercolour over etching in double black line border, 71 x 92cm (78 x 58cm overall) Ducros and Volpato`s Vues de Rome des Des Environs proved a great success with aristocratic grand tourists. Meusel, writing in his Miscellaneen of 1781 stated that "M Ducros of Yverdon, who has gained an excellent reputation in Rome, is working in collaboration with M Volpato on a collection of illuminated views… twelve pieces in the format of the School of Athens are finished, as well as twelve of medium size. M Ducros engraved [sic] the copper plates making only the outline, then, under his and M Volpato`s direction the engravings [sic] are illuminated by young artists with the result that they are barely distinguishable from original drawings". Ducros` fellow Swiss, Peter Birmann (1758-1844) who worked in the studio from 1782 recalled that "Ducros, in collaboration with the celebrated engraver Volpato, had an art business which he ran almost alone, while his associates guided and supervised the engravers and painters in a superb studio." The present example conforms to others, some of which bear a date of between 1780 and 1784 accompanied by the title, either written in ink or printed on a separate piece of paper serving as the mount. See Images of the Grand Tour Louis Ducros 1748-1810, Exhibition Catalogue, London, Manchester and Lausanne, 1985-86, p20.1. ++In a reasonably good state of preservation with some old treated feint spots of foxing the mount slightly misaligned, reframed probably in the early/mid 20th c since when undisturbed. Some mild surface/handling marks and light stains in the margin
††Henry Alken (British, 1785-1851) The High Mettled Racer-The Foal; In Training; The Racer; The Hunter (H Alken del and H Alken and T Sutherland sculpt) Published March 1, 1821, by S and J Fuller at their Sporting Gallery, 34, Rathbone Place etching with aquatint 24 x 29cm (9.36 x 11.31in) (four, from a series of six)
Heywood Hardy (British, 1842-1933) Head of a Horse; Head of a Lion; and The Village Doctor, 1880; together with A Cockerel, by another hand signed indistinctly published by Messrs Dowdeswell, London, 1882 all signed lower left "Heywood Hardy" and The Village Doctor with a date of 1880 etching 35 x 27cm (13.65 x 10.53in) (4)
John Emms (1843 - 1912) The Hon Ralph P Nevill mounted on a grey hunter with his pack of hounds at foot hand coloured etching signed in pencil by the artist in the margin also inscribed `Presented to Hon Ralph P Nevill by the farmers of the West Kent Hunt after thirty years mastership Nov 1898 54cm x 67cm.
Bernard Dunstan (b.1920) Girl in Bed charcoal drawing signed with initials, inscribed, numbered 9/15 and dated 1972 25 x 38cm, unframed together with a small group of other pictures including an aquatint by R A le Bas, pastel drawing by Gabrielle Belly, etching by Diana M Armfield (b.1920), watercolour of Bawdsley Ferry by Sybil Mullen Glover (fl.1940), oil still life by Rita Greig (b.1920) and two watercolours of South Devon by Donald Greig (1916-2009).
AN EARLY 20TH CENTURY LIMITED EDITION ETCHING of Victor Gilsoul indistinctly signed, numbered 18/90 and bearing date 1913 9 3/4" square together with an engraving of Nelson, a print of Chateau de Blois, an etching after Claude le Lorrain and a print of Alexader Innes esq after D Alexander (5)

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78472 Los(e)/Seite