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Los 1

On Loch Katrine's Shores, an original monochrome etching indistinctly signed in pencil, 20cm x 25cm.

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A BREWSTER DETAINES, Temple Bar, Dublin, pencil signed, etching, 18cm x 14cm.

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Abbey of Arbroath etching and a framed embroidery of Falkland Palace; also three framed prints of birds. (5)

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HENRY RUSHBURY 'Fountains Abbey' pencil singed etching.

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SALAMAN, MALCOLM C., ed. Modern Masters of Etching. Nos. 1,2,5,7,8,13,16,24, and 26 (including Frank Brangwyn, Sir D.Y. Cameron, James McNeill Whistler and James McBey). The Studio, 1924-31. Oblong 4to., orig. boards. Plates (9)

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SPARROW, WALTER SHAW. A Book of British Etching. (1926). d.w. Illustrations of 156 etchings. -- PIPER, DAVID. Catalogue of Seventeenth-Century Portraits in the National Portrait Gallery 1625-1714. Cambridge 1963. d.w. -- STRONG, ROY. The English Icon: Elizabethan & Jacobean Portraiture. 1969. -- MACKENZIE, IAN. British Prints. 1987. With 8 others. Various sizes, orig. bindings. Ilustrated. (12)

Los 1

MARIO AVATI (b.1921), 'Une Citronnade pour L'ete', colour engraving, signed in the margin, titled, 5th state and numbered 10/13, 10 3/4" x 10 1/2"; a signed lithograph 'Spanish Field' by Ursula Leech; an etching by Hanscomb- Cornish totem 10/100; and one further print. (4)

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JAMES CLARKE HOOK (1819-1907), 'The Seaboy gathering eggs', etching signed in the margin and dated 1858, 7 1/4" x 5 1/2" and a pencil drawing of Little Red Riding Hood by Charles Hood. (2)

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WILLIAM CROZIER, 'Volterra', etching, pencil signed and titled in the margin, 5 1/2" x 7".

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GRAHAM CLIVERD (b.1882), 'Seaweed Gatherers', etching, pencil signed and titled in the margin, 6 1/2" x 8".

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KENNETH HOLMES (b. 1902), 'Skipton', etching, pencil signed in the margin, 8" x 11 1/2".

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CHARLES EDWIN BASKETT, 'The Dawn Wind', etching with aquatint, pencil signed in the margin, titled and inscribed 'To Doctor Guiseppe', 13 1/2" x 20" and another of a Gothic porchway by the same hand. (2)

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CLIFFORD HALL (1904-1973), Study of a clown, etching, pencil signed in the margin, 8" x 6", and two others by the same hand. (3)

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After H. Warren, a hand coloured engraving, panoramic view of Hull, 5 1/2" x 7 1/2", Hogarth frame and an etching, Dog Kirk Garth, Norwood, Beverley, signed in pencil to the margin J.B. Burton, 10 3/4" x 7 1/2", ebonised frame (2)

Los 1

George Cruikshank (1792 - 1878), "The Christmas Shopping Expedition", signed, watercolour, 12 x 9cm.; 4.75 x 3.5in; and another, "Bringing Back the Christmas Goose", signed, watercolour, 12 x 9cm.; 4.75 x 3.5in (2). * He was largely self-taught and published his first etching aged about twelve. In 1836 his connection with Harrison Ainsworth and with Dickens began and his drawings for these two authors are among his best. He illustrated many books including Dicken's 'Sketches by Boz' but was best known for his cartoons on moral and social themes, such as 'The British Bee Hive', 'London going out of Town' etc. He was also a militant member of the Temperance League and the evil of drink was the theme of many cartoons. He also painted an enormous picture packed with figures entitled 'The Workshop of Bacchus'; it was exhibited at Exeter Hall in 1863 and is now in the Tate Gallery. As well as an etcher and watercolourist, he was a competent oil painter and exhibited regularly at the Royal Academy.

Los 1

Job Nixon R.W.S., R.E. (1891 - 1938), "Ponte Santa Trivita, Florence", signed and inscribed in pencil in the margin, etching, 19 x 31cm.; 7.5 x 12in.; together with, Ernest Stephen Lumsden R.E. (fl. early/mid 20th century), "On the Pagoda Platform", signed in pencil in the margin, etching, 25.5 x 15cm.; 10 x 6in; "Boats and Palace", signed in ink in the margin, etching, 25 x 30cm.; 9.75 x 11.75in; "Srinagar", signed in ink in the margin and inscribed in pencil, etching, 16 x 35cm.; 6.25 x 13.75in (4). * Job Nixon was born in Stoke on Trent, he studied at Burslem School of Art, The R.C.A. and at the Slade.

Los 1

Dame Laura Knight R.A., R.W.S., R.E. (1877 - 1970), "The Sleeping Darkie", signed and numbered 36/50 in pencil in the margin, woodcut, 25.5 x 19cm.; 10 x 7.5in. * Painter, etcher, aquatint, mezzotint and wood engraver of figure subjects and landscapes. Born in Derbyshire, she studied at Nottingham School of Art and at the Royal College of Art. She married Harold Knight in 1903 and lived in Yorkshire, Cornwall and London. Her use and combination of all the etching and engraving methods show her interest in technique.

Los 1

Dame Laura Knight R.A., R.W.S., R.E. (1877 - 1970), "Mother and Child", signed and inscribed 'No. A of 1st painting' in pencil in the margin, etching, image size 20 x 17.5cm.; 8 x 7in.

Los 1

William Lionel Wyllie, (1851-1931) "THE FIFTH BATTLE SQUADRON", A DRYPOINT ETCHING, signed in pencil lower left, entitled numbered 8a, and with artist's address "Tower House, Portsmouth" verso, label of Albert Gardner & Co, Portsmouth Fine Art Gallery verso, 8.5cm x 35.5cm, (3.3in x 14in), in "herringbone" frame under glass

Los 1

Engraving, "Perspective View of the Town of Leicester", late impression and after Simpson, "Canongate Toll Booth, Edinburgh", Etching, (2).

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William Tatton Winter (1855-1928), A continental street scene, coloured etching, signed 'Tatton Winter' in the plate and again in pencil, with blindstamp of the Fine Art Trade Guild, 40 x 23cm (16 x 9in), gilt frame

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Robert Walker Macbeth RA RWS RE (1848-1910), after Titian, 'The Worship of Venus', etching, signed in pencil, published 1889 by Robert Dunthorne, 69 x 69cm (27 x 27in), reeded mahogany frame with oak slip

Los 1

Luigi Russolo (1885-1947, Italian) Citta addormentata etching signed and inscribed as titled in pencil in the margin image 16.5 x 25cm.

Los 1

Luigi Russolo (1885-1947, Italian) Il mattino etching signed and inscribed as titled in pencil in the margin image 20 x 25cm. # 200-300 396. Luigi Russolo (1885-1947, Italian) Savoro; Tetti etchings, two each signed and inscribed as titled in pencil in the margin images 15 x 7cm.; 14 x 9.5cm. (2)

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Sir Frank Brangwyn (1867-1956) Le Pont Marie Paris signed in pencil on the mount bottom right etching image 50 x 60cm.

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W. Walcot, Westminster, etching, 6 1/4in x 11 1/4in (15.8cm x 28.5cm)

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Jackson Simpson, Labrador, etching, signed in pencil, 6 1/2in x 9 1/2in

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Jackson Simpson, Reed Dwellers, etching, signed in pencil, 6 1/2in x 9 1/2in

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Peter Doig, b. 1959, COUNTRY ROCK, signed and numbered 21/46, colour etching, sheet: 69.5x99.5cm.; 27.5x39.25in. Executed in 2001, this work is number 21 from an edition of 46. Provenance Paragon Press, London

Los 1

Peter Doig, b. 1959, BIG SUR, signed and numbered 21/46, colour etching, sheet: 112.5x159cm.; 44x62.5in. Executed in 2001, this work is number 21 from an edition of 46. Provenance Paragon Press, London

Los 1

W. P. ROBINS An etching, river landscape, pencil signed and another by M. C. Robinson (2).

Los 1

DAVID HOCKNEY, An Etching, signed, limited edition collotype, 41/2000, 36 1/2" x 26 3/4", aluminium frame

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HERBERT DICKSEE, Lady and Wolf Hound in a Country Garden, signed etching, 26 1/2" x 19 1/2", stained frame

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Nicholas Pocock (1740-1821) Avon Gorge with Cook's Folly from near the New Hotwell Etching, aquatint and watercolour Signed and dated 1795 to lower right 26cm x 37cm

Los 1

William Lionel Wyllie (1851-1931) 'Yacht Racing at Cowes' Etching Signed to lower left margin Titled to verso 17cm x 35cm

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Large French Coloured Etching of a Cock Pheasant In Flight

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Norman Wilkinson Unframed Coloured Etching "Gordon Setter"

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JOHN BELLANY MOONLIGHT Coloured etching, signed and numbered 3/5 75cm x 55cm

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ERNEST STEPHEN LUMSDEN INDIAN CITY Etching, signed in ink 46.5cm x 34.5cm

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SIR DAVID YOUNG CAMERON CASTLE URQUHART Etching, signed in pencil 23cm x 43cm and another by the same hand 'Tarff' (2)

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SIR DAVID YOUNG CAMERON BEN LEDI Etching, signed in pencil 38cm x 30cm

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JAMES MCBEY BEERSHEBA Etching, signed and numbered in ink IX 23cm x 39cm

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JAMES MCBEY A NORMAN GOSH Etching, signed and numbered in ink IIII, inscribed in the plate ' Boulogne 1916' 17.5cm x 37cm

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SIR FRANK BRANGWYN CHURCH PROCCESSION Etching, signed in pencil 55cm x 44cm

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ANDERS LEONARD ZORN ZORN AND HIS WIFE Etching, signed in pencil 31cm x 20.5cm

Los 1

JAMES MCBEY STRANGE SIGNALS Etching, signed in ink and numbered XXV 23cm x 39cm

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JAMES MCBEY DAWN - CAMEL PATROL SETTING OUT Etching signed and numbered II 23cm x38cm

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JEAN-FRANÇOIS MILLET LES BÊCHEURS Etching, unframed 23.5cm x 33.5cm

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ANDERS LEONARD ZORN SKERI-KULLA Etching, signed in pencil 24.5cm x 14.5cm

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ANDERS LEONARD ZORN EFFET DE NUIT Etching, signed in pencil also with collectors stamp 'W.D.L' 30cm x 19.5cm

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JAMES MCBEY THE DESERT OF SINAI Etching, signed in ink and numbered XXI 20cm x 35cm

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ANDERS LEONARD ZORN NANCY Etching, signed in pencil, unframed 25cm x 18cm

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ANDERS LEONARD ZORN SEATED GIRL Etching, signed in pencil, dated in the plate 1904, unframed 20cm x 15cm

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ANDERS LEONARD ZORN STRINBERG Etching, signed in pencil 30cm x 20cm

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D Y Cameron, Perth Bridge, etching 18cm x 26cm

Los 1

GRAHAM CLARKE The Landgate, Rye, Signed artist's proof 6 1/2 x 9 inches plate size together with an etching of St Martins Church, a print 'Here they come, Derby Day' and a small watercolour of a ploughing scene

Los 1

GRAHAM CLARKE Summer passengers, Signed and numbered in the margin 138/400, Arched top etching, 13 x 21 inches, and another, Winter goods, Signed and numbered in the margin 272/400, Arched top etching, 13 x 21 inches

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AUGUSTUS JOHN R.A. (1878-1961) The malt house, Signed in pencil, Etching (CD 126, 2nd state) one of twenty five impressions 4 1/4 x 4 inches plate size

Los 1

"Erasmus (Desiderius). Moriae Encomium: or, A Panegyrick Upon Folly...Done into English..., printed, and sold by J. Woodward, 1709, eng. port. frontis., title within ruled border, forty-six numbered copper engs. after Holbein, recent endpapers, contemp. mottled calf, rebacked, rubbed and some wear to board edges, 8vo, together with Salmon (William), Polygraphice; or the Arts of Drawing, Engraving, Etching, Limning, Painting..., 2nd ed., 1673, eng. illusts., lacks leaf O3, some dust soiling and few marks, early 20th c. cloth, 8vo (2)"

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