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78472 Los(e)/Seite
Los 1
Bartolozzi (Francesco) [Four Figure Studies and One Landscape], 5 plates from Eighty-Two Prints Engraved by Bartolozzi &c. from the Original Drawings of Guercino, etchings, various sizes, 290 x 400mm. to 250 x 180 mm., printed in sepia, unexamined out of frames, slight spotting, framed and glazed, [J & J.Boydell, c.1800] ~ Earlom (Richard) [Figures on Horseback in Wooded Setting], after Claude Lorrain, etching, printed in sepia, with plate tone, 205 x 255mm., surface dirt, framed and glazed, John Boydell, 1774 (6).
Los 1
Hackert (Jacob Philippe) Sophora, sub-titled Sophora Japonica au Jardin Anglais a Caserte, depicting a reclining youth studying geometry, beside a sleeping dog under the huge, old tree of the title, etching, by the artist, 480 x 365mm., trimmed on, or just within, the platemark on three sides, narrow margin on the left side, slight spotting and browning, light surface dirt, a faint damp stain at the top, Naples, by the artist, 1801.
Los 1
Martin (John) The Crucifixion, mezzotint with etching, 555 x 780mm., marginal surface dust, a few minor surface defects, [Campbell, C.W.91], F.G. Moon, 1834 ~ Kelly (Thomas) publisher. Truly This Was The Son of God, proof, before artist's name but with title, mixed-method engraving, 510 x 680mm., minor marginal surface dirt and abrasions, mid 19th century (2).
Los 1
Picasso (Pablo) Taureau et Cheval, from Balzac's Le Chef d'Oeuvre Inconnu, etching, 195 x 275mm., unexamined out of frame, signed in ink, lower right, numbered 78/99, lower left, both slightly faded, light spotting, mounted well outside platemark, backboard bears the label of The Zwemmer Gallery, [Bloch 84; Geiser 125], framed, 1927.
![-. Haig (Axel Hermann, R.E.) [A Cairo Street Scene], original hand-coloured etching with drypoint, 635 x 420mm., signed in](http://lot-images.atgmedia.com/SR/1574/898915/374-8-1574_468x382.jpg)
Los 1
-. Haig (Axel Hermann, R.E.) [A Cairo Street Scene], original hand-coloured etching with drypoint, 635 x 420mm., signed in pencil, lower right, artist's monogram and date in the plate, laid down, even browning over image, some spotting and a few small surface abrasions, minor defects at edges of wide margins, 1891.
Los 1
-. Vasi (Giuseppe) Prospetto dell'Alma Citta di Roma, Visto dal Monte Gianicolo, in 11 of 12 sheets, only, unjoined, lacking lower plate 5 but supplied with a high quality facsimile on closely matching paper, etching with engraving, the six upper plates, depicting the main vista, each c.680 x 440mm., the six lower plates, bearing the title tablet, with dedication and date, also the key and some foreground detail, each c.335 x 445mm., the whole image approximately 1010 x 2600mm., if joined, a very good, richly inked, impression, occasional light surface dust and a few minor handling creases, a marginal tear to one plate, not affecting the image, a minor surface loss to one lower plate, Rome, 1765. *** This breath-taking panorama, from St Peter's to the Acqua Paola, is effectively a vertically compressed plan-view, of the type devised by Tempesta in the late 16th century, allowing the artist a certain license to emphasise buildings and monuments which would not otherwise be so obvious from the identifiable viewpoint in the gardens of the Palazzo Corsini, the residence of Vasi's early patron, Cardinal Neri Corsini.
Los 1
-. Melling (Antoine Ignace) Vue ... du vallon de Buyuk-dere, from Le Voyage Pittoresque de Constantinople, etching and engraving by Schroeder, 480 x 685mm., on 2 sheets joined, a few slight defects at central join, [Paris] c.1810; with 5 mixed views of Constantinople, by or after Lebreton, Schranz and others, lithographs, one with hand-colouring, various sizes and conditions, damp-staining and occasional spotting, 19th century (6).
Los 1
JOHN BOWLES (PUBLISHER) THE ROYAL PALACE OF WINDSOR Etching, with hand colouring, trimmed and with part of title affixed to backboard 21.5 x 38.5cm.; with a coloured aquatint of 'Interno della Metropolitana di Sienna' by Eckerlin after Gilio, 44.5 x 33cm., margins dampstained; and a colour stipple portrait of Napoleon by Bartolozzi after Appiani, 33 x 28.5cm., fair. (3)
Los 1
GERALD LESLIE BROCKHURST, RA (1890-1978) THE FAN Etching, 1921, signed in pencil, unframed Plate 16.5 x 11cm. with 'An Old Corsican' by the same hand, signed, 16 x 11.5cm., unframed. (2) ++ The former with approx. 4cm. break in paper along the platemark at right edge, the latter good. Each the full sheet.
Los 1
FRANCIS DODD, RA (1874-1949) PECKHAM Etching, 1914, signed in pencil, the full sheet, unframed 27.5 x 18.5cm. with an etching of Notre Dame, Paris, by F. G. Farrell, signed in pencil, 28 x 38.5cm. unframed. (2) ++ Each with a few soft creases in margins. Images good except for some slight bloom in the Dodd.
Los 1
STANLEY ROY BADMIN RWS (1906-1989) NEAR SEVENOAKS Etching, signed, inscribed with title and numbered 39/40 12.5 x 16cm.; with four etchings by W. P. ROBINS (Monkton, 1924, 29.5 x 45cm.); F. BURRIDGE (Harlech, 23.5 x 25.5cm.); P.J.WESTWOOD (Avignon, 13.5 x 29.5cm.); and O. HALL (Bridge in Spain, 17 x 25cm.), each signed. (5) ++ Badmin has light staining in margins at mount edge; others generally good.
Los 1
Wilfred R.E. Fairclough (1907-1996), I Musici Cantori, Rehersal, Bergamo, etching, signed and dated 1975 in pencil lower right, p. 23.5 x 27.5 cm, unframed, The Butcher, etching, signed and dated 1966 in pencil lower right, p. 27.5 x 21 cm, unframed, and four other etchings by the same artist, each depicting musical or theatrical subjects, various sizes, all unframed
Los 1
A selection of Etchings by the Etching Club, London, Joseph Cundall, 1865, folio, 12 etched plates, some spotting, mostly marginal, a few leaves loose, contemporary half red morocco gilt, extremities rubbed; together with Volumes I & III only of 'Westmoreland, Cumberland, Durham, and Northumberland, Illustrated (London, n.d.), D. Macline's 'Story of the Norman Conquest' (London, 1866), 'The South Kensington Museum examples of the Work of Art in the Museum and of the Decorations of the Building with Brief Descriptions, (London 1880), and J.B. Waring's, Volume II only, 'Masterpieces of Industrial Art and Sculpture at the International Exhibition', (London, 1862)
Los 1
Stampa and Sons (Publishers) A Monumental Tribute of Respect to the Memory of Admiral Lord Nelson mezzotint and etching, hand coloured with gouache, inscribed 1806 { 25.5 by 34cm (10 by 14in)}; together with two others, similar, from the same series; and two glass prints relating to Lord Nelson (5)
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78472 Los(e)/Seite