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Los 2

ANDREW AFFLECK (b. 1874) Toledo Cathedral, etching, pencil signed in the margin, 24" x 16"; and two prints after Piranesi (re-prints), one item unframed (3).

Los 4

JAMES GILLRAY `A French Gentleman of the court of Louis XVI, A French Gentleman of the court of Egalite, 1799`, etching, hand coloured, 10 1/4" x 14".

Los 19

HENRY ROBERT ROBERTSON (1839-1921) `In the hayfield`, etching, 3 3/4" x 9 1/4"; another by the same hand, pencil signed in the margin; a monochrome print in the manner of James Hardy Junior; Horace Mann Livens, Man with cockatoo, etching, 8 1/4" x 7", unframed; a group of four hand coloured engravings - Views around London; and a lithograph of a semi clad female figure with script, indistinctly signed and dated 1926 (9).

Los 26

GIOVANNI BATTISTA PIRANESI `Veduta Dell `Arco di Costantino`, etching, numbered 777 in top right corner, 18" x 27 1/2" (see illustration).

Los 31

ROWLAND HILDER (1905-1993) `Little Bewl Bridge Farm`, etching, pencil signed in the margin and numbered 46/175, 15 1/2" x 23 1/2" (see illustration). Prov. Duncan Campbell Fine Arts.

Los 34

CHRISTOPHER PENNY (b.1947) `Chartwell`, artist`s proof etching in colours, pencil signed in the margin and titled, 10 1/4" x 14 1/4"; Phil Greenwood `Lake Walk`, artist`s proof, etching, pencil signed in the margin, 6" x 9 3/4" and Michael Chaplin `Taynton from the meadow`, etching, pencil signed and numbered 41/100, 7 1/2" x 19 1/2" (3).

Los 40

GEORGE MAILE AFTER T HARPER `The Miniature`, stipple engraving, 10" x 8"; and M Oliver Ray `Kings College Chapel, Cambridge`, etching, pencil signed and titled in the margin, 14 1/4" x 9 3/4" (2).

Los 43

QUEEN VICTORIA (1819-1901) A Medieval jousting session, etching, inscribed in the plate `V R Sept. 1 1840, after Albert. W. C`, etching, 5" x 6 1/4"; and three further related items, including a letter dated 1946 from A H Scott Elliott, Assistant to the Librarian Windsor Castle confirming the etching is by Queen Victoria, all unframed (4).

Los 45

ARNOLD VAN WESTERHOUT AFTER ANNIBALE CARACCI Jesus and the woman from Samaria at the well, etching on water marked and laid paper, 19" x 15 1/2"; and one further old master engraving depicting a Calvary skirmish, 8 1/4" x 13", both unframed (2).

Los 54

HUBERT VON HERKOMER AFTER FREDERICK WALKER `Phillip in Church`, etching, proof before publication, published by the Fine Art Society 1885, 20" x 15 1/2" (see illustration) Provenance: The Maas Gallery, London

Los 55

JOHN D. MILLER AFTER SIR FRANK DICKSEE `Silvia`, mezzotint, signed by artist and engraver, published by Arthur Tooth & Sons, c. 1891, 16" x 11 3/4"; Alphonse Legros (1837-1911) - `L`incendie`, etching 9 1/4" x 10 3/4" and a print after Kathe Kollwitz of a family group (3)

Los 57

CONRAD HOPE LOMAX (b.1885) River landscape with willow tree, etching, pencil signed in the margin and numbered 3/50, 10 1/4" x 15 1/2"; Krostewiz after Corot, a Continental lake scene with shepherd, etching, pub. c.1901, 16" x 20"; a river landscape, watercolour, signed A Hoyland; and L*L* Langley - `The Poet`, signed with initials, oils on canvas, 17" x 14 1/2" (4).

Los 150

SIR DAVID MUIRHEAD BONE (1876-1953) `Falkland Palace, Fife` (study for the etching), signed and titled, pen and sepia washes, 4" x 6 3/4" (see illustration) Provenance: P&D Colnaghi & Co Ltd

Los 230

20TH CENTURY SCHOOL `L`Hibou est Le Verite`, indistinctly signed (?) Louge and dated 1961, oils on paper, 12" x 9", Ex. The Shuman Gallery, New York and nine various pictures to include a reverse glass painting, an etching - `Fly`, indistinctly signed, three Berliner Ensemble posters etc (10).

Los 256

19TH CENTURY GERMAN SCHOOL A view around Bergstrasse, oils on panel, 7" x 9 1/4"; and an etching of Bruges (2).

Los 1042

Bernard Leach (1897-1979) `Moonlit Landscape` or `Landscape with Large Tree` a soft ground etching signed BL and dated 1918 in the print, number 4/25 in pencil image 19.5 x 15cm.

Los 1043

Bernard Leach (1897-1979) `Little Stack` a limited edition etching, unframed titled in the print, facsimile signature, numbered in pencil 7/25 image 13 x 10cm. Literature Simon Olding The Etchings of Bernard Leach Crafts Study Centre page 43 plate 16 for an example of this print originally produced 1908-1909.

Los 1044

Bernard Leach (1897-1979) `The White Mustang` a soft ground etching, signed Bernard Leach dated 1918 in the print, numbered 12/25 in pencil image 23.5 x 16.5cm. Literature Simon Olding The Etchings of Bernard Leach Crafts Study Centre page 89 plate 62 for a comparable example

Los 1250

A Frank Brangwyn etching of a rural pathway monogrammed in the print and signed in pencil image 38 x 21cm.

Los 376

Local Interest, etching, The Kings Messenger, Portsmouth Road, 16 x 20cm.

Los 377

Ponte Vecchio, Florence, coloured etching, limited edition print, indistinctly signed in pencil, 34 x 49cm.

Los 7

Tully Crook "Beyond the Plantation" limited edition etching with advance graphics blind stamp (139 of 200)

Los 3

WINIFRID AUSTEN, R.I., R.E. (1876-1964) `Over the Tops` original drypoint etching artist`s proof pencil signed in lower margin 8 1/4 x 9 1/2in (20.9 x 24.2cm)

Los 5

HERBERT DICKSEE, R.A., R.E. (1862-1942) The Closed Door etching, signed with initials in plate, copyright by Frost & Reed, 1920, in the United States of America Pl. 14 x 22in (35.6 x 55.8cm)

Los 6

@ HERBERT THOMAS DICKSEE, R.A., R.E. (1862-1942) A King Charles Spaniel etching, signed with initials in plate pencil signed, `Herbert Dicksee` in lower margin Pl. 9 1/2 x 8in (24.2 x 20.4cm)

Los 19

William Lionel Wyllie (1851-1931): `Tantallon Castle and the Bass Rock`, etching signed in pencil 23cm x 51cm

Los 20

William Lionel Wyllie (1851-1931): Fishing Boats in the Firth of Forth, etching signed in pencil 23cm x 51cm

Los 21

James McBey (1883-1959): `Palos - Departure of Columbus August 1492`, etching signed in ink and numbered LXXIX, titled verso on original Print Society label 28cm x 47cm

Los 508

David Waterson A winter street view in Brechin, dry point etching, signed LL in pencil 7½ by 10½ in.; together with a print of the castle and town of Brechin and an engraving by H Fenn of a Mediterranian scene and a racing print

Los 513

P Furneaux Shetland Fisherman Etching, 1/10, signed and dated in pencil 1976, 23.5 x 18.5cm

Los 517

Ian Fleming Let the Waters Bring Forth Etching, signed and dated 1977, 15 x 21cm

Los 588

After Albrecht Durer Inquisition Scene Etching, remounted on backing paper, cut at border, 39 x 28cm

Los 13

WILLIAM LIONEL WYLLIE. Signed in pencil, etching on paper, sailing vessels offshore. 5.3/4" x 13.3/4"

Los 45

GEORGE PERCIVAL GASKELL. Signed in pencil, aquatint and etching on paper, stormy mountainous river landscape with cabin and goats. 12.3/4" x 19"

Los 100

WILLIAM LIONEL WYLLIE. Signed in pencil dry point etching on paper, mountainous valley scene with shepherd and sheep, cottage beyond. 9.3/4" x 13.3/4"

Los 120

OLIVE BRANSON. Signed in pencil, unframed etching on paper, study of a young girl writing a letter. 10.1/4" x 7.1/4"

Los 300

WILLIAM LIONEL WYLLIE. Signed in pencil etching on paper, a busy Thames Shipping scene. 5.3/4" x 13.3/4"

Los 10

DDS. Dame Elizabeth Blackadder RA (b.1931) Fred, from Cats portfolio, etching with aquatint printed in colours, 2003, signed in pencil, numbered 58/80, published by Glasgow Print Studio, Glasgow, with their blindstamp, on wove paper, with full margins, 300 x 355mm (113/4 x 14in)

Los 11

DDS. Dame Elizabeth Blackadder RA (b.1931) Kikko on a Rug, from Cats portfolio, etching and aquatint printed in colours, 2003, signed in pencil, numbered 58/80, published by Glasgow Print Studio, Glasgow, with their blindstamp, on wove paper, with full margins, 300 x 355mm (113/4 x 14in)

Los 12

DDS. Dame Elizabeth Blackadder RA (b.1931) Amelia Sleeping, from Cats portfolio, etching aquatint printed in colours, 2003, signed in pencil, numbered 58/80, published by Glasgow Print Studio, Glasgow, with their blindstamp, on wove paper, with full margins, 300 x 355mm (113/4 x 14in)

Los 21

John Buckland Wright (1897-1954) Two Girls (B.W.M.99) etching, 1954, titled and dated in pencil, numbered 23/30, with the estate stamp verso, on wove paper, with full margins, 188 x 252mm (71/3 x 10in)

Los 40

Elisabeth Frink (1930-1993) The Reeves Tale, from The Canterbury Tales II Series (w.62) etching with aquatint, 1972, signed and titled in pencil, published by Leslie Waddington Prints Ltd, London, printed at White Ink, with their blindstamp, on J Barcham Green paper, with full margins, 495 x 343mm (191/2 x 131/2in)

Los 42

Elisabeth Frink (1930-1993) The Reeves Tale, from The Canterbury Tales I Series (w.30a) etching with aquatint, 1970, signed and titled in pencil, numbered 32/70, published by Leslie Waddington Prints Ltd, London, on handmade wove paper, with full margins, 273 x 300mm (103/4 x 113/4in)

Los 51

Alistair Grant (1925-1997) Girl in a Field, etching, 1956, signed, dated and inscribed Artist’s Proof in pencil, one of a small number of impressions printed, on J Whatman wove paper, with full margins, 250 x 375mm (93/4 x 143/4in)

Los 54

Alistair Grant (1925-1997) Three Little Girls, the rare etching, 1955, one of only a few impressions pulled, signed, titled and dated in pencil, on wove paper, with full margins, 280 x 345mm (11 x 131/2in)

Los 55

Alistair Grant (1925-1997) Children Paddling, the rare etching, 1955, one of only a few impressions pulled, signed, titled and dated and inscribed Epreuvre D’artitste 3rd State in pencil, on wove paper, with full margins, 300 x 395mm (113/4 x 151/2in)

Los 72

Josef Herman (1911-2000); Patrick Procktor (1936-2003) The Red Sun; Canterbury Bells, one silkscreen and one etching with aquatint printed in colours, each signed in pencil, numbered variously, on wove paper, with full margins, various sizes

Los 78

DDS. John Hoyland (b. 1934) View, etching with aquatint printed in colours, 1979, signed and dated in pencil, numbered 22/50, published by Waddington Graphics, London, with their blindstamp, printed by Kelpra Studio, London, with their blindstamp, on wove paper, with full margins, 686 x 543mm (27 x 213/8in)

Los 79

DDS. John Hoyland (b. 1934) Bouquet, etching with aquatint printed in colours, 1983, signed and dated in pencil, numbered 35/60, published by Waddington Graphics, London, with their blindstamp, on wove paper, with full margins, 982 x 793mm (383/4 x 311/4in)

Los 80

DDS. John Hoyland (b. 1934) Fly Away, etching with aquatint and carborundum, 1981, signed and dated in pencil, numbered 29/60, published by Waddington Graphics with their blindstamp, printed by Kelpra Studio, London, with their blindstamp, on wove paper, with full margins, 565 x 711mm (221/4 x 28in)

Los 102

Henry Moore (1898-1986) Mother and Child IX (c.679) etching with aquatint printed in colours, 1983, signed in pencil, numbered PLIX 52/65, published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham, on Arches paper, with full margins, 213 x 203mm (83/8 x 8in)

Los 104

Henry Moore (1898-1986) Mother and Child XV (c.685) etching with aquatint printed in colours, 1983, signed in pencil, numbered PL XV 52/65, published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham, on Arches paper, with full margins, 205 x 290mm (81/8 x 113/8in)

Los 126

Valerie Thornton (1931-1991) Cloisters Elne, etching with aquatint, 1980, signed and dated in pencil, numbered 111/150, on laid paper, with full margins, 620 x 400mm (243/8 x 153/4in)

Los 131

Julian Trevelyan (1910-1988) Me and Tom, etching with aquatint printed in colours, signed and titled in pencil, inscribed AP, on wove paper, with full margins, 350 x 470mm (133/4 x 181/2in)

Los 148

Bernard Buffet (1928-1999) Insecte, etching printed in colours, 1964, signed in pencil, numbered 4/50, on Arches paper, with full margins, 480 x 620mm (19 x 241/2in)

Los 149A

Marc Chagall (1887-1985) Self Portrait with easel and lovers, the rare etching, c.1965, there is no recorded edition, on wove paper, with full margins, 300 x 220mm (12 x 83/4in)

Los 157

Salvador Dali (1904-1989) Venus et l’amour, from Suite mythologique nouvelle (m.&l.483) , etching with drypoint printed in colours, 1971, signed in pencil, inscribed E.A., an artist’s proof aside from the edition of 120, on Japan paper, with full margins, 585 x 395mm (23 x 151/2in)

Los 160

Salvador Dali (1904-1989) Spring, The Seasons (m.&l.1368) etching with stencil and gilding printed in colours, 1971, signed in pencil, numbered 218/250, on Arches paper, with full margins, 395 x 245mm (151/2 x 91/2in)

Los 164

Salvador Dali (1904-1989) Les Dames de la Renaissance, from Suite mythologique nouvelle (m.&l.492) etching with drypoint printed in colours, 1971, signed in pencil, numbered 144/150, on Rives BFK paper, with full margins, 390 x 575mm (151/4 x 221/2in)

Los 169

Salvador Dali (1904-1989) Portrait de Sigismund, from Calderón’s, Life is a Dream (m.& l. 524) , etching with aquatint printed in colours, signed in pencil, inscribed E.A., an artist’s proof aside from the edition of 250, on Richard de Bas paper, with full margins, 335 x 265mm (131/4 x 101/2in)

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