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78475 Los(e)/Seite
Los 135
δ Bill Jacklin (b.1943)The Benches, from Coney Island SuiteEtching, 1992, signed in pencil, numbered from the edition of 30, published by Marlborough Graphics, London, on wove paper, with full margins, 240 x 315mm (9 ½ x 12 3/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 138
δ Anish Kapoor (b.1954)Untitled Polymer gravure type etching, 2014, signed and numbered from the edition of 150 in pencil, on BFK Rives paper, with full margins, sheet 320 x 380mm (12 5/8 x 14 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 150
NO RESERVE δ Chris Orr (b. 1943)The Christmas Mail Must Get ThroughEtching with hand-colouring, 1983, signed, titled, dated, and numbered from the edition of 75 in pencil, with margins, image 176 x 402mm (6 7/8 x 15 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 26
δ Henry Moore (1898-1986)Elephant Skull Plate VII (Cramer 120)Etching, 1969, signed, titled and numbered from the edition of 100 in pencil, published by Gerald Cramer, Geneva, on wove paper, with full margins, 254 x 200mm (10 x 7 7/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 60
δ Corneille (1922-2010)UntitledEtching, 1961, signed and dated in pencil, numbered from the edition of 60, published by Galleria Schwarz, Milan, on wove paper, with full margins, sheet 267 x 192mm (10 ½ x 7 5/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 61
δ Salvador Dali (1904-1989)La Machine à Coudre (Field 75-8)Etching with engraving and aquatint printed in colours, 1968, signed and inscribed EA in pencil, an artist's proof from the numbered edition of 60, as included in the portfolio Hommage à Leonardo da Vinci, on Arches paper, with full margins, 365 x 505mm., (14 ¼ x 19 7/8 in.) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 62
δ Salvador Dali (1904-1989)King John (from Shakespeare II) (Field 71-1-O; M & L 396b)Etching printed in colours, 1979, signed and numbered from the edition of 250 in pencil, on japan, printed by Ateliers Rigal, published by Editions Graphiques Internationales, Paris, the full sheet, 449 x 313mm (17 5/8 x 12 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 65
δ Salvador Dalí (1904-1989)Sancho Panza (Field 71-1-B)Etching printed in colours, 1971, signed in pencil, numbered from the edition of 100, on Auvergne hand-made paper, with full margins, sheet 790 x 573mm (31 1/8 x 22 ½ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 67
** δ Salvador Dalí (1904-1989)The Black Knight (Field 74-13)Etching with engraving and handcolouring, 1974, signed and inscribed E.A. in pencil, an artist's proof aside from the edition of 150, on BFK Rives paper, with full margins, sheet 560 x 760mm (22 x 29 7/8 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Los 88
δ Pablo Picasso (1881-1973)156 series: Degas in Top Hat Viewing Two Nudes (Bloch 1960)Etching, 1971, with the stamped signature, numbered from the edition of 50, published by Galerie Louise Leiris, Paris, on BFK Rives paper, with full margins, 229 x 306mm (9 x 11 7/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 189
W Schlosser - Jan Hui, a woodcut engraving, signed in pencil and dated V.XI.43 to lower margin 24.5cm x 18cm in a glazed frame; Wenceslaus Hollar (1607-1677) - Ecce Homo state 2, etching on paper circa 1647, 24.5cm x 119.5cm in a glazed maple frame; and a Zimbabwean straw work picture Location: LWM
Los 203
A quantity of ceramics including Japanese eggshell teasets, a Royal Standard part tea set, Blairs China cups and saucers, a Poole pottery brown glazed coffee service, Carltonware dishes, assorted cut glass and crystal, a blue and white willow pattern platter, an etching by Shelley Campbell, decorative plaques & pictures etc Condition report: Not available for this lot
Los 123
Maps. A collection of ten maps, 16th - 18th century, including Wolgemut (Michael, after). Urbs Norinberga Quadrifinia Anno MDII, 1502, uncoloured etching of Nuremberg with the cardinal points annotated in Greek, thread margins, slight spotting, tipped on to later card, 200 x 285 mm, mounted, together with Valk (G & L.). Europa pars tenet Haec Mundi reliquas Celeberrima Partes Auctoribus, circa 1700, engraved map with contemporary outline colouring, some oxidization and overall toning, some marginal closed tears, laid on later card, 490 x 600 mm, with Euler (Leonhard). Tabula Geographica utriusque Hemisphaerii Terrestris..., circa 1753, engraved hemispherical map of the world with contemporary outline colouring, some oxidization to old watercolour, toned overall, laid on later card, 320 x 380 mm, with another seven overseas maps, including examples by Munster, Blaeu, Visscher and Van der Keere, various sizes and conditionQty: (10)
Los 185
* Oxford. Pattison (Edgar L.). Magdalen College from the Bridge, circa 1905, uncoloured drypoint etching, signed and titled in pencil below the image, 290 x 360 mm, mounted, framed and glazed, together with Winter (George Robert, after). Returning from Cricket. A Scene on Magdalen Bridge, J. Ryman, Oxford, circa 1850, hand-coloured lithograph, 270 x 370 mm, mounted, framed and glazedQty: (2)
Los 403
Magrelli (Valerio). Nearsights, Selected Poems, Edited and Translated by Anthony Molino, 2nd impression, Saint Paul: Graywolf Press, signed presentation inscription from the author to Charles Tomlinson to half-title, original cloth in dust jacket, 8vo, together with: Dunn (Douglas), Long Ago e altre poesie (1969-2000), Edited and Translated by Marco Fazzini and Illustrated by Will Maclean, 1st edition, Lugo, 2003, signed presentation inscription to Charles and Brenda Tomlinson beneath limitation statement at rear, original wrappers in card slipcase, 8vo, (limited edition 54/100 copies with original signed and numbered etching loosely inserted), plus Tomlinson (Charles), Luoghi italiani, a cura di Marco Fazzini, 1st edition, Lugo, 2000, signed by the author to title, original printed wrappers, 8vo, plus Bertolani (Paolo), Sotocà, 1995, author's presentation inscription to Charles and Brenda [Tomlinson] to front free endpaper and a few pencil annotations by Tomlinson to footnotes, original card wrappers, small 8vo, plus other Italian language poetry and related, mostly modern books in original wrappers, some with presentation inscription from the authors and editors for Charles Tomlinson and some with pencil annotations of Tomlinson, a total of approximately 450 itemsQty: (6 shelves)
Los 42
ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012)."Benichou", 1987.Etching with aquatint on Arches paper, P.T. copy.Signed and justified by hand.Artist's proof for an edition of 125 copies.Size: 31 x 47 cm.(print); 50 x 66 cm.(paper); 86 x 102 cm.(frame).Co-founder of "Dau al Set", Tàpies has been awarded prizes all over the world, and has held solo exhibitions in such prominent centres as the Guggenheim Museum in New York and the Museum of Modern Art in Paris. He is represented in major national and international museums, such as the foundation that bears his name in Barcelona, the Reina Sofía in Madrid, the Guggenheim in Berlin, Bilbao and New York, the Fukoka Art Museum in Japan, the MoMA in New York and the Tate Gallery in London.
Los 69
EDUARDO CHILLIDA JUANTEGUI (San Sebastian, 1924 - 2002)."Leizarán", 1987.Etching and aquatint on Rives paper, copy 24/50.Publisher: Galería Theo, Madrid. Printed by Hatz Workshop.Work published in "Eduardo Chillida: Opus III". Verlag 1996, pg.100-101. num. 87018.Provenance: Elvira González Gallery, Madrid.Signed and numbered in pencil.Measurements: 95 x 67 cm.(plate); 99 x 64 cm.(paper)."Leizarán", dedicated to the valley of the same name, has been one of Chillida's most acclaimed engravings, having even been granted its use (by Andoain Town Council) as the logo for the Leitzaran bisitarien etxea Centre in 2008. Chillida began drawing at the Círculo de Bellas Artes in Madrid, and his interest in sculpture gradually grew. It was during his years in Paris when he made his first plaster sculptures, impressed by the archaic Greek sculpture in the Louvre. He held his first sculpture exhibition in the French capital in 1950. In 1951 he returned to San Sebastián for good, and produced his first work in iron, the material he would work with for the rest of his life. Throughout his life, Chillida received numerous prizes and awards, including the Carnegie Prize, the Rembrandt Prize, the Wolf Foundation Prize for the Arts and the Prince of Asturias Prize for the Arts. He was also an academician of San Fernando, and a member of the American Academy of Arts and Sciences, Honorary of the Royal Academy of Arts in London and of the Imperial Order of Japan, and was awarded the Grand Cross for Humanitarian Merit by the Institution of the same name in Barcelona. In addition to his Chillida-Leku Museum in Hernani, he is represented in museums and collections all over the world, such as the Guggenheim in Bilbao, the MOMA in New York, the Reina Sofía in Madrid, the Tate Gallery in London and the Neue Nationalgalerie in Berlin.
Los 97
ANTONI TÀPIES PUIG (Barcelona, 1923-2012)."Portail", 1983.Etching with resins and carborundum in several inks on Arches paper, copy P.A.Watermark Arches.Signed and justified by hand.Galerie Lelong, Paris.Imp. J. Barbará.Measurements: 107 x 78 cm.Co-founder of "Dau al Set" in 1948, Tàpies begins to exhibit at the Salones de Octubre in Barcelona, as well as at the Salón de los Once held in Madrid in 1949. After his first solo exhibition at the Galerías Layetanas, he travels to Paris in 1950, with a grant from the Institut Français. In 1953 he had a solo exhibition at Martha Jackson's gallery in New York. From then on, he exhibited his work, both in group and solo shows, all over the world, in leading galleries and museums such as the Guggenheim in New York and the Museum of Modern Art in Paris. Since the 1970s, anthologies have been devoted to him in Tokyo, New York, Rome, Amsterdam, Madrid, Venice, Milan, Vienna and Brussels. Self-taught, Tàpies created his own style within the avant-garde art of the 20th century, combining tradition and innovation in an abstract style full of symbolism, giving great importance to the material substratum of the work. It is worth noting the marked spiritual sense given by the artist to his work, where the material support transcends its state to signify a profound analysis of the human condition. Tàpies' work has been highly valued internationally, being exhibited in the most prestigious museums in the world. Throughout his career he has received numerous prizes and distinctions, including the Praemium Imperiale of Japan, the National Prize for Culture, the Grand Prix for Painting in France, the Wolf Foundation for the Arts (1981), the Gold Medal of the Generalitat de Catalunya (1983), the Prince of Asturias Prize for the Arts (1990), the Picasso Medal of Unesco (1993) and the Velázquez Prize for the Plastic Arts (2003). Antoni Tàpies is represented in major museums all over the world, such as the foundation that bears his name in Barcelona, the Reina Sofía in Madrid, the Guggenheim in Berlin, Bilbao and New York, the Fukoka Art Museum in Japan, the MoMA in New York and the Tate Gallery in London.
Los 219
A .177" BSA Cadet air rifle, number B38093 (1946-49), the butt bearing a small Belfast retailer's stamp (the name illegible). GWO &C, retaining much original blued finish, the air chamber etching clear. £100-150 Purchasers please note: any air gun manufactured after 1939 must either be collected from our premises or posted to an RFD for face to face transaction.
Los 321
*Jean Théodore Dupas (French, 1882-1964) and André MaillartThe Rape of Europaetching and aquatint, signed, titled and dated 1931 in pencil71 x 86cm, framed 85 x 100.5cm*Artist's Resale Right may apply to this lot.Condition report: Some paper staining. Frame knocked and chipped. Some minor ripple of the paper - not viewed out of the frame. Attached further images.
Los 669
A collection of three oriental coloured prints of female characters, two inscribed in pencil by Utamaro, 38 x 25cm approx max, together with an early 20th century etching of oval form of a young woman with a parrot, indistinctly signed, 22.5cm approx max and a 19th century black and white engraving of a woman seated at a table, all framed (5)
Los 698
A framed collection of 19th century machine woven silk embroideries showing views of Olde London by WH Grant, produced for The International Inventions Exhibition 1885, 19 x 27.5cm approx, together with an early 19th century black and white engraving by J Shary - View of Bombay in 1773, 19 x 26.5cm, a black and white etching of a Scottish castle signed AP Thomson, a framed map of London - Cross's London Guide, etc, various sizes, all framed (5)
Los 652
Eleanor Ludgate (20th century British) - Cowslips, gouache on paper, signed, 30.5 x 20cm, together with an early 20th century study of a pair of male and female skiers, signed with monogram MB, further inscribed Pellegrini, 32 x 23.5cm, an abstract study in oil on board, signed RG Marsh Foley and dated 67, 40 x 29.5cm, a signed limited edition coloured etching after Valerie Thornton - Pisa II edition number 1/150, 24 x 30.5cm approx, etc, various sizes, all framed together with a folder of coloured prints after Carl Larsson (collection)
Los 175
ALFRED RICHARD BLUNDELL (1883-1968) A black-&-white etching titled “Wells Cathedral from Tor Hill”, signed & numbered 10/35 lower margin, 6” x 8”; a hand-coloured coat-of-arms, 9¼” x 17”; & an engraved coat-of-arms “The Right Honourable Henry Paget, Earl of Uxbridge, Baron Paget of Beaudesert and Baron Burton”, 17” x 10”; all framed & glazed.
Los 206
Early 20th century sketch book, with assorted copies after the originals in pencil and watercolours, along with poems, together with Modern Masters of Etching Sir Frank Short, R.A., P.R.E., published 1925 The Studio, 44 Leicester Square London (2) Condition ReportExtra photos added. Size of sketch book 20.5 X 16cm
Los 253
PUNK/ WAVE/ ALT - LPs. A smashing pack of 13 LPs. Artists/ titles include Crass inc The Feeding Of The Five Thousand (WEENY 2, includes insert), Stations Of The Crass (x2) (521984. The System Is The State etching/ fold-out sleeve). Au Paris inc Playing With A Different Sex (HUMAN1), The Red Crayola inc Soldier-Talk (RAD18), Kangaroo (ROUGH19), God Bless The Red Krayola And All Who Sail With Her (RAD16). Pere Ubu inc Song Of The Bailing Man (ROUGH33), Dub Housing (CHR 1207), New Picnic Time (CHR 1248), Datapanik In The Year Zero (RDR1), The Art Of Walking (ROUGH14) & The Tenement Year (SFLP 5). Condition is generally VG+ to Ex.
Los 773
PAINTINGS AND PRINTS ETC, comprising NICHOLAS VAN VULPEN WIERTZ (1915-1991), a continental water landscape, signed bottom left, oil on canvas, approximate size 39cm x 69cm, naive victorian church and graveyard scene signed and dated Tushingham 1880, oil on canvas (small hole lower right), signed limited edition print of a gentleman wearing a bowler hat, indistinctly signed, J Alphege Brewer signed drypoint etching 'Aix La Chapelle' published 1911, James Miller woodcut print 'The Post Gig Dunvegan' signed and dated 1937, two landscape watercolours, pencil drawing of a ship dated 1911 and a 31 Squadron RAF print of a Tornado signed by groundcrew
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78475 Los(e)/Seite