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78472 Los(e)/Seite
Los 396
After David Hockney (b.1937) - Limited edition Collotype, ‘An Etching and a Lithograph for Edition Alecto 1973’, numbered from the edition of 2000 in pencil, on wove paper, printed by Cotswold Collotype, published by Editions Alecto, London, the full sheet, 94cm x 68.5cm (unframed) Footnote: Ex W.D & H.O. Wills Collection.
Los 3722
Luke Sullivan (1705-1771), after William Hogarth FRSA (1697-1764), A Representation of the March of the Guards towards Scotland in the Year 1745 [...], [London]: Publish'd Dec:br 31st 1750 [...] [&] Retouched and Improved by [...] Hogarth, republish'd June 12th 1761, copperplate etching and engraving, 44cm x 57cm, Hogarth-type frame
![The Duke of Wellington - William Heath (1795-1840), And If I Have Got A Pension Have I Not A Right To it?, [London]: Pub Nov](https://cdn.globalauctionplatform.com/d8ce81ee-3057-4298-ac18-ad6b00a5b300/f4f95e60-8889-423f-90c9-ad9101417841/468x382.jpg)
Los 3739
Thomas Kirk (1765?1797), probably after Johann Heinrich Wilhelm Tischbein (1751-1829), No. 51, detail of an ancient Attic vase, possibly Drama personified, numbered within the platemark, probably from Outlines from the Figures and Compositions upon the Greek, Roman, and Etruscan Vases of the late Sir William Hamilton [...], London: William Miller, 1804, hand-coloured etching, mounted within margins, 15.5cm x 22.5cm, [1]
Los 3944
Private Presses - Peele (Cecily, illustrator), The Encylopædia of British Bogies, first edition, Oxford: The Alley Workshops, [n.d., 1939], [52]pp, illustrated with 24 woodcuts accompanied by quotations from literature and folk-lore, contemporary pictorial board, 8vo, (1); Gray (Thomas) & O'Connor (John, illustrator), Elegy/Written in a Country Church-Yard, London: The Rodale Press, 1955, 21pp, printed on pale green paper, illustrated with 7 woodcuts printed in green or brown, original cloth over pictorial boards, transparent lettered dust wrapper as issued, calligraphic ink MS ownership inscription and bookplate of Tom Westley (lecturer in typography), 8vo in 4s, (1); Ryder (John), A Suite of Fleurons [...], London: Phoenix House Ltd, 1956, gilt-lettered parchment over marbled boards, 12mo, (1); Binding, Earle (George Chester), "Love's not Time's Fool.", London: "Clarion" Office, [n.d., c. 1900], 36pp, contemporary Arts and Crafts limp brown calf binding, the upper-cover panelled in relief and lettered in blind, 16mo, (1); others, not private presses, including Keats (John) & Sandheim (May, illustrator), Isbaella [...], London: George Routledge, [n.d., 1910], copperplate etching frontispiece, contemporary cloth gilt, 8vo, (1); etc., [8]
Los 268
WILLIAM LIONEL WYLLIE, RA (1851-1931) 'The Arrival of HMS Renown at Portsmouth from New York' Etching Signed in pencil lower left 8.5cm x 33.5cm (plate size) Condition Report : the mount is quite badly discoloured and foxed, the ethcing is better, with only a couple of spots to the top middle Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 273
L RUSSELL CONWAY (B.1882 fl. 1920s) White Hill near Burford Etching Signed in pencil and dated 1928 lower right 9cm x 25cm (plate size) Condition Report : some age related discolouration, especially to edges of mount Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 39
LEON DANCHIN (1887-1939). French school, study of a grouse in flight, signed in pencil lower left, limited edition coloured etching on paper 76 / 500, framed and glazed 36 x 58 cm, together with 'After' Samuel Prout (1783-1852). Numerous figures in a cathedral interior, unsigned, coloured lithograph on paper, framed and glazed, 39 x 27 cm (2)
Los 15
Hostile Garden - Digital Illustration on German Etching Paper.Visiting Dungeness in 2019 I was instantly intrigued by the contrasting environment. A dynamic, dry and seemingly barren landscape of shingle, shacks and broken fences, imposed upon by a looming nuclear power station. You may think this is a hostile environment, yet it is full of life, life that is not merely surviving but thriving. There are many plant and animal species that exist nowhere else in the UK.. a reminder of nature's adaptability.
Los 305
AFTER WALTER DENDY SADLER (1854-1923); a collection of prints to include a lady sat at breakfast table with glass of water, a gentleman sitting in garden having lunch after fishing and a gentleman sat at table having lunch, each pencil signed by the artist and the engraver, height of print between 42cm and 44cm, width of print between 32cm and 34cm, a large mono engraving print depicting a sitting room scene of a lady, possibly a widow, sat at a table in the presence of male friends and advisor, with a poster in the background referring to the freehold of the corn windmill auction to be held at the George Inn, signed in pencil by the artist and engraver, visible print size 40 x 58cm, framed and glazed, frame size 70 x 86cm, also a mono etching print titled 'As the Years Roll By', depicting a couple strolling in garden with set dinner table with guests and nanny and child, signed in pencil by the artist and engraver, the visible etching 46 x 61cm, framed and glazed, frame size 84 x 97cm (4).
Los 163
George Edward Collins (1880-1967) Nesting Thrush, signed bottom left, numbered 6/75, etching, measurements 22.3 x 15 cm (PL), together with Song Thrush, numbered 2/75 and signed bottom left, initialled in the plate, etching, measurements 12.5 x 17.5 cm (PL), and Blue Tit, numbered 4/75, signed bottom left, initialled in plate, etching, measurements 15 x 10 cm (PL) (3)Consigned from a significant private collection of wildlife art
Los 166
Frederick Landseer Griggs RA (1878-1938) Anstey Church, Hertfordshire, fifth impression, etching, measurements 18.7 x 12.7 cm (PL), frame 37 x 29 cm. Handwritten label verso 'this etching was given to me by the artist at the time he was living at Hitchin, Herts' Mucklows Gallery, Leicester Square, with the newspaper obituary cutting from 1938 for Griggs stuck to the verso. Together with a further etching attributed to Zaccaria dal Bo (Italian 1872-1935) Venetian Scene, signed Z.Dal.B(?) in pencil below right, measurements 22.5 x 13.5 cm (PL), with Italian labels verso (2)
Los 169
Winifred Marie Louise Austen (1876-1964) The Dodman, signed bottom right, etching, measurements 22.5 x 22.5 cm (PL), frame 48 x 41.5 cm, together with a further etching of Shoveller ducks, signed bottom right and inscribed bottom left, measurements 17.3 x 25 cm (PL), frame 40.5 x 47 cm by the same hand (2)consigned from a significant private collection of wildlife artCondition report: The Dodman- framed under glazing- not examined external to the frame. The print has full margins and the paper is in good condition with no obvious signs of any foxing or deterioration, there is no evidence visible for rips, creasing or folds. The surface appears well preserved and stable. There is a pencil signature bottom right. The frame is in excellent condition with solid joints. The Shovellers- framed under glazing- not examined external to the frame. The print has full margins with a pencil signature bottom right and personal dedication bottom left. The sheet appears well preserved with no visible signs for rips, creasing or folds. There is some discolouration in the upper left area of the print by the branches and one faint spot in the centre-upper-right in the background (please refer to the photographs) I believe the vendor had the print restored to stabilise the condition. Some very minor cockling visible. The frame and mount are in excellent condition and the frame has solid joints.
Los 137
After Sharland, French cathedrals, pair of etchings, together with an unknown watercolour, quayside, another small etching of a girl in an interior, a group of three lino cuts of Middle Eastern street scenes, together with another of a cliff top castle and a pair of lozenge shaped coloured prints of riverside properties. (10)(B.P. 21% + VAT)
Los 146
Framed vintage photograph of an elderly gentleman sitting in a high back fireside chair cradling a double barrel percussion shotgun across his knee, together with another framed photograph of a military officer on his horse with a gentleman standing by and country house beyond (purported to be Hugh Edmund Elsden Everard, commissioned into the West Norfolk Militia 1872 joined 29th Worcestershire Regiment 1875, Captain in the 3rd Battalion Worcester Regiment 1882, 1st class certificate at school of Musketry 1876) and after Scotty Austin, framed etching. (3)(B.P. 21% + VAT)
Los 754
Henry Pymm Drypoint Etching 'Bishop's Walk North Lambeth (from a rough sketch & description by contemporaries) the site of S.T Thomas's Hospital. Dost Thou Know the Difference (King Lear I.IV.)' Henry Pymm worked from Norwich England and produced this etchings 1880-1920's A working bookbinder of Drury Lane, and amateur draughtsman and etcher.
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78472 Los(e)/Seite