78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

E DOWNE, Portmeirion, etching, signed to the margin, framed and glazed. 21 x 27 cm.

Christie’s Contemporary Art print of Derek Wilkinson’s “September" Sunset window”1984 signed number 225/225. Framed image 19.75 x 15.75 inches medium etching with Aquatint. Authentication certificate available. Donated by Stephen Segar

Roland Langmaid (British 1897-1956), The Endeavour Drypoint etching Signed in pencil, blindstamp 16.5 x 34.5cm (6¼ x 13½ in.) Framed and glazed Condition Report: Paper slightly browned throughout- mild cockling Condition Report Disclaimer

Norman Wilkinson (British 1878-1971), Fishing Drypoint etching Signed 22 x 29.5cm (8½ x 11½ in.) And another; Francis Kelly (b. 1929) Hampshire Countryside, etching, signed in pencil 5/50, 24 by 29cms (2).   Condition Report: First- paper has browned- second- paper with cockling Condition Report Disclaimer

λ Lewis Christopher Edward Baumer (1870-1963) Seated nude Drypoint etching Signed in pencil 20 x 17cm (7¾ x 6½ in.) And another by the same artist "Standing nude with hand mirror", signed, 22 by 15cms (2). Condition Report: Both with paper discolouration, looks to be margin burn but unexamined out of frames. Condition Report Disclaimer

λ Peter Sjöblom (Swedish b.1953) No Man's Land Etching with screenprint and woodblock in colours Signed in pencil and numbered 10/20 Image: 49 x 88.5cm (19¼ x 34¾ in.) Sheet: 75 x 106cm (29¾ x 41¾ in.) Condition Report: Under glass, unexamined out of glazed frame. A few thunderbugs caught under the glass, may benefit from reframing. Sheet undulating especially noticeable to the edges. A few handling creases scattered throughout, most noticeable to the corners and to the left of the lower edge. Condition Report Disclaimer

Limited Edition Etching 'At the Fair', 1/25, 24 x 29.5cm; Percy Westwood signed etching, five engravings, three signed prints. (10)

JAKE, Herbert J - ' A Hollah From the Hill : original etching depicting horses ploughing with a deerhound watching on, 210 x 150 mm, signed in pencil in the margin. With a collection of etchings by various artists, i.e F. J. Widgery, W. H. Sweet, M. A. Stonehouse, etc. mostly signed.(12)

REMBRANDT Harmenszoon van Rijn : (1606 - 1669) ... The Three Trees, etching (later impression in reverse), 280 x 205 mm. With other prints etc inc a caricature by Cruikshank(BUNDLE)

Walter Richard Sickert [1860-1942]-Miss Cruikshank's House, Coronation Day, 1911,:-etching, signed in pencil in the margin, plate size 16.5 x 9.5cm.

Rowland Langmaid, 'The Path of The Sun', signed and titled in pencil, etching, pl.14.5 x 22.5cm. 

Paul Emile Leterrier after Jean-Baptiste-Camille Corot, 'Lac de Garde', signed in pencil, inscribed on Thomas Agnew & Sons label verso, etching, I.34 x 48.5cm.

TOM MAXWELLChurch interior, etching, signed to mount in pencil, 32cm x 18cm

Arthur J.F. Bond (1888-1958), boats in a river, signed etching, housed in an ebonised glazed frame, the etching 16.5cm x 25cm

John Fullwood (1854-1931), "In the Trossachs (where twines the path)", signed drypoint etching, housed in an ebonised glazed frame, the etching 19cm x 22.5cm

Dutch etching depicting two windmills, signed indistinctly, titled Molen ....? numbered 15/150, housed in a carved ebonised glazed frame, the etching 41.5cm x 31.5cm

After Georges Hanna Sabbagh (1887-1951), dry point etching of a nude, numbered 5/15 signed in pencil, 9.5cm x 13.5cm

An early 20th Century etching of river and trees, framed and glazed, 61cm x 38cm

Margaret Ashman I Am Strong (4). 2020 Phototransfer and Monoprint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Margaret Ashman is a printmaker whose work is a meditation on the unseen, spiritual, emotional and otherness of life. Using photographs or video stills, sometimes layering images from multiple sources she creates pieces in which a solitary dancer fills or interacts with a space. Dancers or Deaf signers are photographed performing contemporary dance or signing to particular songs or texts. She also works from video stills of dancers, always gaining the permission of the dance artist first. The manipulated imagery is transferred to multiple etching plates using traditional acids and aquatint, imparting a particular textural quality to the finished prints. She lives and works in London.   Education   Certificate in Further Education City & Guilds 7407, Kensington & Chelsea 2006 MA Printmaking & Professional Practice, University of Brighton and London Print Studio 2005 BA Fine Art, University of Hertfordshire 1998 - 2003 MA Physics, Somerville College, Oxford 1977 - 1980   Exhibitions & Awards   2019 Lawrence Art Supplies Prize, RE Originals, Bankside Gallery 2017 Hot Bed Press Purchase Prize, The Masters, Bankside Gallery 2017 London Print Studio Summer Exhibition, 1st Prize Winner 2015 Shifting Subjects Arts Council Commission, Abbey Walk Gallery, Grimsby 2012 Intaglio Printmaker Award, Royal Society of Painter Printmakers Exhibition 2011 International Print Prize, 3rd Guanlan Print Biennial, China Recent Exhibitions 2020 ING Discerning Eye, London New Work by the RE, Printmakers in Lockdown, Bankside Gallery   Woolwich Print Fair In Print 20/20 Vision, Watts Contemporary Gallery, Surrey Summer Exhibition, Royal Academy of Arts, London Colour, Printmakers Council, Royal Overseas League, London Reawakenings, Lingwood Samuel, Godalming Stones from other Mountains: 2020 International Outstanding Printmaking Artists Works Exhibition, China Printmaking Museum Margaret Ashman and Pascale Simonet, Nagai Artist Space, Hiroo Shibuya,Tokyo 4th Red Dot Art Mini Print Exhibition, Anteros Arts Foundation, Norwich Printmakers Council, Scarborough Art Gallery, Scarborough Time, Printmakers Council, Highgate Literary and Scientific Institute, London 2019 The Mini Picture Show, Bankside Gallery Solo Show, Higher Ground, The Muse Gallery, London Pratt Institute, Brooklyn, New York PrintFest, Algarden, Boras, Sweden Summer Exhibition, Royal Academy of Arts, London Flow, Gallery 57, Arundel A Silent Space Between, Gallery 57, Arundel RE Original Prints, Bankside Gallery London Original Print Fair, Royal Academy Journeys, Printmakers Council, Touring Exhibition 2018 Woolwich Contemporary Print Fair, Woolwich Arsenal, 22nd - 25th November ING Discerning Eye Exhibition, Mall Galleries, 15th - 29th November 3rd Red Dot Art Mini Print Exhibition, Aldeburgh, 21st - 25th September and touring to UK venues National Original Print Exhibition, Bankside Gallery, 19th - 30 September International Triennial of Contemporary Graphic Arts,Novosibirsk 14th September - 4th November Memory, Royal Overseas League, London 28th August - 25th November Off the Wall, Bankside Gallery London Print Studio Members Summer Show Spirit of Place, Late November Gallery, Haverfordwest Royal Society of Painter Printmakers, Burton Gallery, Bideford RE Printmakers at For Arts Sake, For Arts Sake, Ealing RE Originals, Bankside Gallery Print REbels, Bankside Gallery Light/Matter: Art at the Intersection of Photography and Printmaking, 1954 - 2017, University of Alberta, Edmonton, Canada Affordable Art Fair, Hampstead Impress III, The Gallery, Fisherton Mill, Salisbury Embodying Gesture, The Muse Gallery, London The Muse Gallery, Notting Hill, Bankside Gallery, Printroom Studio, Lingwood Samuel, Newbloodart, Singulart.   About the postcard artworks   These works are original prints created by hand on Somerset etching paper using etching inks with a photocopy litho technique. The images are from video stills of the dancer Kehua Li also known as Lico. She embodies strength, positivity and resilience in her energetic and beautiful dances. I wanted to capture something of that spirit in these mini portraits.

Katherine Jones Swimming Pool I Sugarlift Etching on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Katherine Jones is a contemporary British artist working in a combination of painting and traditional printmaking techniques. Her work revolves around perceptions of safety and danger, focusing on ordinary objects, spaces and buildings as a framework to begin to question these themes.   Education:   2001 - 2003 Camberwell College of Art, MA Fine Art Printmaking 1998 - 2001 Cambridge School of Art, BA (hons) Fine Art Printmaking   Exhibitions, Collections & Awards:   V&A National Art Library, UK Lafayette College, USA V&A Prints and Drawings Collection, UK Yale University Library, CT, USA Boston Athenaeum, USA University College London, Hospitals Art Collection, UK Wellesley Library, USA Guangdong Museum, China House of Lords, Government Art Collection, UK Swathmore College, PA, USA Ashmolean Museum, UK Saison Poetry Library, Royal Festival Hall, UK Winchester College, UK Swindon Museum and Gallery, UK Eton College, UK University of Chichester, Otter Collection UK Royal West of England Academy, Bristol   UK RESIDENCIES 2020/ 2018 Artist in residence, Sevenoaks School, Kent 2016-17 Artist in residence, Rabley Drawing Centre, Wiltshire 2015 Residency at Eton College, Windsor 2014 Residency at Winchester College 2013 Printfest Residency, Cumbria 2011 Residency at Kloster Bentlage, Rheine, Germany 2007-10 Research Fellowship, City and Guilds of London Art School, London 2009 Artist of the season, 'Twenty8Twelve', London 2005 Intaglio Printmaker Residency   AWARDS: 2019 Shortlisted for the Dentons art Prize, Denton's Law, London 2014 Royal Academy, London Original Print Fair Prize and Printmaking Today Prize 2013 Finalist - Arts Foundation Fellowship Award in Printmaking and Printmaker of the Year, Printfest Residency, Cumbria 2012 Guangdong Museum Purchase Prize, Qijiang, China 2010 Birgit Skiold Memorial Trust Award for Excellence V&A Purchase Prize 2009 International Print Biennale Solution Group Prize, The London Print Studio Award, Pushing Print Award, East London Printmakers Great Art Prize, Intaglio Printmaker Award, The T N Lawrence and Son Print Prize 2007 Julian Trevelyan Memorial Award for Printmaking, St Cuthbert's Mill Award for Watercolour 2006 Stoke Roberts Bursary Award 2003 Edward Ardizzonie Award, Artichoke Studio Award for Lithography Rabley Contemporary Gallery, Whiltshire, UK website https://rableygallery.com/?v=79cba1185463   About the postcard artworks:   The two pieces donated are etchings made using sugar-lift aquatint on zinc. They were made during a residency at Eton College and depict a disused swimming pool. This, once monumentally sized, figure of eight, state of the art pool I am told was at one time used as a landmark for the navigation of concord. It is now empty and deserted and has been gradually taken over by wildlife. Budlia grow from cracks in the lining and birds, foxes and butterflies find a safe haven there."  

Katherine Jones Swimming Pool II, 2020 Sugarlift Etching on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Katherine Jones is a contemporary British artist working in a combination of painting and traditional printmaking techniques. Her work revolves around perceptions of safety and danger, focusing on ordinary objects, spaces and buildings as a framework to begin to question these themes.   Education:   2001 - 2003 Camberwell College of Art, MA Fine Art Printmaking 1998 - 2001 Cambridge School of Art, BA (hons) Fine Art Printmaking   Exhibitions, Collections & Awards:   V&A National Art Library, UK Lafayette College, USA V&A Prints and Drawings Collection, UK Yale University Library, CT, USA Boston Athenaeum, USA University College London, Hospitals Art Collection, UK Wellesley Library, USA Guangdong Museum, China House of Lords, Government Art Collection, UK Swathmore College, PA, USA Ashmolean Museum, UK Saison Poetry Library, Royal Festival Hall, UK Winchester College, UK Swindon Museum and Gallery, UK Eton College, UK University of Chichester, Otter Collection UK Royal West of England Academy, Bristol   UK RESIDENCIES 2020/ 2018 Artist in residence, Sevenoaks School, Kent 2016-17 Artist in residence, Rabley Drawing Centre, Wiltshire 2015 Residency at Eton College, Windsor 2014 Residency at Winchester College 2013 Printfest Residency, Cumbria 2011 Residency at Kloster Bentlage, Rheine, Germany 2007-10 Research Fellowship, City and Guilds of London Art School, London 2009 Artist of the season, 'Twenty8Twelve', London 2005 Intaglio Printmaker Residency   AWARDS: 2019 Shortlisted for the Dentons art Prize, Denton's Law, London 2014 Royal Academy, London Original Print Fair Prize and Printmaking Today Prize 2013 Finalist - Arts Foundation Fellowship Award in Printmaking and Printmaker of the Year, Printfest Residency, Cumbria 2012 Guangdong Museum Purchase Prize, Qijiang, China 2010 Birgit Skiold Memorial Trust Award for Excellence V&A Purchase Prize 2009 International Print Biennale Solution Group Prize, The London Print Studio Award, Pushing Print Award, East London Printmakers Great Art Prize, Intaglio Printmaker Award, The T N Lawrence and Son Print Prize 2007 Julian Trevelyan Memorial Award for Printmaking, St Cuthbert's Mill Award for Watercolour 2006 Stoke Roberts Bursary Award 2003 Edward Ardizzonie Award, Artichoke Studio Award for Lithography Rabley Contemporary Gallery, Whiltshire, UK website https://rableygallery.com/?v=79cba1185463   About the postcard artworks:   The two pieces donated are etchings made using sugar-lift aquatint on zinc. They were made during a residency at Eton College and depict a disused swimming pool. This, once monumentally sized, figure of eight, state of the art pool I am told was at one time used as a landmark for the navigation of concord. It is now empty and deserted and has been gradually taken over by wildlife. Budlia grow from cracks in the lining and birds, foxes and butterflies find a safe haven there."

Heidrun Rathgeb Looking Down (Jølster, Norway), 2020 Soft Ground Etching Edition:10 Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) I am a painter- printmaker living in the South of Germany, not far from Lake Constance. My work is based on specific, special moments in daily life. Often I am drawing my children, the landscape around or a particular memory. Over the past 20 years I have filled hundreds of small sketchbooks with personal‚ magic moments. The best of these drawings lead to an etching or a painting with an idea of a light, of an atmosphere and the intensity of a particular moment in time.   Education   Slade School of Fine Art , MFA 1996- 1999 Byam Shaw School of Art , London 1993-1996 Fachhochschule Wiesbaden, Germany , MA in Zoological Illustration(1987-1993) DTS University Sydney, Australia 1990, Schoolarship for Art& Design   Exhibitions   Browse& Darby Gallery London since 2007 until now yearly Gallery Artist's Exhibitions Kloster Siessen , Germany 2017 solo show Royal Academy Summer Exhibition 2019 and 2020 upcoming : Oliver Projects , Woolwich Print Fair , November 2021   Awards: DAAD Schoolarship 1990 DAAD Schoolarship 1997-1999 Heitland Foundation Schoolarship 1996 Artist in Residence 1993 Ladakh , Leh 2018 Bhaltos Trust, Isle of Lewis 2019 Künstlerhäuser Worpswede, Germany 2020 Kulturhuset Vemb, Artist in Residency West Jütland 2021 KH Messen, Norway artist residency for printmaking   Gallery Representation   Oliver Projects, London, Browse and Darby Gallery London, Mothflower.com   About the postcard artworks   The artworks are original etchings in a very limited edition maximum of 10.  

Heidrun Rathgeb Mangata, 2020 Mezzotint Etching Edition:!0 Signed verso 10 x 15cm (3¾ x 5¾ in.)   I am a painter- printmaker living in the South of Germany, not far from Lake Constance. My work is based on specific, special moments in daily life. Often I am drawing my children, the landscape around or a particular memory. Over the past 20 years I have filled hundreds of small sketchbooks with personal‚ magic moments. The best of these drawings lead to an etching or a painting with an idea of a light, of an atmosphere and the intensity of a particular moment in time.   Education   Slade School of Fine Art , MFA 1996- 1999 Byam Shaw School of Art , London 1993-1996 Fachhochschule Wiesbaden, Germany , MA in Zoological Illustration(1987-1993) DTS University Sydney, Australia 1990, Schoolarship for Art& Design   Exhibitions   Browse& Darby Gallery London since 2007 until now yearly Gallery Artist's Exhibitions Kloster Siessen , Germany 2017 solo show Royal Academy Summer Exhibition 2019 and 2020 upcoming : Oliver Projects , Woolwich Print Fair , November 2021   Awards: DAAD Schoolarship 1990 DAAD Schoolarship 1997-1999 Heitland Foundation Schoolarship 1996 Artist in Residence 1993 Ladakh , Leh 2018 Bhaltos Trust, Isle of Lewis 2019 Künstlerhäuser Worpswede, Germany 2020 Kulturhuset Vemb, Artist in Residency West Jütland 2021 KH Messen, Norway artist residency for printmaking   Gallery Representation   Oliver Projects, London, Browse and Darby Gallery London, Mothflower.com   About the postcard artworks   The artworks are original etchings in a very limited edition maximum of 10.

Heidrun Rathgeb River Boy, Rotach, 2020 Soft Ground Etching Edition:10 Signed verso 10 x 15cm (3¾ x 5¾ in.) I am a painter- printmaker living in the South of Germany, not far from Lake Constance. My work is based on specific, special moments in daily life. Often I am drawing my children, the landscape around or a particular memory. Over the past 20 years I have filled hundreds of small sketchbooks with personal‚ magic moments. The best of these drawings lead to an etching or a painting with an idea of a light, of an atmosphere and the intensity of a particular moment in time.   Education   Slade School of Fine Art , MFA 1996- 1999 Byam Shaw School of Art , London 1993-1996 Fachhochschule Wiesbaden, Germany , MA in Zoological Illustration(1987-1993) DTS University Sydney, Australia 1990, Schoolarship for Art& Design   Exhibitions   Browse& Darby Gallery London since 2007 until now yearly Gallery Artist's Exhibitions Kloster Siessen , Germany 2017 solo show Royal Academy Summer Exhibition 2019 and 2020 upcoming : Oliver Projects , Woolwich Print Fair , November 2021   Awards: DAAD Schoolarship 1990 DAAD Schoolarship 1997-1999 Heitland Foundation Schoolarship 1996 Artist in Residence 1993 Ladakh , Leh 2018 Bhaltos Trust, Isle of Lewis 2019 Künstlerhäuser Worpswede, Germany 2020 Kulturhuset Vemb, Artist in Residency West Jütland 2021 KH Messen, Norway artist residency for printmaking   Gallery Representation   Oliver Projects, London, Browse and Darby Gallery London, Mothflower.com   About the postcard artworks   The artworks are original etchings in a very limited edition maximum of 10.

Sonia Martin Crossroad, 2020 Watercolour on Paper Signed recto 15 x 10cm (5¾ x 3¾ in.) British artist Sonia Martin works primarily in painting, etching and monotypes. She has exhibited widely and is an elected member of the Royal Society of Painter-Printmakers.   www.soniamartin.co.uk   Education   Following graduate and postgraduate studies in Fine Art at Byam Shaw and City & Guilds, Sonia Martin completed a Masters Degree in printmaking at Camberwell College of Art in 1998.   Exhibitions/Awards   Sonia Martin's work has been shown in many group and solo exhibitions including the Royal Academy Summer Show; New Hall College Cambridge; the Barbican; Lynn Painter Stainers Prize Exhibition; the Contemporary Art Society; and the Dentons Art Prize Exhibition. Her paintings and prints are in many collections including University of the Arts, London; Murray Edwards College, Cambridge; Southwark Art Collection, London; Cork Printmakers, Ireland; Southampton City Art Gallery; Morley College Art Collection, London; Lady Margaret Hall, Oxford; the Fitzwilliam Museum, Cambridge; and the Ashmolean Museum , Oxford. Awards include artist residencies in India, Ireland, Spain, Bolivia and Mexico   Gallery Representation   Her work is currently with the Bankside Gallery, London and Gallery Different, London   About the postcard artworks   Arising from her response to the past and to the present, Sonia Martin's subjects are a merging of the here-and-now and the world of the imagination.  

Margaret Ashman I Am Strong (1), 2020 Phototransfer and Monoprint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Margaret Ashman is a printmaker whose work is a meditation on the unseen, spiritual, emotional and otherness of life. Using photographs or video stills, sometimes layering images from multiple sources she creates pieces in which a solitary dancer fills or interacts with a space. Dancers or Deaf signers are photographed performing contemporary dance or signing to particular songs or texts. She also works from video stills of dancers, always gaining the permission of the dance artist first. The manipulated imagery is transferred to multiple etching plates using traditional acids and aquatint, imparting a particular textural quality to the finished prints. She lives and works in London.   Education   Certificate in Further Education City & Guilds 7407, Kensington & Chelsea 2006 MA Printmaking & Professional Practice, University of Brighton and London Print Studio 2005 BA Fine Art, University of Hertfordshire 1998 - 2003 MA Physics, Somerville College, Oxford 1977 - 1980   Exhibitions & Awards   2019 Lawrence Art Supplies Prize, RE Originals, Bankside Gallery 2017 Hot Bed Press Purchase Prize, The Masters, Bankside Gallery 2017 London Print Studio Summer Exhibition, 1st Prize Winner 2015 Shifting Subjects Arts Council Commission, Abbey Walk Gallery, Grimsby 2012 Intaglio Printmaker Award, Royal Society of Painter Printmakers Exhibition 2011 International Print Prize, 3rd Guanlan Print Biennial, China Recent Exhibitions 2020 ING Discerning Eye, London New Work by the RE, Printmakers in Lockdown, Bankside Gallery   Woolwich Print Fair In Print 20/20 Vision, Watts Contemporary Gallery, Surrey Summer Exhibition, Royal Academy of Arts, London Colour, Printmakers Council, Royal Overseas League, London Reawakenings, Lingwood Samuel, Godalming Stones from other Mountains: 2020 International Outstanding Printmaking Artists Works Exhibition, China Printmaking Museum Margaret Ashman and Pascale Simonet, Nagai Artist Space, Hiroo Shibuya,Tokyo 4th Red Dot Art Mini Print Exhibition, Anteros Arts Foundation, Norwich Printmakers Council, Scarborough Art Gallery, Scarborough Time, Printmakers Council, Highgate Literary and Scientific Institute, London 2019 The Mini Picture Show, Bankside Gallery Solo Show, Higher Ground, The Muse Gallery, London Pratt Institute, Brooklyn, New York PrintFest, Algarden, Boras, Sweden Summer Exhibition, Royal Academy of Arts, London Flow, Gallery 57, Arundel A Silent Space Between, Gallery 57, Arundel RE Original Prints, Bankside Gallery London Original Print Fair, Royal Academy Journeys, Printmakers Council, Touring Exhibition 2018 Woolwich Contemporary Print Fair, Woolwich Arsenal, 22nd - 25th November ING Discerning Eye Exhibition, Mall Galleries, 15th - 29th November 3rd Red Dot Art Mini Print Exhibition, Aldeburgh, 21st - 25th September and touring to UK venues National Original Print Exhibition, Bankside Gallery, 19th - 30 September International Triennial of Contemporary Graphic Arts,Novosibirsk 14th September - 4th November Memory, Royal Overseas League, London 28th August - 25th November Off the Wall, Bankside Gallery London Print Studio Members Summer Show Spirit of Place, Late November Gallery, Haverfordwest Royal Society of Painter Printmakers, Burton Gallery, Bideford RE Printmakers at For Arts Sake, For Arts Sake, Ealing RE Originals, Bankside Gallery Print REbels, Bankside Gallery Light/Matter: Art at the Intersection of Photography and Printmaking, 1954 - 2017, University of Alberta, Edmonton, Canada Affordable Art Fair, Hampstead Impress III, The Gallery, Fisherton Mill, Salisbury Embodying Gesture, The Muse Gallery, London The Muse Gallery, Notting Hill, Bankside Gallery, Printroom Studio, Lingwood Samuel, Newbloodart, Singulart.   About the postcard artworks   These works are original prints created by hand on Somerset etching paper using etching inks with a photocopy litho technique. The images are from video stills of the dancer Kehua Li also known as Lico. She embodies strength, positivity and resilience in her energetic and beautiful dances. I wanted to capture something of that spirit in these mini portraits.  

Margaret Ashman I Am Strong (2), 2020 Phototransfer and Monoprint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Margaret Ashman is a printmaker whose work is a meditation on the unseen, spiritual, emotional and otherness of life. Using photographs or video stills, sometimes layering images from multiple sources she creates pieces in which a solitary dancer fills or interacts with a space. Dancers or Deaf signers are photographed performing contemporary dance or signing to particular songs or texts. She also works from video stills of dancers, always gaining the permission of the dance artist first. The manipulated imagery is transferred to multiple etching plates using traditional acids and aquatint, imparting a particular textural quality to the finished prints. She lives and works in London.   Education   Certificate in Further Education City & Guilds 7407, Kensington & Chelsea 2006 MA Printmaking & Professional Practice, University of Brighton and London Print Studio 2005 BA Fine Art, University of Hertfordshire 1998 - 2003 MA Physics, Somerville College, Oxford 1977 - 1980   Exhibitions & Awards   2019 Lawrence Art Supplies Prize, RE Originals, Bankside Gallery 2017 Hot Bed Press Purchase Prize, The Masters, Bankside Gallery 2017 London Print Studio Summer Exhibition, 1st Prize Winner 2015 Shifting Subjects Arts Council Commission, Abbey Walk Gallery, Grimsby 2012 Intaglio Printmaker Award, Royal Society of Painter Printmakers Exhibition 2011 International Print Prize, 3rd Guanlan Print Biennial, China Recent Exhibitions 2020 ING Discerning Eye, London New Work by the RE, Printmakers in Lockdown, Bankside Gallery   Woolwich Print Fair In Print 20/20 Vision, Watts Contemporary Gallery, Surrey Summer Exhibition, Royal Academy of Arts, London Colour, Printmakers Council, Royal Overseas League, London Reawakenings, Lingwood Samuel, Godalming Stones from other Mountains: 2020 International Outstanding Printmaking Artists Works Exhibition, China Printmaking Museum Margaret Ashman and Pascale Simonet, Nagai Artist Space, Hiroo Shibuya,Tokyo 4th Red Dot Art Mini Print Exhibition, Anteros Arts Foundation, Norwich Printmakers Council, Scarborough Art Gallery, Scarborough Time, Printmakers Council, Highgate Literary and Scientific Institute, London 2019 The Mini Picture Show, Bankside Gallery Solo Show, Higher Ground, The Muse Gallery, London Pratt Institute, Brooklyn, New York PrintFest, Algarden, Boras, Sweden Summer Exhibition, Royal Academy of Arts, London Flow, Gallery 57, Arundel A Silent Space Between, Gallery 57, Arundel RE Original Prints, Bankside Gallery London Original Print Fair, Royal Academy Journeys, Printmakers Council, Touring Exhibition 2018 Woolwich Contemporary Print Fair, Woolwich Arsenal, 22nd - 25th November ING Discerning Eye Exhibition, Mall Galleries, 15th - 29th November 3rd Red Dot Art Mini Print Exhibition, Aldeburgh, 21st - 25th September and touring to UK venues National Original Print Exhibition, Bankside Gallery, 19th - 30 September International Triennial of Contemporary Graphic Arts,Novosibirsk 14th September - 4th November Memory, Royal Overseas League, London 28th August - 25th November Off the Wall, Bankside Gallery London Print Studio Members Summer Show Spirit of Place, Late November Gallery, Haverfordwest Royal Society of Painter Printmakers, Burton Gallery, Bideford RE Printmakers at For Arts Sake, For Arts Sake, Ealing RE Originals, Bankside Gallery Print REbels, Bankside Gallery Light/Matter: Art at the Intersection of Photography and Printmaking, 1954 - 2017, University of Alberta, Edmonton, Canada Affordable Art Fair, Hampstead Impress III, The Gallery, Fisherton Mill, Salisbury Embodying Gesture, The Muse Gallery, London The Muse Gallery, Notting Hill, Bankside Gallery, Printroom Studio, Lingwood Samuel, Newbloodart, Singulart.   About the postcard artworks   These works are original prints created by hand on Somerset etching paper using etching inks with a photocopy litho technique. The images are from video stills of the dancer Kehua Li also known as Lico. She embodies strength, positivity and resilience in her energetic and beautiful dances. I wanted to capture something of that spirit in these mini portraits.

Margaret Ashman I Am Strong (3), 2020 Phototransfer and Monoprint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Margaret Ashman is a printmaker whose work is a meditation on the unseen, spiritual, emotional and otherness of life. Using photographs or video stills, sometimes layering images from multiple sources she creates pieces in which a solitary dancer fills or interacts with a space. Dancers or Deaf signers are photographed performing contemporary dance or signing to particular songs or texts. She also works from video stills of dancers, always gaining the permission of the dance artist first. The manipulated imagery is transferred to multiple etching plates using traditional acids and aquatint, imparting a particular textural quality to the finished prints. She lives and works in London.   Education   Certificate in Further Education City & Guilds 7407, Kensington & Chelsea 2006 MA Printmaking & Professional Practice, University of Brighton and London Print Studio 2005 BA Fine Art, University of Hertfordshire 1998 - 2003 MA Physics, Somerville College, Oxford 1977 - 1980   Exhibitions & Awards   2019 Lawrence Art Supplies Prize, RE Originals, Bankside Gallery 2017 Hot Bed Press Purchase Prize, The Masters, Bankside Gallery 2017 London Print Studio Summer Exhibition, 1st Prize Winner 2015 Shifting Subjects Arts Council Commission, Abbey Walk Gallery, Grimsby 2012 Intaglio Printmaker Award, Royal Society of Painter Printmakers Exhibition 2011 International Print Prize, 3rd Guanlan Print Biennial, China Recent Exhibitions 2020 ING Discerning Eye, London New Work by the RE, Printmakers in Lockdown, Bankside Gallery   Woolwich Print Fair In Print 20/20 Vision, Watts Contemporary Gallery, Surrey Summer Exhibition, Royal Academy of Arts, London Colour, Printmakers Council, Royal Overseas League, London Reawakenings, Lingwood Samuel, Godalming Stones from other Mountains: 2020 International Outstanding Printmaking Artists Works Exhibition, China Printmaking Museum Margaret Ashman and Pascale Simonet, Nagai Artist Space, Hiroo Shibuya,Tokyo 4th Red Dot Art Mini Print Exhibition, Anteros Arts Foundation, Norwich Printmakers Council, Scarborough Art Gallery, Scarborough Time, Printmakers Council, Highgate Literary and Scientific Institute, London 2019 The Mini Picture Show, Bankside Gallery Solo Show, Higher Ground, The Muse Gallery, London Pratt Institute, Brooklyn, New York PrintFest, Algarden, Boras, Sweden Summer Exhibition, Royal Academy of Arts, London Flow, Gallery 57, Arundel A Silent Space Between, Gallery 57, Arundel RE Original Prints, Bankside Gallery London Original Print Fair, Royal Academy Journeys, Printmakers Council, Touring Exhibition 2018 Woolwich Contemporary Print Fair, Woolwich Arsenal, 22nd - 25th November ING Discerning Eye Exhibition, Mall Galleries, 15th - 29th November 3rd Red Dot Art Mini Print Exhibition, Aldeburgh, 21st - 25th September and touring to UK venues National Original Print Exhibition, Bankside Gallery, 19th - 30 September International Triennial of Contemporary Graphic Arts,Novosibirsk 14th September - 4th November Memory, Royal Overseas League, London 28th August - 25th November Off the Wall, Bankside Gallery London Print Studio Members Summer Show Spirit of Place, Late November Gallery, Haverfordwest Royal Society of Painter Printmakers, Burton Gallery, Bideford RE Printmakers at For Arts Sake, For Arts Sake, Ealing RE Originals, Bankside Gallery Print REbels, Bankside Gallery Light/Matter: Art at the Intersection of Photography and Printmaking, 1954 - 2017, University of Alberta, Edmonton, Canada Affordable Art Fair, Hampstead Impress III, The Gallery, Fisherton Mill, Salisbury Embodying Gesture, The Muse Gallery, London The Muse Gallery, Notting Hill, Bankside Gallery, Printroom Studio, Lingwood Samuel, Newbloodart, Singulart.   About the postcard artworks   These works are original prints created by hand on Somerset etching paper using etching inks with a photocopy litho technique. The images are from video stills of the dancer Kehua Li also known as Lico. She embodies strength, positivity and resilience in her energetic and beautiful dances. I wanted to capture something of that spirit in these mini portraits.

Reginal Marsh (1898-1954)Iron Steamboat Co. (Sasowski 131)Etching, 1931, signed and titled in pencil, numbered from the edition of only 20, on laid paper, with full margins, 177 x 228mm (6 7/8 x 8 7/8 in)

δ Ben Nicholson (1894-1982)Fragment of a Tuscan Cathedral (Lafranca 18)Etching, 1966, the edition was 380, published by Galerie Ernst Beyeler, Basel, with the Lafranca blindstamp, on BFK Rives paper, loose within the original paper justification sleeve, signed by Alexander Zschokke, and numbered from the edition in blue ink, with full margins, 360 x 295mm (14 1/8 x 11 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Rembrandt van Rijn (1606-1669)Man in a Coat and Fur Cap Leaning Against a BankEtching, circa 1630, a well inked but later impression of New Hollstein's third state (of 3), printing with plate tone on laid paper without watermark, sheet 117 x 81 mm (4 5/8 x 3 1/8 in), small margins, small loss to upper left corner and upper left edge, other minor nicks and creases to extremities (unframed)Provenance:Possibly ex-collection of Max Ziegert [without collector's stamp, but bears pencil inscription to old mount] [cf. L.2676]Literature:New Hollstein 48 iii/iii

Rembrandt van Rijn (1606-1669)Beggar Man and Woman behind a BankEtching, circa 1630, a very good impression of New Hollstein's sixth or seventh state (of 9), after the reduction of the plate but before further rework to the Woman's face, on laid paper with possible faint partial watermark of an elaborate crown, sheet approx. 100 x 69 mm (3 7/8 x 2 5/8 in), trimmed to or just within the platemark, expertly remargined on all sides, split to sheet repaired at centre left, restoration visible to lower right corner, other minor nicks and small repairs (unframed)Provenance:Heneage Finch, 5th Earl of Aylesford (1786-1859) [L. 58];Earl Cathcart (d. 1862) [L. 483];Frederick Ferdinand Hansen (1823-1916);Possibly Hansen's auction: offered by C.G. Boerner, Leipzig, 2nd to 4th May, 1901;Property of a lady, Gloucestershire, UKLiterature:New Hollstein 51 vi-vii/ix

Rembrandt van Rijn (1606-1669)The Circumcision: Small PlateEtching with touches of drypoint, circa 1630, a very good impression of the only state, printing darkly with touches of burr to the Child, on laid paper with partial watermark of the top of an ornate armorial device, platemark 88 x 64 mm (3 1/2 x 2 1/2 in), sheet 93 x 68 mm (3 5/8 x 2 5/8 in), small area of loss to the upper left corner, other minor marginal nicks, some surface dirt (unframed)Provenance:Property of a lady, Gloucestershire, UKLiterature:New Hollstein 55

Rembrandt van Rijn (1606-1669)Beggar with a wooden legEtching, circa 1630, a very good bold impression of New Hollstein's third state (of four) on laid paper without watermark, printing with plate tone and wiping marks, the dots and cross present but before further re-work, platemark 113 x 67 mm (4 1/2 x 2 5/8 in), sheet 117 x 71 mm (4 5/8 x 2 3/4 in), tipped at corners onto paper support with some toning from adhesive showing through to recto (unframed)Provenance:Property of a lady, Gloucestershire, UK Literature:New Hollstein 49 iii/iv

Rembrandt van Rijn (1606-1669)Diana at the BathEtching, circa 1631, a good impression of the only state with faint wear visible in the plate, on laid paper without watermark, sheet 174 x 158 mm (6 7/8 x 6 1/4 in), trimmed to or just within the image, with two areas of loss within the image restored, a repaired tear to the right sheet edge, and further expert restoration, hinged into mount (unframed)Literature:New Hollstein 89 i/i

δ Harland Miller (b.1964)In Shadows I Boogie (Pink)The deluxe book, 2019, comprising one etching with letterpress, 2019, signed in pencil, numbered from the edition of 100, the book with title-page, text and justification, this copy signed and numbered in black ink, bound as published in the original boards and with the matching blue presentation box, overall size 345 x 253 x 45mm (13 1/2 x 9 7/8 x 1 6/8 in) (folio) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger Plate Etching and engraving, circa 1632, a delicate and detailed lifetime impression of New Hollstein's fifth state (of nine), on laid paper with Strasbourg lily watermark and the initials 'WR' [Hinterding's A' a.], with pronounced inking to the two heads reworked by Rembrandt at the centre right, with some minor wear in the densely hatched areas, but before any later rework, some faint touches of pen and ink to Christ's robe and the shaded area above, sheet 370 x 260 mm (14 1/2 x 10 1/4 in), thread margins, tipped onto album leaf support, small rust hole in the lower left quadrant, another one or two very small rust spots, minor surface dirt (unframed)Provenance:Mr. I. Legh Philips [?19th century English collector, pencil inscription verso, not in Lugt]Property of a lady, Gloucestershire, UKLiterature:New Hollstein 113 v/ix

Rembrandt van Rijn (1606-1669)Old Man with Beard, Fur Cap and Velvet CoatEtching with drypoint, circa 1632, a good impression of New Hollstein's second state (of three) on fine laid paper with small indistinct watermark, some signs of wear in the densely hatched areas, sheet 152 x 135 mm (6 x 5 1/4 in), the sheet appears to be mounted on paper support, with margins restored in places visible verso, expert repairs to small loss, nicks and tears to extremities, some spots (unframed)Provenance:Property of a lady, Gloucestershire, UKLiterature:New Hollstein 92 ii/iii

Rembrandt van Rijn 1606-1669Self Portrait in a Cap and Scarf with the Face Dark: BustEtching, 1633, a well inked but later impression of New Hollstein's fifth state (of five), printing with plate tone on laid paper without watermark, platemark 134 x 104 mm (5 1/4 x 4 1/8 in), sheet 146 x 115 mm (5 3/4 x 4 1/2 in), hinged into mount, printers' creases and minor surface dirt (unframed)Provenance: Unidentified collector's stamp "KB" on verso (L. 4786)Literature:New Hollstein 120 v/v

Rembrandt van Rijn (1606-1669)The Flight into Egypt: Small PlateEtching, 1633, a very good early impression of New Hollstein's first state (of four), the sulphur tint bold and printing clearly, sheet 90 x 65 mm (3 1/2 x 2 1/2 in), small repair to loss in the lower right corner, repair to split in the upper left corner, other minor cockling and surface dirt, tipped onto paper support at the upper corners (unframed)Provenance:Property of a lady, Gloucestershire, UKLiterature:New Hollstein 117 i/iv

Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, a dark impression with Lamoureux's address in the lower right corner, still showing remnants of the coarsely burnished address of Justus Danckerts, platemark 530 x 410 mm (20 3/4 x 16in), sheet 800 x 560 mm (22 x 16 3/4 in), wide margins (unframed)Literature:New Hollstein 119 viii/viii

Rembrandt van Rijn (1606-1669)Christ driving the money changers from the templeEtching with drypoint, 1635, an excellent albeit later impression of New Hollstein's third state (of four), on laid paper without watermark, platemark 135 x 166 mm (5 1/4 x 6 1/2 in), sheet 150 x 178 mm (5 7/8 x 7 in), good margins, (unframed)Literature:New Hollstein 139 iii/iv

Rembrandt van Rijn (1606-1669)St. Jerome Kneeling in Prayer, Looking DownEtching, circa 1635, printing with some plate tone, but a later impression of New Hollstein's second state (of 2), following light re-working by Basan, on cream laid paper without watermark, platemark 113 x 80 mm (4 1/2 x 3 1/8 in), sheet 125 x 94 mm (4 7/8 x 3 3/4 in), showing some wear within the cross-hatching (unframed)Literature:New Hollstein 142 ii/ii

Rembrandt van Rijn (1606-1669)The QuacksalverEtching, 1635, a good impression of the only state, on laid paper without watermark, sheet 79 x 37 mm (3 1/8 x 1 1/2 in), trimmed within the platemark, light even toning with minor browning to the lower left corner, (unframed)Mounted together with a counterproof impression of The Quacksalver, on the same laid paper stock as above, sheet 73 x 41 mm (2 7/8 x 1 5/8 in) (unframed)Literature:New Hollstein 145 i/i

Rembrandt van Rijn (1606-1669)Bald old man with a short beardEtching, circa 1635, a good impression of New Hollstein's second state (of two) on laid paper without watermark, sheet 57 x 45 mm (2 1/4 x 1 3/4 in), trimmed within the platemark, some surface dirt (unframed)Together with: A Peasant in a high Cap, standing leaning on a StickEtching, 1639, on laid paper without watermark, but a later, slightly slipped impression of New Hollstein's final state (of 2), sheet 83 x 43 mm (3 1/4 x 1 3/4 in), trimmed within the platemark, browning and surface dirt, nicks and tears (unframed) Provenance:Property of a lady, Gloucestershire, UK Literature:New Hollstein 147; 178

Rembrandt van Rijn (1606-1669)Self Portrait with SaskiaEtching, 1636, a good but later impression of New Hollstein's third state (of four), on laid paper with partial watermark, sheet 106 x 94 mm (4 3/16 x 3 3/4 in), trimmed to or just within the platemark, some touches of black ink within the image, small area of loss restored in the upper centre, (unframed)Literature:New Hollstein 158 iii/iv

Rembrandt van Rijn (1606-1669)The Triumph of MordecaiEtching with drypoint, circa 1641, a good but later impression of New Hollstein's third state (of four) on laid paper with 'Auvergne 1742' watermark (Hinterding Miscellaneous-F-c), platemark 173 x 214 mm (6 3/4 x 8 3/8 in), 180 x 220 mm (7 1/8 x 8 3/4 in), faint diagonal crease visible in the upper left quadrant, some toning and spotting to sheet (unframed)Provenance:Rudolf von Seydlitz (d. 1870) [L. 2283];Possibly his sale with C.G. Boerner, Leipzig, 20-24th May 1912;Property of a lady, Gloucestershire, UKLiterature:New Hollstein 185 iii/iv

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, but a later impression of New Hollstein's fifth state (of six), printing with light plate tone on wove paper without watermark, platemark 181 x 217 mm (7 1/4 x 8 1/2 in), sheet 194 x 228 mm (7 5/8 x 8 7/8 in), two small perforations restored within the image, fine conservation tissue affixed verso (unframed)Literature:New Hollstein 312 v/vi

Rembrandt van Rijn (1606-1669)The Descent from the Cross by TorchlightEtching and drypoint, 1654, a good but later impression of New Hollstein's third state (of four), before further reworking, on laid paper without watermark, sheet 209 x 161 mm (8 1/4 x 6 1/2 in), trimmed on or just within the platemark, careful repairs to each of the lower corners, minor nicks to edges, some minor losses restored in pen facsimile, (unframed)Literature:New Hollstein 286 iii/iv

Rembrandt van Rijn (1606-1669)Jacob Haaringh ('Young Haaringh')Etching with drypoint, 1655, but a later impression from the cut plate, New Hollstein's fifth state (of 5), on wove paper without watermark, platemark 118 x 105 mm (4 5/8 x 4 1/8 in), sheet 134 x 120 mm (5 1/4 x 4 3/4 in), some small marginal losses to the left, fine split restored to the upper left platemark edge, (unframed) Literature:New Hollstein 292 v/v

Jan Lievens (1607-1674)Three Portraitsi) Bust of a young girl with her hair downEtching, circa 1630-1640, the second state published by Frans van den Wyngaerde, on laid paper with watermark of the letter 'M' surmounted by a crown, sheet 163 x 148 mm (6 3/8 x 5 3/4 in), thread margins (unframed)ii) Bust of an Oriental with feathered turbanEtching, circa 1630-1674, the second state published by Frans van den Wyngaerde, on thin japon wove paper without watermark, sheet 270 x 220 mm (10 5/8 x 8 5/8 in), trimmed within the platemark, tipped onto paper support at both upper corners, some spotting and surface dirt (unframed)iii) An Oriental head: plate 3 from Variae Effigies a Johanne Livio Lugd. BatavEtching, circa 1630-1632, the third state published by Frans van den Wyngaerde, on laid paper with indistinct watermark, sheet 145 x 130 mm (5 3/4 x 5 1/4 in), trimmed within the platemark and inset into window-mount, spotting and browning (unframed)Literature:Hollstein 43; 30; 39

Jacques Bellange (1575-1616)The Holy Family with Mary Magdalene and Saint AnneEtching with stipple, circa 1612-1616, a good impression of the first state (of 2), printing with plate-tone on laid paper without visible watermark, sheet 335 x 242 mm (13 1/4 x 9 1/2 in), laid onto paper support, several areas of loss restored with facsimile, small repairs to nicks and tears to extremities, minor handling creases, spotting and surface dirt (unframed)Provenance:Property of a lady, Gloucestershire, UKLiterature:Walch p. 214;cf. Hartley, Jacques Bellange, Printmaker of Lorraine, BM 1997, cat. no. 4

δ Marc Chagall (1887-1985)Le Pot de Terre et le Pot de Fer (See Cramer Books 22)Etching with extensive hand-colouring in gouache, 1952, the edition was 40, as included in the deluxe edition of Les Fables de la Fontaine, published by Tériade, Paris, on BFK Rives paper, with full margins, 382x297mm (15 x 11 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Marc Chagall Le Veau d'Or (see Cramer 30)Etching with extensive hand-colouring in watercolour, 1958, initialled in pencil, numbered from the edition of 100, as included in The Bible, published by Tériade, Paris on Arches paper, with full margins, 320 x 252mm (12 5/8 x 10in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Le Corbusier (1887-1965)Unité. Hands and Architect ToolsThe rare etching, 1965, numbered from the edition of 10, one of the ten monochrome proofs included in the deluxe edition of Unité, printed by Atelier Crommelynck, published by AC Mazo, Paris, on BFK Rives paper, with full margins, 570 x 450mm (22 ½ x 17 ¾ in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)Venus (Field 74-17b)Etching, 1974, signed in pencil, numbered from the edition of 75, published by Ediciones Polygrafa, Barcelona, on Richard de Bas hand-made paper, with full margins, 760 x 560mm (29 7/8 x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)Vision de Paris (73-1-K)Etching with aquatint printed in colours, 1973, signed in pencil, numbered from the edition of 250, on Richard de Bas handmade wove paper, with full margins, sheet 585 x 795mm (23 x 31 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)San Francisco. Golden Gate Bridge (Field 70-4-E)Etching in bistre, 1970, signed and inscribed E.A. in pencil, an artist's proof aside from the edition of 150, published by Jean Schneider, Basel, on BFK Rives paper, with full margins, sheet 650 x 495mm (27 3/8 x 19 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)La Dentellière (Field 58-1)Etching, 1958, the second state (of two), signed in pencil, countersigned, dated 1978 and inscribed For Doctor Schibel in brown ink, numbered from the edition of 50, on Guarro wove paper, with printed text at left of sheet, with full margins, sheet 350 x 499mm (13 ¾ x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)Don Quichotte and Sancho Panza (Field 68-1)Etching with aquatint printed in colours, 1968-80, the second state (of two), signed in pencil, numbered from the edition of 200, on Auvergne wove paper, with full margins, 495 x 390mm (19 ½ x 15 3/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.