STEPHENS, JAMES.Little Things, LIMITED EDITION, 200 copies, Freelands, privately printed 1924, with a signed etching of a man sowing by Power O’Malley on Japan vellum tipped in stiff grey printed wrappers, mint copy preserved in a custom made folding blue cloth wrap around case which itself fits into a matching blue cloth slipcase which is quarter bound with blue Morocco spine with raised bands and gilt lettering, inserted in copy small photo of James Stephens.NB. Only 25 of 200 copies had O’Malley etching tipped in Bramsback 295.
78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78475 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78475 Los(e)/Seite
After Joseph Mallord William Turner, R.A. (British, 1775-1851): Woman & Tambourine, etching & mezzotint, engraved by Charles Turner, from the Liber Studiorum, H 19 x W 27 cm. Provenance: the collection of the late Stowers Johnson, author & art collector, thence by descent to the present vendor, his son
Frank Archer, R.A., R.W.S. (British, 1912-1995): Coronation, etching, signed, titled & dated '37 in pencil, H 10.5 x W 10 cm image size; William Palmer Robins (1882 - 1959): Workers in a landscape with windmill beyond, etching, hand signed in pencil & dated 1922, H 12 x W 19 cm; together with two further prints of figural subjects by different hands (4)
Henry Moore (British, 1898-1986): Mother & Child XIV, 1983, etching and aquatint, hand signed & numbered 29/65 in pencil, from Mother & Child portfolio, printed by James Collyer & John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. H 24 x W 19 cm (plate size) CONDITION REPORT: Excellent, clean condition
SALVADOR DALI (SPANISH 1904-1989) Musings , 1970s hand colored drypoint etching plate size: 51.8 x 49.6 cm (20 3/8 x 19 1/2 in.); sheet size: 91.7 x 70 cm (20 3/8 x 27 1/2 in.) signed in pencil lower right; numbered 2/25 ; inscribed AP PROVENANCE Acquired by the present owner from Onik Sahakian
George Vernon Stokes (1873-1954) Characterful study of four dogs intrigued by the cleft of a mountain, with Border Terrier crouched to the fore followed by three English Foxhounds, coloured etching, pencil signed to the margin and numbered 20/75, mounted under glass in Hogarth frame, 35 x 32 cm
LOUIS ICART (FRENCH, 1888-1950), ETCHING, 14 1/2" X 16 1/2", 'ATTIC ROOM' Signed lower right, under glass and matted in a black lacquered frame, 28" x 33" overall. Two full-length creases through the image; a 1/4" tear at the lamp shade; creases along the bottom margin and left margin. Small losses to the corners of the frame. Chs
Robin Tanner (British, 1904-1988) Christmas, conceived 1929. This etching could be from either the edition of 50 published by MacDonald and Nicholson in 1929 or the edition of 50 by penn print room in 1974 in the edition of 50. (Garton 9) 13/50, signed and numbered in pencil (in the margin) etching 33.5cm x 27.5cm. Most of the studies for this print were made at Castle Come one moonlit night. In his autobiography Tanner described how 'it was an eerie feeling, working through the small hours in that empty village where the moonlight lay in sheets of silver so bright and constant that we drew as easily as by day.'
A set of three chromolithographs "View of Conway Castle, Caernarvonshire", "Dunbar, Haddingtonshire" and "Scene at Hempriggs, Caithness", 21 x 28cm, drawn, engraved and published by William Daniell, a coloured etching Fulham Palace in 1798, a further hunting scene print, two other examples, a street scene watercolour, 47 x 31cm, all framed and glazed, also two oil paintings, one depicting a castle by a river, the other depicting a park scene with bridge (10).
A quantity of various prints including a limited edition example by Jacqin Nix "Weather or Not", 1989, 37/75, plate 43 x 45cm and a hand coloured etching "A Lying in Visit" by Thomas Rowlandson, also a watercolour design for the WWI memorial window, believed to be for the firm of Heaton Butler & Bayne, 38 x 19cm, mounted etc.
O SUMNER; watercolour, beach with boats and figures, signed to lower right and dated 1918, 34 x 49.5cm, unframed, a still life watercolour by the same artist, 28 x 58cm, framed and glazed, an ink and wash sketch of a Paris street scene, signed "Herbelot, Paris" to lower right, 21 x 25.5cm, framed and glazed, an oil on canvas, "Catterick Force Settle", signed with monogram and dated 1882 to lower left, 45 x 34.5cm, framed, a black and white etching of a lying boy reading, signed "Heller" to lower right, 24 x 37cm, framed and glazed, and a large boat print by James Tyler (6).

-
78475 Los(e)/Seite