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Los 409

A Hogarth framed and glazed coloured engraving of Radnor, together with a silhouette picture of a young girl and her father, two pen and ink drawings of school children, one dated 1891 and a gilt framed and glazed etching of a young girl seated, reading by a window.

Los 472

FRANCIS WELLS; an artist signed coloured Etching "Gathering Clouds, Mullion Cove" and SUSAN BEAULAH; a watercolour of flowers.

Los 431

Hugill: Liverpool street scene, early 20th century signed etching, 10" x 8", framed and glazed

Los 433

After Eduard Steinle: "Bringing Home the Bride", early 20th century etching, 9¾" x 7½"

Los 493

"Denis Lawlor: watercolour, surfing in Guernsey, signed, 10½" x 14½", framed; and a limited edition etching by Robert Baines

Los 419

Arthur Hamblin. Horseman, watercolour, 8cm x 10cm, and a signed coloured etching. (2).

Los 1345

A pair of Malaysian painted silk pictures, a Blakely signed etching and a signed photograph - Jenny Pitman

Los 511

E. Sharland, "St Mary, Redcliffe", signed, coloured etching.

Los 526

After Axel Haig, "Basilica of St. Giles, Arles", signed, etching.

Los 528

After Alphege Barday, "Ypres Cathedral", signed etching and three other unframed etchings, (4).

Los 529

After Charles Clarke," Clare College, Cambridge", signed edition etching and two prints after John Flower, (3).

Los 533

M. Green, Horses, signed etching, another by the same hand and three topographical prints, (5).

Los 160

EPHRAIM MOSHE LILIEN ETCHING OF STABLE SCENEEphraim Moshe Lilien (ISRAELI, 1874-1925) etching depicting a Beyruth stable scene with camels. Titled lower left. Pencil signed lower right. Measures 16" height x 19" width + 5" mat & frame (40.6cm x 48.2cm + 12.7cm).

Los 169

PETER W MILTON `PASSAGE I` ETCHING & ENGRAVINGPeter W. Milton (AMERICAN, 1930) etching and engraving depicting a young girl standing under the tracks of an elevated train. A young boy and girl can also be seen in the background. Titled `Passage I`. Pencil signed and dated `71 lower right. Numbered 27/125 to lower left. Measures 19" height x 24 1/2" width + 2 1/2" mat & frame (48.2cm x 62.2cm + 6.3cm).

Los 2211

LOUIS LEGRAND [FRENCH, 1863-1951], ETCHING & AQUATINT, 15" X 11", `PETITE BALLERINE`: Monogrammed at the lower left with printed image of a man holding a rifle at the lower right; pencil signed at the lower margin. Actual dimensions of the plate are 15 1/2" x 11 1/4". Matted, under glass, and framed.

Los 1015

JEAN FRANCOIS MILLET [1814-1875], ETCHING ON PAPER, 7 1/2" X 10", `LES GLANEUSES`: Or "The Gleaners" [Delteil, 12], inscribed "Paris Imp. Par. . . Rue St Jacque 171" in the plate [see photo], under glass, matted and framed. Jean Francois Millet, French, 1814-1875.

Los 203

Etching W. L. Wyllie The Bay of Mont St. Michel, signed

Los 204A

Etching Ernest Steven Lumsden Loch Shieleaig also tree study and another by the same hand, unframed

Los 204B

Etching Alfred Brunel-Debaines Study of a watermill before ruined tower, unframed

Los 231

Etching and aquatint Margaret Aulton "A Normandy Fishing Village - Evening", signed And A group of four other decorative pictures, (5)

Los 237

Etching Sidneyy R. Jones "Entrance to Queens College, Oxford", signed

Los 646

AFTER CHRIS J FERGUSSON "The Waulk Mill Dumfries", black and white dry point etching, signed in pencil in the margin, ELEANOR HAMM "Auld brig, Dumfries", oil, signed lower left and bearing gallery label verso, and various other watercolours and prints depicting Dumfries and Dumfermline

Los 8

After D.Y. Cameron - `Amboise` (View of the French Town), early 20th Century monochrome etching, approx 29cm x 18cm.

Los 19

Lawrence Davis - `Ponte Sta Trinita, Florence`, monochrome etching, signed in pencil, approx 14cm x 15.5cm, together with another etching of similar interest.

Los 150

Pentti Kaskipuro - Still Life Study of an Upside Down Mushroom, 20th Century monochrome etching, signed, inscribed `A. Proof` and dated 1982 in pencil, sheet size approx 34cm x 49cm, together with another etching by the same hand.

Los 206

S.M. Litten - `Bury, Sussex`, early 20th Century monochrome etching, signed in pencil recto, titled label verso, approx 16cm x 20cm.

Los 139

Louis le Brocquy HRHA b.1916 IMAGE OF FEDERICO GARCIA LORCA Aquatint etching, Artist`s proof, 20" x 17 1/2" (51 x 44cm), signed, AP 1/15

Los 3163

ART REFERENCE. – Frank RINDER. D.Y. Cameron, an Illustrated Catalogue of his Etchings and Dry-Points, 1887-1932. Glasgow: 1932. Limited edition of 600 copies, this number 196, 4to (260 x 190mm.) Numerous illustrations. Original morocco-backed cloth (lightly bumped), dust-jacket (minor nicks, back-strip faded). – And sixteen others of art reference interest, all relating to etching or etchers (17).

Los 339

George Rankin - Study of grouse in winter, signed watercolour; a neoclassical print in a gilt ribbon frame; a black and white etching - shipping; two other prints and two volumes of Redoute prints (7)

Los 1454

A dry-point etching on paper in the manner of Felicien Rops, framed unsigned 15 x 10.5cm.

Los 1457

`Oriental Figures on a Bridge` a hand coloured etching by A P Tyson, framed, and two others by the same artist signed in pencil 50/100 image 23.5 x 19.5cm.

Los 1461

`La Femme au Chat ` or `The Sleeping Cat` a Louis Icart etching and aquatint, 1922, framed, signed and titled in pencil, impressed publishers stamp 29 x 27cm. Provenance 20th Century Design, Sotheby`s Olympia 29th May 2003 lot 194 Albert E Wade collection.

Los 1462

`Enigme` a dry-point etching and aquatint by Louis Icart, 1935 framed signed in pencil, printed blind stamp, image 52cm. high

Los 573

HENRI QUITTELIER. `Chevauchee Fantastique` (Fantastic race), pencil signed in lower margin, numbered 48/100, etching, Pl. 18 1/2 x 29 in; and two other etchings in black and sepia on wove paper. three (3)

Los 593

PERCY ROBERTSON. Harvest-Time, etching, pencil signed, Pl. 7 x 10 1/4 in; one other etching by Robertson depicting a Gypsy Caravan on a track; and an etching by Gertrude Hayes depicting the Courtyard of a Castle. three (3)

Los 544

After Margaret Conell, "Quebec House", signed and titled, etching.

Los 551

M. Morris. after Vicat Cole, "Summer Rain", signed etching.

Los 553

After * Dickinson, Medieval castle, signed, with pencil remarque colour etching and another medieval town scene, (2).

Los 563

After Dorothy Sweet, "Boston Stump", signed and titled, etching.

Los 578

After Axel Haig, "A Corner of Seville Cathedral", signed, etching.

Los 18

Paddle Steamer and Sailing Ship off Scarborough, signed artist's etching by Frank Mason

Los 309

Waterfall Scenes pair early 20th Century oils on paper and an etching

Los 526

After W L Wyllie, etching of Scarborough South Bay, signed

Los 14

Jean Georges Simon (1894-1968). Paris, ink drawing, signed and dated (19)25, 30.5cm x 23cm and thirteen other drawings and etching and Gallery 359 Nottingham exhibition catalogue circa 1973, (15)

Los 99

Frank Howes. Coastal scene, artist signed etching dated 1956 and inscribed To Norah Sharpley 1960 and four others (5)

Los 124

Cecil Aldin (1870-1935). A Sealyham on his Haunches, artist signed etching, 58/100, 24cm x 16.5cm

Los 138

Rowland Langmaid (1897-1956). Ships and boats on The Thames, artist signed etching, 12cm x 24cm

Los 183

Sidney Long (1871-1955). The Deserted Situation, 23/30, artist signed etching, 15cm x 22cm

Los 184

Albany E. Howarth (1872-1936). Venice, artist signed etching, 14.5cm x 19.5cm, also two others: James Bostock, Lionel Lindsey (3)

Los 153

Marie Louise Martin (b.1960) 'Mitzi' Coloured etching, 73 x 46cm (sheet size) (28¾ x 18") Signed, inscribed and numbered 22/25 Provenance: Jorgensen Fine Art, Dublin

Los 248

A Victorian 1827 Pattern Naval Officer`s Sword, the 80cm single edge pipe back steel blade bearing traces of etching (af) the brass gothic hilt bearing traces of gilt, with hinged guard, cast with a fouled anchor, with wire bound fish skin grip and well cast lion head pommel, the black leather scabbard with brass mounts, the locket engraved W.C.Cox, Devonport, shoe missing

Los 254

A 19th Century Austrian Infantry Officer`s Sword, the 74.5cm single edge fullered epee steel blade bearing traces of foliate etching, stamped with maker`s logo of a visored helmet, the brass hilt with hinged double shell guard, stirrup knuckle bow with foliate sheathed quillon, wire bound grip and foliate sheathed urn pommel, the leather scabbard with nickel mounts

Los 729

Tillyer: `A Furnished landscape`, 1974, 58/60, etching and another similar, `Revolving Door`, 43/60

Los 41

CAMILLE PISSARO (1830-1903), `Market Place`, etching, 20cm x 13.5cm, signed and framed.

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