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Robert Austin, R.A., P.R.E., P.R.W.S., 1895-1973, self and jackdaw, inscribed and dated in pencil 2 proofs 3rd June 1943, etching, unframed, plate 20.5x17cm.; 8x6.75in. (5) To be sold together with Woman Sleeping, 1934 Studies of Peach, Fragment and Mask, 4 other prints by the same hand, all unframed.
Robert Austin, R.A., P.R.E., P.R.W.S., 1895-1973, early spring, gloucestershire, etching, unframed, plate 17.5x19cm.; 7x7.5in. (4) Executed in 1922. To be sold together with Winter Landscape, The Park-Bridge, Leicestershire and Blue Tit with Lilies, 3 other prints by the same hand, all unframed.
Robert Austin, R.A., P.R.E., P.R.W.S., 1895-1973, the angelus, signed, titled, inscribed and dated in pencil 5th state 1922, etching, unframed, plate 15.5x22.5cm.; 6x8.75in. (6) To be sold together with Boy with Calf, Hill Top Rest, Woman Milking Goat, Woman Digging and The Stone Breaker, 5 other prints by the same hand, all unframed.
Robert Austin, R.A., P.R.E., P.R.W.S., 1895-1973, misty morning with three horses, inscribed and dated in pencil 3rd state 3 proofs 10 dec 1938, etching, unframed, plate 16.5x12.5cm.; 6.5x5in. (5) To be sold together with Horses pulling uphill, Horses of Ostend, The Trace Horse and Donkeys of Selva, 4 other prints by the same hand, all unframed.
David Oxtoby- 'Mingus', etching with aquatint printed in green, signed, dated '74 and numbered 19/30 in pencil, 17.5x13.8cm: together with three other aquatints printed in colours from the same series, all similarly signed numbered and dated, and a further two prints by Sarah Grilo, signed and numbered in pencil, (6), (unframed).
Jenkins (James). The Naval Achievements of Great Britain from the Year 1793 to 1817, [pub. 1817, or later], hand-col. vign. title, fifty-five fine hand-col. aqua. plts., correct as list, uncol. etching of the Bombardment of Algiers & the Battle of Trafalgar, light waterstain to frontis., a.e.g., later crimson half morocco, gilt dec. spine with raised bands, 4to. Good bright impressions of all the plates, this copy bound without the portraits of Lord Nelson or Earl of St. Vincent, and without the outline etchings, as usual. Abbey, Life, 337. (1)
Allen (Frederick E.). Port Madoc Harbour orig. etching, signed by the artist in pencil to lower margin, approx. 18 x 12.5 cms., mounted, together with Wilson (Edgar), Rotherhythe, 1917, orig. etching, inscribed to lower margin `Rotherhythe by the late Edgar Wilson', approx. 9 x 11 cms., mounted (2)
London. Collins (Henry G.), New Plan of London from an Actual Survey, 1851, uncoloured engraved plan, approx. 300 x 450 mm, together with five 18th century engraved plans of parts of London, including two showing John Evelyn's Plan for Rebuilding the City of London in 1666, seven 18th century engraved views of parts of London, mostly from Stow's Survey, including St. Pauls, Lambeth Palace, Vauxhall Gardens, etc., plus others including full page ILN wood engraved views, an etching of London Bridge, etc. (28)
Marc Chagall, 1887-1985 mein leben. hochzeit (kornfeld 16iiic) Etching with drypoint, signed in pencil, numbered 110/110, published by Paul Cassirer, Berlin, 1923, on laid paper, with full margins, white foxmarks, some extending into image, paper discoloration and light-staining Sheet 225x286mm.; 8.875x11.25in.

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