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78475 Los(e)/Seite
Los 81
Turkey.- Acland (Sir Henry) The Plains of Troy, panorama of the setting for the Greek myth of the Trojan War, located in present-day Hisarlik, Turkey, etching and aquatint printed in sepia, by F.C. Lewis, sheet 315 x 2120 mm (12 1/4 x 83 1/2 in), dissected into five sections and mounted on linen, edged with green linen, off-setting, browning, surface dirt, folding and presented loose in burgundy half morocco, rebacked, gilt title to label on upper cover, worn, tall folio, Wyatt & Son, 1839⁂ This panorama originally accompanied the text of Acland's brief 48-page description of Troy: The Plains of Troy.
Los 257
NO RESERVE Taplain (T., publisher) The tables turned, or the lie circumstantial, etching with full hand-colouring, on wove paper, 248 x 345 mm (9 3/4 x 13 1/2 in), affixed into mount, minor handling creases, unframed, [BM Satires 14664], 1824; together with a good group of 6 caricatures by William and Henry Heath, including Can't you be quiet?, [Not in BM], Where the carcase is, there will the eagles [altered to] birds of prey be gatherd together. Or symptons [sic] of term time, [BM 15432], A Hasty Stride, from Broom Hall- to West[minster] Hall, [BM 16349], Slane - when thieves fall out amongst themselves, [BM 16285], A Moving Scene on the Road to Slane, [BM 16140], and The r----l lover, or, the admiral on a lee shore, [BM 11844], etching, the first and last mentioned with hand-colouring, various sizes, all unframed, mainly early 19th century (7)
Los 36
Color etching of a Surrealist abstraction with organic and geometric forms floating on a brown background. Below the plate on lower left: 2/2. Signature in pencil lower right. Sight size: 8.50"L x 18"H. Frame size: 12.25"L x 22.25"Hx 0.75"W. Issued: c. 1980Edition Number: 2 of 2 Condition: Age related wear.
Los 250
German Third Reich bayonet and scabbard with post WWII added etching. German Third Reich WWII 84/98 Waffenamt stamped bayonet and scabbard, with post WWII added etching. There is evidence of previous serial numbers and inspection marks being removed prior to the engraving being added. Waffenamt stamps to the pommel and the tip of the scabbard. Buyer must be over the age of 18. Age verification ID will be required if this lot is to be posted out.40.5cm long
Los 41
John Bluck, after Henry Salt - 'The Town of Abha in Abyssinia', etching with aquatint and hand-colouring, published by William Miller circa 1809, 46cm x 60cm, within a gilt frame, together with two lithographs by Thomas Shotter Boys, 'Hyde Park' and 'Piccadilly', and two further prints after George Morland.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 97
Théo Tobiasse - La Dame au Violoncelle, mixed media etching in colours, circa 1980, signed and editioned 59/75 in pencil, sheet size 66.5cm x 65cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 85
Matteo Gregorio de Rossi - 'Antiquum Amphiteatrum vna cum Triumphali Arco Flavium Maximi Romae errectum…' (View of the Colosseum and Arch of Constantine, Rome), 17th century etching with engraving on laid paper, 44cm x 69cm, within a gilt composition raked knull frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 57
Marino Marini - Miracolo, etching, signed circa 1969 and editioned 55/60 in pencil, sheet size 69.5cm x 50.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 54
Richard Hamilton - 'By the Waters of Miers', etching with aquatint circa 1972, signed, titled and editioned 51/75 in pencil, sheet size 85cm x 69cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 71
Daniel Havell, after Henry Salt - 'Pagodas at Trinchicunum' (Tirukalukundram, Tamil Nadu, India), etching with aquatint and hand-colouring, published by William Miller circa 1808, 48cm x 62.5cm, within a gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 86
Giovanni Battista Piranesi - 'Sepolcro di Cecilia Metella' (Tomb of Cecilia Metella), 18th century etching with engraving on laid paper, 46.5cm x 65cm, within a gilt composition frame with floral corner crestings.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 89
Graham Clarke - 'Quercus Bererkus', 20th century etching with aquatint and hand-colouring on wove paper, signed, titled and editioned 92/250 in pencil, together with two other signed etchings by the same hand, 'Quite Cricket' and 'The Wooden O', and a signed lithograph by Yossel Bergner.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 43
Thomas Rowlandson - 'St. Georges, Hanover Sqr. Light Infantry, Shoulder Arms from Recover, 1st Motion', etching with aquatint and later hand-colouring, 29.5cm x 24cm, together with two similar etchings from the same series, all within Hogarth style frames.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 92
Charles George Lewis, after Thomas Slingsby - The York and Ainsty Hunt, engraving with etching and stipple, signed and inscribed 'artist's proof' in pencil by the engraver, with an additional inscription in ink by Mrs Slingsby, 59cm x 82cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 44
Rembrandt van Rijn - The Golf or Kolf Player (Het Klosbaantje), etching on laid paper, circa 1654, second state, 9.5cm x 14.5cm. References: Biörklund's second state (of 2); Usticke's second state (i) (of 3), with the rust spots to the left and above the player; White and Boon's second state (of 2).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 87
Giovanni Battista Piranesi - 'Veduta del Tempio ottangolare di Minerva Medica' (View of the Octagonal Temple of Minerva Medica), 18th century etching with engraving on laid paper, 48cm x 71.5cm, within a gilt composition frame with floral corner crestings.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 39
Luigi Rossini - 'Veduta dell'Arco di Gallieno', 18th century etching with engraving on laid paper, published 1821, 395cm x 46cm, within a stained wood frame, together with another similar etching by the same hand, 'Interno del Pronao del Tempio di Vesta in Roma'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 67
John Bowles (publisher) - 'Charlotte, Queen of Great Britain &c, &c', late 18th century mezzotint, 36.5cm x 26cm, within an ebonized and gilt frame, together with an etching by Richard Dighton, 'The Father of the Corporation of Oxford Omnibus Carus'. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 91
James Gillray - 'Paddy on Horseback', etching with later hand-colouring, originally published by W. Humphrey circa 1770 but from the later reprinted edition by Thomas M'Lean circa 1830, 25cm x 34cm, together with another etching by the same hand, 'The Sound of the Horn! Or the Danger of Riding an Old Hunter'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 408
AFTER CHEN QUI CAO "Clear stream", study of fish, modern colour print, together with K BURTONSHAW "Incoming storm and open landscape", watercolour, signed and dated 1976 lower right, 36 cm x 52 cm, ANN MARCH "Lavender shadows", pastel, signed lower right, inscribed on label verso, ARTHUR SIMMONS "What's in the river?", oil on board, signed lower left, inscribed on label verso, DYNAH HARDYMENT "A vineyard in Provence", a study with buildings in background, oil on canvas, monogrammed lower right, inscribed on label verso, AFTER GERARD PIARDOM “Crans - L'eglise ombres et lumières, eau forte”, black and white etching, artist's proof, signed and dated 1976 lower right, a framed heightened photographic portrait on milk glass by Mowll & Morrison Liverpool 1896, signed and dated lower right and ERNEST HASSELDINE “Dante Square Lugano”, with cattle drawn wagon, watercolour, heightened with white, signed, titled and date 1926 lower right, etc. (2 boxes)
Los 382
AFTER HENRY WILKINSON "Jack Russells chasing a rabbit", coloured engraving, limited edition No'd. 66/200, signed in pencil lower right, 27 cm x 31.5 cm, together with AFTER HENRY WILKINSON "Sussex Spaniels", coloured etching, limited edition No'd. 6/150, signed in pencil lower right, 28 cm x 32 cm and a collection of various other decorative pictures and prints (9)
Los 241
§ JOAN MIRO (SPANISH 1893-1983) LA CAPTIVE - 1969 Color aquatint, etching and carborundum, H.C., aside from the edition of 50, signed and editioned in pencil, printed and published by Maeght, ParisDimensions:the sheet 94cm x 72cm (37in x 28.25in)Provenance:Provenance: St James's Art Books, London
Los 230
§ SANDRA BLOW R.A. (BRITISH 1925-2006) QUARTET IN YELLOW - 2006 Etching and aquatint with collage, T/P, aside from an edition of 20, signed and editioned in pencil to marginDimensions:23cm x 27cm (9in x 10.75), unframedNote: A trailblazer of 1950s abstraction, British painter Sandra Blow provided an undisputed contribution to the development of post-modernist painting in post-war Britain. Her characteristically large scale, colourful collages were mostly produced using discarded non-art materials. Drawing attention due to this unusual usage of abstract mediums, notably sawdust, sackcloth and plaster, Blow’s unique manner grew her popularity swiftly within the art world. While travelling Europe her experimentation was encouraged by artists such as partner Alberto Burri, from who Blow adopted this idea of incorporating atypical materials, experimenting with the raw sensuality of such forms.Blow’s most influential paintings were produced during the latter half of the 20th century, where her practice took clear inspiration from time spent between Italy and Cornwall. Working in a process led and intuitive way, she became known as a pioneer of the use of dynamic perspective, a technique which grew in concurrent popularity with abstract expressionism. Coupling dynamic and geometric forms, her awareness of perspective gave the works a tactile, energetic feel. Using multi-dimensional materials in partnership with paint her artistic concerns stretched to the consideration of proportion and tension.
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78475 Los(e)/Seite