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Los 751

Signed etching BY W. Douglas MacLeod of Moray Firth *Ex FROST and REED with labels on reverse

Los 145

Grahame, Kenneth. The Wind in the Willows, illustrated by Charles van Sandwyk, limited edition numbered 558 of 1000, with copperplate etching signed by the artist, London: The Folio Society, 2008. Centenary Edition, printed on Cordier Wove paper, illustrated with tipped-in colour plates, hand bound in vellum blocked in 22-carat gold, vellum tips and Oxford paper sides, bound by The Fine Book Bindery, Wellingborough, Northants. Housed in green clamshell box. Includes a letter promoting the book, addressed to 'Esteemed member of The Folio Society' on Toad Hall headed paper bearing illustrations. Very good, clean, bright, internally as new with protective tissue paper inserts

Los 237

Ferdinand Schmutzer (Austrian, 1870-1928), interior genre scene, etching with drypoint, signed in the plate and signed to lower-right margin in bold black pencil, 28cm by 22cm, framed & glazed

Los 248

Norman Ackroyd RA (British, b.1938), Soay, artist proof, aquatint etching, signed l.r., framed & glazed, 30cm by 25cm

Los 249

Norman Ackroyd RA (British, b.1938), Loch in Skye, aquatint etching, signed l.r., numbered 15/75, framed & glazed, 17.5cm by 17.5cm (mount window)

Los 252

Georgian copper-engraved portrait of Jack Sheppard, the famous highwayman who twice escaped from Newgate prison but was eventually caught and executed at Tyburn. The engraving shows Sheppard in his cell at Newgate, 'Drawn from the Life'. Printed & sold by Thomas Bowles, published c.1724 according to British Museum, on laid/chain-lined paper bearing manufacturer's watermark. Together with a pair of topographical etchings depicting North Gate, Oxford in 1771, published in Oxford by I. B. Malchair, an etching of Hogarth's Crest, and other later engravings after Hogarth

Los 256

***PAY AND COLLECT ETWALL***LW***Rowland Langmaid R.A. (British, 1897-1956), Tower Bridge, signed l.r, etching, framed and glazed, 22cm by 16cm

Los 85

The Artist's London, London: John Castle, 1924, limited edition de luxe numbered 17 of 200 (190 for sale), featuring a lithograph by Frank Brangwyn and a signed aquatint etching by W. P. Robins. Publisher's quarter crushed morocco and gilt blue cloth

Los 422

Joseph Simpson self portrait etching titled 'The Artist Standing', 1925, signed and trial proof in pencil, together with a coloured print depicting Carlisle Old Hall after Simpson.

Los 223

Max Liebermann (German 1847-1935) Die Gartenterasse (Schiefer 354) Etching and drypoint Signed in pencil Plate:19 x 25cm (7¼ x 9¾ in.)

Los 224

James Abbott McNeil Whistler (American 1834-1903) The Adam and Eve, Old Chelsea (Kennedy 175) Etching Plate: 17 x 30cm (6½ x 11¾ in.)

Los 73

FRANK WILLIAM BRANGWYN (1867-1956). Figures eating and drinking at a table, signed in plate on table cloth, etching and lithograph on paper, framed and glazed, 17 x 36 cm

Los 120

W Jones, 'West end of the quay Carmarthen', uncoloured etching. Together with an engraving entitled 'Caerfyrddin' and a small oil painting signed 'I Evans of Quayside Carmarthen', dated 1935, oils on board, 22 x 29.5cm approx. Framed. (3)(B.P. 24% incl. VAT)

Los 547

20th century continental school, Wind Turbine, monochrome etching, indistinctly signed in pencil and numbered 7/20, 48cm by 20cm

Los 1

Henry Moore Limited Edition Etching Reclining Figure No.5, signed, Number 17/25. Framed 60cm x 50cmNote: Artist Resale Rights may apply 

Los 104

Hinaekian, Peggy, Le Tapis Volant Etching 42 of 150 Christies certificate of authenticity.  Iranian Artist

Los 105

Hinaekian, Peggy, Leda And The Swan Etching 47 of 150 Christies certificate of authenticity.  Iranian Artist

Los 15

Gwendoline Cross, "Demerara House, Bristol", pencil drawing, c.1926, "Clifton Terrace from the Avon", pencil drawing, c.1928, "The Flower Market" etching, c.1930. All framed, together with a further etching of the interior of Bristol Cathedral (unframed). (4)Condition: some foxing

Los 17

Gwendoline Cross, "Corn Street, Bristol", pencil drawing and etching, 1920s, "Old Houses near Christmas Steps, Bristol", pencil drawing and etching, c.1920s, "Norman Gate, next to Bristol Cathedral", pencil drawing and etching, c.1929, "Bristol University Tower", etching c.1926. All framed. (4)Condition: some foxing

Los 18

Gwendoline Cross, "Victoria Rooms" signed etching (29cm x 32cm) and Colston Avenue, Bristol drawing (27cm x 32cm), and one other etching of a pet shop (37cm x 35cm) - artist unknown (3)

Los 2

Picasso Limited edition signed etching 44/50 plate 148 from the 347 series 1968, a cheval. Framed 53cm x 37cmCondition: No foxing or damage.Note: Artist Resale Rights apply 

Los 246

Scandinavian glass lot - Orrefors bowl Orion boxed, together with Orrefors bowl Orion Lars Helsten commemorative etching, Orefors candleholder, Holmegaard Trigona candleholder and Holmegaard Per Lutken chalice - signed and numbered (5)

Los 336

Etching after Graham CulverdPolperro signed and titled in pencil in margin,AnotherWintry Scene inscribed in pencil in margin 'to Mr and Mrs Cooper Christmas from Graham Culverd ( '49)and two other framed prints (4)Condition ReportPlease see attached image.

Los 380

Malcolm Osbourne Etching Goose Fair, Albi with inscription to Stanley Smith with warmest good wishes from Malcolm Osbourne signed in pencil June 3rd '59 28.5 x 35cm

Los 1020

William Lionel Wyllie (1851-1931) signed etching - Eel Boats, in glazed frame, 22cm x 27cm Provenance: Abbey Galleries Westminster

Los 1032

*Siegward Sprotte (1913-2004) watercolour - Landscape, signed and dated ‘89, in glazed gilt frame, 20cm x 57cm, another larger landscape, an abstract dated 1988, a limited edition print, 125/200, an oil on board landscape dated 1987, 25cm x 37cm, three printed calendars for 1987-89, another unrelated, together with a signed etching by a different hand (10)

Los 1058

Anthony Van Dyck (1599-1641) etching - Maria Luissa de Tassis, in glazed carved wooden frame, 53cm x 40cm

Los 1083

Sir Hubert Von Herkomer (1849-1914) etching - a young girl seated on a chair, mounted, 20cm x 14cm

Los 1182

*Rowland Langmaid (1897-1956) signed etching - Goat Fell, Arran, with Academy Proof blindstamp, in glazed frame, 18cm x 32cm

Los 1183

*Rowland Langmaid (1897-1956) signed etching - Holy Island, Arran, with Academy Proof blindstamp, in glazed frame, 18cm x 32cm

Los 1184

*Rowland Langmaid (1897-1956) signed etching - On The Thames, Westminster from the River, in glazed frame, 21.5cm x 16cm

Los 1185

*Rowland Langmaid (1897-1956) signed etching - London Bridge with St Pauls, in glazed frame, 24cm x 32cm

Los 120

Andrew Fairburn Affleck (1869-1935), 'Leuven Town Hall', original etching, signed in pencil to lower right, framed and glazed, 56 x 39cm

Los 214

A mid 20th century etching of a nude male and female, indistinctly signed and with stamp B&B, 30 x 21cm

Los 141

John Brunsdon (1933-2014):Pebble Beach, Salthouse, etching & aquatint, hand-signed, titled & numbered 33/125 in pencil, impression size 45 x 60 cm

Los 161

Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):'The Gothic Spirit' (also known as The Gothic Church of St. Luke, Chelsea), etching, signed within the plate, numbered 3/25 in pencil to margin, impression size H 30 x W 22 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.

Los 162

Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):Chen Mun Gate, Peking, etching, signed within the plate & dated 1918, numbered 18/25 in pencil to margin, impression size H 30 x W 20 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.

Los 163

Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):Buildings in a wooded landscape, etching, signed within the plate, numbered 8/25 in pencil to margin, impression size H 10.5 x W 19 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.

Los 164

Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):'Little Stack', landscape etching, titled within the plate, numbered 10/25 in pencil to margin, stamped signature, impression size H 10 x W 13 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.

Los 64

FRAMED ETCHING TOGETHER WITH TWO BLACK AND WHITE FRAMED PRINTS AND TWO MODERN PINED FRAMED EMBROIDERIES (5)

Los 281

A BLACK AND WHITE ETCHING depicting a nursing mother, indistinctly signed, 31cm x 25cm

Los 473

SEDGWICK (20TH CENTURY SCHOOL) Seven views of old London, etching, each signed in pencil in the margin and titled, the largest approximately 19cm x 25cm (7)

Los 704

ST HILDA'S COLLEGE the Oxford Almanac, 69cm x 44cm; Le Port De La Rochelle, number 14 coloured lithograph, 53cm x 75cm; stormy harbour scene, watercolour, an abstract oil painting and an indistinctly signed etching, 14cm x 19cm print (5)

Los 171

A selection of vintage etching and prints in period frames

Los 210

Max Ernst (German, 1891 - 1976). Color Etching. Pencil signed lower right. Titled 'Les Chiens ont soif, 1964'. Image Size: 13 x 8.5 in. Overall Size: 22 x 17.5 in. Framed behind glass.

Los 232

Mortimer L. Menpes (Australia, England, 1855 - 1938) Venice Italy Etching. Pencil signed lower right. Menpes became a member of the Royal Society of Painter-Etchers and Engravers (RE) in 1881, Royal Society of British Artists (RBA) in 1885, Royal Institute of Painters in Water Colours (RI) in 1897 and Royal Institute of Oil Painters (ROI) in 1899. Image Size: 8 x 11.5 in. Overall Size: 16.75 x 23.25 in. Framed behind glass.

Los 272

Paul Beaden Hudder (Nevada, Massachusetts, 1897 - 1991) Harbor scene. Oil on artist's board. Hudder was an artist who showed his paintings in Boston and Reno. At Rockport, Massachusetts artist colony he met and studied under the seascape artist Emile Gruppe. Later Hudder continued his studies with artist Gordon Grant and developed his talent with etching under Charles Winter.Size: 14 x 16 in.Unframed.

Los 337

19th C. Orientalist Etching, Signed Indistinctly in margin (lower left). Image size: 5.5 x 9.5 in.Overall Size: 13 x 15 in. Framed behind glass.

Los 846

WILLIAM PALMER ROBINS (1882-1959) British, Basilica Di Santa Maria Della Salute from across The Grand Canal, limited edition etching, signed, framed and glazed, the plate 30 x 20 cm

Los 847

SIR FRANK SHORT (1857-1945) British, Riverside Buildings, limited edition etching, signed in pencil to margin, framed and glazed, the plate 20 x 15 cm

Los 884

BARRY FLANAGAN RA (1941-2009) British, Landscape, etching, unframed

Los 896

After HOLMAN HUNT, The Light of the World, print, together with others including RICHARD REEVE After CHARLES NEWHOUSE, Military Incidents, an indistinctly signed etching, etc., the former 26.5 x 58 cm

Los 351

Wilfred Crawford Appleby, 1889-1954, Trinity College Glenalmond, etching, signed in pencil, 24 x 33cm, together with D R Holloway, 20th century, country lane, signed watercolour, 34 x 48cm, another smaller by the same hand and a collection of prints

Los 1237

James McNeill Whistler, 'The Golden Hind', signed and titled in pencil, etching, pl.16 x 27.5cm. 

Los 71

* WILLIAM DOUGLAS MACLEOD (SCOTTISH 1892 - 1963), THE ARNO AT FLORENCE etching, signed in pencil 17cm x 32cm Framed and under glass

Los 173

* DAMIAN HENRY (SCOTTISH b 1969), LILIES etching, signed, titled and numbered 46/50 in pencil 12cm x 10.5cm Unframed

Los 186

WALTER TOWERS (SCOTTISH), WARRISTON SCHOOL etching, signed and titled in pencil 20cm x 34cm Unframed

Los 187

JACKSON SIMPSON, THE CROFT, etching, signed in pencil, 15cm x 20cm, along with another etching by James MacIntyre (2)

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