LUCIAN FREUD (1922-2011)A Couple (Hartley 7) Etching, 1982, on wove paper, signed with initials and numbered 24/25 in pencil (there were also 10 artist's proofs), published by Thames and Hudson, London at the occasion of the publication of Lawrence Gowing's book Lucian Freud (deluxe edition), the full sheet, in very good condition, framedImage 114 x 114mm. (4 1/2 x 4 1/2in.); Sheet 276 x 216mm. (10 7/8 x 8 1/2in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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Lucian Freud (1922-2011)Head of Bruce Bernard (Hartley 26) Etching, 1985, on cream Arches wove paper, signed with initials and inscribed 'trial proof' in pencil, a proof aside from the edition of fifty (there were also 15 artist's proofs), printed by Palm Tree Studios, co-published by James Kirkman, London, and Brooke Alexander, New York, 1986, the full sheet, in very good condition, framedPlate 295 x 295mm. (11 5/8 x 11 5/8in.); Sheet 506 x 467mm. (19 7/8 x 18 3/8in.)Footnotes:ProvenanceJames Kirkman, London. Desmond Page Limited, London.Timothy Taylor Gallery, London. Rex Irwin, Woollahra, Australia.Purchased from the above by the current owner.ExhibitedLucian Freud: Works on Paper, 1988-89, Arts council/Southbank Centre, LondonTouring Exhibition: Hayward Gallery, London; Ashmolean Museum, Oxford; The Fruitmarket Gallery, Edinburgh; Ferens Art Gallery, Hull; Walker Art Gallery, Liverpool; Royal Albert Memorial Museum, Exeter; and The Fine Arts Museums of San Francisco (illustrated in catalogue)Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney (born 1937)Marguerites (M.C.A. Tokyo 141) Etching, softground etching and aquatint in colours, 1973, on wove paper, signed, dated and numbered 27/100 in pencil, printed by Atelier Crommelynk, Paris, published by Petersburg Press, London and New York, with the artist's copyright blindstamp, the full sheet, in good conditionPlate 235 x 18mm. (9 1/4 x 7 1/8in.); Sheet 415 x 316mm. (16 1/4 x 12 1/2in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney (born 1937)A Picture of Two Chairs, from Moving Focus Series (MCA Tokyo 286) Lithograph and etching in colours, 1985-86, on HMP hand-made paper, signed, dated and numbered 28/60 in pencil, published by Tyler Graphics, Los Angeles, with their blindstamp, the full sheet, with pale time staining at sheet edges, otherwise in good conditionSheet 480 x 559mm. (18 3/4 x 22in.) Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
William Kentridge (born 1955)Reeds (Krut pp. 54-55) Etching and aquatint with drypoint printed in black and red with hand-colouring in pastel, 1996, on wove paper, signed, dated and numbered 5/40 in pencil, published by David Krut Fine Art, London, the full sheet, in very good condition, framed Sheet 1186 x 1575mm. (46 3/4 x 62in.)Footnotes:ProvenanceDavid Krut Fine Art, London.Acquired directly from the above by the current owner.Click for an instant shipping quoteThis lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
PIERRE-AUGUSTE RENOIR (1841-1919)Le Chapeau Épinglé, 1ère Planche (Delteil; Stella 6) Drypoint, 1894-95, on laid paper, with watermark MBM, an extremely rare proof before steel-facing, printed with rich burr and subtle plate tone, the full sheet with a deckle edge at right, in good condition; together with a copy of Pierre-Auguste Renoir, L'Oeuvre Gravé et Lithographié, Catalogue raisonné by Loys Delteil (2) Plate 116 x 82mm. (4 1/2 x 3 1/2in.); Sheet 353 x 225mm. (13 7/8 x 8 7/8in.)Footnotes:Le Chapeau Épinglé (The Pinned Hat) was a favourite subject for Renoir and he produced several versions in different media including pastel, oil, etching and lithography, one of which is offered in lot 8. The models were Berthe Morisot's daughter, Julie Manet and her cousin Jeanne Gobillard. Renoir had made a study of the girls whilst on holiday with Morisot's family which formed the basis for this image.This is an extremely rare drypoint of the subject, with rich burr and square corners to the plate, indicating an impression before steel-facing. Neither Delteil nor Stella were aware of any impressions before steel-facing. Stella refers to this image as an etching, presumably as he had only seen impressions printed after the plate was steel-faced for inclusion in various publications, such as Manet and the French Impressionists and Die Impressionisten by Théodore Duret. Prior to this impression appearing at auction, only impressions taken after the plate was steel-faced have come to the market. L'Institut d'histoire de l'art and La Bibliotèque nationale de France in Paris have an impression listed as a drypoint, though the drypoint is not as strong in comparison with this example.It is a wonderful example of the artist's command of the technique, creating the sfumato lines to give a soft, delicate quality to the subject. The composition showing the simple act of fixing a hat is crafted to draw the viewer in. There is a sense of mystery in the fact that Julie's face is obscured from view, focussing our attention on this small act, which highlights the friendship between the two girls and the expertise of the artist.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com
Giovanni Battista Piranesi1720 Mogliano - 1778 Rom"Veduta di Piazza Navona sopra le rovine del Circo Agonale" - "Veduta del Tempio della Fortuna virile"Zwei Radierungen auf Bütten (Hind 16, II bzw. 46, I). 51,2 x 74 cm. Min. gebräunt. Dabei: "Veue dela Piazza e Tempio di Santa Maria della Rotonda". Radierung auf Bütten (bei R. Alberts, Den Haag). 51,2 x 74 cm. Knickfalten. Min. gebräunt. Giovanni Battista Piranesi1720 Mogliano - 1778 Rome"Veduta di Piazza Navona sopra le rovine del Circo Agonale" - "Veduta del Tempio della Fortuna virile"Two etchings on handmade paper (Hind 16, II and 46, I). 51.2 x 74 cm. Slightly browned. Additional: "Veue dela Piazza e Tempio di Santa Maria della Rotonda". Etching on handmade paper (by R. Alberts, The Hague). 51.2 x 74 cm. Creased. Slightly browned.
•DAME ELIZABETH VIOLET BLACKADDER DBE, RA, RSA, RSW, RGI (SCOTTISH B. 1931) PAPHIOPEDILUM INSIGNE MAUDIAE COLORATUM Etching with aquatint, signed artist's proof, 61 x 45cm (24 x 17 3/4"), 70 x 53cm (27 1/2 x 21") Condition Report: Some light handling creases in the margin area in the bottom left hand corner.
•LAURENCE BIDDLE (BRITISH 1888-1968) GERANIUMS, PRIMROSES, SCILLAS, PRIMULA Oil on board, signed and dated (19)31, 33 x 51cm (13 x 20") Inscribed with title on signed etching by the artist verso Condition Report: On close inspection there is fine cracking in the pigment evident over areas of the left foreground and some of the red petals of the flowers in the bowl.
•LAURENCE BIDDLE (BRITISH 1888-1968) GERANIUMS, PRIMULAS AND FORGET-ME-NOTS Oil on board, signed, 30 x 45cm (11 3/4 x 17 3/4") Inscribed with title on signed etching by Laurence Biddle and W. B. Simpson label verso Condition Report: On close inspection there are three quite small areas of damage with retouching down the right edge, two similar down the left edge, one again similar at bottom edge on the left and a two tiny brown marks at the top edge on the left.
•DAME ELIZABETH VIOLET BLACKADDER DBE, RA, RSA, RE, RGI (SCOTTISH B. 1931) ORCHIDACEA, BRASSIA, VERRUCOSA (SPIDER ORCHID) Etching with aquatint, signed printers proof, 30 x 35cm (11 3/4 x 13 3/4"), 51 x 53cm (20 x 21") Condition Report: The etching is in good condition and no significant issues.
•DAME ELIZABETH VIOLET BLACKADDER DBE, RA, RSA, RSW, RGI (SCOTTISH B. 1931) ORCHIDACEAE ODONLOGLOSSUM GRANDE Etching with aquatint, signed artist's proof, 35 x 30cm (13 3/4 x 11 3/4"), 63 x 51cm (24 3/4 x 20") (sheet) Condition Report: The etching and paper are found in good condition and no significant issues.
•SANDRA BLOW RA (BRITISH 1925-2006) REVOLVE Etching with aquatint, signed, inscribed with title, numbered 65/65 and dated (20)03, 55 x 55cm (21 1/2 x 21 1/2"), 77 x 73cm (30 1/4 x 28 1/2") (sheet) Condition Report: On close inspection there is a small light crease mark in the paper at the bottom right corner of the sheet, overall in good condition and no significant issues.
Royal Naval Officer’s 1845 Pattern Sword. The 80cm blade by Larcom & Vesey Portsea with single fuller, etched with the Imperial crown, fouled anchor and scrolling foliage panels. Gilt metal hand guard, the incorporated fouled anchor oval now defaced, lion’s head and mane pommel and backstrap, wire bound white fish skin grip, gold and navy sword knot (distressed). Black leather scabbard with three gilt metal chapes, the blade clean, the etching weak, gilt areas rubbed £160-£200 --- This is an age restricted lot: the successful buyer will be required to either collect in person, or arrange specialist shipping.
A German Second War Kriegsmarine Officer’s Dagger. An extremely nice condition WKC bladed naval officers dagger, very fine etching of sailing ships to both sides of the mint bright blade. All of the fittings, which include the upper pommel, cross guard and scabbard retain original gilt. Deep orange grip, all grip wire intact. Red felt washer still in place. The scabbard is with the extra thickness scabbard band rings, very good condition £300-£400 --- This is an age restricted lot: the successful buyer will be required to either collect in person, or arrange specialist shipping.
EARLY 20TH CENTURY ENGLISH SCHOOL "Flowers in terracotta pots", a still life study, oil on board, unsigned, size including frame approx 57 cm x 68 cm, together with AFTER HENRIKUS ELIAS RODDENBURG (1895-1987) "Crematorium Reims", study of church tower with figure in foreground, coloured etching, signed and dated '31 lower right, limited edition No'd. 19/150 and titled lower left, image size approx 51 cm x 37 cm
Nevinson, C.R.W. Modern War Paintings by C.R.W. Nevinson With an essay by P.G. Konody. London: G. Richards, 1917. 4to, number 34 of 75 copies with an etching "Returning to the Trenches" in pocket at rear, coloured frontispiece signed in pencil by Nevinson and 24 plates, original green cloth, uncut, dustwrapper split along upper joint and with loss at head of spine, the etching signed in pencil and dated 1916, lower margin of etching discoloured, rear endpaper spotted
[Johnson, Samuel] A Journey to the Western Islands of Scotland London: W. Strahan, 1775. First edition, 8vo, finely bound in tree calf gilt by Riviere [ESTC T84319]; with a loosely inserted etching from The Gentleman's Magazine (volume 45, 1775) entitled Dr Saml Johnson's Introduction to a Highland Hut, 11.5 x 15.5cm
Belgischer Nachbau eines Colts Navy 1851, um 1860 Kal. .36 Blackpowder, Nr. 11867, matter 7½"-Lauf. Nummerngleich (aber Waffe nicht zerlegbar, Laufkeilschraube sitzt fest) Sechsschüssig. Leicht abgezogene Laufoberfläche mit Inventarnr. "5743" und nicht mehr zu identifizierender Inschrift. Aufwändige Weinrankengravuren am Rahmen und den Messinggriffbändern. Die Ätzgravur der Trommel übernimmt dieses Motiv. Restaurierter Griff aus Ebenholz (?). Laufkeil zeitgenössisch, aber ursprünglich nicht zugehörig. Trommeltransport arbeitet nur sporadisch. Länge circa 35 cm.In neuzeitlicher Holzkassette mit diversem Repro Zubehör. Schlüssel fehlt. Maße circa 38x17x6 cm.WBK: Achtung - ErlaubnispflichtigZustand: II - IIIA Belgian copy of a Colt Navy 1851, circa 1862 Cal. .36 Blackpowder, SN. 11867, 7½"-barrel, matte bore. Visible numbers are matching, as disassembly was prevented by a stuck wedge screw. Six shots. Barrel surface reworked, marked with inventory number "5743" and an illegible inscription. The frame and the brass grip straps are nicely engraved with tendrils, en suite continued on the cylinder etching. The grips restored wood (ebony?). Contemporary wedge, but from another gun. The cylinder is transported only randomly, needs repair. Length circa 35 cm.In a recent wooden case with various accessories (replicas). Key missing. Dimensions 38x17x6 cm.WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealerCondition: II - III
MARTIN LEMAN. 'Double Act'. Limited Edition coloured etching. Signed, titled & dated (19)82 & No. 37/100. 16 x 19cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
G. TREVOR. Two watercolours by G. Trevor, Lelant Saltings with Godrevy & St. Michael's Mount. Each, 18 x 26cm. Also, a Victorian watercolour of a girl with her kitten & an etching by R.T. Cowern. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CANNOT SHIP THIS LOT or other large, glazed or fragile pictures. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk Proceeds from this lot will be donated to the RNLI Penlee Crew Comfort Fund.
Catherine Grubb (born 1945)/The Girl who Fell in Love with a Peacock/numbered 4/30/etching in colours, 44cm x 60cm and/Pavane for a Dead Infanta/numbered 12/12/etching in colours, 60cm x 44cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Susan Dobson - "Northern Fells", signed and dated 1990, A/P, further inscribed to artist's label verso, coloured etching, 38 x 49cms; together with Alan Stones - "Raven", signed and numbered 68/150, further inscribed to artist's label verso, 37 x 49cms, framed. (2)Please note: this lot may be subject to Artists Resale.
Zwei Kreta-Messer, 19. Jhdt. Beide Messer mit kräftigen Rückenklingen, die eine terzseitig mit fein kalligraphierter Inschrift und quartseitig mit floraler Ätzung und Datierung. Beide Messer mit getriebenen Griffzwingen und -schienen aus Silber und Eisen, vernietete Griffschalen aus Elfenbein bzw. Bein. Jeweils in lederbezogenen Holzscheiden. Unterschiedliche Alters- und Gebrauchsspuren. Länge 33 und 38 cm.Achtung - Versand in Nicht-EU-Staaten unterliegt CITES Regularien.Zustand: II -Two Cretan knives, 19th century Both knives with sturdy, single-edged blades, one with a delicate inscription in calligraphy on the obverse and floral etching and date on the reverse. Both knives with chased grip ferrules and straps in silver and iron, riveted ivory and bone grip scales respectively. Each in a leather-covered wooden scabbard. Different traces of age and use. Length 33 and 38 cm.Attention - shipping to non-EU countries subject to CITES.Condition: II -
BSA, BIRMINGHAM A GOOD .177 UNDER-LEVER AIR-RIFLE, MODEL 'STANDARD LIGHT' or 'LADIES PATTERN', serial no. L10165, for 1920, with 17in. blued tapering barrel, dove-tailed fore-sight, elevating rear-sight, tap loading breech, plain air-chamber etched with maker's details and patents, two hole trigger unit, saw-handled walnut butt with ribbed heel, no provision for fore-end and push button under-lever, strong amount of finish retained throughout, etching faded but legible, overall length 39 3/4in., weight approximately 6 1/4lbs.. Pre-1939 * Please note this item is subject to 5% VAT on the hammer price.
FIVE CRYSTAL ORNAMENTS, to include three Swarvoski items, an apple, height 7.5cm (reglued stalk), an oyster shell with pearl, width approximately 6cm and an Owl, height 4.5cm, all with swan etching, a Waterford crystal shell shaped timepiece, height 6.5cm (nibbles to edges) and another item etc (5)

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78472 Los(e)/Seite