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Preisdatenbank abonnieren*JASON HICKLIN (B. 1965) 'St Aldhelms Head, 1997'signed, titled, dated and numbered 15/30 in pencil to the margin, etching on Somerset watercolour paper, image size 16.5cm x 24.5cm; together with a small oil of a seascape by Esteves de Cooman, signed and dated 2014 verso, oil on canvas, 10.5cm x 15cm laid on a larger canvas 12cm x 18cm (2)
Roger Hilton (British, 1911-1975) Two Women Etching Framed W44cm x H31cm ARR - Artist Resale Rights may be payable on this item. Provenance : Private Collection Purchased from Austin / Desmond Contemporary Books 1997 Note : Roger Hilton CBE (1911–1975) was a pioneer of abstract art in post-Second World War Britain. Often associated with the 'middle generation' of St Ives painters – Terry Frost, Patrick Heron, Peter Lanyon & Bryan Wynter – he spent much of his career in London, where his work was deeply influenced by European avant-garde movements. He was born on 23 March 1911 in Northwood , Middlesex, and studied at the Slade School of Fine Art and also in Paris, where he developed links with painters on the Continent. At the Slade he won the Orpen prize in 1930. During the late 1950s and 1960s, Hilton's career began to take off and he started to spend more time in west Cornwall, moving there permanently in 1965. In the same year he married Rose Phipps, 20 years his junior, having divorced his first wife, Ruth David. He became a prominent member of the St Ives School and gained an international reputation. He won the 1963 John Moores Painting Prize. In 1964 he exhibited at the British Pavilion at the Venice Biennale winning the UNESCO Prize.
Sandra Millar Blackbird Etching and Drypoint Signed and numbered 9/30 Framed W30cm x H27cm Provenance : Private Collection Note : Sandra Millar studied at Edinburgh College of Art and Goldsmiths College. Her prints focus on people and their relationship with each other and the space that surrounds them. Sandra explores the possibilities for linear and tonal contrasts that the mediums of etching, aquatint and drypoint offer. She has exhibited regularly since 1993 and her work is in private collections in this country and abroad.
Sandra Millar Racing The Dawn Etching Signed Framed W74.5cm x H73cm Provenance : Private Collection Note : Sandra Millar studied at Edinburgh College of Art and Goldsmiths College. Her prints focus on people and their relationship with each other and the space that surrounds them. Sandra explores the possibilities for linear and tonal contrasts that the mediums of etching, aquatint and drypoint offer. She has exhibited regularly since 1993 and her work is in private collections in this country and abroad.
Sandra Millar The Little Dog Laughed Etching and drypoint Signed and numbered 6/10Framed W37cm x H36.3cm Provenance : Private Collection Note : Sandra Millar studied at Edinburgh College of Art and Goldsmiths College. Her prints focus on people and their relationship with each other and the space that surrounds them. Sandra explores the possibilities for linear and tonal contrasts that the mediums of etching, aquatint and drypoint offer. She has exhibited regularly since 1993 and her work is in private collections in this country and abroad.
Sandra Millar Chorus Line Coloured Etching Signed and numbered 2/10 Framed W74.5cm x H73cm Provenance : Private Collection Note : Sandra Millar studied at Edinburgh College of Art and Goldsmiths College. Her prints focus on people and their relationship with each other and the space that surrounds them. Sandra explores the possibilities for linear and tonal contrasts that the mediums of etching, aquatint and drypoint offer. She has exhibited regularly since 1993 and her work is in private collections in this country and abroad.
Richard Hamilton (British, 1922- 2011) Reaper (0) Etching and Aquatint Signed , R. Hamilton Edition Number 1/20Framed W35cm x H41.5cm Provenance : Private Collection Purchased from Austin / Desmond Fine Art Limited 1994 Note : Richard William Hamilton was an English painter and collage artist. His 1955 exhibition Man, Machine and Motion (Hatton Gallery, Newcastle upon Tyne) and his 1956 collage Just what is it that makes today's homes so different, so appealing?, produced for the This Is Tomorrow exhibition of the Independent Group in London, are considered by critics and historians to be among the earliest works of pop art. A major retrospective of his work was at Tate Modern in 2014.
Prunella Clough (British 1919 - 1999) Untitled , c1980s Etching and gouache on paper Framed W27.5cm x H31cm ARR - Artist Resale Rights may be payable on this item. Provenance : Private Collection Annely Juda Fine Art Note : Prunella Clough was a prominent British artist. She is known mostly for her paintings, though she also made prints and created assemblages of collected objects. She was awarded the Jerwood Prize for painting, and received a retrospective exhibition at Tate Britain.
§ Karel Appel (1921-2006) Circus Suite, no.29signed 'appel' (lower left); numbered 32/130etching74.5 x 55cmThis work has not been removed from the frame, the outermost edges are obscured by the mount and are, therefore, not available for inspection. There is some debris trapped behind the glass, including a small fly in the lower right hand corner. There appears to be some minor undulation to the sheet so it may benefit from remounting/reframing. Otherwise in nice, presentable condition.
A collection of unframed printed and original works from the Drian Gallery, to include fifteen original works by Guelfo Bianchini (1937 - 1997), various sizes; Ellen Kuhn, an indistinctly titled etching and aquatint, signed (lower right), artist's proof; Moris Gontard, Untitled, signed (lower right), numbered 26/300, lithograph; Sigmund Abeles, Self Portrait with Cats, signed (lower right), artist's proof, drypoint etching; Dora Basicio, two untitled etchings and aquatints; an etching and aquatint titled 'Hartgureter I', signed dated and numbered '5/5 GERRIT 67' (lower right); Long Thien Shih, three untitled etchings, variously signed and numbered; and Katerina Wilczynski (1894-1978) a group of eight ink studies of nudes and landscapes, mostly signed 'Wilc' (approx 32) Founded in 1957 by Halima Nalecz, the Drian Galleries played a transformative role in London’s art scene. Born in Lithuania, Nalecz fled war-torn Europe and settled in London in 1947. Initially co-founding the New Vision Centre in 1956, the following year she established the Drian Galleries as a means to support artists rejected by the elite Bond Street galleries.The Drian Galleries, located in Bayswater, became a launchpad for emerging talents like John Bellany, William Crozier, and Michael Sandle. Nalecz’s dedication to artistic innovation gave many their first major exhibitions in England, solidifying her reputation as a fearless advocate for the unconventional.
Two mid 20th century signed prints, comprising: Jack Coutu (born 1924), 'Pine & Pigeon', 1959, 21/50, signed, dated, titled and inscribed in pencil (in the margin) etching and aquatint, 60 x 42 cm. Together with: Jeremy Gentilli (British, born 1926) a limited edition abstract print of birds in flight, signed and dated '58, numbered 85/100, 20 x 52 cm. Both framed. (2)
Jan de Bisschop (1628-1671) after, Head of Hadrian or Lucius Caesar, drypoint etching, published in Paradigmata Graphices Variorum Artificum, drypoint etching, 17cm x 13cm, 17th century, maple frame; Philippe Thomassin (1562-1622), Mercurius in aedibus Card. Burghesij, Antiquarum Statuarum Urbis Romae Libra Primus; portrait print of an old man, maple frame (3)
Walter Shaw Sparrow: 'Angling in British Art', London, John Lane the Bodley Head Limited, 1923, limited edition deluxe, No. 27 of 125 copies only, signed by the author and with an original drypoint etching frontis by Norman Wilkinson, signed by Wilkinson in pencil to lower right margin, 39 further colour plates by John Singer Sargent, Norman Wilkinson, Ernest Briggs, J.S. Cotman, Thomas Rowlandson and others, and 142 black & white plates and illustrations complete, 4to, original cream buckram gilt, top edge gilt, others uncut
Philip Luckombe: 'A Concise History of the Origin and Progress of Printing; with Practical Instructions to the Trade in General. Compiled from those who have wrote on this curious art.', London, W. Adlard & J. Browne, 1770, 1st edition, woodcut frontispiece of Johannes Gutenberg (often lacking) + illustrations in text throughout of type and ornament specimens, parts of the printing press etc, [14],502,[4]pp, contemporary tree calf boards, later rebacked leather gilt. Philip Luckombe's work provides an overview of the history of printing and the printing press, with discussion of the invention of movable type, the development of paper, and the impact of printing on society and culture. Luckombe also discusses the various printing processes used throughout history, including woodcut, engraving, etching, and lithography. Additionally, he provides biographical information about important figures in the history of printing, such as Johannes Gutenberg and William Caxton. Scarce
Thomas Hardy: 'Jude the Obscure', London, Osgood, McIlvaine & Co., 1896, 1st edition in book form, 1st state (pagination to all partially blank pages in signature A-H), etching by H. Macbeth-Raeburn and map of Wessex complete, original cloth gilt, top edge gilt. Jude the Obscure was Hardy's last novel, in which he "deliberately [attacked] the existing educational system and marriage laws. The novel's sexual directness fuelled the hostility of its reception in some quarters, and while Hardy affected to laugh off a bishop's claim to have consigned the book to the flames he could not easily remain indifferent to reviews with headings such as 'Jude the Obscene' and 'Hardy the Degenerate'" (ODNB).
A Victorian 1854 pattern officer's dress sword and scabbard the brass hilt with pierced Gothic brown and VR cypher, the warranted single fuller blade showing signs of etching, 82 cm length of blade.This bladed product is not for sale to people under the age of 18. Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019). International buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. Please contact us if you require details of our suggested shippers.Some signs of deep pitting to the blade and small knocks and scuffs to the hilt
After Nancy Bradfield - A 1979 'Clifton Suspension Bridge' etching by Harold Sayer from an original drawing made in 1935 by Nancy Bradfield. Numbered 7/50. Local Bristol harbourside interest. Signed by the artist, dated and numbered in pencil along the bottom of the etching. Mounted, framed and glazed. Measuring approx. 41cm x 51cm.
LUBBOCK, J. G. The Sphere of Rocks and Water, SIGNED limited edition, numbered 72 of 80, illustrated with 10 plates produced by engraving, etching and aquatint, the colours printed in intaglio and relief, some with hand-colouring, the typography and printing of the text by Will Carter at the Rampant Lions Press, Cambridge, hand-bound by George Percival at Leicester, folio, quarter crushed morocco lettered in gilt, 54pp., in fine condition, very well-preserved, clean & bright, vibrant colours, loosely-inserted sales invoice from publisher, housed in a slightly marked slipcase, London: Bertram Rota, 1983
JAMES, Edwin. Account of an Expedition From Pittsburgh to The Rocky Mountains, vol. 1 only, 8vo, contemp. full-calf, 3 aquatint etching plates only, 19th century library plate at front pastedown for Simla Station Library, prelims almost loose, boards bumped/rubbed, London: Longman, Hurst, Rees et al., 1823._ Together with Paterson's Roads, 1826 guide to the roads of England and Wales - The Road by Hilaire Belloc - The London Perambulator by James Bone, 1925, w/a/f (4)
LUBBOCK, J. G. From Garden to Galaxy, SIGNED limited edition, numbered 64 of 80, featuring a loosely-inserted SIGNED etching of Dandelions (a plate which also appears in the book), illustrated with 12 plates produced by engraving, etching, aquatint, and soft-ground etching, the colours printed in intaglio and relief, some with hand-colouring, the typography and printing of the text by Will Carter at the Rampant Lions Press, Cambridge, quarto, full crushed morocco lettered in gilt, 50pp. text, in fine condition, very well-preserved, clean & bright, vibrant colours, the loose signed etching slightly creased/marked, housed in a very slightly marked slipcase, London: Bertram Rota, 1980
Stonehenge 1815 - Grand Conventicle Festival of the Britons. A hand-coloured aquatint etching designed by Charles Hamilton Smith (1776-1859), engraved by Robert Havell senior (1769-1832), [produced for The Costume of the Original Inhabitants of the British Isles], 14¼″ x 10″, laid down on old card mount, London: C. H. Smith & S. R. Meyrick, 1815 ❧ This plate was also sold separately by the publishers, i.e. not only issued as an illustrative plate in the book
Kleines Eisenkästchen. 16. Jh. Schmiedeeisen mit "Ätzmalerei". 9,5 x 15,5 x 9 cm. 0,8 kg. Quaderförmige Eisenschatulle (Minnekästchen) mit Kugelfüßen sowie beweglichem Tragegriff und verdecktem Schlüsselloch auf dem Scharnierdeckel. Allseits und auf dem Scharnierdeckel reiches Ätzornament mit Rankenrahmung um die Bildfelder mit je einer Dame bzw. einem Herren. Im Deckel schlichtes Schloss mit 2 beweglichen Fallen sowie Ätzornament. 1 Scharnier gebrochen, geringe Fehlstellen am Deckel, 1 Fuß ergänzt, einige Alters-/Gebrauchsspuren. Ohne Schlüssel. Aufrufzeit 27. | Feb. 2025 | voraussichtlich 14:01 Uhr (CET)Small iron box. 16th century Wrought iron with "etching". 9.5 x 15.5 x 9 cm. 0.8 kg. Square iron casket (Minnekästchen) with ball feet and movable carrying handle and concealed keyhole on the hinged lid. Rich etched ornamentation on all sides and on the hinged lid with vine framing around the panels with a lady and a gentleman respectively. The lid with a simple lock with 2 movable latches and etched ornamentation. 1 hinge broken, minor losses to the lid, 1 foot replaced, some signs of age/use. Without key. Call time 27 | Feb. 2025 | probably 14:01 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WINKLER, Curt(1903 - 1974) Ansicht Dresden AltstadtBraun getönte Kupfer-Radierung. Bleisitftsignatur. 25 x 31 cm. Gerahmt & hinter Glas : 47 x 53 cm / 2 kg. Aufrufzeit 01. | März 2025 | voraussichtlich 10:17 Uhr (CET) WINKLER, Curt(1903 - 1974) View of Dresden Old TownBrown tinted copper etching. Signature in lead pencil. 25 x 31 cm. Framed & behind glass : 47 x 53 cm / 2 kg. Call time 01. | March 2025 | probably 10:17 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
(ULBRICHT?), Ansicht Bautzen, Petri DomRadierung. Unsigniert. 20. Jahrhundert. 15 x 23 cm. Gerahmt & hinter Glas : 27,5 x 35,5 cm / 0,6 kg. Aufrufzeit 01. | März 2025 | voraussichtlich 10:18 Uhr (CET) (ULBRICHT?), View of Bautzen, Petri DomEtching. Unsigned. 20th century. 15 x 23 cm. Framed & behind glass : 27.5 x 35.5 cm / 0.6 kg. Call time 01. | March 2025 | probably 10:18 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
UNDEUTLICH SIGNIERT, Montmatre - Place du Tertre, im WinterFarbradierung. 14 x 20,5 cm. Gerahmt & hinter Glas : 30 x 34 cm / 0,7 kg. Aufrufzeit 01. | März 2025 | voraussichtlich 10:19 Uhr (CET) SIGNED, Montmatre - Place du Tertre, in winterColor etching. 14 x 20.5 cm. Framed & behind glass : 30 x 34 cm / 0,7 kg. Call time 01. | March 2025 | probably 10:19 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
UNDEUTLICH SIGNIERT, "Der König" - Friedrich IIRadierung. Bleistiftsignatur und in der Platte signiert. (19)25. 19,5 x 15 cm. Gerahmt & hinter Glas : 42 x 31 cm / 1,1 kg. Schwache Lichtbräunung, Platte getönt. Aufrufzeit 01. | März 2025 | voraussichtlich 10:24 Uhr (CET) UNDEUTLICH SIGNED, "Der König" - Friedrich IIEtching. Pencil signature and signed in the plate. (19)25. 19.5 x 15 cm. Framed & behind glass : 42 x 31 cm / 1.1 kg. Faint light browning, plate tinted. Call time 01 | March 2025 | presumably 10:24 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HANF, Alfred (Cannabis)(1890 - 1974) 8 Druckplatten zu "Der Sündenfall"Kaltnadelradierung. 1922. Maximal 12,5 x 9 cm. Erotische Darstellungen, siehe Katalognummer 3001. Teils mit kleinen Läsionen. Aufrufzeit 01. | März 2025 | voraussichtlich 10:28 Uhr (CET) HANF, Alfred (Cannabis)(1890 - 1974) 8 printing plates for "Der Sündenfall"Cold needle etching. 1922. 12.5 x 9 cm maximum. Erotic depictions, see catalog no. 3001. Parts with small lesions. Call time 01 | March 2025 | probably 10:28 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 erotische FrauendarstellungenGerahmt & hinter Glas : Zusammen 3 kg. Max Brüning: Liegender Akt, Radierung, Bleistiftsignatur und in der Platte signiert. (26 x 36 cm, gerahmt 50 x 61 cm) / Dazu: (Jesko) von Puttkammer: Dame und Hund. Farbrasterdruck (gerahmt 34 x 28 cm). Aufrufzeit 01. | März 2025 | voraussichtlich 10:29 Uhr (CET) 2 erotic depictions of womenFramed & behind glass : Total 3 kg. Max Brüning: Reclining nude, etching, pencil signature and signed in the plate. (26 x 36 cm, framed 50 x 61 cm) / Also: (Jesko) von Puttkammer: Dame und Hund. Color halftone print (framed 34 x 28 cm). Aufrufzeit 01. | March 2025 | probably 10:29 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
THOMA, Hans(1839 - 1924) TritonenpaarRadierung. Bleistiftsignatur. (1892). 16,5 x 22 cm. Gerahmt & hinter Glas : 45 x 65 cm / 2,2 kg. Aufrufzeit 01. | März 2025 | voraussichtlich 10:30 Uhr (CET) THOMA, Hans(1839 - 1924) Pair of tritonsEtching. Pencil signature. (1892). 16.5 x 22 cm. Framed & behind glass : 45 x 65 cm / 2,2 kg. Call time 01. | March 2025 | expected 10:30 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
THOMA, Hans(1839 - 1924) "Das Glück"Radierung. Bleistiftsignatur, in der Platte monogrammiert. 1920. 25 x 19 cm. Gerahmt & hinter Glas : 62 x 52 cm / 2,8 kg. Aufrufzeit 01. | März 2025 | voraussichtlich 10:31 Uhr (CET) THOMA, Hans(1839 - 1924) "Das Glück"Etching. Pencil signature, monogrammed in the plate. 1920. 25 x 19 cm. Framed & behind glass : 62 x 52 cm / 2,8 kg. Call time 01. | March 2025 | probably 10:31 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
THOMA, Hans(1839 - 1924) Jugendliche BogenschützenRadierung. Bleistiftsignatur. 1901. 22 x 15,5 cm. Gerahmt & hinter Glas : 50 x 40,5 cm. Aufrufzeit 01. | März 2025 | voraussichtlich 10:32 Uhr (CET) THOMA, Hans(1839 - 1924) Youthful archersEtching. Pencil signature. 1901. 22 x 15.5 cm. Framed & behind glass : 50 x 40.5 cm. Call time 01. | March 2025 | presumably 10:32 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
THOMA, Hans(1839 - 1924) Mutter und KinderRadierung. Bleistiftsignatur, rechts unten im Druck monogrammiert. 1901. 21,5 x 27 cm. Gerahmt & hinter Glas : 34 x 43 cm. Papier gebräunt. Aufrufzeit 01. | März 2025 | voraussichtlich 10:33 Uhr (CET) THOMA, Hans(1839 - 1924) Mother and childrenEtching. Pencil signature, monogrammed lower right in the print. 1901. 21.5 x 27 cm. Framed & behind glass : 34 x 43 cm. Paper browned. Call time 01 | March 2025 | presumably 10:33 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
KLINGER, Max(1857 - 1920) "Bär und Elfe"Radierung. In der Platte signiert und Bleistiftmonogramm links. 39,5 x 23 cm. Gerahmt & hinter Glas : 69 x 49 cm. Aus "Intermezzi" Opus IV, Blatt 1. . Randbereich schwach stockfleckig. Aufrufzeit 01. | März 2025 | voraussichtlich 10:33 Uhr (CET) KLINGER, Max(1857 - 1920) "Bear and elf"Etching. Signed in the plate and pencil monogram on the left. 39.5 x 23 cm. Framed & behind glass : 69 x 49 cm. From "Intermezzi" Opus IV, sheet 1. . Faint foxing in margins. Call time 01 | March 2025 | probably 10:33 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
KLINGER, Max(1857 - 1920) "Simplicius in der Waldeinöde"Radierung. Im Druck bezeichnet. Aus "Intermezzi" Opus IV, Blatt 10. 22,5 x 39,5 cm. Gerahmt & hinter Glas : 51 x 61 cm / 2,7 kg. Schwache Lichtbräunung. Aufrufzeit 01. | März 2025 | voraussichtlich 10:34 Uhr (CET) KLINGER, Max(1857 - 1920) "Simplicius in der Waldeinöde"Etching. Inscribed in the print. From "Intermezzi" Opus IV, sheet 10. 22.5 x 39.5 cm. Framed & behind glass : 51 x 61 cm / 2.7 kg. Faint light browning. Call time 01 | March 2025 | expected 10:34 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
VOGELER, Heinrich(1872 - 1942) "Liebe"Radierung. Bleistiftsignatur, Im Druck monogrammiert. Gedruckt bei Felsing, Berlin. 34 x 36,5 cm. Gerahmt & hinter Glas : 53 x 56,5 cm / 2,2 kg. Aufrufzeit 01. | März 2025 | voraussichtlich 10:34 Uhr (CET) VOGELER, Heinrich(1872 - 1942) "Liebe"Etching. Pencil signature, monogrammed in the print. Printed by Felsing, Berlin. 34 x 36.5 cm. Framed & behind glass : 53 x 56.5 cm / 2.2 kg. Call time 01. | March 2025 | probably 10:34 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
UBBELOHDE, Otto(1867 - 1922) Weite Landschaft mit RindernRadierung. Im Druck signiert. 22 x 36 cm. Gerahmt & hinter Glas : 39x 51 cm / 1,4 kg. Aufrufzeit 01. | März 2025 | voraussichtlich 10:42 Uhr (CET) UBBELOHDE, Otto(1867 - 1922) Wide landscape with cattleEtching. Signed in the print. 22 x 36 cm. Framed & behind glass : 39x 51 cm / 1,4 kg. Call time 01. | March 2025 | presumably 10:42 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
OLSZEWSKI, Karl Ewald(1884 - 1965) Fliegender SchwanFarbradierung. Bleisitftsignatur, bezeichnet München. 26 x 38,5 cm. Gerahmt & hinter Glas : 50 x 61 cm / 2 kg. Aufrufzeit 01. | März 2025 | voraussichtlich 10:46 Uhr (CET) OLSZEWSKI, Karl Ewald(1884 - 1965) Flying SwanColor etching. Pencil signature, inscribed Munich. 26 x 38.5 cm. Framed & behind glass : 50 x 61 cm / 2 kg. Call time 01. | March 2025 | probably 10:46 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
THOMA, Hans(1839 - 1924) "Wundervögel"Radierung. Bleistiftsignatur, links unten im Druck monogrammiert. 1911. 20 x 24,5 cm. Gerahmt & hinter Glas : 39 x 41 cm. Aufrufzeit 01. | März 2025 | voraussichtlich 10:46 Uhr (CET) THOMA, Hans(1839 - 1924) "Wundervögel"Etching. Pencil signature, monogrammed lower left in the print. 1911.20 x 24.5 cm. Framed & behind glass : 39 x 41 cm. Call time 01. | March 2025 | probably 10:46 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
KLEIN, Boris O Pinkelnde Hunde - "Comme nos Maîtres"Kolorierte Radierung. Bleistiftsignatur. 16 x 24 cm. Gerahmt & hinter Glas : 24 x 52 cm / 0,8 kg. Aufrufzeit 01. | März 2025 | voraussichtlich 10:47 Uhr (CET) KLEIN, Boris O Pissing dogs - "Comme nos Maîtres"Colored etching. Pencil signature. 16 x 24 cm. Framed & behind glass : 24 x 52 cm / 0,8 kg. Call time 01. | March 2025 | probably 10:47 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MEYER-EBERHARDT, Kurt(1895 - 1977) EisvogelFarbradierung. Bleistiftsignatur. 27 x 20 cm. Gerahmt & hinter Glas : 42 x 33 cm / 0,9 kg. Leichte Papierbräunung. Aufrufzeit 01. | März 2025 | voraussichtlich 10:47 Uhr (CET) MEYER-EBERHARDT, Kurt(1895 - 1977) EisvogelColor etching. Pencil signature. 27 x 20 cm. Framed & behind glass : 42 x 33 cm / 0,9 kg. Slight paper browning. Call time 01 | March 2025 | presumably 10:47 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MEYER-EBERHARDT, Kurt(1895 - 1977) Drei TerrierFarbradierung. Bleistiftsignatur. 23,5 x 26 cm. Gerahmt & hinter Glas : 38 x 41 cm / 1,1 kg. Aufrufzeit 01. | März 2025 | voraussichtlich 10:48 Uhr (CET) MEYER-EBERHARDT, Kurt(1895 - 1977) Three TerriersColor etching. Pencil signature. 23.5 x 26 cm. Framed & behind glass : 38 x 41 cm / 1,1 kg. Call time 01. | March 2025 | probably 10:48 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
KLEMM, Walther(1883 Karlsbad - 1957 Weimar) Studie mit BärenRadierung. Bleistiftsignatur unten rechts. Druckstock 31 x 29 cm. Gerahmt & hinter Glas : 39,5 x 37,5 cm; 1 kg. Druckgrafische Vervielfältigung eines Studienblattes von Eisbären, in verschiedenen Haltungen und Ausarbeitungsstadien, unten links auf der Druckplatte signiert mit "WKlemm/Hellabrunn .8.18". Maler, Grafiker und Hochschullehrer, studierte - nach Ermutigung durch Emil Orlik - an der Wiener Kunstgewerbeschule sowie Kunstgeschichte an der Wiener Universität. Klemm war Teil der Wiener Secession (1904), der Künstlerkolonie Dachau und der Berliner Secession (1910). Tierdarstellungen wie diese häufen sich in Klemms Werk nach dessen Berufung als Professor für Grafik an die Großherzoglich-Sächsische Hochschule für Bildende Kunst 1913. Literatur : https://www.deutsche-biographie.de/sfz42698.html. Aufrufzeit 01. | März 2025 | voraussichtlich 10:49 Uhr (CET) KLEMM, Walther(1883 Karlsbad - 1957 Weimar) Study with bearsEtching. Pencil signature lower right. Print block 31 x 29 cm. Framed & behind glass : 39.5 x 37.5 cm; 1 kg. Print reproduction of a study sheet of polar bears, in various postures and stages of elaboration, signed "WKlemm/Hellabrunn .8.18". Painter, graphic artist and university teacher, studied - after encouragement from Emil Orlik - at the Vienna School of Applied Arts and art history at Vienna University. Klemm was part of the Vienna Secession (1904), the Dachau artists' colony and the Berlin Secession (1910). Depictions of animals such as these became more frequent in Klemm's work after his appointment as professor of graphic art at the Grand Ducal Saxon Academy of Fine Arts in 1913. Literature : https://www.deutsche-biographie.de/sfz42698.html. Aufrufzeit 01. | March 2025 | probably 10:49 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
ZORN, Anders zugeschrieben Sitzender Frauenakt und DruckplatteRadierung und Kupferplatte mit der Vorlage. 24 x 15 cm. Gerahmt & hinter Glas : 45 x 35 cm / 2,8 kg. Beide Teile unsigniert. Aufrufzeit 01. | März 2025 | voraussichtlich 10:55 Uhr (CET) ZORN, Ascribed to someone else Sitting female nude and printing plateEtching and copper plate with the original. 24 x 15 cm. Framed & behind glass : 45 x 35 cm / 2,8 kg. Both parts unsigned. Call time 01 | March 2025 | presumably 10:55 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
FUCHS, Ernst(1930 - 2015) "Samson kämpft gegen die Philister"Radierung. Bleistiftsignatur. 30 x 52 cm. Gerahmt & hinter Glas : 44 x 68 cm / 2 kg. WVZ 72 D. Radierung, unten rechts in Graphit signiert, im Passepartout hinter Glas gerahmt. Maße ca. Rahmen 73,5 x 52 cm.Vorrätig 1967. Blatt mit Bugfalte, leichter Lichtbräunung und kleinen Stockflecken links unten. Aufrufzeit 01. | März 2025 | voraussichtlich 11:00 Uhr (CET) FUCHS, Ernst(1930 - 2015) "Samson fights against the Philistines"Etching. Pencil signature. 30 x 52 cm. Framed & behind glass : 44 x 68 cm / 2 kg. WVZ 72 D. Etching, signed in graphite lower right, framed behind glass in passepartout. Dimensions approx. frame 73.5 x 52 cm.Existing 1967. Sheet with centerfold, slight light browning and small foxing lower left. Call time 01 | March 2025 | presumably 11:00 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HARTMANN-OELS, Karl Heinz(Geboren 1928) "In statu nascendic"Farbradierung. Bleistiftsignatur. (19)71. 43 x 56,5 cm. Gerahmt & hinter Glas : 69 x 80 cm / 3,4 kg. Aufrufzeit 01. | März 2025 | voraussichtlich 11:03 Uhr (CET) HARTMANN-OELS, Karl Heinz(born 1928) "In statu nascendic"Color etching. Pencil signature. (19)71. 43 x 56.5 cm. Framed & behind glass : 69 x 80 cm / 3,4 kg. Call time 01. | March 2025 | probably 11:03 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HARTMANN-OELS, Karl Heinz(Geboren 1928) "Sehr ruhig" - Abstrakte KompositionFarbradierung. (19)71/72. 48,5 x 65 cm. 72 x 88 cm / 4 kg. Aufrufzeit 01. | März 2025 | voraussichtlich 11:03 Uhr (CET) HARTMANN-OELS, Karl Heinz(born 1928) "Sehr ruhig" - Abstrakte KompositionColor etching. (19)71/72. 48.5 x 65 cm. 72 x 88 cm / 4 kg. Call time 01. | March 2025 | presumably 11:03 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MACKENSEN, Gerd(1949 - 2023) "Variante Das blaue Zimmer" 1997 mit g...."Kaltnadelradierung/Tusche/Aquarell. Bleistiftsignatur. 1997. 29,5 x 39,5 cm. Gerahmt & hinter Glas : 46 x 57 cm / 2,3 kg. Aufrufzeit 01. | März 2025 | voraussichtlich 11:04 Uhr (CET) MACKENSEN, Gerd(1949 - 2023) "Variant The blue room" 1997 with g...."Cold needle etching/ink/watercolour. Pencil signature. 1997. 29.5 x 39.5 cm. Framed & behind glass : 46 x 57 cm / 2,3 kg. Call time 01. | March 2025 | probably 11:04 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
THEUSNER, Ulrike(geboren 1982) "Pilger"Radierung. Bleisitftsignatur. (20)08. 49 x 32,5 cm. Passepartout 60 x 50 cm. Nummeriertes Blatt 4/10. Aufrufzeit 01. | März 2025 | voraussichtlich 11:05 Uhr (CET) THEUSNER, Ulrike(born 1982) "Pilger"Etching. Signature in lead pencil. (20)08. 49 x 32.5 cm. Passepartout 60 x 50 cm. Numbered sheet 4/10. Call time 01 | March 2025 | presumably 11:05 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
ALT, Otmar(geboren 1940) 2 große Blätter - "Mondgrillentaucher"Farbradierung und Prägedruck. Beide mit Bleistiftsignatur. (19)74. 49,5 x 40 cm. Blatt 77 x 54 cm. Nummerierte Blätter 8/50, Blindstempel "Orangerie Cologne". Aufrufzeit 01. | März 2025 | voraussichtlich 11:09 Uhr (CET) ALT, Otmar(born 1940) 2 large sheets - "Mondgrillentaucher"Color etching and embossed print. Both with pencil signature. (19)74. 49.5 x 40 cm. Sheet 77 x 54 cm. Numbered sheets 8/50, blindstamp "Orangerie Cologne". Call time 01 | March 2025 | presumably 11:09 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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