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78472 Los(e)/Seite
Los 526
John Sell Cotman (1782-1842), 'Walsoken Church, Norfolk', etching, published in 'A series of Etchings illustrative of the Architectural Antiquities of Norfolk', 1818, from Bohn's reprint, 1838, plate dated 1818, 21x29cm, unframed, mounted. From the Cotman collection belonging to Dr Henry Lowe and wife Judy (nee Cotman).Yesteryear Prints approx 2000.
Los 539
John Sell Cotman (British,1782-1842), 'Howden Church, Yorkshire', etching taken form Bohn's 1838 (the 2nd publication), 'Specimens of Architectural Remains', as plate 1 (i) in series 4, 30x40cm, framed and glazed From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman).Yesteryear PrintsConservation: Trumpington Gallery, 2001, stamped on backboard.
Los 615
John Sell Cotman (British,1782-1842), 'Castle of Arques, Principal Entrance', etching from 'Architectural Antiquities of Normandy', plate 1, plate dated 1819, published 1822, J & A Arch, 27x34cm, framed and glazed. From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman).Yesteryear prints, approx 2001.Conservation: Trumpington Gallery, 2002.
Los 1371
HERBERT DICKSEE (BRITISH, 1862-1942) (2)The Cottage Doorway signed 'Herbert Dicksee' (lower left margin) etching 45 x 31cm together with Picking Flowers (1908), published by Frost & Reed, a signed etching by the same hand (2, both unframed) Provenance Herbert Dicksee; Thence by descent to his grand-daughter Pamela Service
Los 1369
HERBERT DICKSEE (BRITISH, 1862-1942) (2)The Bend in the River signed 'Herbert Dicksee' (lower left margin) etching 40 x 50cm together with Lucky Dog, Goose Girl (1908), published by Frost & Reed, an etching by the same hand (2, both unframed) Provenance Herbert Thomas Dicksee; Thence by descent to his grand-daughter Pamela Service
Los 1359
HERBERT DICKSEE (BRITISH, 1862-1942) (2)An Old African Lion (1924) signed 'Herbert Dicksee' (lower left margin), published by Frost & Reed etching 15 x 27.5cm together with Head of a Lion, a signed etching by the same hand (2, both unframed) Provenance Herbert Dicksee; Thence by descent to his grand-daughter Pamela Service
Los 1370
HERBERT DICKSEE (BRITISH, 1862-1942)The Twilight Hour (1916) signed 'Herbert Dicksee' (lower left margin), published by Frost & Reed etching 51.5 x 61cm (unframed) Provenance Herbert Dicksee; Thence by descent to his grand-daughter Pamela Service Footnote The sitter in the present work is the actress Gladys Cooper (1888-1971)Condition reportSome light creases, a little discolouration and some light marks to sheet beyond/outside the plate mark.A few very light creases to image but expect these wouldn't be noticeable/would flatten out if framed and glazed.Otherwise appears generally good.
Los 1368
HERBERT DICKSEE (BRITISH, 1862-1942) (2)Nearing Home signed 'Herbert Dicksee' (lower left margin) etching 52 x 65cm together with Bullock Team in Canterbury, a signed etching by the same hand (2, both unframed) Provenance Herbert Dicksee; Thence by descent to his grand-daughter Pamela Service
Los 1367
HERBERT DICKSEE (BRITISH, 1862-1942) (2)Reapers (1914) signed 'Herbert Dicksee' (lower left margin) etching 44.5 x 67cm together with Argos Hill Windmill (1913), published by Frost & Reed, a signed etching by the same hand (2, both unframed) Provenance Herbert Dicksee; Thence by descent to his grand-daughter Pamela Service
Los 1351
HERBERT DICKSEE (BRITISH, 1862-1942) (2)A Stag (1931) signed 'Herbert Dicksee' (lower left margin) etching 31.5 x 25cm together with Irish Wolfhound - With Best Xmas Wishes Mr & Mrs Herbert Dicksee, an etching by the same hand (2, both unframed) Provenance Herbert Dicksee; Thence by descent to his grand-daughter Pamela Service
Los 1348
HERBERT DICKSEE (BRITISH, 1862-1942) (3)Snarling Tiger signed 'Herbert Dicksee' (lower left margin) etching 7.5 x 7.5cm together with Snarling Tiger (on silk); and Head of a Tiger, a miniature etching inscribed 'Queen Mary's Doll's House' (lower right margin), by the same hand (3, all unframed) Provenance Herbert Dicksee; Thence by descent to his grand-daughter Pamela ServiceThe two etchings of the Snarling Tigers are the same plate size, each 7.5 x 7.5cm. The first sheet size is 11.3 x 11.6cm. The second sheet (silk) size is 13.8 x 10cm.The other tiger plate size is 15 x 10cm, the image of this tiger alone (within the plate) is 3.1 x 2.7cm. It's sheet size is 25 x 16cm.
Los 1366
HERBERT DICKSEE (BRITISH, 1862-1942) (2)Rescued (1915) signed 'Herbert Dicksee' (lower left margin), published by Frost & Reed etching 50 x 61.5cm together with Against the Wind and Open Sky, a signed etching by the same hand (2, both unframed) Provenance Herbert Dicksee; Thence by descent to his grand-daughter Pamela ServiceCondition reportRescued: A few light creases and a little discolouration to sheet outside the plate mark and edges. A few very small spots of foxing to edges/sheet outside then plate.Otherwise appears generally good.Against the Wind: A few small mostly pin holes to edges and corners of sheet.Some light foxing, discolouration and creases to margins and sheet.One or two surface abrasions or remnants of old labels to edges of sheet.Otherwise appears generally good.
Los 1356
HERBERT DICKSEE (BRITISH, 1862-1942) (2)Trees in a landscape signed 'Herbert Dicksee' (lower left margin) etching in colour 42 x 30.5cm together with Hills Above Bude, a signed etching by the same hand (2) Provenance Herbert Dicksee; Thence by descent to his grand-daughter Pamela ServiceCondition reportTrees: Some discolouration/yellowing/pale brown appearance , mostly to margins and pale and sky areas.Paper appears a little uneven in places.Otherwise appears generally good.Under glass and not examined out of frame.Above Bude: Acidic mount resulting in some pale brown marks to edges of sheet where it meets the mount.A very few spots of foxing on image, most noticeable one being centre left.Otherwise appears generally good.Under glass and not examined out of frame.
Los 1364
HERBERT DICKSEE (BRITISH, 1862-1942) (2)A French bulldog asleep - Dorothy Service's pet bulldog Shaver signed 'Herbert Dicksee' (lower left margin) etching 7.5 x 16cm together with Irish Wolfhound, a signed etching by the same hand (2, both unframed) Provenance Herbert Dicksee; Thence by descent to his grand-daughter Pamela ServiceCondition ReportBulldog: The lower border has deckled edge, light stains to upper left and right corner; otherwise good overall condition.Wolfhound: Pin holes half way down the left and right border; upper and lower border are uneven; scattered flecks of staining to border, otherwise good condition.
Los 1363
HERBERT DICKSEE (BRITISH, 1862-1942)Waiting for Master (1922) signed 'Herbert Dicksee' (lower left margin), published by Frost & Reed etching 40 x 65cm (unframed) Provenance Herbert Dicksee; Thence by descent to his grand-daughter Pamela ServiceCondition ReportThere are three pinholes to the extreme upper border, one further to the lower left border. A few associated circular creases in the same area. The main body of the print is in excellent condition.
Los 321
Blake (William).- Blair (Robert) The Grave, a Poem, first Blake edition, engraved portrait frontispiece of William Blake by Louis Schiavonetti after T.Phillips, engraved additional pictorial title and 11 plates by Schiavonetti after Blake, list of subscribers, 4pp. advertisements at end, plates with light marginal foxing and a couple with slight water-staining at edges, some soiling and offsetting to text, crease and marginal tear to second leaf of subscribers' list, original boards, paper label to upper cover, uncut, rubbed, corners bumped and worn, rebacked, new endpapers, preserved in modern cloth drop-front box, split to joint, [Bensley 435B], 4to, T.Bensley for R.H.Cromek, 1808.*** A rare untrimmed copy in the original boards and with "Subscriber's Copy" still present at foot of title.Blake's best known work in the 19th century. Cromek had commissioned him to produce 40 drawings but disliked the sample etching which Blake submitted and turned to Schiavonetti to engrave Blake's 12 plates, resulting in a bitter dispute.
Los 146
Cruikshank (George, graphic artist, 1792-1878) Archive of material by and relating to Cruikshank, collection comprises c. 60 drawings, sketches, letters and notes by Cruikshank (drawings and sketches in black ink and pencil, many sketches on random notes), letters, including: draft of a letter to John B. Gough, temperance lecturer, ("I am going to write something abt. you in a little book I am about to publish"); notes, including: ("The Worship of Bacchus or The Drinking Customs of Society"; "22 India Proofs of the Etchings of Proofs of the work - The Omnibus & also 80 India Proofs of the wood cuts..."; "Quarrels over the Social Glass"); [list of accounts], together c. 150 items, letters to Cruikshank on a variety of subjects, including: Charles Rogers (1825-90, Church of Scotland minister and historian); W. Hopburn, William Essing, Abraham Jones Lebras, W. Malthouse, Thomas Tunbridge, John ?Ferdred ("I addressed a note to you on an Invention connected with Etching... it is by the Gentleman who engraves all the present Bank of England notes..."); Robert Hurst (forwarding some scenes in West Cornwall and hoping that Cruikshank will favour them with 2 of his pictures); Maria Louisa Parkman (asking Cruikshank for money); Mary Ann Phillipps (grateful acknowledgement in recommending her petition to the Artists General Benevolent Institution), Colnaghi ("Mr Colnaghi's compliments to Mr Cruikshank and begs to know for how much he would dispose of the drawings of the comfortables, reserving... the right of publishing them himself" and a reply at head saying that the drawings have not yet gone to headquarters), most invitations from various committees (including: King Robert the Bruce Monument, The Grampian Club, National Temperance League, The Waterloo Band of Hope etc.), invitations to meet, to preside over various meetings, to give lectures etc., large pencil signature of Cruikshank and a printed memorial card for Cruikshank, 1878; also ephemera, including: printed titles and preliminaries from Dickens' Oliver Twist and Harrison Ainsworth's Guy Fawkes and Jack Sheppard, all "Extracted from Bentley's Miscellany", 1837-9, 1839 & 1841 etc., Queen's Concert Rooms, Hanover Square, printed handbill, 1862, arranged partly chronologically and partly transcribed. organized into three folders, v.s., v.d., 1843-78 (c. 150).
Los 102
Karel Lek M.B.E., R.Cam.A. (Belgian 1929-2020) Male portrait Signed and dated '75 in pencil in the margin, numbered 2/12, etching.sheet size 33 x 24cm (framed 46 x 36cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two minor spots of foxing in the margins and some spots of mould on the underside of the glass. The sheet appears to be laid down. The print is framed and glazed. The original metal frame has some minor scratches and knocks commensurate with age.
Los 223
* PETER HOWSON OBE (SCOTTISH b. 1958), AN AYRSHIRE CHILDHOOD limited edition etching on paper, signed, titled, dated '90 and numbered 8/50mounted, framed and under glassimage size 23cm x 30cm, overall size 52cm x 60cm Condition of the picture is good overall, with no visible or known issues. The picture comes from a Private Scottish Collection.
Los 45
ROBERT RIVERS (AMERICAN CONTEMPORARY), ELEPHANT - PURPLE GARDEN limited edition artist's proof colour etching on paper, signed, titled and dated '99, numbered A/P label verso mounted, framed and under glassimage size 46cm x 65cm, overall size 76cm x 94cmLabel verso: Edinburgh Printmakers Workshop & Gallery, Edinburgh
Los 58
A vintage Colt Peacemaker bowie knife with coffin style hilt, brass crossguard and commemorative Colt's Peacemaker etching to the blade. Housed in a black leather scabbard with belt loop. Measures approx 40cm. If this lot is required to be posted please see sale notes regarding age verification.
Los 19
El Anatsui (Ghanaian, born 1944)Grandma's Cloth Series, 1993 signed and dated 'EL/ 93' (lower left of panel 13); titled 'Grandma's/ cloth Series' (verso of panel 1); each panel numbered 1-14 left to right, in chronological order (verso)incised, scorched and acrylic paint on wood panel76 x 130 x 2cm (29 15/16 x 51 3/16 x 13/16in).(in 14 pieces)Footnotes:ProvenanceAcquired directly from the artist, 1993;A private collection.El Anatsui's wide body of work exemplifies an incorporation of traditional forms of art creation across Africa with contemporary motifs. Aiming to redress African history as it was understood, as it had mainly been communicated by European interpretations following colonisation, El researched linguistics and writing systems of his African heritage to inform works such as the present lot. This was an effort to reclaim his heritage identity.Created within the same year as his other Grandma's Cloth works, with the series spanning from the late 1980s to the early 1990s, El Anatsui uses wooden planks and incorporates uli and nsibidi symbols, etched into the wood. Indeed, the process of etching, incising and scorching was performed with modern tools such as blow torches and power saws, contrasting the everyday age-old material. Conceptually, the aggressive nature of moulding the wood is representative of the Western colonisation which fragmented Africa.Inspired by the vivacious graphics, historical significance, and identity that traditional Ghanaian Kente cloth imbues, the artist would eventually go on to expand the medium of his works to scrap pieces of metal, mimicking the action of weaving resonating with the creative process of Kente Cloth. From process to the end result, El Anatsui's work is heavily weighted in symbolism.For further information on this lot please visit Bonhams.com
Los 602
Jost Amman (Swiss/German, 1539-1591). Etching depicting the goddess Diana sitting on a stag holding an arrow, 1578. An illustration to "Enchiridion Artis" Kunstbuchlein published by Sigmund Feierabend and printed by Peter Fabricius.Height: 6 in x width: 4 3/4 in.Condition:There are no visible tears or losses. There are minute creases along the left and right margins. The sheet is yellowed and there is foxing throughout. The lower right quadrant is soiled. There are no signs of restoration under UV light. Not in frame.
Los 616
Frederic-Auguste Laguillermie (French, 1841-1934) after Maria Josep Maria Bernat Fortuny i Marsal "Mariano Fortuny" or "Maria Fortuny" (Spanish, 1838-1874). Etching on laid paper titled "The Door of the Seraglio" depicting a man leaning against an open doorway. Signature in plate along the lower left; artist's signature reproduced along the lower right. After a work by Fortuny. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 17 3/4 in x width: 12 1/2 in.Condition:There are no tears, losses, or restorations. The sheet is toned. Some wear along the edges. There is a light crease along the upper left corner. The number 10 is written in graphite along the upper right. The work is not framed.
Los 599
After Maarten de Vos (Flemish, 1532-1603). Etching titled "Et Egressus Foras Flevit Amare (And He Went Out and Wept for Love" depicting the repentance of St. Peter. Signed in print along the lower left; titled in print along the lower center.Height: 8 in x width: 7 1/2 in.Condition:There are no major tears or restorations. The sheet is toned. There are a few areas of soiling or toning. There is a crease running horizontally along the upper quarter of the work. There is a small chip or loss along the lower right corner. There are a few areas of moisture exposure visible along the verso. There is a secondary layer of paper in some areas affixed to the verso; it appears that the print was previously affixed to another sheet is paper. The sheet has been trimmed to the image. The work is not framed.
Los 594
Group of six etchings including:Two hand-colored etchings from an Augsburg coat of arms book titled "Portner" and "Langenmantel," ca. 16th century.One etching depicting a sketch-like landscape of two figures on horseback approaching a town with a tower rising in the background.One etching by the Master of the Die (Italian, active 1530-1560) after Michiel Coxie (Dutch, 1499-1592) and published by Antonio Salamanca. Etching depicting the story of Psyche and Cupid as told by Apuleius. Plate 28 from a collection of 32, ca. 1530-60.Innocente Migliavacca (Italian, d. 1856). Hand-colored etching depicting Dante crossing the river Styx.After Pierre Francois Hugues (French, 1719-1805). Hand-colored etching depicting a bearded Dionysus seated with a thyrsus and Pan wom a komast cup.Height ranges from 6 in to 14 1/2 in; width ranges from 6 3/4 in to 15 in.Condition:There is wear throughout all prints including some toning, areas of foxing or soiling, creases, and small losses. Five of the works are not framed. The orange and black print has not been examined out of frame.
Los 592
Etching on paper of a bookplate titled "Die Munderbahrhrhen (The Mouthpieces)" depicting holy figures including a crucified Christ, the seated Virgin Mary and infant Christ, and a depiction of the Virgin Mary's assumption in cartouches with a countryside landscape in the background.Sheet; height: 6 in x width: 3 1/2 in. Matted; height: 7 in x width: 5 in.Condition:There are no major tears, losses, or restorations. The sheet is toned. There are some areas of foxing and soiling throughout. The work is hinged to a brown paper backing with two pieces of tape along the upper edge of the verso. There is a crease running horizontally through the center of the brown paper that does not affect the print. The work is not framed.
Los 604
Melchior Kusel I (German, 1626-1683) after Johann Wilhelm Bauer (German, 1607-1642). Etching on paper titled "Allegory of Time and Old Age," plate 32 from "Iconographia Complectens In Se Passionen...," ca. 1670. Depicting an old man resting in the middle foreground under a tree. He holds an hourglass in hone hand and a cane in the other. Under his left foot is a skull. A partial watermark is visible along the center left edge. There is a collector's ink stamp "JN" along the verso.Height: 8 1/2 in x width: 8 3/4 in.Condition:The sheet is toned. There are scattered areas of foxing or toning throughout. There is a small tear along the upper right corner. Some wear along the edges. The sheet has been trimmed. Some wear and soiling to the verso. There are two pieces of tape affixed to the left edge of the verso. Some pencil inscriptions to the verso. The work is not framed.
Los 589
Anders Zorn (Swedish, 1860-1920). Etching on paper titled "Mme Simon II (1891)" depicting a sitting older woman wearing luxurious furs, 1891. Either a 3rd or 4th state printing. Pencil signed along the lower right. Signed in plate along the lower center.References:Axel L. Romdahl, "Anders Zorn: Som Etsare" (Kulturhistoriska Forlaget, Stockholm, 1928) page 21, plate D.66, plate A.67.Karl Asplund, "Zorn's Engraved Work, Vol. 1" (Alan Wofsy Fine Arts: San Francisco, 1990), page 102, plate 67.Loys Delteil, "Anders Zorn" (Le Peintre-Graveur Illustre, Paris, 1909), plate 66.Image; height: 9 1/2 in x width: 6 1/4 in. Sheet; height: 16 in x width: 12 in.Condition:There are no major tears, creases, losses, or restorations. The sheet is toned. There is some wear along the edges. There is a small spot of moisture exposure along the lower right corner. There are two pieces of framer's tape affixed to the upper edge of the verso. The work is not framed.
Los 610
Charles L. Courtry (French, 1846-1897) after Eugene Delacroix (French, 1798-1863). Etching on laid paper titled "Christ on the Cross" depicting the crucifixion of Christ, 1846. Signatures in plate along the lower right. After an 1835 painting of the same name by Delacroix in the collection of the Musee de la Cohue. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 17 3/4 in x width: 12 1/2 in.Condition:No tears, losses, or restorations. Some light wear/creasing along the edges, possibly original to the paper. Some light wear along the edges throughout. A few small spots of foxing. The number 4 is written in graphite along the upper right. A few small spots of soiling to the verso. The work is not framed.
Los 587
Anders Zorn (Swedish, 1860-1920). Etching on paper titled "Dance at Gopsmor" depicting a fiddler playing a violin in a dark room with a suggestion of other figures presumably dancing on the left side, 1906. 2nd state of printing. Pencil signed along the lower right.References:Karl Asplund, "Zorn's Engraved Work, Vol. 2" (Alan Wofsy Fine Arts: San Francisco, 1990), page 306, plate 197.Loys Delteil, "Anders Zorn" (Le Peintre-Graveur Illustre, Paris, 1909), plate 192.Image; height: 11 3/4 in x width: 7 3/4 in. Sight; height: 12 1/2 in x width: 8 1/4 in. Framed; height: 19 in x width: 14 1/4 in x depth: 1/2 in.Condition:The sheet is toned. There are no visible tears, losses, or restorations. Housed under a non-acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Los 588
Anders Zorn (Swedish, 1860-1920). Etching on paper titled "S. Loeb" depicting the top half of an older man with a moustache and beard intensely staring and wearing a heavy coat and tie, 1897. Either a 3rd or 4th state printing. Pencil signed along the lower right. Signed and dated in plate along the lower right.References:Karl Asplund, "Zorn's Engraved Work, Vol. 2" (Alan Wofsy Fine Arts: San Francisco, 1990), page 186, plate 115.Loys Delteil, "Anders Zorn" (Le Peintre-Graveur Illustre, Paris, 1909), plate 113.Image; height: 8 1/2 in x width: 5 3/4 in. Sight; height: 10 1/4 in x width: 7 1/4 in. Framed; height: 18 1/4 in x width: 14 1/2 in x depth: 1/2 in.Condition:The sheet is toned. There are no visible tears, losses, or restorations. Housed under a non-acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
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78472 Los(e)/Seite