78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78475 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78475 Los(e)/Seite
Los 686
Heinrich Vogeler (1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Der Fischer". OriginaltitelRadierung und Aquatinta in Schwarz/Papier, 1899. Wvz. Rief 29 II. R. u. sign.; L. u. in der Platte monogr. mit Worpsweder Wappenschild. Darstellung 14,4 cm x 14,9 cm. Rahmen. Etching and aquatint in black on paper, 1899. Hand-signed and signed with initials in the plate.
Los 687
Heinrich Vogeler (1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Tod bricht Rosen" ("Liebespaar und Tod"). OriginaltitelRadierung/hellgrünes Papier, 1904. Sign. mit Worpsweder Wappenschild, zudem sign. vom Drucker Otto Felsing, Berlin. In der Platte sign. "H. Vogeler" sowie monogr. "H. V. W" mit Worpsweder Wappenschild. Wvz. Rief 37. Im breiten Blattrand ger. stockfleckig u. knickfaltig. Plattenmaß ca. 11,1 cm x 15,4 cm; Blatt 20,2 cm x 26 cm.Etching on light green paper, 1904. Hand-signed with artist's sign, further hand-signed by the printer Otto Felsing, Berlin. Minor foxing and creases to the wide margins.
Los 692
Werner Berges (1941 Cloppenburg - 2017 Schallstadt)"Die Blauen". OriginaltitelFarbradierung/Papier, 1974. Sign., dat., betitelt u. nummeriert 19/25. Seltenes Blatt des bedeutenden deutschen Pop Art-Künstlers, der mit Vorliebe verfremdete weibliche Figuren darstellte. Plattenmaß ca. 39,3 cm x 33,2 cm; Blatt ca. 59 cm x 49 cm. Rahmen.Eine Farb-Variante erschien unter dem Titel "Nach blau in blau" in 50er-Auflage. Etching in colours on paper, 1974. Hand-signed, dated, titled and numbered 19/25.
Los 317
Salomon Van Abbe (1883-1955) Three etchings - The Old Gamedealer, The Law, and The Fully Licensed Maneach signed lower right and numbered lower leftthe first 28 x 27cm, the third unframed; together withMary Annie Sloane (1867-1961), "The Rocking Horse", a girl in a nursery, signed, etching, 24 x 33cm; and with three further unframed prints, including Portrait of King George VI, etching, signed by Henry Rayner (7)
Los 319
§ Thomas Newbolt (1951-) For Canon Byrom, Veronicaetching and aquatintsigned and dated 'Thomas Newbolt '88' (lower right), marked A/P lower left13.5 x 16.5cm; together with a monochrome lino print, titled and dated 'Crowded' '2010', 17.5 x 22.5cm, and two watercolours of buildings framed as one, 32 x 23cm (3)
Los 156
Framed and glazed handcoloured etching, caricature, "Le Supreme Bon Ton, No. 6, Le débiteur à la mode", plate from "Caricatures Parisiennes", c. 1810. Published by Martinet, Paris. "Caricatures Parisiennes", and one of the earliest series of prints to depict the social trends and leisure activities of contemporary Parisians
Los 233
Hunting interest, a group of eight works, to include: three prints after Snaffles titled 'Whatever ye de, Keep t'owd tamboreen a rowlin', 'Tell me a man's a fox 'unter and I loves im at once' and 'Ar never gets off'; together with a Cecil Cutler etching, an Edward Frank Gillet etching and others (8)please see additional images of the unillustrated items in this lot
Los 241
Cecil Aldin RBA (1870-1935) A group of three prints, to include: an etching of geese outside a post office, signed (lower right), numbered 40/100,26.5 x 22cm; together with 'Norwich' a lithographic plate from the Churches Series, signed (lower left), 46 x 35cm; and The Parson, chromolithograph, 54 x 44cm (3)
Los 248
A group of five architectural etchings, to include: Alfred Bentley, market scene, signed (lower right), 24 x 18cm; an etching of the facade of a state building, indistinctly signed (lower right), 26 x 21cm; Gertrude Keeling, Winchester College Cloisters, signed (lower right), 26 x 30cm; an etching of Paris market scene, and another (5)
Los 198
Mixed collectibles to include a pair of modern two-branch candelabra in the Classical style, with bronzed eagle finials and glass star tops, on socle and square bases, height approx. 35cm (af), an onyx-style table lamp, height 24cm, a carved oak bread tray, 31 x 22cm, a modern Chinese cloisonné ashtray with rotating top, an etching of a sailboat and a modern leather seat tripod portable chair (7).Condition Report: - All ok. The fragile glass centre finials from the candelabra appear to have been repaired, but generally ok.
Los 764
Various pictures and prints including a series of three 'Dr. Syntax' coloured etchings after Thomas Rolandson (British 1757-1827), Charles Dickens coloured etching 'Mr Pickwick sits for his portrait', a series of prints after Hans Holben The Younger, an original landscape scene signed 'DUPRE', etc.
Los 528
AN ENGLISH SMALL SWORD, c.1760, with 27 1/2" triangular section blade, remnants of etching, brass baroque hilt decorated throughout with foliage and figures, with twin shell guard, single scroll quillon, wire grip and rounded pommel, 33 1/4" long (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Blade worn and pitted in places, hilt generally good.
Los 561
AN 1828 PATTERN HIGHLAND INFANTRY OFFICER'S BROADSWORD, late 19th century, the 32 1/2" blade with twin fuller and etched with Royal Scots Fusiliers logo, thistles and scroll work, steel hilt shagreen grip, brass thistle leaf etched pommel and leather scabbard, 39 3/4" long (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Generally good, some minor blade edge nicks, some pitting (especially at the tip), wear to etching, minor pitting throughout the hilt, and one strip of later leather around one end of the shagreen grip.
Los 618
Y RUPERT A SHAW (1950-1994) "A View from Richmond Hill", soft ground etching, artist proof, signed and inscribed in pencil and dated 1980, plate size 10 1/2" x 13", together with another similar "A Back Street in Venice", dated 1979, blond wood frames (Ex stock The Alton Gallery Barnes High Street, London) (2) (subject to Artists Resale Right) (Est. plus 24% premium inc. VAT)Condition Report: Good, Venice a little loose in frame.
Los 354
HENRY RUSHBURY (BRITISH, 1889-1968) (5)St Martin-in-the-Fields signed in pencil 'Henry Rushbury' (in lower margin) etching 29 x 26cm together with four other etchings by the same hand (5) ARRCondition ReportMinor discolouration to the sheets, particularly the borders. Otherwise sound condition overall. Framed and under glass; unexamined out of frame.
Los 386
G*** SIMONIS (19TH CENTURY) (5)Portrait of a lady with fan (5) signed, dated and inscribed 'G Simonis Granade 84' (lower right) watercolour 46 x 30.5cm together with A couple in a storm, a watercolour study for a bookplate; A boy with sheep, a pencil drawing; An Italian hilltop town, a watercolour; and an etching of a greyhound (5, all unframed) Provenance Michael Appleby of St. James's
Los 59
William Woollett (1735-1785)A View of the House and Part of the Garden of Sir Francis Dashwood Bart at West Wycomb; A View of the Canal and of the Gothick Tower in the Garden of his Grace the Duke of Argyl at Whitton; A View of the House and part of the Garden of his Grace the Duke of Argyl at WhittonThree, each etchingLargest 37.7 x 54.7cm; 14¾ x 21½in; Smallest 37 x 54cm; 14½ x 21¼in (plate) (3)Provenance:Private Collection, Salisbury
Los 62
Charles François Gabriel Levachez (French act.1789-1828) after Carle Vernet (1758-1836) Dogs Dancing - La Danse des Chiens Coloured aquatint and etching 38.1 x 59.7cm; 15 x 23½in Together with David Weiss (1775-1846) after George Morland (1763-1804); St. James's Park; A Tea Garden; Two, both stipple with hand-colouring; Each 33.6 x 42.8cm; 13¼ x 16¾in (image); and after Édouard Detaille (French 1848-1912); Scots Guards drilling in Rotten Row; Coloured print; 43.2 x 56.5cm; 17 x 22¼in (image) (4)Provenance: A private collection, Oxfordshire
Los 148
English School 19th CenturyViews of Farleigh Hungerford, Somerset, comprising View of Farleigh Chapel; View of one of the Farleigh Towers; Mummies at Farleigh Chapel; Church of St Leonard, Farleigh Hungerford; Chancel of Farleigh Chapel with tombs; Interior of Farleigh Church; Chancel of Farleigh Church with an altar; Interior of Farleigh Chapel with a font; Cottage in Somerset; Cottage in Farleigh Wood; Farleigh LodgeEleven, ten inscribed with title to mountEach watercolourLargest 23.2 x 19.1cm; 9¼ x 7½in; Smallest 15.5 x 20.8cm; 6 x 8¼inUnframedTogether with Joseph Lambert (act.1821-1822) after Samuel Prout (1783-1852); Farley Castle, Somersetshire; Etching; 22.9 x 27.2cm; 9 x 10¾in Unframed (12)
Los 198
A Collection of Prints Mostly depicting Architectural and Genre SubjectsIncluding Cornelius Johnston (Mid 18th-century); A section of the quadrangle design'd for the British Musaeum; Engraving; 44 x 80.1cm; 17¼ x 31½in; Unframed; Bartolomeo Nerici after Giovanni Antonio Santi; Prospetto del Anfiteatro costruito nella Citta di Lucca; Etching; 44.9 x 58.1cm; 17¾ x 22¾in; Unframed; and twenty-two further unframed prints (24)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Los 199
A Collection of 18th and 19th-Century prints, drawings, and watercolours of musical and theatrical subjectsIncluding John Smith (1652-1743) after Domenico Tempesti (Italian c.1655-1737); Frontispiece for Sonate da camera by Nicolo Cosimi; Mezzotint; 24.3 x 33.6cm; 9½ x 13¼in (sheet); Unframed; Georgiana Keate (1771-1850); Edwin in the Character of Caleb; Signed and dated Georgiana Keate 1786 (lower right); Pen and ink with watercolour; 24.7 x 17.2cm; 9¾ x 6¾in; Unframed; George Cruikshank (1792–1878); The Opera Boxes During the time of the Great Exhibition; Etching; 21.9 x 26.5cm; 8½ x 10½in (sheet); Unframed; Thomas Rowlandson (1756-1827); Dr Syntax at Covent Garden Theatre; Aquatint with hand-colouring; 10.7 x 18.1cm; 4¼ x 7in (sheet); Unframed; a playbill for Paganini's Ninth Concert; 33.3 x 21.2cm; 13 x 8¼in (Unframed); and twenty-one further unframed works (26)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Los 200
John Vanderbank (1694-1739)Gaetano Berenstadt, Francesca Cuzzoni and Senesino performing Handel's FlavioEngraving18.8 x 26.5cm; 7½ x 10½in (sheet)UnframedTogether with Thomas Cook (c.1744-1818) after William Hogarth (1697-1764); The Bench; Etching and engraving; 21.2 x 24.5cm; 8¼ x 9¾in; Unframed (2)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Los 202
Joseph Goupy (c.1689–1769)Thou tunefull scarecrow & thou warbling bird...Etching31.5 x 19.7cm; 12½ x 7¾in (image)Provenance:Property of a former museum keeper, collected between the 1930s and 1970sThe present work is a satire on the popularity of masquerades and the decline of Italian opera in London with caricatures of the singers Francesca Cuzzoni, the tall, thin "scarecrow" Farinelli and the impresario John James Heidegger.
Los 220
Jan Kip (Dutch 1652/3-1722) after Leonard Knyff (Dutch 1650-1722)New Parke in Surry the Seat of the Rt Honble the Earle of RochesterEtching36.2 x 50.4cm; 14¼ x 19¾in (sheet)UnframedTogether with Jean Baptiste Chatelain (French 1710-1758) after Marco Ricci (Italian 1676-1730); A Prospect of the Royal House at Richmond; Etching; 46.2 x 57.5cm; 18¼ x 22¾in; Unframed; James Basire (1730-1802). View of Richmond Palace fronting the river Thames, as built by Henry VII; Engraving; 39.4 x 57cm; 15½ x 22½in (sheet); Unframed; Peter Paul Benazech (c.1730-1783) after P. Brookes (act.1747-1750); A View of Sion House and the Parts Adjacent; Etching; 35.6 x 53.7cm; 14 x 21¼in; Unframed; and Francis Vivares (1709-1780) after Jolly, A View from Richmond Hill down the River; A View from Richmond Hill up the River; A pair, both etching; 29 x 44.6cm; 11½ x 17½in; 37.9 x 52.5cm; 15 x 20¾in (sheet) Unframed (6)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Los 221
After Augustin Heckel (German 1690-1770)A View from Richmond Hill up the River; A Front View of the Earl of Harrington's House at Petersham in Surry; A View of the Earl of Harrington's House towards the Garden at Petersham in Surry; The House of Moses Hart Esq between Twickenham & IsleworthFour, each etchingLargest 36.7 x 54cm; 14½ x 21¼; Smallest 34.5 x 48.5cm; 13½ x 19inUnframed (4)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Los 222
Richard Bernard Godfrey (c.1728-1795) after David Vinckboons (Flemish 1576-1632)View of the Thames at RichmondEtching32.4 x 45.7cm; 12¾ x 18inUnframedTogether with a collection of 18th and 19th Century Prints depicting Richmond, including Nathaniel Parr (act.1739-1767) after W. Staftoe; A View of Henry VII Old Palace at Richmond; Etching; 21.1 x 26.7cm; 8¼ x 10½in; Unframed; Claude Dubosc (French 1682-1745) after Gravelot (French 1699-1773); View of the Hermitage in the Royal Garden at Richmond; Etching; 35.8 x 25.9cm; 14 x 10¼in (sheet); Unframed; and ten further Richmond related unframed prints (13)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Loading...-
78475 Los(e)/Seite