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78475 Los(e)/Seite
Los 115
Pablo Picasso (1881-1973) - Sueño y Mentira de Franco II (C.28) etching with aquatint, 1937, numbered 497/850, on Montval laid paper, with margins, 318 x 421 mm (12 1/2 x 16 5/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 118
Fernand Léger (1881-1955)(after) - Le Compotier (S.E16) etching with aquatint printed in colours, 1952, signed in black ink, inscribed HC, an hors commerce impression aside from the edition of 300, published by Maeght, Paris, on BFK Rives paper, with full margins, 431 x 570 mm (17 x 22 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 121
Joan Miró (1893-1983) - Quatre Colors Aparien el Mon (D.826) etching with aquatint printed in colours, 1975, signed in pencil, numbered 31/50, published by Gustavo Gilli, Barcelona, on Arches paper, the sheet printed to the edges, sheet 890 x 630 mm (35 x 24 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 126
David Hockney (b.1937) - My Bonnie Lies Over the Ocean (T.29) etching and aquatint printed in colours with collage, 1961, signed and dated in pencil, numbered 32/50, printed by Ron Fuller and Peter Matthews at the Royal College of Art, London, on wove paper, with margins, 445 x 445 mm (17 1/2 x 17 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 614
Victor Pasmore (1908-1998), "Turning and turning in the widening gyre the falcon cannot hear the falconer", initialled and dated '74 in pencil in the margin, artist's proof, from an edition of 60, etching, plate size 38 x 45.5cm.; 15 x 18in, sheet size 61 x 71cm.; 24 x 28in. Artists' Resale Right ("droit de suite") may apply to this lot.
Los 621
Georges Henri Rouault (French, 1871-1958), Frontispiece from Ambroise Vollard's Réincarnations du Père Ubu, showing a figure and a tree, signed and numbered 56/225 in ink in the margin, published in 1932, etching with aquatint, plate size 29.5 x 20cm.; 11.75 x 8in. Artists' Resale Right ("droit de suite") may apply to this lot.
Los 384
Axel Herman Haig (Swedish, 1835 – 1921) three etchings c.1901-04, signed below, largest c.73 x 47cm, together with another similar subject signed by Andrew Affleck (4) (Swedish, 1835 - 1921) Three architectural studies of Continental church interiors with figures c.1901-04, signed below, largest c.73 x 47cm, together with another similar subject signed by Andrew Affleck etching (4)
Los 428
Pat Schaverien (British school 20th/21st century) Farringdon Station signed in pencil, dated 1995, inscribed with title and numbered 2/40 etching and aquatint 40 x 32 cm (PL) together with an aquatint titled 'Evening' by Jolanta Grzybowska, signed, inscribed with title and numbered 3/5 in pencil (2)
Los 431
Percy J Westwood St Paul's from Ludgate Circus signed and inscribed with title in pencil etching 30 by 15 cm (PL) together with a view of St Paul's, etching, signed in pencil by Henry Lambert, 19 by 15 cm (PL) and a view of St Paul's from the river, etching, indistinctly signed (PL), 11.5 by 16 cm (3)
Los 547
Michael Ayrton (1921-1975) Still life with flowers in a vase, the ace of diamonds and two dice on a table oil on canvas 43 by 34 cm Provenance: Tom Livesey and then by descent to his widow. This work was gifted by Michael Ayrton to his friend Tom Livesey; the present owner (Tom Livesey's widow) believes their friendship was forged in wartime (they both served in the RAF, Ayrton only briefly). Some correspondence remains between them such as an invitation to a 1951 exhibition at the Redfern Gallery which is inscribed on the reverse by Michael Ayrton, 'What has become of you? It must be two or three years since we met, yours ever M.A' Lot 418, Au Cirque, signed etching by Michael Ayrton, is from the same estate.
Los 432
Ernest Llewellyn Hampshire (1882-1944) St Pauls from the river signed and inscribed with title in pencil etching 15 by 23 cm (PL) together with a further four prints; After Joseph Pennell (American 1860-1926), The Bridge of St Martin, Toledo, etching, unsigned; Mortimer L Menpes (1855-1938), The Sabot Shop, etching, signed and titled in pencil; an etching of Westminster Bridge after Robert W Stewart, an etching of Walton Heath after Percy Robertson and a monochrome print titled, 'Bristol from St Michael's Hill', after a different hand, all unframed, various sizes (6)
Los 30
Pilkington Glass interest - Sigmund Pollitzer (1913-1982) 'Adonis' watercolour, signed and dated 1934 in pencil, inscribed, unframed 5 x 7in. (12.7 x 17.8cm.); together with four other watercolours, a pencil drawing, a signed etching and a woodcut, all of similar size, contained in the covers of a small sketch book with gilt initials 'E.J.'. -8 * To be sold on behalf of Willowbrook Hospice, Prescot. Donated as part of a sketchbook to the hospice by a resident, Miss Ellaline Jennings, whose father, Victor Jennings, ran the 'Brilliant Glass and Mirror' department at Pilkingtons in St Helens, Lancashire. The book included sketches by a number of Pilkingtons glass artists, including the chief designer, Sigmund Pollitzer, as well as A. C. Head, John Clitheroe, H. Burrows, J. W. Burnett and Walter Pierce. Two other sketches by Reginald Hector Whistler from the book are included in this sale as lot no. 159
Los 1185
James Gillray (1756 - 1815), etching, engraving and aquatint - The Apothesis of Hocht, published January 11th 1798 by H Humprey (BM 9156), image 50cm x 39cm CONDITION REPORT Modern glazed frame, not examined out of the frame, mounted close to image and assumption is that trimmed close to margins, larger margin at foot notable loss at title 'Hocht', creases particularly at the corners, repaired spidering tear lower left corner, top left corner print is slightly crushed up to mount and some associated slight tears
Los 1186
James Gillray (1756 - 1815), hand-coloured etching, aquatint engraving - Light expelling darkness, Evaporation of Stygian Exhaultations - or - The Sun of Constitution, rising superior to the clouds of opposition, published April 30th 1795 by H. Humphrey (BM 8644), image 34cm x 48cm CONDITION REPORT Very little margin left beyond the image. Trimmed close to but just beyond plate mark, stuck down, some creases and slight deterioration particularly towards outer edge, some discolouration particularly towards outer edge, colours are good. No tears
Los 1192
James Gillray (1756 - 1815), hand-coloured etching - 'The pigs possessed', published April 16th 1807 by H. Humphrey (BM 10719), 40cm x 26cm CONDITION REPORT Glazed frame, not examined out of frame, appears to be trimmed beyond plate marks, some deterioration to lower right corner, also upper right corner. Significant loss to upper left corner, discolouration perhaps associated with an earlier framing to right hand edge, colours overall good
Los 1195
James Gillray (1756 - 1815), hand-coloured etching and engraving with aquatint - Middlesex Election 1804, a long pull, two strong pull and a pull together published August 7th 1804 by H. Humphrey, image 32cm x 50cm CONDITION REPORT In glazed frame, not examined out of frame, framed beyond plate mark so unclear how far this is trimmed. General deterioration to outer edges including several tears into image, particularly lower left of centre, lower right corner and elsewhere, colours muted, some time staining
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78475 Los(e)/Seite