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78475 Los(e)/Seite
Los 50
* JAMES MCBEY (SCOTTISH 1883 - 1959),MINSMERE MARSHES watercolour on paper, signed, titled and dated 1913image size 22cm x 29cm, overall size 39cm x 54cm Mounted, framed and under glass.Provenance: Martin Hardie Collection, handwritten label versoComment: Minsmere is a nature reserve owned and managed by the Royal Society for the Protection of Birds (RSPB) at Minsmere, Suffolk. The marshes were reclaimed as farmland in the 19th century, but were re-flooded during World War II as a protection against possible invasion.Note: Painter and etcher, born at Foveran, Aberdeenshire, who began work in a bank. He attended evening classes at Gray’s Art School, Aberdeen, taught himself etching, built his own press and by 1906–7 was showing at RSA and Royal Glasgow Institute of the Fine Arts. In 1910 he left the bank, worked on the continent and held his first one-man show at Goupil Gallery in 1911 which was very successful. Having travelled in Morocco in 1912, during World War II McBey was appointed Official War Artist in Egypt. When the etching boom declined in the 1920s McBey, who had already painted some good portraits, including one of T E Lawrence of Arabia, diversified into oils, watercolours and drawings and established a market for his work among American collectors, having a highly acclaimed show at Knoedler Gallery, New York, in 1929. Early in the 1930s McBey returned to Europe and bought a second home in Tangier, where he lived with his artist wife Marguerite and died. Aberdeen Art Gallery holds a large collection of his work.
Los 373
Knighton Hosking, British 1944-2019 - Untitled, 1991; oil on card, signed with initials and dated lower right 'KH 91', 30.1 x 73.3 cm: together with an untitled etching on paper by the same artist, signed, dated and numbered 'Knighton Hosking 82 4/9', 50.5 x 65.6 cm (unframed) (2) Please refer to department for condition report
Los 384
NETHERLANDISH SCHOOL. A MALE SAINT, SAVAGE ANIMALS AT HIS SIDE, STANDING IN A STREAM IN A WOODLAND CLEARING. Pen and ink and grey wash, possibly 17th Century, 17.2 x 13cm.; with an etching, `Seated Woman` by Comte de Caylus (Anne Claude Philippe de Tubieres), after Parmigianino, c.1730, image 12.5 x 9.5cm. (2) Provenance: (Drawing) Sir Thomas Lawrence (Lugt 2445); (Etching) Sir John St Aubyn (Lugt 1534). * The drawing with old creases where formerly folded; the etching with tears at left edge, some wear, foxing. **BP 22.5% inc VAT + Lot Fee of £8
Los 581
SIR MUIRHEAD BONE (1876-1953). A FOLIO OF SKETCHES AND BRIEF STUDIES. (d) Approximately 40 leaves, comprising Folkestone, Portsmouth, Mull, Provence, Venice and Torcello, Sweden, Algiers, Spain (Merida, Arevalo, Avila, Medina and Santiago,a gift to Gertrude in 1933); and a signed etching `Rhenish Evangelarium`, some very slight. * Generally satisfactory condition. **BP 22.5% inc VAT + Lot Fee of £8
Los 592
STEPHEN BONE (1904-1958). FOUR ASSORTED PICTURES. (d) Comprising a horse auction, Canterbury, May 1st 1920, inscribed, watercolour and pencil, 21.5 x 12cm.; a coloured crayon drawing of children, entitled `Firework`, 18.5 x 22.5cm.; a civic building (town hall?), watercolour, 28 x 52.5cm.; and an etching of a donkey, 9.5 x 15cm. (4). * The first two in generally good condition; the `town hall` poor, damaged; the etching with some foxing. **BP 22.5% inc VAT + Lot Fee of £8
Los 231
* Jukes (Francis). Canterbury, Jany. 31st. 1790, aquatint with contemporary hand-colouring, title and descriptive text below image, both repeated in French, slight creasing, 380 x 490 mm, mounted, together with Middiman (Samuel). West View of Oyster-Mouth castle and Village, F. Jukes, 1792, aquatint by and after Samuel Middiman with contemporary hand-colouring, 275 x 380 mm, mounted, with Bowyer (R.). Chepstow Castle, 1805, aquatint after P. De Loutherbourg with contemporary hand-colouring, 295 x 375 mm, mounted, plus Millar (George Henry, publisher). A General View of the City & Castle of Edinburgh, the Capital of Scotland, circa 1780, hand-coloured engraving, 210 x 310 mm, mounted, and Burton (J. B.). Whitby, circa 1920, uncoloured etching, signed and titled by the artist in pencil below the image, 275 x 195 mm, mountedQTY: (5)
Los 240
* Stubbs (George Townley). Pumpkin, Messrs. Stubbs, Turf Gallery, Feby. 20th 1794, uncoloured mixed method etching after George Stubbs, finished proof with title in open letters, 400 x 495 mm, mounted, framed and glazedQTY: (1)NOTE:Christopher Lennox-Boyd, Rob Dixon & Tim Clayton. George Stubbs, The Complete Engraved Works, number 104, state 1.
Los 420
Corinth (Lovis). Gesammelte Schriften, Berlin, Fritz Gurlitt, Verlag, 1920, eight original lithographs by Corinth, numerous text illustrations, some light scattered spotting (as often), original cloth-backed pictorial boards, a little rubbed and some marks to covers, together withSlevogt (Max, illustrator). Bilder aus Agypten von Johannes Guthmann, Aquarelle und Zeichnungen von Max Slevogt, Berlin, Verlag von Bruno Cassirer, 1925, original etching frontispiece by Slevogt, colour and monochrome plates and illustrations, original pictorial red cloth, lightly rubbed, 4to, plusGrisebach (Eduard). Der Neue Tanhauser, Stuttgart und Berlin: J.G. Cotta'sche, 1885, original etching frontispiece by Max Klinger, photogravure after Max Liebermann and decorated initials throughout, rough-trimmed, original gilt-decorated light brown cloth, 4to (good copy), and other mostly early 20th century German illustrated books, including: Heinrich von Kleist, Das Erdbeben in Chili, illustrated by Alois Kolb circa 1915, Reinhold Eichacker, Nächte der Venus illustrated by Franz von Bayros, 1924, Heinrich Heine, Italien, illustrated by Paul Scheurich, 1919, Hans W. Fischer, Das Tonende Herz, illustrated by Hans Meid, Frances Jammes, Der Hasenroman, 1916, Gottfried Keller, Die Drei Gerechten Kammacher, illustrated by Alfred Cossmann, 1922, Schippeliana, illustrated by Ottomar Starke, Georg Swarzenski, Europaische Amerika, illustrated by Maria Swarzenski, etc., mostly 4to and folio, various bindingsQTY: (37)
Los 348
JAMES GILLRAY (BRITISH, 1757-1815) (2)The Hand-Writing Upon the Wallcoloured etchingpublished by Gillray London 1803image size 24 x 35cmwith a Gillray etching of Johnny Bull (verso)(unframed)together with another coloured etching by James Gillray, Substitutes for Bread or Right Honourables Saving the Loaves and Dividing the Fishes, published by Humphrey, London 1795, image size 22 x 34cm, with a Gillray etching 'Supplementary Militia Turning Out for Twenty Days Amusement' (verso), (unframed)(2)
Los 487
AGNES HELEN URQUHART (BRITISH, 1883-1971) (2)Seafront and piersigned with initials and dated 'HU 1930' (lower right)pencil on paper20.5 x 30.5cmtogether with an etching of Alexandria from HMS Dover Castle, March 1916 by the same handARR(2)ProvenanceThe artist, thence by family descentFootnoteAgnes Helen Urquhart was the second wife of notable Aberdeen actuary and art collector Sir Thomas Jaffrey (1861-1953)
Los 357
Salvator Rosa (Italian, 1615-1673)Alexander in the Studio of Apellesetching45.5 x 27cmProvenance: The Estate of Sir Jack and Lady Baer.Condition ReportFramed size: 62.5 x 42.5cmUnexamined out of the glazed frame, the sheet has been cut down and stuck to a larger piece, otherwise appears fine.
![William Lionel Wyllie [1851-1931]-St Paul's from Waterloo Bridge,:-etching, signed in pencil in the marginimage 22.5 x 35cm.](https://cdn.globalauctionplatform.com/b153d2f4-47de-4af6-88c6-af1900baa21e/19710613-699c-4759-ba64-af1d00ca2e3d/468x382.jpg)
![* Frank Brangwyn [1867-1956]-Billingsgate Fish Porters, 1920:-etching, signed in pencil in the marginimage 27 x 35cm.* With t](https://cdn.globalauctionplatform.com/b153d2f4-47de-4af6-88c6-af1900baa21e/a0b396e8-feda-4541-931e-af1d00b42b35/468x382.jpg)
Los 501
A QUANTITY OF PICTURES AND PRINTS ETC, to include ten unsigned Graham Clarke lithographic prints, a pastel drawing 'Snowdrop Valley' by Gwen Lovett, a watercolour study of snow on steps by Jane Dunsey, Chad Coleman signed etching 'Hells Bells' depicting morris dancers, W. Jones oil on canvas depicting fishing boats in a harbour, unsigned Lowry print, amateur paintings and assorted prints etc (two boxes and loose)
Los 503
A QUANTITY OF PAINTINGS AND PRINTS ETC, to include a limited edition Pablo Picasso print 'Taureau' 62/1000 with certificate, authorised by the Picasso Estate, approximate size 30cm x 53cm including margins, Michael Blacker dry point etching of boats on a river, Joan Miro poster print 'The Gold of the Azure', Beverley Fry prints, amateur watercolours signed Milburn, Sue Roots limited edition etching, together with other assorted prints etc
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78475 Los(e)/Seite