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78472 Los(e)/Seite
Los 584
A 20th century drawing of female nude figures carrying hoops, with initials J.C.G, 42 by 56cm, together with 'Jean de Gale', a head and shoulder portrait, chalk and pastel, 24 by 16cm, B. Johnson: 'St. Paul's Cathedral, acrylic on paper, signed lower left, 16 by 23cm, and Maurice Moeri: an artist's proof coloured etching of a bird, in tropical coastal scene, titled 'New World', signed Moeri, 20 by 22cm. (4)
Los 585
A selection of pictures including JW King: The Castle Hill, Scarborough, a print signed to the plate, a watercolour of a couple boating in the English countryside; a second similar with mountains to the background, an etching of a market town clock tower, and a map of Africa,44 by 34cm, and smaller (5)
Los 44
Sir Frank Short R.A., P.R.E., (1857-1945), "Kinver Edge and Black Country", signed lower right, watercolour framed. 20.5cm by 27cm. Note: Short originally trained as an engineer before pursuing a career as an artist after studying in London at South Kensington and the Westminster Schools of Art. He is best known as a master print maker specialising in mezzotint, aquatint and etching. He was however a gifted watercolourist, particularly later in life and the subject work probably dates from the period 1920-30. He exhibited at the Royal Academy between 1885 and 1904. He won two gold medals for engraving at the Paris Salon in 1889 and 1900. Soon after this he became a teacher of etching and was professor of engraving at the Royal College of Art between 1913 and 1924. He was elected a member of the Royal Society of Painter-Etchers and Engravers (now the Royal Society of Painter-Printmakers) in 1885, becoming its President between 1910 and 1938. Short was Master of the Art Workers' Guild in 1901and an Associate Member of the Royal Academy in 1906, where he became Treasurer in 1919 until 1932. He was knighted in 1911 and was elected a member of the Royal Institute of Painters in Watercolours in 1917.
Los 1213
Continental School in the style of N Poussin, Diana the huntress and other mythological figures in an Arcadian landscape, oil on canvas, together with a further oil on canvas landscape fragment and an etching depicting the Loggia della Signoria, Florence signed Hedley Fitton, 62cm by 88cm, 92cm by 71cm & 54cm by 35cm respectively (3)
Los 1007
Percy Robertson ARE (1868-1934) ''Brasenose...Oxford'' Inscribed with title in pencil, etching together with five etchings by the same artist ''St Martins Church'', ''The portico, St Martin in the Fields'', ''Hyde park Corner'', a further view of St Martin in the Fields and a view of a statue before a building in a park 25cm by 39cm, 28cm by 23cm, 31.5cm by 24cm, 22.5cm by 29cm, 21cm by 26cm and 21cm by 26cm respectively (sh) unframed (6)
Los 1012
Percy Robertson ARE (1868-1934) ''Magdalen Bridge, Oxford'', signed and inscribed in pencil, etching, together with a further five unframed etchings by the same artist including: ''Gloucester Cathedral'', two views entitled ''Rye, Sussex'' depicting The estuary at low tide and The harbour at low tide and ''Yarmouth'', 26cm by 34cm, 23cm by 29cm, 28cm by 38.5cm, 24.5cm by 34cm and 18.5cm by 32cm (sh) (5)
Los 1064
~ Lionel Townsend Crawshaw BA, LLM, RSW (1864-1949) ''Toilers of the Sea'', signed and inscribed in pencil, etching, together with a further signed example by the same hand, depicting children frolicking in the sea, possibly before Whitby Pier, together with two further etchings by J.Barrie Robinson ''A Corner of Runswick'' ''Staithes Yorkshire'' and a further signed and inscribed etching by John Atkinson, ''Ugthorpe Mill'', 8cm by 12cm, 6.5cm by 11cm, 19cm by 12cm, 22.5cm by 16cm and 20cm by 30cm respectively (5)
Los 1113
~ William Lionel Wyllie RA (1851-1931) ''Whitby, North Yorkshire'' Inscribed in pencil ''Trial Proof'', an etching, together with a further signed etching by the same hand ''Whitby'', 15cm by 19.5cm and 10.5cm by 32cm respectively (2) Provenance: For ''Whitby, North Yorkshire'', Chris Beetles Ltd. London. For ''Whitby'', The Horner Galleries, Sheffield
Los 1066
Gerald Leslie Brockhurst RA, RE (1890-1978) signed in pencil, etching, 14.5cm by 8cm The image depicts Anais Folin, the artist's first wife holding their baby daughter. Reputedly Anais could only stand for a brief 20 minutes following the birth, and as such the artist etched the image onto the plate in this time.
Los 1110
^ After Rembrandt Harmensz van Rijn (1606-1669) Dutch Christ driving the money changers from the temple, etching possibly a late eighteenth century impression with additional re-workings, bears a French collectors stamp verso together with an etching and aquatint after Vuillard depicting Van Rysselberghe and a further black and white reproduction after Raoul Dufy 13cm by 16cm, 9cm by 12.5cm and 21.5cm by 30.5cm respectively (3)
Los 1006
Percy Robertson ARE (1868-1934) ''The Thames at Westminster'', signed with initials and inscribed in pencil, etching, together with two further works by the same artist ''Westminster from Vauxhall'' and A view of St Pauls from the Thames, 23.5cm by 36cm, 29cm by 43cm and 28cm by 38cm respectively (sh) unframed (3)
Los 1002
Percy Robertson ARE (1868-1934) ''Cenotaph'' inscribed in pencil, etching, together with four other etchings entitled ''Westminster Abbey'', ''St George's, Hanover Square'', ''Victoria Memorial'' and ''Hyde Park Corner'' 29cm by 23cm, 32cm by 25.5cm, 28.5cm by 19cm, 19.5cm by 26cm and 30cm by 22.5cm respectively (sh) unframed (5)
Los 1215
~ Frederick (Fred) Cecil Jones RBA (1891-1966) ''Ugthorpe Mill, Near Whitby'' signed and inscribed in pencil, etching, unframed, together with a portfolio of other unframed etchings and prints including ''Whitby from Crag Steps'', signed J Barrie Robinson, ''Low Water Whitby Harbour'', by H L Boyle, various 19th century engravings of Whitby and the surrounding area, a small collection of Whitby Auction posters and three watercolours of Whitby interest etc (qty) contained within a portfolio, various sizes
Los 1059
Winifred Austen (1876-1964) ''Lesser Whitethroat'' signed and inscribed in pencil, a black and white etching, together with a further signed example by the same artist ''Sedge Warbler'', andd two gouache painting by Eustace Barnes ''Laniisoma e elegans'' & ''Phibalura f. flavirostris'', initialled and dated (19)97, 15cm by 13cm, 14cm by 18.5cm, 28cm by 20cm respectively (4)
Los 1013
Charles Robertson (1844-1891) ''The waste and plunder of the shore'' signed and inscribed in pencil, etching, together with seven other etchings including A study of a tigers head After W.F Potter, three etchings after Mortimer L Menpes, A study of a girl holding a doll After Anthony Bowsfield and two others figurative studies by other artist 36cm by 52.5cm, 33cm by 25.5cm, 25.5cm by 17.5cm, 25cm by 17cm, 36cm by 26cm, 19cm by 14cm, 24cm by 21cm and 25cm by 21cm respectively (sh) (8) unframed
Los 1158
William Lionel Wyllie RA, RBA, RI, RE, NEAC (1851-1931) ''Blackfriars'' signed in pencil, a black and white etching, together with a further signed etching by the same artist ''Greenwich Reach'' and a further shipping scene by Harold Wyllie 20cm by 40cm, 16cm by 37cm and 14cm by 24.5cm respectively (3)
Los 1083
William Walcot RBA, RE (1874-1943) ''The Frigidarium of the baths of Carcalla'' signed in pencil, a black and white etching, together with a further signed etching by the same artist ''Ludgate Hill'', another by M Bauer depicting moorish figures gathered on steps inscribed no. 43 and a colour reprodcution after Frank Brangwyn (unframed) 45.5cm by 58.5cm, 13.5cm by 12.5cm, 38cm by 50cm and 35cm by 46.5cm respectively (4)
Los 1001
Percy Robertson ARE (1868-1934) ''Switzerland'', signed and inscribed in pencil, etching, unframed, together with seven other etchings entitled ''Bushy Park, Hampton Court'', ''Dordrecht'', ''Lincoln'', ''Books and Toys'', ''Bon church'', A windmill in an open landscape and an etching of a river landscape 19cm by 24.5cm, 19.5cm by 28cm, 28cm by 25.5cm, 38cm by 28cm, 29cm by 23cm, 39.5cm by 28cm, 20.5cm by 23cm and 36cm by 39cm respectively (sh) unframed (8)
Los 1008
Percy Robertson ARE (1868-1934) ''The Shooing Forge'' signed and inscribed in pencil, etching together with three further etchings ''Godalming'', A figure ploughing with a pair of shire horses, The hay cart, 21.5cm by 27.5cm, 21cm by 26cm, 21cm by 26cm and 18cm by 21cm respectively (sh) (4) unframed
Los 914
Collection Of Prints and Etchings. Three in total each housed in black wood frames with cream mount. To include two city scenes and the third, an original etching 'St Mary's Abbey Ruins by Edward J. Cherry' Artist signed to bottom right. Framed by W. Carling & Son 19 Station Road, Whitley Bay.
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78472 Los(e)/Seite