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Preisdatenbank abonnierenBAYARD OSBORN (1922-2012) - The Triumph of the Media, etching, unframed, signed and numbered 6/60, 24.5cm x 16cm, also another etching from The Labyrinth from the Drawing of Our Lives series, signed and dated ‘92, signed and numbered 3/60 in pencil, and another unframed etching from the same series. (3)
After Francisco Goya (1746-1828) 'Está um...pues, como digo..eh! Cuidado! Si no!', etching, unsigned, 22cm x 16cm and one other by the same artist 'Las rinde el sueño', etching, unsigned, 22cm x 16cm (2)Overall wear and marks. Have previously been stored in a damp location, this has affected both pictures. What looks like damp/mould damage to the mounts. Would require reframing. Some foxing and discolouration to both.
William Lionel Wyllie (1851-1931)'Untitled view of the Thames, London', etching, signed in pencil lower left, 22cm x 26cm, a Nathaniel Sparks (1880-1956), 'Salcombe Harbour', etching, signed in pencil lower right, 22cm x 38cm and a Johnstone Baird (1872-1935), 'Oban Bay', etching, signed in pencil lower right, 32cm x 21.5cm (3)Both the Nathaniel Sparks and Johnstone Baird have 'James Connell & Sons, Fine Art Dealers and Publishers, 47 Old Bond Street, London, W1' old labels to the reverse. All with some scuffs and marks to the frames. Minimal foxing and some marks in places, predominantly to the mounts, not the etching themselves. The Thames etching does have some foxing and marks to the etching as evident in photos.
§ IAN DAVENPORT (BRITISH 1966-) LIFT - 2021 Etching with chine collé, A.P. 1/5, signed, dated and editioned in pencil to marginDimensions:image size 59cm x 49cm (23.25in x 19.25in)Provenance:Provenance: Cristea Roberts GalleryTo be offered to support The House of St Barnabas (Registered Charity 207242)Based in a Grade 1 listed townhouse in Soho, The House of St Barnabas has helped Londoners affected by homelessness since 1862. In 2013 the building became a members’ club with a difference; combining a not-for-profit creative and cultural space at No. 1 Greek Street with an Employment Academy for people affected by homelessness. Participants learn their craft in front of house, in the kitchen, the bar, or in the charity’s offices: since opening, 254 participants have graduated from the 12-week programme, many of which have secured lasting employment after graduation.The House of St Barnabas’ cultural events, music, and the generosity of members are key to the success of the charity, but the building also showcases work by both established and emerging contemporary artists. The permanent collection of visual art includes the works of Banksy and Tracey Emin alongside a programme of temporary exhibitions supporting emerging artists.The House have kindly been donated 11 works for sale, ranging from sculpture to paintings to support the charity's work. Most of the pieces have been donated by the artists themselves or by the galleries who represent them. Below we take a closer look at the works featuring in our January 2023 sale.2023 is the year of the house’s 10th anniversary. With your support and dedication, the charity hopes to continue to break the cycle of homelessness.Note: Note: Ian Davenport is best known for his colourful “puddle” paintings. To make them, the artist meticulously pours hundreds of thin acrylic lines down a canvas, and they artfully pool and swerve at the bottom. All of Davenport’s work embraces experimentation: he has used a variety of industrial and everyday tools—including wind machines, hypodermic syringes, and watering cans—to manipulate paint and draw as much attention to the process of artmaking as to the finished works themselves. Davenport graduated from Goldsmiths College in London in 1988, the same year he featured in the Freeze exhibition curated by fellow Young British Artist Damien Hirst. In the years since, Davenport has exhibited at the Royal Academy of Arts, the Galleria Nazionale Arte Moderna in Rome, the Hammer Museum, and Kunsthal Rotterdam, among other institutions.
§ DAME ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt (SCOTTISH 1931-2021) VENICE: SALUTE IN A THUNDERSTORM - 2011 Etching, P.P., aside from the edition of 50, signed and editioned in pencil to margin, published by the Glasgow Print Studio, with their blindstampDimensions:image size 22cm x 25cm (8.75in x 9.75in)
§ JOHN PIPER C.H. (BRITISH 1903-1992) SUMMER GARDEN, FAWLEY BOTTOM Etching and aquatint, 67/85, signed and numbered in pencil to margin Dimensions:Image size 38.5cm x 57.5cm (15.25in x 22.75in)Provenance:Provenance: Marlborough Fine Art, London,where acquired by the family of the present owner.
§ PABLO PICASSO (SPANISH 1881-1973) GROSSE COURTISANE ET VIEUX BEAU FROM SERIE 347 - 1968 Etching, 38/50, signed and numbered in pencil to margin, printed by Aldo and Piero Crommelynck, published by Galerie Louise Leiris, Paris, 1969Dimensions:plate size 20.5cm x 15cm (8in x 6in), the sheet 32.5cm x 25cm (12.75in x 9.75in)
§ PABLO PICASSO (SPANISH 1881-1973) REVERIES D'OPIUM: FUMEUR EN CALOTTE PAPLE FROM SERIE 347 - 1968 Etching, 33/50, signed and numbered in pencil to margin, printed by Aldo and Piero Crommelynck, published by Galerie Louise Leiris, Paris, 1969 Dimensions:plate size 17cm x 20.5cm (6.75in x 8in), the sheet 25cm x 32.5cm (9.75in x 12.75in)
§ DAME ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt (SCOTTISH 1931-2021) VENICE DOG - 2013 Etching, P/P, aside from the edition of 40, signed and editioned in pencil to margin, published by Glasgow Print Studio, with their blindstampDimensions:the sheet 34cm x 37cm (13.5in x 14.5in)Provenance:
§ PABLO PICASSO (SPANISH 1881-1973) JEUNE PEINTRE A SON CHEVALET, FROM LE GÔUT DU BONHEUR - 1970 Etching, E.A., signed and editioned in pencil to marginDimensions:image size 20.5cm x 14.5cm (8in x 5.75in), the sheet 33cm x 25cm (13in x 9.75in)Provenance:Provenance: Éditions Cercle d'Art, Paris - 29 Oct. 1974.The lot is accompanied by a printed card with the gallery stamp verso, which lists the etching from an edition of 100.
§ JOHN BYRNE R.S.A. (SCOTTISH 1940-) MMMMM . . Monoprint, signed, titled and editioned in pencil to margin, published by Glasgow Print Studio, with their blindstampDimensions:the sheet 74cm x 54cm (29.25in x 21.25in)Note: Note: This unique print was created by the artist drawing onto a sheet of Perspex using aquarelle crayons, which was then printed on to damp paper using an etching press.
A QUANTITY OF PAINTINGS AND LIMITED EDITION PRINTS ETC, to include Joyce Johnson watercolour depicting the village of Painswick, Peter Hesp pastel drawing 'Evening light Luccombe, Exmoor', a gardening scene with a female figure collecting flowers, oil on canvas signed Forrester, pastel garden view by Daphne Pilgrim, etching with colours 'Barbizon - Rue de Artistes' indistinctly signed, label verso reads Purchased at the villa of Jean Francois Millet 1947, limited editions include Rosie Smith 'Leaving Steep Holm', John Instance 'Evening walk Bewdley', Cora Stock etching with colours 'Peat moor I', Julie Roberts 'Porth Wen, Anglesey', three Maurice Bishop prints signed to the mounts, Brain Fletcher hand written Gertrude Stein motto, etc (1 box + loose)
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