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Preisdatenbank abonnierenJames Gillray (British, 1757-1815)Horrors of the Irish-Union; -Botheration of poor Pat-or-a Whisper across the Channel (BM 9284) Etching with hand-colouring, 1798, on wove, published by H. Humphrey, London, with trimmed margins, 226 x 346mm (8 7/8 x 13 5/8in)(PL)(unframed); together with 'Elegance Democratique', etching with hand-colouring, 1799, on wove, published by H. Humphrey, London, with full margins, 365 x 257mm (14 1/2 x 10 1/8in)(PL)(unframed)(2)
James Gillray (British, 1757-1815)Opposition Telegraph's;-or-The little Second-Sighted Lawyer Giving a True Specimen of Patriotic Information (BM 9232) Etching with hand-colouring, 1798, on wove, published by H. Humphrey, London, with narrow margins, 257 x 361mm (10 1/8 x 14 1/8in)(PL)(unframed)
James Gillray (British, 1757-1815)Lilliputian-Substitutes, Equiping for Public Service (BM 9722) Etching with hand-colouring, 1801, on wove, published by H. Humphrey, London, with margins, 253 x 358mm (10 x 14 1/8in)(PL)(unframed); together with 'Preparing for the Grand Attack. Or a Private Rehearsal of 'The ci-devant Ministry in Danger (BM 9739)', etching and aquatint with hand-colouring, 1801, on wove, published by H. Humphrey, London, with narrow margins, 363 x 261mm (14 2/8 x 10 1/4in)(SH)(unframed)(2)
James Gillray (British, 1757-1815)German-Nonchalance; -or-, the Vexation of Little-Boney (BM 9961) Etching and aquatint with hand-colouring, 1803, on wove, published by J. Gillray, London, with trimmed margins, 255 x 355mm (10 x 14in)(SH)(unframed); together with 'Fortune-Hunting (BM 10301)', etching with hand-colouring, 1804, wove onto laid, published by H. Humphrey, London, with trimmed margins within the platemark, 249 x 376mm (9 7/8 x 14 3/4in)(SH)(unframed)(2)
Victor Pasmore R.A. (British, 1908-1998)One Plate, from 'Birthday Suite' Etching and aquatint printed in colours, 1997, on chine collé, signed with the initials, dated and numbered 4/35 in pencil, published by Marlborough Graphics, London, the full sheet, 388 x 493mm (15 1/4 x 19 1/3in)(SH)This lot is subject to the following lot symbols: AR
James Gillray (British, 1757-1815)The Reconciliation Etching with hand-colouring, 1804, wove onto laid, published by H. Humphrey, London, with narrow margins, 252 x 360mm (9 7/8 x 14 1/8in)(SH)(unframed); together with 'Charles Williams (British, active 1797-1830), after James Gillray (British, 1757–1815), 'The Patriot Turned Plagiarist, or the Petty Tax Gatherers Hunting', etching with hand-colouring, 1806, on laid, published by S W Fores, London, with margins, 355 x 257mm (14 x 10 1/8in)(SH)(unframed)(2)
James Gillray (British, 1757-1815)Ci-Devant Occupations-or-Madame Talian and the Empress Josephine Dancing Naked Before Barrass in the Winter of 1797.-a Fact! (BM 10369) Etching with hand-colouring, 1805, on wove, published by H. Humphrey, London, with trimmed margins affixed to additional paper mount, 315 x 470mm (12 3/4 x 18 1/2in)(SH)(unframed)
Victor Pasmore R.A. (British, 1908-1998)One Plate, from 'Birthday Suite' Etching and aquatint printed in colours, 1997, on chine collé, signed with the initials, dated and numbered 4/35 in pencil, published by Marlborough Graphics, London, the full sheet, 388 x 493mm (15 1/4 x 19 1/3in)(SH)This lot is subject to the following lot symbols: AR
James Gillray (British, 1757-1815)The Grand Coronation of Napoleone the 1st Emperor of France, from the Church of Notre Dame (BM 10362) Etching with hand-colouring, 1805, on wove, the sheet with a central vertical fold, published by H. Humphrey, London, with margins, 240 x 770mm (9 1/2in x 30 1/4in)(PL)
James Gillray (British, 1757-1815)The Triumph of Quassia; Bruin in his Boat,-or-The Manager (BM 10574) Etching with hand-colouring, 1806, on wove, printed by H. Humphrey, London, with trimmed margins, 245 x 345mm (9 5/8 x 13 5/8in)(SH)(unframed); together with 'Bruin in his boat,-or-The Manager in Distress', etching with hand-colouring, 1806, on wove, published by H. Humphrey, London, with trimmed margins, 380 x 300mm (15 x 11 7/8in)(PL)(unframed)(2)
James Gillray (British, 1757-1815)The Cabinetical-Balance (BM 10530) Etching with hand-colouring, 1806, on wove, published by H. Humphrey, London, with trimmed margins, 352 x 252mm (13 3/4 x 9 7/8in)(SH)(unframed); together with 'Venus a la Coquelle: Venus a la coquelle, or The Swan-sea Venus: Mrs Jones of Swansea (BM 11405)', etching with aquatint and hand-colouring, 1809, on wove, published by H. Humphrey, London, with trimmed margins, 257 x 358mm (10 1/8 x 14 1/8in)(SH)(unframed); together with Thomas Rowlandson (London 1756-1827),'Every Man has his Hobby Horse (BM 6566)', etching with hand-colouring, 1784, on laid, published by W. Humphrey, London, with trimmed margins, 236 x 340mm (9 1/4 x 13 3/8in)(SH)(unframed)(3)
James Gillray (British, 1757-1815)A Great Stream from a Petty-Fountain;-or-John Bull Swamped in the Flood of New-Taxes:-Cormorants Fishing in the Stream (BM 10564) Etching with hand-colouring, 1806, on wove, published by H. Humphrey, London, with trimmed margins, 243 x 350mm (9 5/8 x 13 3/4in)(PL)(unframed); together with 'A Plumper for Paul!-or-The Little Taylor Done Over! (BM 10708.A)', etching with hand-colouring, 1806, on wove, published by H. Humphrey, London, with trimmed margins, 243 x 350mm (9 5/8 x 13 3/4in)(PL)(unframed); together with 'Triumphal Procession of Little-Paul-The Taylor upon his new-Goose (BM 10608)', etching with hand-colouring, 1806, on wove, published by H. Humphrey, London, with trimmed margins, 245 x 345mm (9 5/8 x 13 5/8in)(unframed)(3)
James Gillray (British, 1757-1815)'More Pigs Than Teats',–or–the New Litter of Hungry Grunters, Sucking John-Bull's-Old-Sow to Death (BM 10540) Etching with hand-colouring, 1806, on wove, published by H. Humphrey, London, with trimmed margins, 247 x 350mm (9 3/4 x 13 3/4in)(SH)(unframed)
Victor Pasmore R.A. (British, 1908-1998)One Plate, from 'Birthday Suite' Etching and aquatint printed in colours, 1997, on chine collé, signed with the initials, dated and numbered 4/35 in pencil, published by Marlborough Graphics, London, the full sheet, 388 x 493mm (15 1/4 x 19 1/3in)(SH)This lot is subject to the following lot symbols: AR
James Gillray (British, 1757-1815)L'Enfant Trouvé:–a Sample of Roman Charity!–or–the Misfortune of Not Being Born with Marks of 'the Talents' (BM 10986) Etching with hand-colouring, 1808, on wove, published by H. Humphrey, London, with trimmed margins, 291 x 353mm (11 3/8 x 13 7/8in)(SH)(unframed)
Wenceslaus Hollar (1607-1677)Study of an Elephant (Parthey 2066) Engraving, circa 1663, trimmed to the borderline, 165 x 265mm (SH); together with two etchings after Dürer, 'Study of a Lion', 1645, trimmed to the plate, 94 x 125mm (PL) and 'Study of a Stag', 1649, with partial unidentified watermark, trimmed inside the platemark, 86 x 114mm (SH); etching after Leonardo,'Naked Male Torso Seen from Behind' (P.1768; NH.791), 1645, the only state, with small margins, 78 x 52mm (PL); two etchings after Jan Bruegel the Elder, 'Landscape with an Angler' (P.1214, NH.1103), 1650, with small margins, 122 x 177mm (PL), and 'Four Windmills' (P.1215, NH.1104), with watermark Arms of Amsterdam, trimmed to the border, 110 x 170mm (I), plus one engraving by Adriaen Collaert (1560-1618) after Hans Bol, 'August, from The Twelve Months', circa 1580, with watermark N, trimmed to the roundel, 140mm (I), all on laid (7)
Henry Moore O.M., C.H. (British, 1898-1986)Trees VI: Dead Ash, from 'Trees' (Cramer 552) Etching and aquatint, 1979, on wove, signed, numbered 30/50 and inscribed 'PL VI' in pencil, printed by JC Editions, London, published by Raymond Spencer Company Ltd. for the Henry Moore Foundation, Much Hadham, with full margins, 220 x 165mm (8 5/8 x 6 1/2in)(PL)This lot is subject to the following lot symbols: AR
Rembrandt Harmensz van Rijn (1606-1669)The Holy Family (Bartsch 62; New Hollstein 114) Etching, circa 1632, on laid, a slightly later impression of the the only state, trimmed to or along platemark, 96 x 70mm (3 3/4 x 2 3/4in)(PL); together with another, 'The Presentation in the Temple with the Angel: Small Plate' (B.51; NH.54), 1630, on laid, a later impression of the final, second state, trimmed to platemark, 103 x 78mm (4 1/8 x 3 1/8in)(PL)(2)
Sir Howard Hodgkin (British, 1932-2017)Put Out More Flags (Heenk 90) Lift-ground etching, aquatint and carborundum in colours, with hand-colouring, 1992, on heavy wove, signed with the initials, dated and numbered 47/75 in pencil, printed and hand-coloured by Jack Shirreff at the 107 Workshop, published by the Modern Art Museum of Fort Worth, Texas, the full sheet printed to the edges, 420 x 524mm (16 1/2 x 20 5/8in)(SH)This lot is subject to the following lot symbols: AR
Rembrandt Harmensz van Rijn (1606-1669)Three Heads of Women, One Asleep (Bartsch 368; New Hollstein 161) Etching, 1637, on laid, a later impression, with thread margins, 143 x 97mm (5 5/8 x 3 7/8in)(PL); together with another etching, 'Beggar Woman Leaning on a Stick' (B.170; NH.229), 1646, on laid, a later impression, with small margins, 83 x 65mm (3 1/4 x 2 1/2in)(PL)(2)
John Piper C.H. (British, 1903-1992)Temple of Flora (Levinson 409) Etching and aquatint printed in colours, 1988, on Arches, signed and numbered 40/100 in pencil, printed by Kelpra Studio, London, published by CCA Galleries, London, with margins, 395 x 595mm (15 5/8 x 23 1/2in)(PL)This lot is subject to the following lot symbols: AR
John Hoyland R.A. (British, 1934-2011)Untitled Etching and aquatint printed in colours, 1986, on wove, signed, dated and inscribed 'A/P' in pencil, an artist's proof aside from the numbered edition, the full sheet, 870 x 680mm (34 1/4 x 26 3/4in)(SH)This lot is subject to the following lot symbols: AR
Rembrandt Harmensz van Rijn (1606-1669)The Rest on the Flight into Egypt: A Night Piece (Bartsch 57; New Hollstein 216) Etching and drypoint, circa 1644, on heavy laid, the third state (of nine), trimmed on or just inside the plate, with a small margin at the lower edge, 92 x 59mm (3 5/8 x 2 1/4in)(PL)
Henri de Toulouse-Lautrec (French, 1864-1901)May Belfort (Delteil 160; Adriani 270; Adhémar 175; Wittrock 252) Lithograph, 1898, on wove, from the total edition of around 400 after 1901; together with Marc Chagall's Plate 70, from Les Ames Mortes etching, 1948, bearing signature in pencil, from the total edition of 368 and Maurice de Vlaminck's Route de village, collotype in colours, signed and numbered 228/250 in pencil, 292 x 245mm (11 1/2 x 9 5/8in)(SH)(3)This lot is subject to the following lot symbols: *
Käthe Kollwitz (1867-1945)Mother with child in her arms (Klipstein 110) Etching, 1910, the third state, on wove, signed by the artist and the printer Felsing in pencil, numbered out of 50 in pencil, with wide margins, 195 x 131mm (7 5/8 x 5 1/8in)(PL); together with another, 'Girl Praying' (K11), 1892, unsigned, the fourth state printed by von der Becke in 1931, 194 x 148mm (7 5/8 x 5 7/8in)(PL)(2)(unframed)
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