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LEO ZOGMAYER [b.1949]. Forms, 1988, etching 2/12, signed, 65 x 50 cm [sheet size - overall including frame 73 x 58 cm]. [very good condition - unexamined out of frame]. This is the first lot of our 2nd featured artist ZOGMAYER - born in Austria, he became quite an important international contemporary artist and etcher in the 1980s, but since moved to sculpture and installations. We think his best work are the 1980s etchings, which this auction features - more later in the auction from lot 171 onwards.
ROBERT CLATWORTHY, R.A. [1928-2015]. Figures, 1952. Etching with extensive hand colouring, unique as never editioned, only a few artist proofs exist all with very different colouring [grey, blue, brown]. Signed with initials and dated. 52 x 34 cm [image size 40 x 30 cm]. Unframed. Provenance: private collection, UK [acquired directly from the artist]. Literature: 'Robert Clatworthy', Sansom, 2012, p.17 [cf. brown version]. [good condition - spots of green paint outside image, as very much an artist's working proof].
MICHAEL AYRTON [1921-75]. Zeus Heads. Etching, edition of 75, 10/75. Signed in pencil. Another very rare Ayrton etching - we haven't seen one for over 20 years [unlikely that the whole edition was printed]. 52 x 39.5 cm [sheet size - image 36 x 27 cm]. Unframed. [good condition - 2 small spots near bottom left edge of sheet].
MICHAEL AYRTON [1921-75]. Minotaur Revealed, 1971. Etching, edition of 75, artist's proof, V111/X. Signed. 40 x 56 cm [image size - overall including frame 88 x 68 cm]. Ayrton rarely signed his later etchings, preferring to use a studio stamp signature - hard to find one like this with an original signature. Literature: illustrated in 'Michael Ayrton' by Peter Cannon-Brookes. [very good condition - unexamined out of frame].
MICHAEL AYRTON [1921-75]. Seated Minotaur. Etching, edition of 75, 10/75. Signed in pencil. This is a very rare Minotaur etching, we haven't seen one for over 20 years and this one, unusually, has the artist's signature in pencil [instead of the usual studio stamp signature]. Unlikely that the whole edition was printed. 39.5 x 44.5 cm [sheet size - image 18 x 29 cm]. Unframed. [good condition - 2 tiny spots on lower left of sheet, well outside image].
LEO ZOGMAYER [b.1940]. Figures, 1984. Etching, edition of 50, 37/50. Signed. 46 x 35 cm [sheet size - image 11 x 16 cm - overall including frame 52 x 40 cm]. [very good condition - acrylic glass on frame slightly scratched]. see notes in lot 128. The above are all the framed Zogmayers in the auction - the unframed etchings will appear later in the auction.
MICHAEL AYRTON [1921-75]. Minotaur Full Grown, 1971. Etching, edition of 75, artist's proof V111/X. Signed. 56 x 35 cm [image size - overall including frame 88 x 68 cm]. Literature: illustrated 'Michael Ayrton' by Peter Cannon-Brookes. [very good condition - unexamined out of frame]. Ayrton signed very few of his late etchings [using a studio stamp signature instead], so rare to find one like this with an original signature.
A RARE ETCHED PARTISAN OF THE GUARD OF THE ELECTOR FRIEDRICH AUGUST I OF SAXONY, 'THE STRONG' (1670, 1694-1733), CIRCA 1694-7 with central blade of flattened-diamond section, broad base formed of a pair of flat notched flukes, etched at the base with a pattern of scrolling foliage on each side and surmounted on the respective faces with the crowned electoral arms and the initials 'CFA' for Churfürst Friedrich August, traces of early gilding, moulded collar, faceted socket and a pair of long straps (the etching with areas of wear), on a fabric-covered wooden haft 51.0 cm; 20 1/8in head Provenance The Saxon Electoral Armoury, Dresden. Howard Ricketts Friedrich August I ruled as Elector of Saxony (1694-1733) and twice as King August II of Poland (1697-1704 and 1709-33). Similar partisans are preserved in the Wartburg (inv. no. 461) and the Wallace Collection, London (inv. Nos. A1002 & A1003). Another partisan from this group with the same notable style of etching is preserved in the Deutsches Historiches Museum, Berlin. See Müller and Kölling 1981, p. 311 no. 395.
AN 1803 PATTERN INFANTRY OFFICER'S SWORD with curved blade formed with a hatchet point, with traces of etching including flowers and anthemion on each face of the forte, regulation hilt with wire-bound fishskin-covered grip, in its regulation brass-mounted leather scabbard 74.5 cm; 29 3/8 in blade
Nikos HADJIKYRIAKOS-GHIKAGreek, 1906-1994Hydraoil on paper laid down on canvassigned and dated 72 lower right44 x 33 cmPROVENANCEprivate collection, AthensNOTEThis work is registered with the archives of Nikos Hadjikyriakos Ghika, the Benaki Museum under the reference number ΧΓ 5798 Nikos Hadjikyriakos-Ghika was born in Athens in 1906.As a young boy Hadjikyriakos-Ghika showed an early inclination to drawing and while still at school he attended art lessons with Constantinos Parthenis.In 1922 he moved to Paris where he studied French literature and Aesthetics at the Sorbonne. Two years later he enrolled at the Academie Ranson and studied painting under R. Bissière and etching with D. Galanis.He first exhibited in Paris in 1923 at the Salon des Tuileries and the Salon des Surindépendants. In 1927 he held his first solo exhibition at the Galerie Percier in Paris. His first Athens exhibition was shared with sculptor Michael Tombros at the Strategopoulos Gallery in 1928. In 1930 he settled in Paris and returned to Athens four years later a respected artist. Between 1935 and 1937 he edited the periodical ‘The Third Eye’together with architect Pikionis, the poet Papatzonis and the director Karantinos. In 1937 he restored the ancestral home of the Ghikas family in Hydra, where he painted the first works in which he expressed his artistic style decisively, combining elements of Cubism with nature, light and the architecture of Greece. He was appointed Professor of Drawing at the National Technical University of Athens School of Architecture in 1941, and continued to teach there until 1958. In 1961 he married Barbara Hutchinson , who had been previously married to Victor Rothschild, 3rd Baron Rothschild and to classicist Rex Warner. In 1972 he was elected a regular member of the Academy of Athens and in 1986 an honorary member of the Royal Academy of Arts in London. He was also granted honorary doctorates by the School of Architecture at the University of Thessaloniki in 1982 and by the University of Athens School of Philosophy in 1991.More than fifty exhibitions of Hadjikyriakos-Ghika’s works have been held in Athens, Paris, London, Geneva, Berlin and New York. Hadjikyriakos-Ghika was also involved in designing stage sets and costumes for theatrical works such as Aristophanes’s Clouds at the National Theatre of Greece (1951) and Comédie Française (1952) and Gide’s ballet Persephone, with music by Stravinsky in Covent Garden (1961). He also illustrated a number of books, including N. Kazantzakis’s Odyssey, Longos’s Daphne and Chloe and C.P. Cavafy’s Poems. His writings include several books, studies and articles on architecture and aesthetics, as well as treatises on Greek art. His work can be found in The National Gallery of Greece, The Municipal Gallery of Athens, The Leventis Gallery, The National Bank of Greece, the Musée d’Art Moderne in Paris, the Tate Gallery in London, the Metropolitan Museum of Art in New York and many other public and private collections.

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