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Preisdatenbank abonnierenPablo Picasso (1881-1973) Le Repos de Sculpteur IV (from the Vollard Suite) (Bloch 174)Etching 1933, signed in pencil, the edition was 250, on Montval laid paper, from the Vollard Suite, with the Vollard watermark, published by Ambroise Vollard, Paris, with full margins, 193 x 267mm (7 5/8 x 10 1/2in) (unframed)
John Brunsdon (1933 - 2014) Limited Edition Etching Titled 'Dale', no.39/75, pencil signed and numbered by the artist; framed and glazed, 24 inches (60cms) x 32 inches (80cms): Brunsdon was Head of Printmaking Department at St Albans College of Art for sixteen years and is widely considered one of Britain's most distinguished printmakers (2)
Frank Martin (1921-2005) British, a portrait, titled 'Louise Brooks', limited edition etching, pencil signed, titled and numbered 76/100, 37.4 cm x 27 cm, glazed in a contemporary silvered frame.Condition report: Good condition, with no staining / damage evident. Colour elements in good order
Denzil O. Ibbetson (British, 1775-1857)Study of Napoleon Bonaparte leaning against a gun on board HMS Northumberland en route to St Helena bears inscription below by John Des Fontaine 'A correct likeness of General Buonaparte taken on board H:M:S: Northumberland on her Passage to the Isld. St. Helena in 1815/ J:DesF:'pen, brown ink and watercolour on Whatman paper21 x 13.8cm Footnotes:Provenance:The Lacquer Chest, London, from whom acquired by the present private owner in 1995.Napoleon was taken to St Helena on HMS Northumberland in the care of Admiral George Cockburn, arriving there in October 1815. An account of the voyage can be found in the journal of Cockburn's secretary, J.R. Glover which was published in 1893. Also on the ship was Denzil Ibbetson who was Commissary officer on Saint Helena during Napoleon's exile, (one of the few British officers to remain there throughout Napoleon's incarceration) and who produced a number of sketches of the captive both en route to and after his arrival on the island; notably he painted Napoleon's death-bed portrait. In the present drawing Napoleon has a somewhat disconsolate expression as he leans on a gun carriage wearing a petit chapeau, uniform coat, knee breeches and buckled shoes. Another version of the sketch, in mirror image but without the gun or watercolour, was sold, Art+Objects, New Zealand, 29 June 2010, 'Napoleon's Final Days', lot 9. This composition also appears to be the original for George Cruikshank's rare etching which shows Napoleon in two positions, (British Museum print 1978, U.838). Ibbetson seems to have done a number of versions of the sketches that he made of Napoleon and he gave them to friends and colleagues on the island; John Des Fontaine was a landowner on St Helena.For further information on this lot please visit Bonhams.com
AFTER JEAN DUPLESSIS-BERTAUX (1747-1819)The Battle of Austerlitz etching with hand-colouring in brown ink wash and white gouache26.7 x 46cm Footnotes:The Battle of Austerlitz (2 December 1805), also known as the Battle of the Three Emperors, was one of the most important and decisive engagements of the Napoleonic Wars. In what is widely regarded as the greatest victory achieved by Napoleon, the Grande Armée of France defeated a larger Russian and Austrian army led by Emperor Alexander I and Holy Roman Emperor Francis II.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Robert Greenhalf, 'The Gleaners', colour etching, inscribed, signed in pencil and numbered 97/150, 7.25" x 6.5", along with 'Cretan Cockerel', colour etching, inscribed, signed in pencil and numbered 21/150, 7" x 6.25", and 'Bantam hen and chick', colour etching, inscribed, signed in pencil and numbered 8/20, 3.25" x 3.75", (3).
Enid Barratt (20th Century) - "Interior", signed and dated 1994, collagraph, 35 x 24cms, in wooden frame, * Wray - "Variation on a Catalan Theme No.2", signed and entitled, collagraph, artist's proof, 26 x 36cms, in a lime-wash effect frame, and * Mallison - "Claire", etching, signed and entitled, limited edition 16/180, 32 x 21cms, in gilt frame. (3)
Edmund J Sullivan, portrait of John Galsworthy, uncoloured etching signed in pencil by the artist and the subject. 26 x 20cm approx. Together with Percy Robertson, village street scene, farm cart outside a pub, signed in pencil, uncoloured etching. 19 x 26.5cm approx, framed. (2)(B.P. 21% + VAT)
After W Douglas Macleod, 'River Arno', a signed etching, 19 x 34.5cm, titled label verso, after J McIntosh Patrick, 'A Quaint Corner of Avignon', 22 x 16cm, signed and numbered 40/75, other engravings, two books, 'A History of Shrewsbury School 1552-1952' by J Basil Oldham and 'A Portrait of Shrewsbury School' by Adolf Morath, together with a scrapbook of HM Queen Elizabeth II's visit to the school in 1952, (7).
SMALL FACES - OGDENS NUT GONE FLAKE - METAL MASTER STAMPER DISCS. Here we have a real collector's item, a pair of original metal master stampers for the Small Faces 1968 album Ogdens Nut Gone Flake. Identified with the matrix information IMSP 012 Utopia A/ B as well as the etching to the plate edges. Plates have some markings.
Abdur Rahman Chughtai (Pakistani, 1897-1975)Pet Bird signed with title in pencil in lower borderdry-point etching on paper19 x 17cm (7 1/2 x 6 11/16in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
* TOM MACKENZIE (SCOTTISH 1947 - 2018),ON CIOCHcoloured etching on paper, signed, titled and numbered artist's proof from an edition of 50image size 50cm x 40cm, overall size 76cm x 66cmMounted, framed and under glass.Note: Tom MacKenzie was educated at Portree High School and at 17 left home to enrol at Duncan of Jordanstone School of Art in Dundee. This did not work out and after a year he went to London. His pursuit of art continued at evening classes in life drawing while working in a variety of jobs by day. In 1976 he moved back to Scotland, joining a team of many talents at the Glasgow Print Studio. John Taylor, a colleague and long-time friend, says: "Tom MacKenzie’s art was made from the Isle of Skye’s unique cornucopia of visual riches: the huge, notched and jagged coastline; sea lochs with many rocky islands; the Cuillins, the most awesome mountains in Britain." Living and working on the lovely Isle of Skye, Tom MacKenzie was renowned for his wonderful colour etchings of the island and the West Coast of Scotland. These large and very stylish etchings are appreciated and collected worldwide. Working from his studio and workshop in Portree, the island’s capital, Mackenzie used three steel plates to produce his etchings and limited the editions to 75 or less, printed on 300gm, Arches waterleaf paper. He was a very popular figure in Portree where he lived and worked and a much-respected artist throughout Scotland and far beyond. In The Scottish Contemporary Art Auction of 12th September 2021, three colour etchings by Tom Mackenzie sold for hammer prices of £300, £320 and £340.
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