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Sydney Robert Jones - `St Magnus the Martyr, London Bridge`, monochrome etching, circa 1922, signed, titled and inscribed `3rd State Final Trial Proof (Steel) Exhibition Specimen`, plate size approx 27.5cm x 16.5cm, within a titled mount, together with seven further etchings by Jones, Views of London.
Gillray (James). The French Invasion; - or - John Bull bombarding the Bum-Boats, pub. H.Humphrey Nov. 5th 1793 but H.G.Bohn edition of 1849, uncoloured etching, slight overall toning, 350 x 250mm. A gloriously rude cartoon which depicts a stylised map of England and Wales complete with the face of King George III, defecating on France. The king’s faeces gradually evolve into warships which threaten the French coast. One of Gillray’s most vulgar cartoons which brilliantly captures the beligerent spirit of `John Bull’ in the face of the tyranny of France and Napolean. (1)
* Hold-To-Light. `Netley Abbey’, `Funeral by Moonlight’ and `A Village destroyed by an Avalanche’, pub. Reeves & Sons, n.d., c.1860, three lithographs with original hand colouring, two examples tipped onto contemp. card which is partially excised on verso, framed, mounted and double glazed, one example backed with contemp. tissue paper partially excised on verso, each approx. 200 x 160mm, together wih a mixed collection of approx. 400 engravings, etching and book plates, mostly 19th & 20th century, various sizes and condition (approx.400)
* Macbeth (Robert Walker, R.A., R.E., 1848-1910). ÒLa CoquilleÓ, W.R. Howell & Co., 1904, etching of an oyster girl, signed in pencil to lower margin, 420 x 347mm (16.5 x 13.75ins), mounted, framed and glazed, together with ÒChristmas EveÓ, W.R. Howell & Co., 1904, etching of a snowy scene depicting a mounted figure delivering a letter to a girl outside a rambling old house, watched by figures in the doorway, signed in pencil to lower margin, 360 x 525mm (14 x 20.75ins), mounted, framed and glazed, plus Read (Arthur Rigden, 1879-?), ÒNasturtiumsÓ, colour-printed woodblock, of nasturtiums in a bowl, limited edition 51/75 copies, signed by the artist, 372 x 278mm (14.75 x 11ins), mounted and framed, plus a mounted, framed and glazed colour-printed woodblock of a tree by Russ Abrams dated 1967-8, limited edition 19/24 copies signed by the artist (4)
Sandby (Paul). A view of a cathedral city, possibly Hereford, c.1790, aquatint etching printed in sepia, after Paul Sandby, trimmed to image and laid on later paper, 321 x 507mm (12.75 x 20ins), mounted, framed and glazed, together with Lorrain (Claude), A river landscape with figures, animals, and classical ruins, no. 82 from Liber Veritatis, pub. John Boydell, 1775, sepia mezzotint by Richard Earlom after Claude Lorrain, scratched letter title to lower margin, 223 x 271mm (9 x 10.75ins), mounted, framed and glazed, plus three hand-col. engravings of shells, eng. by Andreas Hoffer, pub. Nuremburg, 1766-67, approx. 208 x 165mm (8.25 x 6.5ins), mounted, framed and glazed (5)
Frank Lewis Emanuel (1865-1948), Down Along; St Ives, signed bottom left F. Emanuel, oil on board, 35 x 24cm. Frank Lewis Emanuel (1865-1948); Born in London and studied at the Slade School under Legros and at the Academie Julian in Paris. Exhibited at the R.A. and Paris Salon from 1886. Travelled extensively in South Africa, Ceylon and Europe. Became an instructor of etching at the Central School of Arts & Crafts 1918-1930.
Stanley William Hayter (1901-1988) l`escoutay (b.& engraving with soft-ground etching" printed in colours 1951 an excelent impression the colours bright and fresh signed and dated in pencil numbered 111/200 published by International Graphic Arts Society New York on wove paper with full margins in good condition " 198 x 310mm.
Bill Jacklin (b.1943) seven of diamonds etching with aquatint" 1978 signed titled and dated in pencil numbered 34/60 on wove paper with full margins in good condition 180 x 120mm. IMPORTANT: This lot is sold subject to Artists Resale Rights " details of which can be found in our Terms and Conditions.
Anish Kapoor (b.1954) untitled etching with aquatint printed in black and red" 2002 signed in pencil numbered 42/200 published by Tate Modern London as an award for a schools arts competition on wove paper the full sheet in good fresh condition sheet 725 x 875mm. IMPORTANT: This lot is sold subject to Artists Resale Rights " details of which can be found in our Terms and Conditions.
Per Kirkeby (b.1938) untitled etching with aquatint printed in colours" 1986 initialed and dated in pencil numbered 70/90 as included in the portfolio For Joseph Beuys published by Editions Schellmann Munich on wove paper the full sheet in good condition apart from some minor creases 585 x 760mm. IMPORTANT: This lot is sold subject to Artists Resale Rights " details of which can be found in our Terms and Conditions.
Salvador Dali (1904-1989) the gelatinous watches o lithograph with etching printed in colours" 1974 signed in pencil countersigned by the publisher Lavigne numbered 120/195 from. La Conquete du Cosmos on Arches paper with full margins in good condition some minor handling creases " 740 x 550mm.

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