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Los 11

Sydney Robert Jones - `Lombard St, E.C.`, monochrome etching, circa 1927, signed, inscribed `3rd State Trial Proof No 3` and annotated in pencil, plate size approx 32cm x 15.5cm, within a titled mount, together with five further etchings by Jones, Views of London.

Los 12

Sydney Robert Jones - `St Magnus the Martyr, London Bridge`, monochrome etching, circa 1922, signed, titled and inscribed `3rd State Final Trial Proof (Steel) Exhibition Specimen`, plate size approx 27.5cm x 16.5cm, within a titled mount, together with seven further etchings by Jones, Views of London.

Los 13

Sydney Robert Jones - `Staple Inn, Holborn`, monochrome etching, circa 1926, signed and inscribed `2nd State Trial Proof No 3` in pencil, plate size approx 31cm x 12cm, within a titled and inscribed mount, together with seven further etchings by Jones, Views of London.

Los 14

William Lionel Wyllie - `How the Fleet Comes into its Moorings, Plate II`, monochrome etching, signed in pencil recto, titled label verso, plate size approx 10cm x 22cm.

Los 15

William Lionel Wyllie - `How the Fleet Comes into its Moorings, Plate III`, monochrome etching, signed in pencil recto, titled label verso, plate size approx 10cm x 22cm.

Los 17

After Richard Dighton - `A View of Merton College Oxford` (Caricature of Dr Kneller), early 19th Century coloured etching, together with nine similar coloured etchings.

Los 22

Maxime Lalanne - View of a Ruin through Trees, mid/late 19th Century monochrome etching, approx 26cm x 19cm, within a gilt frame.

Los 48

Francis Seymour Haden - `Egham Lock`, monochrome etching, approx 17.5cm x 25.5cm.

Los 59

Louis Legrand - Interior Scene with a Woman dressing her Hair, a Gentleman smoking beyond, monochrome etching, artist`s proof, signed and editioned 60/AP in pencil, approx 22cm x 27cm, within a gilt frame.

Los 75

Iain Macnab - Half-Length Portrait of a Flower-seller, monochrome etching, signed in pencil, approx 21cm x 15.5cm, together with five further prints.

Los 78

John Sell Cotman - `French Beggars for Liber Studiorum`, monochrome etching, trial proof before title and number, circa 1815, label verso with reference `Popham 358`, approx 15.5cm x 12cm, within a gilt frame.

Los 91

Frank Short - `Sion House on the Thames`, drypoint etching produced in an edition of 350, circa 1911, signed in pencil recto, titled to William Weston Gallery label verso, approx 27cm x 37cm.

Los 118

A. Dupont - Venetian View, etching printed in colours, signed in pencil, approx 23.5cm x 31.5cm, within a gilt frame, together with a collection of decorative prints.

Los 1

MAX BRUNING (1887-1968) Sepia etching, Erotic female nude study, signed in pencil, 16.5" x 11", framed.

Los 40

TRISTRAM ELLIS (1844-1922) Sepia etching, Dover harbour 1886, signed in pencil, i 7" x 14", framed.

Los 82

HEDLEY FITTON (1859-1929) Etching, Old stone bridge, signed in pencil, i 17" x 17.5", framed.

Los 209

Gillray (James). The French Invasion; - or - John Bull bombarding the Bum-Boats, pub. H.Humphrey Nov. 5th 1793 but H.G.Bohn edition of 1849, uncoloured etching, slight overall toning, 350 x 250mm. A gloriously rude cartoon which depicts a stylised map of England and Wales complete with the face of King George III, defecating on France. The king’s faeces gradually evolve into warships which threaten the French coast. One of Gillray’s most vulgar cartoons which brilliantly captures the beligerent spirit of `John Bull’ in the face of the tyranny of France and Napolean. (1)

Los 348

* Hoffmann (Gaston, 1883-). Institut de beautŽ, ÒL’artiste capillaireÓ, col. etching, signed in pencil, approx. 250 x 355mm, framed and glazed (1)

Los 349

* Hold-To-Light. `Netley Abbey’, `Funeral by Moonlight’ and `A Village destroyed by an Avalanche’, pub. Reeves & Sons, n.d., c.1860, three lithographs with original hand colouring, two examples tipped onto contemp. card which is partially excised on verso, framed, mounted and double glazed, one example backed with contemp. tissue paper partially excised on verso, each approx. 200 x 160mm, together wih a mixed collection of approx. 400 engravings, etching and book plates, mostly 19th & 20th century, various sizes and condition (approx.400)

Los 355

* Macbeth (Robert Walker, R.A., R.E., 1848-1910). ÒLa CoquilleÓ, W.R. Howell & Co., 1904, etching of an oyster girl, signed in pencil to lower margin, 420 x 347mm (16.5 x 13.75ins), mounted, framed and glazed, together with ÒChristmas EveÓ, W.R. Howell & Co., 1904, etching of a snowy scene depicting a mounted figure delivering a letter to a girl outside a rambling old house, watched by figures in the doorway, signed in pencil to lower margin, 360 x 525mm (14 x 20.75ins), mounted, framed and glazed, plus Read (Arthur Rigden, 1879-?), ÒNasturtiumsÓ, colour-printed woodblock, of nasturtiums in a bowl, limited edition 51/75 copies, signed by the artist, 372 x 278mm (14.75 x 11ins), mounted and framed, plus a mounted, framed and glazed colour-printed woodblock of a tree by Russ Abrams dated 1967-8, limited edition 19/24 copies signed by the artist (4)

Los 394

Sandby (Paul). A view of a cathedral city, possibly Hereford, c.1790, aquatint etching printed in sepia, after Paul Sandby, trimmed to image and laid on later paper, 321 x 507mm (12.75 x 20ins), mounted, framed and glazed, together with Lorrain (Claude), A river landscape with figures, animals, and classical ruins, no. 82 from Liber Veritatis, pub. John Boydell, 1775, sepia mezzotint by Richard Earlom after Claude Lorrain, scratched letter title to lower margin, 223 x 271mm (9 x 10.75ins), mounted, framed and glazed, plus three hand-col. engravings of shells, eng. by Andreas Hoffer, pub. Nuremburg, 1766-67, approx. 208 x 165mm (8.25 x 6.5ins), mounted, framed and glazed (5)

Los 347

A PAIR OF MONOCHROME PRINTS after P. De Wint, `Oxford From The West` and `Carfax Conduit` in oak frames, a pen and ink sketch of Christchurch, Oxford by E.C. Cooper 1886 and an etching by Vernon Stokes of Water spaniels, signed on the mount in ebonised frame (4).

Los 350

H ROBERTSON - A monochrome etching of Ewhurst Mill, signed and framed, 8 1/4" x 11".

Los 431

Stanley Anderson RE, `Albi`, original drypoint etching, signed in pencil

Los 485

Frank Lewis Emanuel (1865-1948), Down Along; St Ives, signed bottom left F. Emanuel, oil on board, 35 x 24cm. Frank Lewis Emanuel (1865-1948); Born in London and studied at the Slade School under Legros and at the Academie Julian in Paris. Exhibited at the R.A. and Paris Salon from 1886. Travelled extensively in South Africa, Ceylon and Europe. Became an instructor of etching at the Central School of Arts & Crafts 1918-1930.

Los 505

Sam Haile (1909-1948), Portrait of a girl, signed and dated Haile ‘32 in pencil along the bottom margin, etching, plate size 17 x 15cm, unframed.

Los 508

Sam Haile (1909-1948), Couple in a bar, etching, plate size 10 x 14cm, unframed

Los 509

Sam Haile (1909-1948), Couple in a bar, etching; an earlier state of the previous lot, plate size 10 x 14cm, unframed

Los 514

Sam Haile (1909-1948), Amberley Station, etching, signed and dated Haile ‘32 ink ink along the bottom margin, inscribed with title, plate size 15 x 26cm, unframed.

Los 515

Sam Haile (1909-1948), Amberley Station, 3rd State, etching, signed and dated Haile ‘32 ink ink along the bottom margin, inscribed with title, plate size 15 x 26cm, unframed.

Los 516

Sam Haile (1909-1948), Warehouses and a harbour wall, etching, signed and dated Haile ‘34 in pencil along the bottom margin, numbered 12/50, plate size 19.5 x 30cm, unframed, together with an earlier state of the same etching. (2)

Los 399

PAUL SIGNAC (1863-1935); "Le Pont des Arts Avec Remorques", black and white etching. 5" (13cms) x 7 1/2" (19cms).

Los 182

"Modern Masters of Etching" Frank Benson published 1925, Laurence Sterne; "A Sentimental Journey" published 1885 and other books.

Los 108

After G SYDNEY HUNT print - portrait of a gentleman, an etching entitled `1936 - The Canal at Chester` by URSULA DAGBY, and an Art Nouveau pen and ink drawing signed R.AN.BELL entitled `Edith Phillippa Bell`

Los 102

Frank Paton: framed and glazed etching; The Good Old Days (signed in pencil to margin).

Los 407

Rowland Langmaid, Entrance to Portsmouth Harbour, etching, signed and titled in pencil.

Los 444

Monochrome Etching, indistinctly signed and other prints, various.

Los 1

Richard Bawden (b. 1936) A framed limited edition soft ground etching with aquatint. Study of St Basils, Red Square. Signed and titled in pencil and numbered 1/75. 58 x 41 cms

Los 33

A framed etching of Holy Trinity Bridge, Florence, by Emilio Mazzoni-Zarini (1869-1949)

Los 56

A. F. Affleck. A framed etching, Venetian scene, signed in pencil in the margin. 20 x 30 cms

Los 184

Stanley William Hayter (1901-1988) rapides (b.&amp etching printed in colours" 1964-65 signed titled and dated in pencil numbered 14/50 the highest recorded edition number was only 24 on BFK Rives with full margins in good condition " 390 x 566mm.

Los 188

Stanley William Hayter (1901-1988) l`escoutay (b.& engraving with soft-ground etching" printed in colours 1951 an excelent impression the colours bright and fresh signed and dated in pencil numbered 111/200 published by International Graphic Arts Society New York on wove paper with full margins in good condition " 198 x 310mm.

Los 190

Stanley William Hayter (1901-1988) calculus (b.&am etching and soft-ground etching printed in colours" 1971 signed titled and dated in pencil numbered 23/100 on BFK Rives with full margins in good condition " 592 x 485mm.

Los 191

Stanley William Hayter (1901-1988) calculus (b.&am etching and soft-ground etching printed in colours" 1971 signed titled and dated in pencil numbered 25/100 on BFK Rives with full margins in good condition " 592 x 485mm.

Los 193

Stanley William Hayter (1901-1988) il commendatore etching with engraving and aquatint printed in colours" 1980 signed titled dated and inscribed a.p. 8/20 in pencil an artist`s proof aside from the edition of 100 on wove paper with full margins in good condition " 590 x 490mm.

Los 201

Peter Howson (b.1958) cleansed etching" 1994 signed titled and dated in pencil numbered 10/50 on wove paper with full margins in good condition 175 x 125mm. IMPORTANT: This lot is sold subject to Artists Resale Rights " details of which can be found in our Terms and Conditions.

Los 213

Bill Jacklin (b.1943) seven of diamonds etching with aquatint" 1978 signed titled and dated in pencil numbered 34/60 on wove paper with full margins in good condition 180 x 120mm. IMPORTANT: This lot is sold subject to Artists Resale Rights " details of which can be found in our Terms and Conditions.

Los 232

Ben Nicholson (1894-1982) single turkish form etching printed with tone" 1967 on wove paper with full margins in good condition " sheet 445 x 380mm.

Los 235

Victor Pasmore (1908-1998) spiral motif etching printed in colours" 1975 initialled and dated in pencil numbered 33/55 on wove paper with full margins in good condition " 380 x 375mm.

Los 250

Patrick Procktor (1936-2003) severed hand etching with aquatint printed in colours" 1988 signed in pencil numbered 36/48 on wove paper with full margins in good condition " 225 x 225mm

Los 267

William Strang (1859-1921) portrait of r.b.cunning etching printed with tone" 1898 signed in pencil inscribed 1st State on laid paper with full margins in good condition " 300 x 200mm.

Los 274

William Tillyer (b. 1938) untitled etching" signed in pencil numbered 34/40 on wove paper with full margins in good condition apart from minor handling creases " 460 x 350mm.

Los 280

Julian Trevelyan (1910-1988) seaside etching with aquatint printed in colours" 1936 (printed later) signed titled and dated in pencil numbered 10/25 on wove paper with full margins in good condition " 175 x 250mm.

Los 284

Julian Trevelyan (1910-1988) st james park etching printed in colours" 1969 signed in pencil numbered 54/75 on wove paper with full margins in good condition " sheet 584 x 762mm.

Los 295

Kent R. Wallis (b.1945) untitled etching with extensive handcolouring" 1982 signed and dated in pencil numbered 3/12 on wove paper with full margins in good condition. with another work by a similar hand " various sizes

Los 322

Anish Kapoor (b.1954) untitled etching with aquatint printed in black and red" 2002 signed in pencil numbered 42/200 published by Tate Modern London as an award for a schools arts competition on wove paper the full sheet in good fresh condition sheet 725 x 875mm. IMPORTANT: This lot is sold subject to Artists Resale Rights " details of which can be found in our Terms and Conditions.

Los 323

Per Kirkeby (b.1938) untitled etching with aquatint printed in colours" 1986 initialed and dated in pencil numbered 70/90 as included in the portfolio For Joseph Beuys published by Editions Schellmann Munich on wove paper the full sheet in good condition apart from some minor creases 585 x 760mm. IMPORTANT: This lot is sold subject to Artists Resale Rights " details of which can be found in our Terms and Conditions.

Los 359

Marc Chagall (1887-1985) untitled from gogol. les etching" signed in the plate on wove paper with full margins in good condition " 290 x 235mm.

Los 367

Salvador Dali (1904-1989) the gelatinous watches o lithograph with etching printed in colours" 1974 signed in pencil countersigned by the publisher Lavigne numbered 120/195 from. La Conquete du Cosmos on Arches paper with full margins in good condition some minor handling creases " 740 x 550mm.

Los 381

Johnny Friedlaender (1912-1992) untitled etching with aquatint printed in colours" signed in pencil numbered 48/99 on wove paper with margins " in apparently good condition (unexamined out of frame) 765 x 570mm.

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