* TOM MACKENZIE (SCOTTISH 1947 - 2018),HOAN ISLAND coloured etching on paper, signed, titled and numbered 15/75image size 30cm x 45cm, overall size 49cm x 62cmMounted, framed and under glass.Note: Tom MacKenzie was educated at Portree High School and at 17 left home to enrol at Duncan of Jordanstone School of Art in Dundee. This did not work out and after a year he went to London. His pursuit of art continued at evening classes in life drawing while working in a variety of jobs by day. In 1976 he moved back to Scotland, joining a team of many talents at the Glasgow Print Studio. John Taylor, a colleague and long-time friend, says: "Tom MacKenzie’s art was made from the Isle of Skye’s unique cornucopia of visual riches: the huge, notched and jagged coastline; sea lochs with many rocky islands; the Cuillins, the most awesome mountains in Britain." Living and working on the lovely Isle of Skye, Tom MacKenzie was renowned for his wonderful colour etchings of the island and the West Coast of Scotland. These large and very stylish etchings are appreciated and collected worldwide. Working from his studio and workshop in Portree, the island’s capital, MacKenzie used three steel plates to produce his etchings and limited the editions to 75 or less, printed on 300gm, Arches waterleaf paper. He was a very popular figure in Portree where he lived and worked and a much-respected artist throughout Scotland and far beyond. During 2021 we accepted a private collection of fifteen Tom MacKenzie etchings which were split between several auctions. New UK auction records were achieved with several individual etchings selling for in excess of £300 each and the highest price and current UK record price was achieved on 23rd January 2022 when lot 224 "Loch Hasco, Quirange" a 20 x 27.5cm etching sold for £410 (hammer).
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* JOHN BRUNSDON (BRITISH 1933 - 2014),DURDLE DOORlimited edition coloured etching, signed, titled and numbered 97/100, dated '82 label verso image size 45cm x 60cm, overall size 69cm x 83cm Mounted, framed and under glass.Label verso: Attic Gallery, Swansea.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues.
ERIK DESMAZIÈRES (MORROCCAN b. 1948),DES AMATEURS PERPLEXESetching on paper, signed, titled, dated 1993 and numbered 44/90image size 41cm x 59cm, overall size 75cm x 91cm Mounted, framed and under glass.Note: French printmaker Erik Desmaziéres is known for his fantastical images that bring to mind works created by Hieronymus Bosch (1450-1516) and Giovanni Battista Piranesi (1720-1778), but yet are thoroughly modern. Born in Rabat, Morocco in 1948 where his father served as a diplomat, Desmaziéres grew up in Morocco and Portugal. After graduating from the Institut des Études Politiques, Paris, in 1971 he studied briefly at the L’École Spéciale d’Architecture, Paris, but decided to pursue art instead of politics or architecture. He took night classes in printmaking at the Cours du Soir de la Ville de Paris under the painter and printmaker Jean Delpech (1916-1988) and from 1972 received encouragement from Philippe Mohlitz (b. 1941) and other French printmakers. Desmaziéres received recognition early in his career when he was awarded the Grand Prix des Arts de la Ville de Paris in 1978. In 1981 New York City’s Fitch-Febvrel Gallery gave him a retrospective exhibition of his prints from 1972 to 1981, followed up by exhibitions in 1991, 2001 and 2012 surveying his works from the previous decade and each accompanied by a catalogue that together constitutes the catalog raisonné of his prints. Exhibitions of his work have been mounted in museums in Europe, the United States, Canada and Japan, notably at Amsterdam’s Rembrandthuis Museum (2004), the Musée Carnavalet (Paris, 2006), Fondazione Il Bisonte (Florence, 2009), Telfair Museum (Savannah, 2010),Musée des Beaux-Arts (Montreal, 2009) and the Bibliothèque national de France (Paris, 2012). Elected a member of the French Académie des Beaux-Arts in 2008, he served as president of the Académie in 2016. Desmaziéres is a past president of the Societe des Peintres Graveurs Francais, a Chevalier de la Legion d’Honner, an Officier des Arts et Lettres and a Chevalier des Palmes Académiques. He lives and works in Paris. Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues.
Paul Scheurich (1883-1945): Portfolio de gravures à l'eau forte 'Studien und Skizzen', 1922, numéroté VII sur une édition de 100 Paul Scheurich (1883-1945): Folio of lithographs 'Studien und Skizzen', 1922In a folder published by Fritz Gurlitt Verlag, Berlin, no. VII from an edition of 100, comprising cover page and 16 lithographs, partly coloured by hand and signed in pencil; together with a signed etching for 'Das Huendchen der Marquise', 1919, 36 x 30cmFor further information on this lot please visit Bonhams.com
William Lionel Wyllie R.A. (1851-1931) "Lobster Fishers", signed in pencil in the margin, titled on gallery label - 'Robert Dunthorne, The Rembrandt Gallery, Liverpool' verso, etching, together with "Wyllie's Marine Painting in Water-Colour", with twenty-four examples by the artist printed in colour, published in 1901 by Cassell and Company, Limited.plate size 18.5cm x 23.5cm (7.25in x 9.25in)Qty: 2Condition report:The print is in good, original condition. There are some minor spots of foxing across the paper and the mount. The print is framed and glazed. The frame has some knocks and losses.
William Lee Hankey RWS, RI, ROI, RE, NS (British, 1869-1952), girl herding geese in a field, etching on paper, signed 'W Lee Hankey' (lower centre), 29 x 21cm; 48 x 38cmCondition report: Overall, the paper seems in good condition minor undulation under the glaze. Discolouration to the edges of the plate and debris on the mount under the glaze.
DOVER - A set of four William Heath aquatints published by Thomas Rigden of Dover, depicting white cliffs and coastal scenes, including South Foreland, and other scenes near Dover, 20 x 30.5cm plate, framed 37 x 47cm; together with Niels M Lund (1863-1916) Killin, Perthshire, etching, 25.5 x 36cm (5)
Hubert von Herkomer - Portrait of a Gentleman, etching on laid paper, circa 1891, signed in pencil, sheet size 34cm x 21cm, together with a pencil signed engraving by John Everett Millais, and a small quantity of other etchings.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Anne Wienholt - 'Crucifixion', 20th century etching with hand-colouring, signed, titled and dated '48, 12.5cm x 13.5cm, within a stained wood frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Salvador Dali - Don Quixote, etching on wove paper, label verso, published by the Collectors Guild circa 1966, 25cm x 20cm, within an oak frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Geoffrey Sparrow - 'Crawley & Horsham Foot Followers' (Fox Hunting Scene), 20th century etching, signed, inscribed and dated '55, 20cm x 21cm, within a stained wood frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Noel Spencer - 'Bankside', 20th century etching, signed, titled and dated '26 in pencil, 30cm x 22cm, within an ebonized frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
After John Emms - Hours of Idleness (Foxhounds and Terrier in a Stable), 20th century etching with later hand-colouring, 43.5cm x 55cm, within a gilt frame, together with a hand-coloured engraving after Henry Alken, 'An Awkward Corner'.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Louis Icart - Pink Slip/L'Essayage, colour etching with aquatint circa 1939, signed in pencil and with publisher's blindstamp, 50cm x 30cm, within a gilt frame. Reference: Holland, Catonia & Isen, Fig. 479.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Louis Icart - Snow, oval colour etching published by L'Estampe Moderne circa 1922, signed in pencil, 50.5cm x 37.5cm, within a gilt frame. Reference: Holland, Catonia & Isen, Fig. 160.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Henry Wilkinson - Two Lapwings in a Marshland Landscape, 20th century etching with hand-colouring, signed and editioned 29/150 in pencil, 27cm x 36cm, together with two further signed etchings by the same hand, Pheasants in a Landscape, and Mallard Ducks, all within gilt frames.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Pierre Mariette, after Stefano Della Bella - The Infant St John the Baptist, 17th century etching with engraving on laid paper, sheet size 15.5cm x 13cm, together with a large quantity of portrait and topographical engravings, including a small collection of maps.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
James Gillray - 'Paddy on Horseback', etching with later hand-colouring, originally published by W. Humphrey circa 1770 but from the later reprinted edition by Thomas M'Lean circa 1830, 25cm x 34cm, together with another etching by the same hand, 'The Sound of the Horn! Or the Danger of Riding an Old Hunter'.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
James Alphege Brewer - Interior of St. Mark's Basilica, Venice, early 20th century watercolour, signed, 59cm x 40.5cm, within a gilt frame, together with a colour etching by the same hand, York Minster.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Jean Renard - Study of a Gordon Setter and an English Setter, early 20th century colour etching, signed in pencil, published by the Paris Etching Society, New York, 19cm x 23.5cm, within a gilt frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
William Lionel Wyllie - H.M.S. Victory, a pair of early 20th century etchings, both signed in pencil, each 26cm x 38.5cm, together with another maritime etching by R.F. King, 'Brixham Trawlers', all within ebonized frames.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Jean Herblet - Head Studies of Setters, 20th century etching with stipple and hand-colouring, signed in pencil, 38cm x 48cm, within a gilt frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Richard Earlom, after Claude Lorrain - Arcadian Scene with a Shepherd and Livestock in a Landscape, etching with mezzotint, published by John Boydell circa 1775, sheet size 30cm x 44cm, together with two other etchings by the same hand and a quantity of other engravings, lithographs and watercolours by different hands.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
William Lionel Wyllie - Vessels in a Harbour with Figures on a Quayside, early 20th century etching with drypoint, signed in pencil, 19cm x 24cm, within a Hogarth style frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Jacqueline Morreau - 'Eros I' (Study of a Reclining Male Nude), 20th century charcoal, signed, sheet size 82cm x 57cm, together with a signed colour etching by the same hand and a related book.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Meta Plückebaum - 'Fifi' (Study of a Kitten), early 20th century etching, signed and titled in pencil, 12.5cm x 10cm, within a gilt frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Charles Williams - 'A Sketch at Brighton taken to Lee-ward', etching with later hand-colouring, published by Samuel William Fores circa 1804, 23cm x 19cm, within a Hogarth style frame, together with two portrait engravings, both within frames.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Joseph Contantine Stadler, after Thomas Daniell - 'Dalmour on the Ganges', etching with aquatint, published 1804, 35cm x 47cm, within a gilt frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Robert Laurie & James Whittle (publishers) - 'Ever Memorable Battle off Cape Trafalgar: 21 October 1805', etching with aquatint and hand-colouring, published by Laurie & Whittle circa 1805, 29cm x 43cm, within a Hogarth style frame, together with a 19th century portrait mezzotint after Thomas Lawrence of Richard Wellesley, 1st Marquess Wellesley.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Joseph Constantine Stadler, after Peter Charles Henderson - 'The Maggot-bearing Stapelia' (Plate from Dr. Thornton's 'Temple of Flora'), etching with aquatint and hand-colouring, published by Dr. Thornton circa 1801, 50.5cm x 36.5cm, within a Hogarth style frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Charles George Lewis, after Thomas Slingsby - The York and Ainsty Hunt, engraving with etching and stipple, signed and inscribed 'artist's proof' in pencil by the engraver, with an additional inscription in ink by Mrs Slingsby, 59cm x 82cm, within a stained wood frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
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