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78472 Los(e)/Seite
JOHN EMANUEL. 'Marathon Man'. Etching. Initialled, titled & No. 2/10. 14.5 x 12.5cm. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
NORMAN WILKINSON & JAMES GRANT. Two etchings: 'The London Pilot' by Norman Wilkinson. Signed & titled. 17 x 24cm. Also, 'London' (Big Ben), an etching by James WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
CLAUDE ROWBOTHAM. 'Sunrise on the Fishing Grounds, Carbis Bay'. Etching aquatint, signed & titled. 10 x 25cm. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
FRANCES ST. CLAIR MILLER. 'Piazza Cavour I'. Etching. A signed & titled Artist's proof. 32 x 65cm. WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
Frank Brangwyn [1867-1956]-Pont Neuf,:- etching, signed in pencil in the margin, image size 56 x 34cm, together with two other Brangwny etchings, Wooden Bridge at Ghent & Church of St Nicholas, Dixmench, a Robert Borlase Smart [1881-1947] etching and Job Nixon [1891-1938] etching. [5]*Notes There are additional images of this lot at www.bhandl.co.uk
Edwin Edwards (1823-1879) A 19th century etching / engraving of the Llandoger Trow / Tavern on King Street, Bristol by Edwin Edwards. The engraving shows ships to the background with the cobbled street to the foreground and the Public House and adjacent buildings to the right. Together with a print by Jean Francois Millet. Measures 50 cm x 45 cm.
Rowland Langmaid (British, 1897-1956), Ryde; Britannia, White Heather and Shamrock, signed and inscribed in pencil 'Rowland Langmaid, Ryde' (in lower margin), and bears The Rembrandt Gallery label, and a further label with title and artist's name (verso), etching, 9 x 33cm. May be subject to ARR.
(See English version below)Kopf einer Liegenden / Profil einer Frau nach links. 2 Blatt: Jeweils Radierung und Vernis mou auf Bütten. 9,6 × 12,4 cm (18,6 × 21 cm) bzw. 14,8 × 20,7 cm (21,4 × 27,5 cm) ( 3 ¾ × 4 ⅞ in. (7 ⅜ × 8 ¼ in.) bzw. 5 ⅞ × 8 ⅛ in. (8 ⅜ × 10 ⅞ in.)). Jeweils signiert.Jeweils einer von 20 nummerierten Abzügen. [3127]Zustandsbericht: Jeweils Ex. 18/20. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Jeweils im Passepartoutausschnitt leicht gebräunt und mit Lichtrand. Die Blätter wurden gereinigt. Unter UV-Licht sind stellenweise Stockflecken erkennbar. In den oberen Ecken mit weißen Papierstreifen auf das Unterpapier montiert. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Head of a lying woman / Profile of a woman to the left. 2 sheets: each etching and soft ground etching on laid paper. 9,6 × 12,4 cm (18,6 × 21 cm) and 14,8 × 20,7 cm (21,4 × 27,5 cm) ( 3 ¾ × 4 ⅞ in. (7 ⅜ × 8 ¼ in.) and 5 ⅞ × 8 ⅛ in. (8 ⅜ × 10 ⅞ in.)). Each signed.Each one of 20 numbered prints. [3127]Condition report: Each No. 18/20. In good condition. The sheet edges without tears or losses. Each show minor time staining from exposure to light, within the passepartout cut-out. The sheets were cleaned. Ultraviolet light reveals in places foxing marks. In the upper corners mounted using white strips of paper on the underpaper. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
(See English version below)„Mein Landhaus in Wannsee“. 1922Radierung auf Velin. 5,5 × 8,2 cm (24,5 × 33,2 cm) ( 2 ⅛ × 3 ¼ in. (9 ⅝ × 13 ⅛ in.)). Signiert.Schiefler 364.–Berlin, Verlag Bruno Cassirer, 1922. [3210]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Im breiten Rand leicht stockfleckig. Rückseitig in den Ecken fest auf den Unterlagekarton montiertWir berechnen auf den Hammerpreis 30% Aufgeld.”Mein Landhaus in Wannsee”. 1922Etching on wove paper. 5,5 × 8,2 cm (24,5 × 33,2 cm) ( 2 ⅛ × 3 ¼ in. (9 ⅝ × 13 ⅛ in.)). Signed.Schiefler 364.–Berlin, Verlag Bruno Cassirer, 1922. [3210]Condition report: Fine harmonious overall appearance. The sheet edges without tears or losses. In the wide margin slight foxing marks. On the reverse at corners firmly mounted on cardboardWe charge 30% premium on the hammerprice.
(See English version below)Ohne Titel. 20076 Blatt: 5 Radierungen und eine Farbradierung, jeweils auf Velin. Bis zu 49,7 × 39,8 cm (jeweils 75,9 × 56,8 cm) ( 19 ⅝ × 15 ⅝ in. (jeweils 29 ⅞ × 22 ⅜ in.)). Jeweils signiert. Egging R 5-10.-Hamburg, Griffelkunst, 2007. [3079]Zustandsbericht: In gutem Zustand. Die Blattkanten jeweils ohne Einrisse oder Fehlstellen. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Untitled. 20076 sheets: 5 etchings and a colour etching, each on wove paper. Up to 49,7 × 39,8 cm (each 75,9 × 56,8 cm) ( 19 ⅝ × 15 ⅝ in. (each 29 ⅞ × 22 ⅜ in.)). Each signed. Egging R 5-10.-Hamburg, Griffelkunst, 2007. [3079]Condition report: In good condition. The sheet edges each without tears or losses. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
(See English version below)„Aparicions 8“. 1982Farbradierung und Prägedruck auf Velin. 21 × 26,4 cm (50 × 52,3 cm) ( 8 ¼ × 10 ⅜ in. (19 ⅝ × 20 ⅝ in.)). Signiert.Galfetti 894.–Einer von 99 nummerierten Abzügen. Blatt 8 (von 9) der Folge. Barcelona, Edicions Polígrafa SA, 1982. [3059]Zustandsbericht: Ex. 89/99. Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Das Papier an den Blattkanten minimal gebräunt. Unterhalb des Motivs zwei schwache Dellen, nur im Streiflicht erkennbar. Mit kleinen hellbraunen Fleckchen. Rückseitig in den Ecken mit Papierklebestreifen auf den Unterlagekarton montiertWir berechnen auf den Hammerpreis 30% Aufgeld.”Aparicions 8”. 1982Colour etching and embossing on wove paper. 21 × 26,4 cm (50 × 52,3 cm) ( 8 ¼ × 10 ⅜ in. (19 ⅝ × 20 ⅝ in.)). Signed.Galfetti 894.–One of 99 numbered prints. Sheet 8 (of 9) from the set. Barcelona, Edicions Polígrafa SA, 1982. [3059]Condition report: No. 89/99. Fine harmonious overall appearance. The sheet edges without tears or losses. The paper along the sheet's edges minimally time stained. Below the Motives two faint dents, only in raking light visible. With small light brown stains. On the reverse at corners mounted using paper tape on cardboardWe charge 30% premium on the hammerprice.

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78472 Los(e)/Seite