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Los 520

Charles Potter (British, 1904-2002), Study of a Gargoyle, signed lower right with initials "CP", etching, 12 x 8cm (4.68 x 3.12in)

Los 392

Henry Wilkinson (b1921). Coloured etching. Lapwings in a meadow. 105/150. Signed in pencil. 27 x 36cm.

Los 386

A late 19th Century etching, figures outside cottage, indistinctly signed, in oak frame

Los 405

Etching, `The Break of Day`, signed in pencil Rowbotham.

Los 363

Etching by Paul Morgan Clark `Still life on a shelf`. Sepia ink by Gary Sergeant `Tree study`. Acrylic by James Williamson Bell `Eider duck`. , Silk screen print by James Williamson Bell `Pumpkins`.

Los 781

Coloured etching, Wedgwood miniature vase, silver napkin ring and doll.

Los 255

AFTER SAMUEL HOWITT `A Pig and Poultry` and `Pig in Sty`, etching, each with Folio Fine Art labels verso, together with six further similar engravings to include studies of dogs, goats and horses (8)

Los 256

AFTER DANTE GABRIEL ROSSETTI `A Christmas Carol`, published by Robert Dunthorne, October 1, 1891, sepia etching, 11 3/4" x 9 3/4" (see illustration)

Los 257

AFTER JEAN ETIENNE LIOTARD La Chocolatier, coloured lithograph, published by Zolmmer of Dresden, 16" x 10 3/4"; after Paul Gavarni, `Petite Servante` from the Physionomies Parisiennes, published by Le Mercier of Paris, 11 1/4" x 7 1/2", another Gavarni lithograph, `Therese`, from Etudes d`Enfant, 8 x 6 1/4"; after Felicine Rops, `Beurre d`Isiguy aux Halles`, signed in the margin and dated November `75, etching, 6 3/4" x 5"; and nine further prints (13)

Los 260

AFTER L F PENET `Young Maiden and a Cherub`, engraving, 4 1/4 x 2 1/4", Folio Society label verso; after Claude Gillot, `Bacchus`, etching, 11" x 6 3/4", two etchings after Maxime Lalanne, one of Paris the other Bordeaux, together with further prints and seven Chinese watercolours, all unframed

Los 274

FRANK GREENWOOD (British, 20th Century) Market Place, Manchester, first stage etching with blank spaces left for re-etching marked with an X, 15 3/4" x 11 1/2", `Gossips`, signed in pencil in margin, 5" x 6 1/2"; another trial proof of a young child and a dog outside a grand stone building; `Whalley Abbey`, etching, 11 1/4" x 8" and `Russell School`, 13 1/2" x 13 1/4", and five further etchings including views of Whalley Abbey and Chateau Gaillard, all unframed (10)

Los 207

HOWARD HODGKIN (Born 1932) Original end paper etching with hand colouring, No. 14/200, together with signed justification page, 11" x 16.5", framed.

Los 213

MARCEL JEAN (1900-1994) A proof soft ground etching, Surrealist cockerel design, signed in pencil Circa. 1960, 15" x 12", framed.

Los 265

JONKIND Etching, Rotterdam Canal scene, signed in the plate, 5.25" x 7.5", framed.

Los 285

SIR HENRY GEORGE RUSHBURY (1889-1968) Etching, London Bridge, signed in pencil, 8.5" x 11", framed.

Los 397

CHRISTOPHER HUGHES Etching, High Street Marlborough, signed in pencil, 7" x 10", framed.

Los 119

SIDNEY TUSHINGHAM (1884-1968) Etching, "The Sandpit", signed in pencil, 10.5" x 8", framed.

Los 131

HENRY WILKINSON Coloured etching, Gun dog flushing out a mallard in the reeds, signed in pencil, No. 29/75, 10.5" x 14.5", mounted.

Los 133

ROBERT R GREENHALF RBA Coloured etching, "The black Cockerel," signed and titled in pencil, No. 31/40, 7" x 6.5", framed.

Los 182

JULIAN TREVELYAN (1910-1988) - `Camels`, etching with aquatint, pencil signed in the margin and numbered 6/65, 13 1/2" x 18 1/2" (see illustration).

Los 184

HEATHER CRAGG (1953-1980) - Interior with monk and various objects, etching, signed in the plate and dated 2nd May 1976, 10 1/2" x 12 1/4"; and FRANCIA TURNER (fl. 1970s), Mountain landscape, signed charcoals, 12 1/4" x 16" (2).

Los 185

WALTER SICKERT (1860-1942) `Red Cross`, etching, inscribed to label verso, `Third State, Before Letters`, 10 3/4" x 14 1/2", Thomas Agnew & Sons Ltd., label verso, number 22746 (see illustration).

Los 186

WALTER SICKERT (1860-1942) `A Weak Defence`, etching, 5 3/4" x 3 1/4", Thomas Agnew & Sons label verso, number 22707.

Los 191

JULIAN TREVELYAN (20TH CENTURY) `Activated Sludge`, etching with aquatint, pencil signed, titled and numbered 63/75 in the margin, 13 1/2" x 18 3/4".

Los 220

GRAHAM CLARKE (b. 1941) - `Garlez Arkham` (exhibition proof), etching in colours, pencil, signed, titled and numbered 13/50, 21" x 27" and one further `Notte todaye` numbered 224/400, similarly mounted and framed, 21" x 27" (2) (see illustration).

Los 221

GRAHAM CLARKE (b. 1941) - `Piece de resistance`, etching in colours, pencil signed, titled and numbered 245/400, 21" x 27"; and one further similar `Rue de Wakening`, pencil signed, titled and numbered 31/400, 21" x 27" (2) (see illustration).

Los 817

A PABLO PICASSO "Goldfinch" etching & aquatint-for Buffon`s Histoire Naturelle 1942

Los 487

AN ED BURROW ETCHING, The Old Archway Repton, and other pictures and prints (box)

Los 90

A COLOURED ETCHING " PIGTAILS AND POWDER " BY FRANK DODD EXHIBITED AT THE ROYAL INSTITUTE OF PAINTERS

Los 91

A COLOURED ETCHING BEHIND GLASS PUBLISHED 1804 BY JOHN P. THOMPSON, NEWPORT STREET

Los 94

A FRAMED COLOURED ETCHING ENTITLED " THE LAST DITCH - DIFFICULTY, DANGER AND DOUBT " McQUEENS STEEPLE CHASINGS ENGRAVED BY W SUMMERS, PAINTED BY A W NEVITTE

Los 118

A FRAMED COLOURED ETCHING ENTITLED " THE HEYTHROP HUNT" ENGRAVED BY JAMES SCOTT, PAINTED BY STEPHEN PEARCE

Los 119

A FRAMED COLOURED ETCHING ENTITLED " OUR LEADING JOCKEYS OF THE DAY " - McQUEENS RACINGS - SIGNED BY THE JOCKEYS - ENGRAVED BY E G HESTER - PUBLISHED MAY 1st 1885 - 181 TOTTENHAM COURT ROAD

Los 494

MARIUS BAUER Amiens Cathedral Etching, pencil, signed with initial

Los 375

Hideo Furuta; Collection of 12 etchings including:- Christmas Pudding, Etching Cone, and Wing and Triangle

Los 412

Hideo Furuta; East to West, Lithography (four copies) and Hideo Furuta; Pulling, Etching (16 copies)

Los 413

Hideo Furuta; East to West, Lithography (four copies) and Hideo Furuta; Pulling, Etching (16 copies)

Los 50

E.A. ABBEY, An Afternoon Bout At Tennis, hand-coloured etching, central crease mark, 19 x 24in. (48.2 x 62.2cm) overall, framed and glazed, FRENCH SCHOOL, Figure study of a tennis player, signed lower right, watercolour, 25 x 6.1/2in. (63.5 x 16.5cm); and thirteen modern tennis related prints, 37 x 22in. (94 x 55.8cm) overall and smaller, all framed and glazed (15)

Los 1832

A group of assorted 20th century pictures and prints, including an ink nude study signed O.Beguel `64, a small etching of an embracing couple, a grey collage landscape, a composition signed V.Guiro, an aquatint of a still life with coffee pot indistinctly signed, and a head study of a girl. (5)

Los 1839

Julian Crater (b.1959), Study I for Self Image II, etching with aquatint, signed, inscribed and numbered 8/20; together with `I will Rise II`, signed artists proof, mixed media print, and another work attributed to the same hand, various sizes. (3)

Los 1850

Geoffrey Sparrow (early 20th century), `To the Crawley and Horsham Foot Followers`, etching with hand colouring, signed and extensively inscribed, together with another: `Conversation Piece - Tommy Grantham`s Stables, W.Grinstead`, by the same hand. (2)

Los 1885

A group of four, including a watercolour lake scene signed Stedman, an unframed etching of Limehouse by W. Cooper, a watercolour garden scene, and a tinted print of a lake scene. (4)

Los 1909

Raoul Dufy (1877-1953), Baigneuse au bord de la mer, etching with aquatint, numbered in pencil, 35cm x 52cm.

Los 21

D. Smart - River View, possibly the Medway, with Trawlers and Sailing Craft, a Town and Industrial Buildings beyond, early 20th Century monochrome etching, signed.

Los 25

After Frank Greenwood - 'Old Manchester Grammar School, Long Millgate', early 20th Century monochrome etching, inscribed and titled verso.

Los 81

Michael Cummings - 'Red Sea and Gulf of Aqaba', mid-20th Century political cartoon referencing President Nasser and tensions in the Gulf of Aqaba, pen and ink with wash, signed and inscribed, together with three other cartoons and an etching.

Los 106

After James McNeill Whistler - 'The Menpes Children', monochrome etching, circa 1904, approx 7.5cm x 11cm, within a gilt frame.

Los 190

Joseph F. Perrin - 'The Old Market Hall Bull Ring' (View of the Market Place, Birmingham, with Figures shopping at various Food Stalls), early/mid-20th Century monochrome etching, signed, titled and editioned, together with a group of decorative pictures.

Los 215

After O'Klein - 'Private Bar' (Humorous Study of Dogs seated at a Bar), mid-20th Century etching with aquatint, signed and titled recto, together with two other framed prints after the same hand.

Los 216

After Otto Klein - 'Comme Nos Maitres' (Humorous Study of Dogs relieving themselves against a Wall), mid-20th Century etching with aquatint, signed and titled recto, together with two other framed works by the same hand.

Los 177

P. J. Barker, 20th Century, San Gimignano, watercolour, signed, together with an etching and a signed watercolour of a South African landscape by other hands (3)

Los 739

FREDERICK ARTHUR FARRELL (1882 - 1935) Scotland. Etching "Westminster", signed in pencil, 41.5cm x 17.5cm, framed; ANDREW AFFLECK. Etching, "Notre Dame from Place Maubet", signed in pencil, 39cm x 19cm. (2)

Los 755

FRANK MARTIN (1921-2005). Coloured etching "Jean Harlow", titled, signed and dedicated artists proof in pencil "To John Kobal, affectionately March 1978", plate 40cm x 53cm, framed. ILLUSTRATED. John Kobal (1940- 1991), film historian and collector of Hollywood film photography. See Frank Martin "Hollywood-Continental" St Martins Press, 1988, illustrating the artist's works with articles by Victor Arwas and John Kobal.

Los 756

FRANK MARTIN (1921-2005). Colour etching "Adriana", titled, signed and numbered 39/50 in pencil, plate 49cm x 33cm, framed.

Los 757

FRANK MARTIN (1921-2005). Colour etching "Bacarolle", titled, signed and annotated "colour proof 3" in pencil, plate 30cm x 45cm, framed.

Los 758

FRANK MARTIN (1921-2005). Colour etching "Eden Roc", titled, signed and numbered 19/50 in pencil, plate 30cm x 24cm, framed.

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