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78475 Los(e)/Seite
Los 54
Rowland Langmaid – Tower of London with Thames shipping, early 20th century etching, signed in pencil, within an ebonized frame, together with seven other etchings including examples by Harold Thornton, Louis Whirter, Marie Adler, Alex H. Kirk, Hanslip Fletcher, Bruce Irving and Henry Walker.
Los 563
Deirdre Borlase (1925 - 2018) Collection of etchings Etching on paper Borlase studied at the Bromley School of Art between 1940-1944 followed by two years at the Royal College of Art London and then at Kingston School of Art until 1950. As well as painting, she also had an interest in printmaking, and was a regular exhibitor at the Royal Academy. This collection includes framed and glazed artworks titled 'Night', 'Yordale' and 'Chapel le Dale'. Largest measuring approximately 37cm x 56.5cm.
Los 567
Mary Fox (1922-2005) Iken Suffolk Etching - Artist proof Framed and glazed Measuring approximately 36cm x 52.5cm Fox studied at the Leicester School of Art in 1939 followed by the Central School of Arts and Crafts in London. She was a regular exhibitor at the Royal Academy and the Women's International Art Club. Examples of her work are held by The Victoria and Albert, Portsmouth City Museum and in the Arts Council England collection.
Los 192
A 19th century 1827 pattern rifle regiment officer’s sword, to the Manchester Volunteer Rifles. Of standard pattern, with Gothic style guard, incorporating the Queen’s crown and strung bugle motif. Fish skin grip with wire binding, with the binding having been painted red for unknown reasons. Single edged blade with fuller smith flat spine, etching to both sides of the blade and inset brass proof mark at the ricasso (which reads as ‘Proved P). The ricasso also has very faint makers details, which would appear to be J & W Wood of Manchester. The blade is etched with the usual crossed flags, Queens crown, scrolls, foliage details, strung bugle, and a cartouche reading ‘Manchester Volunteer Rifles’. The sword is complete with its leather covered field scabbard. Overall length in scabbard approximately 98cm, blade length 81.5cm. Condtion: overall solid condition, with age and service related wear. Darkened patina to most of the steel parts, with mottling to the blade, and some pitting to the guard. The etching to the blade is worn, with the area showing the makers details almost obliterated. The fish skin grip is mostly complete, with just some small areas having lifted and flaked away. Ad mentioned in the description, the twisted wire binding has inexplicably been painted red at some time in the past. The grip ferrule also seems to have been embellished with some gilt paint at some point in the past. The leather covered scabbard is intact, but there is some wear to the surface, and a cut mark to the leather on one side.
Los 712
A mid 18th century portrait of Murderess Miss (Mary) Molly Blandywho with her own and her sweethearts Contrivance did Barbarously and Inhumanly Poison her own Father for his Estate etching laid down on card, printed for B Dickenson, London, c.1752overall 33.9 x 22cm.Condition: Toning and browning. repaired tear running from top edge through head to chest
Los 49
Salvador Dalí (1904-1989) Le Camp du Roi Marc, from Tristan et Iseult (Field 70-10L; M&L 417) Etching with drypoint printed in colours, 1970, signed in pencil, numbered in roman numerals from the edition of 75, printed by Atelier Rigal, published by Pamela Verlag, Paris, on Japon nacré paper, with full margins, sheet 670 x 508mm (26 3/8 x 20in)With the Dali Trade authentication inscription and signature in pencil verso (05/14/2022).
Los 54
Salvador Dalí (1904-1989)Espeluznante columna concreta, from Les Caprices de Goya de Dalí (Field 77-3; M&L 864a)Etching with drypoint and pochoir printed in colours, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 1/2 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 3/19/22)
Los 34
Salvador Dalí (1904-1989) Un entré francassant aux USA, from After 50 years of surrealism (Field 74-8H; M&L 673) Etching with pochoir in colours, 1974, signed in pencil, numbered from edition F of 195, printed by Ateliers Rigal, Paris, published by Transworld Art, New York, with their blindstamp, on BFK Rives paper, with full margins, sheet 654 x 500mm (25 3/4 x 19 5/8in) With the Dali Trade authentication inscription and signature in pencil verso (dated 9/24/21)
Los 15
Salvador Dalí (1904-1989)Visage Surréaliste, from Aurélia (Field 72-5A; M&L 562b)Drypoint etching printed in colours, 1972, signed in pencil, numbered from the edition of 100, printed by Ateliers Rigal, Editions d'Art de Francony, Paris, on Auvergne paper, with full margins, sheet 798 x 585mm (31 1/4 x 23in)
Los 39
Salvador Dalí (1904-1989) L'Immortalité de l'impérialisme génétique, from Dix recettes d'immortalité (Field 73-20C; M&L 570a)Drypoint with etching and heliogravure, 1973, signed in pencil, numbered from the edition of 10, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, with full margins, sheet 388 x 563mm (15 1/4 x 22 1/8in)
Los 25
Salvador Dalí (1904-1989)Reflection, from The Cycles of Life (Field 79-1C; M&L 931c)Photolithograph and etching printed in colours, 1977-1979, signed in pencil, numbered in roman numerals from the edition of 300, printed by Torrents, published by Duall Graphics for DALART, New York, with the DALART blindstamp, on Arches paper, with full margins, sheet 375 x 555mm (14 3/4 x 21 7/8in) With the Dali Trade authentication inscription and signature in pencil verso (dated 5/19/22).
Los 21
Salvador Dalí (1904-1989)St Georges et le Dragon (M&L 733b)Drypoint with etching and pochoir printed in colours, 1974, signed in pencil, numbered from the edition of 150 in roman numerals, published by Ateliers Rigal, Paris, on Arches paper, with full margins, sheet 755 x 562mm (29 3/4 x 22 1/8in)
Los 40
Salvador Dalí (1904-1989) Anamorphose des anamorphoses et tout est hologrammophose, from Dix recettes d'immortalité (Field 73-20D; M&L 575a)Drypoint with etching and heliogravure, 1973, numbered from the edition of 10 in pencil, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, with wide margins, sheet 560 x 382mm (22 x 15in)
Los 20
Salvador Dalí (1904-1989)Tarántula de poca monta, from Les Caprices de Goya de Dalí (Field 77-3; M&L 901a)Etching with drypoint and pochoir printed in colours, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 442 x 310mm (17 3/8 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 5/19/22)
Los 11
Salvador Dalí (1904-1989)Cyclopean Make-Up, from Imaginations and Objects of the Future (Field 75-11F; M&L 827d)Etching with lithography, screenprinting and collage, 1975/6, signed in pencil, numbered from the edition of 75 in roman numerals, printed by Ateliers Rigal, Paris, published by Merrill Chase, Chicago, on Arches paper, with margins, sheet 770 x 559mm (30 1/4 x 22in) With the Dali Trade authentication and signature in pencil verso (dated 8/14/23)
Los 19
Salvador Dalí (1904-1989)El sueño de la razón produce monstruos, from Les Caprices de Goya de Dalí (Field 77-3; M&L 890a)Etching with drypoint and pochoir printed in colours, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 1/2 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 5/19/22)
Los 42
Salvador Dalí (1904-1989) Le Système caja y menta, from Dix recettes d'immortalité (Field 73-20I; M&L 571a)Drypoint with etching and heliogravure printed in colours, 1973, signed in pencil, numbered from the edition of 10, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, the full sheet printed to the edges, sheet 382 x 561mm (15 x 22 1/8in)
Los 37
Salvador Dalí (1904-1989) Epitaphe de l'immortalité, from Dix recettes d'immortalité (Field 73-20B; M&L 569a)Drypoint with etching and heliogravure with gold embellishments, 1973, numbered from the edition of 10 in pencil, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, the full sheet printed to the edges, sheet 383 x 564mm (15 1/8 x 22 1/4in)
Los 46
Salvador Dalí (1904-1989) Immortalité stéréoscopique et stéréochimique de la monarchie, from Dix recettes d'immortalité (Field 73-20M; M&L 577a)Drypoint with etching and heliogravure printed in black and gold, 1973, signed in pencil, numbered from the edition of 10, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, with wide margins, sheet 566 x 386mm (22 1/4 x 15 1/8in)
Los 55
Salvador Dalí (1904-1989)Cinco o seis por lo menos, from Les Caprices de Goya de Dalí (Field 77-3; M&L 906a)Etching with drypoint and pochoir printed in colours, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 1/2 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 5/19/22)
Los 50
Salvador Dalí (1904-1989) Iseult aux Blanches Mains, from Tristan et Iseult (Field 70-10Q; M&L 422) Etching with drypoint printed in colours, 1970, signed in pencil, numbered in roman numerals from the edition of 75, printed by Atelier Rigal, published by Pamela Verlag, Paris, on Japon nacré paper, with full margins, sheet 648 x 500mm (25 1/2 x 19 5/8in)With the Dali Trade authentication inscription and signature in pencil verso (05/19/2022).
Los 48
Salvador Dalí (1904-1989) Tristan et Le Dragon, from Tristan et Iseult (Field 70-10E; M&L 410) Etching with drypoint printed in colours, 1970, signed in pencil, numbered in roman numerals from the edition of 75, printed by Atelier Rigal, published by Pamela Verlag, Paris, on Japon nacré paper, with full margins, sheet 648 x 500mm (25 1/2 x 19 5/8in) With the Dali Trade authentication inscription and signature in pencil verso (dated 05/19/2022).
Los 51
Salvador Dalí (1904-1989) Iseult et Branguine, from Tristan et Iseult (Field 70-10R; M&L 423) Etching with drypoint printed in colours, 1970, signed in pencil, numbered in roman numerals from the edition of 75, printed by Atelier Rigal, published by Pamela Verlag, Paris, on Japon nacré paper, with full margins, sheet 665 x 507mm (26 1/8 x 20in)With the Dali Trade authentication inscription and signature in pencil verso (dated 05/19/22).
Los 36
Salvador Dalí (1904-1989) L'Homme ressuscité par l'holographie de l'écureuil, from Dix recettes d'immortalité (Field 73-20A; M&L 567a)Drypoint with etching and heliogravure, 1973, signed in pencil, numbered from the edition of 10, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, the full sheet printed to the edges, sheet 384 x 556mm (15 1/8 x 21 7/8in)
Los 53
Salvador Dalí (1904-1989)El horizonte, from Les Caprices de Goya de Dalí (Field 77-3; M&L 900a)Etching with drypoint and pochoir printed in colours, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 1/2 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 5/17/22)
Los 44
Salvador Dalí (1904-1989) L'Immortalité de Castor et Pollux, from Dix recettes d'immortalité (Field 73-20K; M&L 572a)Drypoint with etching and molded paper additions, 1973, signed in pencil, numbered from the edition of 10, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, with full margins, sheet 568 x 385mm (22 5/8 x 15 1/8in)
Los 59
Salvador Dalí (1904-1989)Petits Nus d 'Apollinaire (Field 72-4D; M&L 205)Etching with drypoint hand-finished with watercolour and gold, 1972, signed in pencil, numbered from the edition of 95, printed by Robbe, published by Editions Argillet, Paris, on Japan paper, with full margins, sheet 380 x 290mm (15 x 11 3/8in)With the Dali Trade authentication inscription and signature in pencil verso (dated 10/13/2022)
Los 35
Salvador Dalí (1904-1989) The Museum of Genius and Fancy, from After 50 Years of Surrealism (Field 74-L; M&L 676) Etching with drypoint and pochoir printed in colours, 1974, signed in pencil, numbered in Roman numerals from the edition of 35, printed by Atelier Rigal, Paris, published by Transworld Art, New York, with their blindstamp, on Arches paper, with full margins, sheet 658 x 498mm (25 7/8 x 19 5/8in)With the Dali Trade authentication inscription and signature in pencil verso (02/05/2024).
Los 41
Salvador Dalí (1904-1989) Immortalité du Dalianus Galae, from Dix recettes d'immortalité (Field 73-20F; M&L 568a)Drypoint with etching and heliogravure, 1973, signed in pencil, numbered from the edition of 10, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, with wide margins, sheet 568 x 382mm (22 3/8 x 15in)
Los 835
FRANCISCO GOYA Y LUCIENTES etching llna Reina del circo published by LIENARD, PARIS 245x350mm (some conditions not effecting the images with some browning overall. It came from a deceased collector, with the previous series of 20/30 lots. no Frame. WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to tIt came from a deceased collector, with the previous series of 20/30 lot. No frame.he buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE BEFORE THE AUCTION.INTERESTED IN
Los 63
AN INLAID AND ACID ETCHED BRASS SIDE CABINET DESIGNED BY BERNHARD ROHNE FOR MASTERCRAFT, CIRCA 1970 The front with three pairs of doors 75.5cm high, 198cm wide, 53cm deep Mastercraft is synonymous with high style and high society living from mid to late 20th century. The American based company created furniture of all categories with a signature standard of quality in exceptional bronzes, exotic woods and veneers. They took inspiration from European Classical styles, Asian Modern interpretations and combined these pieces with chic modern American glamour and elegance.The attention to detail on each design is exceptional. As the pieces age, the metalwork patinas become further enhanced, continually improving the finish and appearance. In addition to their solid metalwork, they crafted pieces with expert acid etching and oxidised metalwork with German born craftsman Bernhard Rohne throughout the 1970s.
Los 123
AN INLAID AND ACID ETCHED BRASS SIDE CABINET DESIGNED BY BERNHARD ROHNE FOR MASTERCRAFT, CIRCA 1970 The front with three pairs of doors 76cm high, 198cm wide, 53.5cm deep Mastercraft is synonymous with high style and high society living from mid to late 20th century. The American based company created furniture of all categories with a signature standard of quality in exceptional bronzes, exotic woods and veneers. They took inspiration from European Classical styles, Asian Modern interpretations and combined these pieces with chic modern American glamour and elegance. The attention to detail on each design is exceptional. As the pieces age, the metalwork patinas become further enhanced, continually improving the finish and appearance. In addition to their solid metalwork, they crafted beautiful pieces with expert acid etching and oxidised metalwork with German born craftsman Bernhard Rohne throughout the 1970s.
Los 1000
A French 1866 Chassepot Bayonet, having serial V28862, with number 5030 to the pommel, the etching on the spine of the blade has worn off, complete with scabbard, with serial X38239, no postage for this lot, we can supply pack only at a cost, the buyer to organise own collection as soon after the sale as possible
Los 181
METAL - LP PACK (MODERN/ REISSUE PRESSINGS). A fine selection of 10 metal LPs. Artists/ titles include Omnia Opera - Nothing Is Ordinary (SER 054, Limited Orange vinyl), Rammstein - Mutter (private release), Black Rainbows - Twilight In The Desert (HPS 006), Airbourne inc Black Dog Barking, No Guts Not Glory, Runnin' Wild. Disturbed inc Asylum (9362-49664-6, Special motted clear-black vinyl), Indestructible (Limited Edition with etching on side 4), The Sickness (522888-1, 10th Anniversary Edition) and Land Of Confusion (picture disc). Condition is generally Ex to Ex+.
Los 187
AND YOU WILL KNOW US BY THE TRAIL OF DEAD - LP PACK. A super pack of 5 LPs by Texas band And You Will Know Us By The Trail Of Dead. Titles include S/T (TR66), Madonna (MRG 171), Tao Of The Dead (0504551, Limited Edition 2 LP with etching), IX (0506911) and 0506011, Limited Edition 2 LP). Condition is generally Ex to Ex+.
Los 1706
A group of seven etchings and prints to include: A. Gaimes - monochrome print of two workers in the field, signed in pencil below, 32 x 26 cm; J.W. Bramham - 'A Quiet Nottinghamshire Village', etching, signed and titled in pencil below; Christopher Mitchell Shiner (1857-1944) - Two etchings titled 'Palace de Coute, Villeneuve les Avignon' and 'Pont d'Avignon'; with three other early 20th century etchings, one titled 'The Causeway, Grays', and another depicting a sailboat on the water, indistinctly titled and signed in pencil below, frame dimensions: 64 x 45 cm (7)
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78475 Los(e)/Seite