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78475 Los(e)/Seite
Los 956
FRANK HENRY MASON (1875-1965) British, Marine etching, signed, framed and glazed, together with After WILFRED WILLIAMS BAIL (1853-1917) British, six Thames Scene etchings in two frames, together with original receipts for £75 and £53 from Robert Perera Fine Art and George Kidner, dated 1994 and 1996 respectively
Los 146
An early 20th century oil lamp, having etched frilled glass shade above a glass font, on faux marble pedestal and brass platform base. Some small chips to base of shade.Scratching and rubbing to the etching on the shade.Reservoir is very grubby and requires cleaning.Brass quite dented above reservoir.Minor dents to the base.
Los 393
AFTER TIM BULMER "The Prognosis!", limited edition coloured etching of Doctor at the foot of a bed, No'd. 168/200, signed lower right, bears artist's information label verso, together with AFTER TIM BULMER "Hypocratic Oaf!", limited edition coloured etching, No'd. 139/200, signed lower right, bears artist's information label verso and AFTER JOHN GILLO "Autumn Reflections", lithographic print of a shoreline with buildings and trees in the background, signed lower right, together with ten further prints
Los 551
James Abbott McNeill Whistler (1834-1903) - 'The Forge', the scene depicted is at Perros Guirec, Brittany, France, signed with the artist name and the date 1861 within the image also inscribed on an old label verso with the title of the work and the old number 555, said to be an extremely fine impression, black and white dry point etching, 7.75" x 12.75" - *See page 12 of Kennedy's book on Whistlers etchings. The Forge was shown at The Liverpool Art Club in 1874 an example is in The Walker Art Gallery, Liverpool and a further example was in the collection of James Guthrie Orchar (1825-1898) The Forge was originally published in 1871 by Messrs Ellis & Green as part of sixteen etchings of scenes on The Thames an other subjects known more widely as 'The Thames Set'.
Los 552
Robin Tanner (1904-1988) - 'June', the outskirts of a village with a hay meadow in the foreground, cottages and haystacks in the distance, inscribed with the artist's name within the margin, in pencil, black and white drypoint etching, 5.5" x 6.5" - **Robin Tanner was an English artist, etcher and print maker. He followed in the visionary tradition of Samuel Palmer and English neo-romanticism. The artist was inspired primarily by Samuel Palmer, particularly his early Shoreham works. Possibly from the edition published in 1928 by Nicholson, however further editions were published by the Print Room in 1974 and by Garton & Cooke, in 1984. The complete set in its original portfolio case is extremely rare and worth in the region of £15000
Los 659
Anthony Gross CBE, RA (1905-1984) - 'Sortie d'Usine no. 4' leaving the factory, signed artist proof, also inscribed with the title and numbered 25/40, black and white dry point etching, 20.25" x 13.5"; the etching was produced in 1931 - **The artist was a British print maker, painter, war artist and film director of Hungarian-Jewish, Italian and Anglo-Irish decent. He attended Shrewsbury and Repton schools followed by his studies at The Slade School of Art under the artist Henry Tonks, his later studies were at The Central School of Art & Crafts in London and the Ecole des Beaux- Arts, Paris and The Academia de San Fernando, Madrid. His works are held in many public collections including The British Museum, Victoria & Albert Museum, Imperial War Museum, and The Tate Gallery, as well as The Ashmolean, Oxford and many other locations
Los 370
A German WWI artillery sword, the fullered blade with etched detail and inscribed 'II Hannov. Held Artill. Regt. No.26' to one side and 'Deutschland Uber Alles der Welt' with further indistinct inscription to either side, with wirework shagreen grip, blade length 78cm (lacking scabbard, for restoration). Additional InformationBlade heavily worn with surface corrosion, wear to etching, the hilt section also with heavy wear, surface corrosion, all in need of attention, some of the wirework has come loose.
Los 173
Guillaume Azoulay, Moroccan (born 1949) Colored Intaglio Etching on Arches Paper "Cello" Pencil Signed, title, and Numbered 124/300 on Lower Margin. Measures 17-1/2" H x 14-1/2" W, frame measures 33-1/4" H x 29-1/4" W. Condition: Good condition Estimate: $150.00 - $350.00 Domestic Shipping: Third party
Los 23
Louis Icart, French (1888 - 1950) Color Etching "Destin de Femme" Signed Lower Right. The Great Dane Collection COA attached en verso. Measures 13" H x 9-3/8" W, fe measures 26" H x 22" W. Condition: Some toning, light spotting otherwise good condition Estimate: $150.00 - $250.00 Domestic Shipping: Third party
Los 230
Salvador Dali, Spanish (1904 - 1989) Etching with Mixed Media Collage "Liquid & Gaseous Television" from "Imaginations & Objects of The Future" Series. Hand Signed, Numbered "E.A. XX/XXV", and Inscribed Lower. COA: Frank Hunter, Chief Archivist for Salvador Dali, and includes a document by The Art Collection, Inc. all attached en verso. Sight measures 28" H x 20" W, frame measures 38-7/8" H x 31-1/2" W. Condition: Very light foxing otherwise good condition Estimate: $600.00 - $900.00 Domestic Shipping: Third party
Los 247
James Abbott Mc Neill Whistler PRBA (American, 1834-1903), Limehouse, London etching and drypoint on ivory laid paper with wide margins, signed in the plate "Whistler" and dated 1859, signed and inscribed in pencil in the margin "A Madame Coronio homage respectueux J Whistler" 5 x 7 7/8in. (12.7 x 20cm.) * Eighty two known impressions of all states. This is the rare third state of six showing the reduction of the slanting shading on the bow of the barge, vertical shading lines now being prominent. This etching was produced by Whistler as a trial before he produced the fourth state which was published in The Thames Set in 1871. ** References: (K.40) Edward G. Kennedy, The Etched Work of Whistler, New York, The Grolier Club, 1910. (G48). Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2012. *** Provenance: Gift from the artist to Aglaia Coronio (1834-1906). Aglaia Coronio (nee Ionides) was the wife of Theodore John Coronio. She was the sister of Helen Euphrosyne Ionides who married Whistler's brother Dr William Mc Neill Whistler. Their father was the wealthy Greek merchant and collector Alexander Constantine Ionides. Aglaia Coronio, like the rest of her family, collected works of art and she bought a number of Whistler's paintings. Exhibition of 19th and 20th Century Masters; Etchings and Lithographs. The Leicester Gallery, London, November 1965. Situated on the north bank of the Thames opposite Rotherhithe, Whistler was looking east away from Wapping and has depicted the Harbour Master's House closest to him. Further away is The Grapes pub and Broadway Wharf is in the distance. In the distance is an advertisement for the Curtis Gin Distillery Co. Ltd. Narrow Street backs on to this stretch of the Thames. Whistler turned to the subject of the River Thames in the summer of 1859 and Limehouse was one of the areas that he depicted. The area was dangerous and infested yet the artist appreciated the picturesque disrepair of the wharfs and warehouses that lined its banks. He also depicted the working men whose lives were intimately connected to the river and placed them in the foreground where they could not be seen as incidental to the scene. The Thames set was published in 1871 by Ellis and Green as part of 'Sixteen Etchings of Scenes on the Thames and Other Subjects'. Impressions were also later available through The Fine Art Society and the artist himself.
Los 208
Arthur Royce Bradbury (British, 1892-1977), Gulls over a rocky Sark cove watercolour, signed lower right, unframed 7¾ x 11¼in. (19.7 x 28.5cm.); together with two other unframed Sark watercolours by the same hand; and an unframed etching, 'Le Manoir, Sark' by Maurice Boots, dated 'Aug.1985'. (4)
Los 10
Rembrandt van Rijn (1606-1669) Christ carried to the TombEtching with touches of drypoint, circa 1645, a well inked impression of the only state printed on laid paper without watermark, platemark 133 x 108mm (5 1/4 x 4 1/4 in), sheet 138 x 115mm (5 3/8 x 4 1/2 in) (unframed)Literature:Bartsch 84; New Hollstein 215 i/i
Los 100
δ Joan Miro (1893-1983)Barcelona Plate 10 (Dupin 601)Etching with aquatint and carborundum printed in colours, 1972, signed and numbered from the edition of 50 in pencil, on Guarro wove paper, published by Sala Gaspar, Barcelona, the full sheet printed to the edges, 700 x 1058mm ( 27 1/2 x 47 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 101
δ Joan Miro (1893-1983)Femme et Oiseau Devant La Lune (Dupin 51)Etching with aquatint, 1947, signed, dated and numbered from the edition of 300 in pencil, on wove paper, as included in the Laurels Number 1 portfolio, printed at Stanley William Hayter's Atelier 17, New York, with full margins, sheet 113 x 149mm (4 1/4 x 5 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 103
δ Joan Miro (1893-1983)Untitled from Passage de L'Egyptienne (Cramer 257; Dupin)Etching with aquatint printed in colours, 1985, signed and numbered from the edition of 25 in pencil, on Japan nacre, printed by Fequet-Baudier et Dutrou and Atelier Morsang, Paris, the full sheet printed to the edges, 605 x 425mm (23 ¾ x 16 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 107
δ Pablo Picasso (1881-1973)Portrait de Vollard IV (Bloch 233)Etching, 1937, signed in pencil, the total edition was 310, on Montval laid paper with the Picasso watermark, printed by Lacourière, published by Vollard, Paris, 344 x 245mm (13 1/2 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 11
Rembrandt van Rijn (1606-1669)David at PrayerEtching with drypoint, 1652, a well inked impression of New Hollstein's second state (of three) with the faint scratch on David's cloak, on cream laid paper without watermark, plate 141 x 91mm (5 5/8 x 3 5/8 in), sheet 155 x 102mm (6 1/8 x 4 in) (unframed) Literature:Hind 258; New Hollstein 268 ii/iii
Los 119
δ Pablo Picasso (1881-1973)156 Series: Reclining Male Nude and Five Embracing Nudes, One a Hermaphrodite (Bloch 1977)Etching, 1971, with the stamped signature, numbered from the edition of 50 in pencil, on BFK Rives paper, with full margins, sheet 368 x 495mm (14 1/2 x 19 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 12
Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, 1634, a very good, but slightly later impression of New Hollstein's final state (of five) on cream laid paper without watermark, printing with light plate tone, platemark 121 x 106 mm. (4 3/4 x 4 1/8 in) (unframed)Literature:Hind 122; New Hollstein 127 v/v
Los 13
Rembrandt van Rijn (1606-1669)The Adoration of the Shepherds: With the lampEtching, 1654, a good impression of New Hollstein's second state (of three), before later reworking by Basan, mounted on thin tissue support with careful repair to loss in the centre right, platemark 107 x 130 mm (4 1/4 x 5 1/8 in), sheet 111 x 144 mm (4 3/8 x 5 3/4 in) (unframed)Literature:Bartsch 45; New Hollstein 279 ii/iii
Los 15
Rembrandt van Rijn (1606-1669)Self-Portrait etching at a WindowEtching, drypoint and burin, 1648, a good but a slightly later impression of New Hollstein's eighth state (of nine), the landscape printing weakly but inky edges to the upper right quadrant, on laid paper without watermark laid on thin tissue, platemark 158 x 131mm (1/4 x 5 1/4 in), sheet 161 x 133mm (6 3/8 x 5 1/4 in) (unframed)Literature:Hind 229; New Hollstein 240 viii/ix
Los 16
Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching, 1634, a fine detailed impression of New Hollstein's third state (of four) on laid paper with partial watermark of a flower, printing with strong contrasts before further rework, platemark 91 x 116mm (3 5/8 x 4 1/3 in), sheet 96 x 120mm (3 3/4 x 4 3/4 in) (unframed)Literature:Hind 118; New Hollstein 128 iii/iv
Los 163
δ David Hockney (b.1937)The boy Hidden in an Egg (Tokyo 69)Etching with aquatint, 1969, signed in pencil, inscribed 'Grimm Ed.' in brown ink verso, numbered from the edition of 100, on Hodgkinson handmade paper, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with full margins, plate 198 x 170mm (7 7/8 x 6 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 164
δ David Hockney (b.1937)The Princess in Her Tower (Tokyo 68)Etching with aquatint, 1969, signed in pencil, inscribed 'Grimm Ed.' in brown ink verso, numbered from the edition of 100, on Hodgkinson handmade paper, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with full margins, plate 447 x 323mm (17 1/2 x 12 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 165
δ David Hockney (b.1937)Wayne Sleep (Scottish Arts Council 112)Etching, 1969, signed and dated in pencil, numbered from the edition of 30, printed by Maurice Payne, London, on Crisbrook handmade paper, with full margins, plate 245 x 245mm (9 5/8 x 9 5/8in) (framed) Wayne Sleep, dancer, director and choreographer, was the shortest male dancer ever to be admitted to the Royal Ballet School, he is noted for his unusual physique and often had roles created specifically for him including notably that of Mr. Mistoffelees by Andrew Lloyd Webber in Cats. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 168
δ Richard Hamilton (1922-2011)Un des effets des eaux de miersEtching with aquatint printed in colours, 1973, signed and numbered from the edition of 100 in pencil, on Jeyes toilet paper mounted onto rag wove support, as included in the '18 Small Prints' portfolio, printed by the artist and Maurice Payne at the Petersburg Press, published by Bernard Jacobson Ltd., London, the full sheet, 150 x 210mm (5 7/8 x 8 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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78475 Los(e)/Seite