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Los 70

DS Harold Wyllie (1880-1975) In the harbour Etching Signed in pencil lower left 19 x 24cm (7 1/2 x 9 1/2in) Together with two etchings by the same hand (3)

Los 1165

Frank Harding (b. 1935), pair signed black and white etchings - Harwich Harbour, Charles Henry Baskett (1872 - 1953), signed etching - H.M.S. Victory, Portsmouth and one other Frank Mason signed etching (4)

Los 1166

Arthur Briscoe (1873 - 1943), black and white etching - Off The Horn, 1931, in glazed gilt and ebonised frame, 20.5cm x 39cm CONDITION REPORT Very good condition overall

Los 124

Herbert Dicksee, `Roused`, original etching of lion and lioness, framed, 75 x 55cm

Los 1846

* DAME ELIZABETH VIOLET BLACKADDER DBE RA RSA ORCHIDACEAE-PHALAENOPSIS limited edition aquatint etching, signed and numbered 12/50 in pencil 70cm x 55cm

Los 2028

Florence Page, Alfriston, etching, together with a further six prints.(7)

Los 2047

Lars Bo (20th century), Tivoli, colour etching, signed and numbered EA XI/XX, 58cm x 39cm.

Los 2406

G. P. Micklewright, `Pat`, etching, signed and inscribed

Los 2026

JAMES TISSOT [FRENCH 1836-1902] ETCHING AND DRYPOINT FIVE "L`ENFANT PRODIGUE SUITE": The title image printed as front cover of two-fold folio, and the rest [4 etchings] placed inside. Dimension: title image 14 x 17 3/4".

Los 494

PAUL STAGG Portrait Of A Terrier In A Picnic Basket. Oil on canvas. Signed. 45 x 60cm. Together with a colour etching.

Los 496

Beloved letter box. A George Baxter print. Together with an etching aquatint portrait, Possibly Sarah Bernhardt. Instinctly signed.

Los 75

After ROWLANDSON "A Maiden Aunt Smelling Fire". Hand-coloured etching. 32 x 22.5cm.

Los 149

JACQUES VELON Crucifixion. Etching. Facsimile signature. 40 x 28cm.

Los 171

F.B. HERRIOT The Ranger's House, Hyde Park, London. Signed. Later inscribed to the back. 25 x 14cm. Together with a black and white etching signed J.G. Mathieson.

Los 182

CHARLES NAPIER HEMY The Chase. Etching. Signed in pencil by the artist. 42 x 70cm

Los 197

SUE LEWINGTON Poppies In The Corn. Limited edition etching. Signed and inscribed. 12 x 20cm. And a watercolour and a print of St Petersburg cathedral, Russia.

Los 226

HELEN WILDE Etching aquatint. Together with a collection of exhibition catalogues.

Los 309

MARY FRANCES GOLDFINCH Coastal watercolour. Monogrammed and dated 1902. Together with an etching by SAMUEL CHAMBERLAIN. Bridge at Albi.

Los 317

WILLIAM LIONEL WYLLIE Portsmouth fishing boats. Etching. Signed. 21 x 26cm unframed

Los 357

CLAUDE ROWBOTHAM The coast road, near Falmouth. Etching aquatint. Signed and inscribed. 10 x 15cm.

Los 358

CLAUDE ROWBOTHAM Three of his small etching aquatints. Two views of Swanpool, the third Cadgwith. Together with a fourth etching aquatint, Dartmoor.

Los 373

Victorian watercolours and etching aquatints. Eight works.

Los 452

James Henry Dowd (1883-1956) A boy and his dog, etching, signed in pencil, 27cm by 19.5cm

Los 457

Rowland Langmaid (1897-1958) The Thames at Tower Bridge, etching, signed in pencil, 18cm by 31cm; together with a restrike map of Part of the Island of St Lucie

Los 458

Rowland Langmaid (1897-1958) Yachts and row boats, etching signed in pencil, 26.5cm by 20.5cm

Los 459

Rowland Langmaid (1897-1958) Fairway into Portsmouth, etching signed in pencil, image size 7cm by 32cm

Los 28

After HENRY WILKINSON; signed limited edition coloured etching depicting a game fisherman on a riverbank, signed lower right, 145/150, 25.5 x 35cm, framed and glazed.

Los 1772

Ten large folios containing approximately 70 assorted prints/black and white engravings, all late 19th century, including after RAD. VON WILLIAM UNGER; signed black and white etching, after KARL KOPPING; signed black and white etching, etc, each folio measures 65 x 50cm.

Los 1775

A coloured etching depicting a Scottie dog watching a bee in flight, indistinctly signed in pencil lower right, 27 x 20cm, framed and glazed.

Los 1784

FRANK GREENWOOD; pen and ink study "London Depot, Covent Garden", signed and inscribed 11.5 x 9cm, framed and glazed and a black and white etching "St Ann's, Manchester", signed and inscribed to margin, 22 x 12cm, framed and glazed (2).

Los 1787

After LESLIE WARD; a black and white etching "Wareham Bridge", signed and inscribed to mount, 15 x 22.5cm framed and glazed. CONDITION REPORT: Unfortunately the sheet itself is in rather poor condition, it has been folded many times and has numerous creases and crinkles throughout.

Los 227

1945 PATTERN NAVAL DIRK with brass hilt and lions head pommel leather handle held by twisted wire, the cross guard having attached anchor badge and acorn finials, the 18| blade bearing the remains of the etching, lacking scabbard. Slight tarnishing to pommel and oxidisation to handle, blade has patches of rust and pitting and is well worn.

Los 418

After George Vernon Stokes (1873-1954) TWO LIMITED EDITION COLOURED ORNITHOLOGICAL ETCHINGS, the first entitled ~Blackcock~, signed and numbered 7/75 in pencil to margin, card mounted, simply framed, under glass. 32.5cm x 28cm; the second untitled and unframed, signed and numbered 66/75 to margin, card mounted. 28cm x 32cm Some discolouration and fading, one small foxing spot to unframed etching.

Los 8

Sidney Tushingham - `Montepulciano`, monochrome drypoint etching, signed in pencil recto, titled label verso, approx 35cm x 26.5cm, within an oak frame.

Los 9

Sidney Tushingham - `Plaza Mayor, Segovia`, monochrome drypoint etching, signed and titled in pencil, approx 29cm x 34cm, within an oak frame.

Los 21

William Lionel Wyllie - `A Stiff Breeze`, early 20th Century monochrome etching, signed in pencil recto, titled to label verso, approx 35.5cm x 47cm, within an ebonized frame.

Los 104

After John Brunsden - `Pastoral Scene`, 20th Century colour etching, signed, titled and editioned 106/150 in pencil, approx 42cm x 49cm, together with another colour etching after the same hand, `Tangled Grasses`.

Los 115

After John Brunsden - `Sunset over Chesil`, 20th Century colour etching, signed, titled and editioned 43/100 in pencil, approx 50cm x 65cm, together with two further etchings after the same hand.

Los 150

Cecil Aldin - View of a Harbour at Dusk, monochrome etching, signed in pencil, sheet size approx 23cm x 50.5cm, together with two colour prints after Aldin.

Los 167

Dorothy Sweet - `Arundel`, monochrome etching, signed and titled in pencil, approx 25cm x 17cm, together with nine other prints, all Topographical Views.

Los 437

Leonard Brewer: etching, Alderley Cross, 6¾" x 10", signed; and a watercolour of a local rural scene, both framed

Los 207

An etching of Tower Bridge by Frank Harding, signed in pencil. 18 x 21cm

Los 99

NORMAN C. JAQUES (b.1922) MONOCHROME ETCHING Street scene with buildings 21 1/2" x 14 3/4" (54.5cm x 37.5cm) AND, BY THE SAME ARTIST COLOUR ETCHING Boat yard 15 1/2" x 12" (39.3cm x 30.5cm) ANOTHER COLOUR ETCHING 12" x 9" (30.5cm x 22.9cm) AND ACRYLIC ON PAPER Abstract floral pattern 18" x 12" (45.7cm x 30.5cm) All signed Unframed (4)

Los 232

DEREK WILKINSON (1929-2001) MIXED MEDIA ETCHING PRINTED IN COLOURS ’Beech Trees’ Signed and dated 1980 Inscribed and numbered 21/25 in pencil in lower margin 9 3/4" x 17 1/2" (25cm x 44.5cm) plate

Los 86

A framed and glazed etching portrait of a dog, signed in pencil

Los 372

Country cottage scene oil on canvas, 19th Century watercolour in box frame. Etching of dogs after O'klein and another oil on board.

Los 646

Modern Masters of Etching - Sir Francis Seymour Haden", number 11, dated 1926, S/D.

Los 412

Marie Astoin, French 1923-2011- View of Sacre Coeur, Paris; pen and black ink and watercolour, signed, 26x20cm: together with a small landscape study in gouache by the same hand, signed (twice), 10x16.3cm: William J MacLean, British exh 1895-1913- Portrait of a lady, quarter-length turned to the right, (recto), unfinished still life composition, (verso); oil on canvas, signed and dated 28, bears inscribed label attached to the reverse, in an oak frame, 45.7x30.5cm: Victor Maunier, French b.1890- "Maison et Studio de Theodore Rousseau, Rue des Artistes a Barbizon"; etching, signed and inscribed in pencil, 17x24cm., (4) (may be subject to Droit de Suite

Los 492

John Brunsdon ARCA, British b.1933- "Lambeth Palace"; etching with aquatint printed in colours, signed, titled and inscribed `artists proof 4/15` in pencil, 37.5x42cm, (may be subject to Droit de Suite), (unframed)

Los 501

Charlotte Halliday RBA RWS NEAC, British late 20th/early 21st century- "Sunday Afternoon, Little Venice"; pencil and watercolour on grey, signed and dated 1993 in pencil, 24x25.5cm: John Brunsdon ARCA, British b.1933- "Salthouse"; etching with aquatint printed in colours, signed, titled and inscribed Artist Proof XX/XXV in pencil, 45x60cm: G P Pugh, British early/mid 20th century- "Arundel Castle, West Sussex from the River Arun"; watercolour, signed in pencil, 28x38cm: Martin Andrews, British mid/late 20th century- "Egyptian Scene, Temple of Iris", c.1965; pencil, 45x38cm: Thomas Higham, British 1795-1844- "Proposed New Houses of Parliament", from Stationers` Almanack 1837; hand coloured engraving, 24.5x43cm, (5), (may be subject to Droit de Suite)

Los 544

Eugène Béjot, French 1867-1931- "Pont Saint Nicolas, Paris"; etching, signed ad dated 1909 within the plate, signed in pencil, 25x34cm

Los 545

After Thomas Henwood, British 1797-1861- "The Procession of the Lewes Bonfire Boys, Nov 5th 1853"; hand-coloured lithograph, 30.5x49.5cm: William Ward Jnr, British c.1800-1840- "The Right Honble C W W Wynn, MP", after Sir M A Shee PRA, publ August 1835 by Messrs Colnaghi & Company 33 Cockspur Street Charing Cross; mezzotint, in a 19th century glazed maple veneered frame, 37x28cm: George Cruickshank, British 1792-1878- "A Very Good Man, no Doubt, but a Bad Sailor", publ Margate August 21 1845; etching, 23.5x16.5cm: British School, early 19th century- "His Most Gracious Majesty King William the Fourth"; engraving, 28.5x22.5cm: British School, late 19th century- "The Celeban Black Baboon"; chromolithograph, 16.5x10.5cm., (5)

Los 571

Luis Alberto Solari, Uruguayan 1918-1993- "Pantomima Mitologica"; etching with aquatint printed in colours, signed, titled and inscribed `a/p` in pencil, 20x29cm: Argentinean School, mid-late 20th century- Op art composition; lithograph in colours, signed and dated 78, 50x49.5cm., (2)

Los 617

Georgina Porter, British, late 20th/early 21st century- "Open Fields"; screenprint in colours, signed and numbered 1/2 in pencil, 90.5x70.5cm: together with another screenprint in colours by the same artist titled "Suntrap", signed and numbered 2/4 in pencil, 67x96cm: James Cox, British b.1956- "Tuscan II"; etching with aquatint printed in colours, signed, titled and numbered v/xxv in pencil, 69x98cm, (3) (may be subject to Droit de Suite)

Los 655

Nicky Neate, British, late 20th/early 21st century- Untitled abstract composition; watercolour, gouache and mixed technique, 68x72cm: Nicky Neate, British, late 20th/early 21st century- Untitled abstract composition; gouache and silver coloured paint, 44x32cm., (mounted) (unframed): Pauline Poupko Meehan, Irish b.1963- Untitled; etching with aquatint, signed, numbered `1/10 and dated 95 in pencil on the mount, 49x33cm: together with three hand-coloured monoprints by the same hand of similar subjects, various sizes, 48x36cm., (max): Russian School, late 20th century- Seashell in landscape; batik, bears label attached to the reverse, 70x60cm., (7) (may be subject to Droit de Suite)

Los 661

John Brunsdon ARCA, British b.1933- "Gordale Scar"; etching with aquatint printed in colours, signed, titled and numbered 139/150 in pencil, 44x58cm: Mary Ford, British b.1944- Still life by a window; lithograph printed in colours, signed, numbered 12/200 and dated 79 in pencil, 61x51cm: Michael Blaker, British b.1928- "The Bridge at Flatford"; hand-coloured etching, signed within the plate, signed, titled and numbered 11/200 in pencil, 27.5x36.5cm: Ilana Richardson, British, late 20th/early 21st century- "Cool Veranda"; screenprint in colours, signed, titled, numbered 37/200 and dated 82 in pencil, 55x64cm: Alyson Stoneman, British b.1948- "Autumn Evening, Lamorna"; mezzotint printed in colours, signed, titled and numbered 82/200 in pencil, 36.5x42cm: Deirdre Morgan, British b.1933- Courtyard and fountain, Morocco; lithographs printed in colours, two, both signed and numbered 76/195 in pencil, 40.5x30cm., ea: Lilan Richardson, British, late 20th/early 20th century- "Sens Interdit"; screenprint in colours, signed, titled, numbered 38/225 and dated 87 in pencil, 55x45cm: Francois Ledan, Fanch, French b.1949- "Square G Baty" and Tour Eiffel; lithographs printed in colours, two, both signed, one numbered 23/200 and the other 72/200 in pencil, 59.5x79 and 79x59cm., respectively: Mario Fellani, Italian b.1934- Portrait of a woman seated at a table; lithograph printed in colours, signed and numbered 122/200 in pencil, 57x67cm., (11) (may be subject to Droit de Suite)

Los 685

Leonard Baskin, American 1922-2000- Woman daydreaming with a bat, raven and other animals; etching, signed and numbered 72/100 in pencil, dated 1972 within the plate, 17.5x12.8cm: Jack Coughlin, Irish/American b.1932- Catwoman; etching, signed and inscribed `AP`, 9.5x7.5cm, (2) (may be subject to Droit de Suite)

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