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Los 369

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, ETCHING, Old London Bridge, 6 ½” x 12; plus S FORDWAY, SIGNED IN PENCIL TO MARGIN, ETCHING, Unicorn Inn, Shrewsbury, 8” x 7 ½” (2)

Los 371

WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, ETCHING, HMS Orion, 10 ¾” x 7 ¾”

Los 375

FRANK HARDING, SIGNED IN PENCIL TO MARGIN, ETCHING, Waterloo Bridge, 6” x 14”

Los 379

ROWLAND LANGMAID, SIGNED IN PENCIL TO MARGIN, ETCHING, Inscribed “Spit Head”, 3 ½” x 12” (unframed)

Los 380

EILEEN A SOPER, SIGNED IN PENCIL TO MARGIN, ETCHING, Young Children freeing a Bird from its Cage, 4” x 7”

Los 381

ARTHUR BRISCOE, SIGNED IN INK TO MARGIN, LIMITED EDITION (53/75), ETCHING, The Fore Gallant Sail, 9” x 13 ½” (unframed)

Los 382

LOUIS WHIRTER, SIGNED IN PENCIL TO MARGIN, ETCHING, ‘Durham Cathedral’, 9” x 11 ½”

Los 387

HENRY JAMES STARLING ARE, SIGNED IN PENCIL TO MARGIN, ETCHING, Horstead Mill, Norfolk, 8” x 10”

Los 388

HENRY JAMES STARLING ARE, SIGNED IN PENCIL TO MARGIN, ETCHING, Rackham Court, Norwich, 7 ½” x 5”

Los 389

HENRY JAMES STARLING ARE, SIGNED IN PENCIL TO MARGIN, ETCHING, George IV Yard, Burr Street, Norwich, 9” x 8”

Los 390

HENRY JAMES STARLING ARE, SIGNED IN PENCIL TO MARGIN, ETCHING, Cow Gate, Norwich, 12” x 10”

Los 392

LEONARD R SQUIRRELL, SIGNED IN PENCIL TO MARGIN, ETCHING, ‘Dover Castle’, 7 ¼” x 13”

Los 394

EDWARD MILLINGTON SINGE ARE, SIGNED IN PENCIL TO MARGIN, ETCHING, Venetian Landscape, 6” x 6”

Los 395

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, ETCHING, Giona Volendam – Holland, 9” x 6”

Los 397

CHARLES J WATSON, SIGNED IN PLATE, ETCHING, Norwich Market Place, 9” x 12”

Los 400

R GOFF, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Dated 1892, River landscape with cattle grazing in distance, 10” x 13”

Los 408

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, ETCHING, Horses in a landscape, 8” x 10”

Los 411

FRANCIS SEYMOUR HADEN, SIGNED IN PENCIL TO MARGIN, ETCHING, Out of Study Window, 4” x 10”

Los 475

THOMAS BLINKS AND FRANK PATON, SIGNED IN PENCIL TO MARGIN BY BOTH, ETCHING, Ferret Catching, 10 ½” x 8”

Los 476

AFTER THOMAS BLINKS, BLACK AND WHITE ETCHING, Plough Horses, 9” x 12”

Los 508

SIDNEY G HENSON, SIGNED IN PENCIL TO MARGIN AND DATED ’62, BLACK AND WHITE ETCHING, “Cannon Street Station, 5” x 7”; R S A, INITIALLED TO THE IMAGE, BLACK AND WHITE ENGRAVING, Lady tethering a goat; AFTER H CASSIERS, COLOURED LITHOGRAPH, “Sunday Afternoon”, 4” x 8” (3)

Los 525

ERNEST MEISSONIER, ENGRAVED BY J JAQUET, SIGNED BY BOTH TO THE MARGIN, BLACK AND WHITE ETCHING, Published 1888, Napoleon reviewing his troops, 19” x 33”

Los 575

JOHN CROME, BLACK AND WHITE ETCHING, “Track Beside a Parkland Fence, Road by Park Palings”, 4” x 7”

Los 488

A Victorian 1895 Pattern Infantry Officer's Sword, the rusted single edge fullered steel blade bearing traces of etching, by Robert Mole & Sons, Birmingham, the edge stamped M2567, the nickel plated steel hilt pierced with crownded VR cypher, wire bound fishskin grip and pigskin covered scabbard.

Los 1

William Lionel Wyllie, an etching "The River Tyne" with Tyne Bridge. 8.75ins. x 15ins., framed, signed in pencil. (see illustration)

Los 302

A VICTORIAN NAVAL OFFICER'S SWORD BY WILKINSON & CO., SOUTHSEA, with 31 1/2in. single-edged fullered blade double-edged towards the point and etched with scrollwork, the Royal arms and a crowned fouled anchor, the forte signed 'WILKINSON & CO. / 16 ST. JAMES RD / SOUTHSEA', gilt-brass hilt with crowned fouled anchor, folding flap and lion's head pommel, and shagreen-covered wire-bound grip, in original brass-mounted black leather scabbard with two suspension rings (some wear to etching on blade and gilding on hilt).

Los 309

A 'MAZEPPA' BOWIE KNIFE BY S. HANCOCK & SONS, SHEFFIELD, with 10in. clip-point blade signed 'S HANCOCK & SONS / PEA CROFT WORKS / SHEFFIELD', etched 'SELF DEFENDER' and with two marks of a running horse with a man strapped to its back marked 'MAZEPPA', German silver shaped guard, German silver grip with horn grip-scales, that on the left with a shaped inset German silver escutcheon named 'W.S. COLLINS' (some small scattered patches of pitting to blade, etching feint, grips worn), in original leather-covered scabbard with gilt border (chape missing, scabbard worn), with brown leather frog. Other Notes: The legend of Mazeppa originates from Poland and Russia. Mazeppa was born to a Polish noble family in Podolia. He became a page at the court of Jan Casimir, the King of Poland, but was caught with the wife of a count and as a punishment was lashed to a wild horse and turned loose. The horse died in the Ukraine where Mazeppa was rescued by a Cossack family who nursed him back to health. He became secretary to the Cossack hetman at the Russian Court, and at his death was appointed his successor. Czar Peter I made him Prince of the Ukraine, but in the subsequent war with Sweden Mazeppa deserted to Charles XII. After the defeat at Pultowa in 1709 Mazeppa fled to Valentia and then onto Bender. It is not known if he died of natural causes or was killed on the Czar's orders.

Los 1

TWO CHINESE FLOWER PAINTINGS on silk, 8" x 10", two humourous Victorian coloured prints 'Bona Fide Traveller' and 'The Bewildered Traveller', a signed etching of an estuary scene and two further prints (7)

Los 1025

An Artists Proof Etching, Countess Weir Bridge, a pottery jardiniere, a butler's type tray on stand, and other items

Los 359

* Millar (Fred, exh. 1915-1923). Magic Music, 1918, colour etching, showing a young piper with dancing elves by moonlight, signed in pencil to lower right corner, plate size approx. 380 x 305 mm (15 x 12 ins), margins trimmed, mounted (1)

Los 379

*Rhead (G. Woolliscroft). The Eton Wall Game, pub. Dickensons, 1 Jan, 1888, sepia etching after Thomas M. Hemy, signed in pencil, 355 x 520mm, together with other sporting prints including the Oxford and Cambridge boat race teams (c.1900), engravings of hunt masters, etc., all mounted (6)

Los 755

Hind (Arthur M.).. A History of Engraving & Etching from the 15th Century to the Year 1914, 2nd imp., 1927, photogravure frontis., b & w illusts. to text, orig. cloth gilt, 4to, together with Walter (H.B.), Catalogue of the Terracottas in the Department of Greek and Roman Antiquities, British Museum, 1903, forty-four collotype plts., orig. cloth gilt, 4to, plus Larwood (Jacob and Hotten, John Camden), The History of Signboards, from the Earliest Times to the Present Day, 8th ed., 1875, hand-col. frontis., b & w illusts., some minor scattered spotting, orig. cloth gilt, faded on spine, thick 8vo, and other misc. art and antiques ref., etc., ex Prinknash Abbey (3 shelves)

Los 520

CHARLES CATTERMOLE, The Palmy Days of Hoghton Tower, proof etching with inscribed mount, published 1886 by S Walmsley, 18" x 24", Hogarth frame

Los 525

PIERS BROWNE, Lower Force Aysgarth, coloured etching, limited edition 25/75, signed and inscribed in pencil and dated '76, 16 1/4" x 16 1/4", gilt metal frame

Los 531

WILLIAM LIONEL WYLLIE, Shipping in Rough Seas, etching signed in pencil, published by The Art Union of London 1892, 20 1/2" x 25", stained frame

Los 532

TATTON WINTER, A Summer Pastorale, coloured etching, signed in pencil, 12 1/2" x 15 1/4", gilt frame

Los 533

HENRY GEORGE RUSHBURY, Stirling Castle, etching signed in pencil, plate size 8" x 11 1/2", gilt frame

Los 534

CECIL ALDIN, Portrait of a Spaniel on an Armchair, etching signed in pencil, plate size 8 1/4" x 6 3/4", ebonised frame

Los 536

HEDLEY FITTON Street Scene, etching signed in pencil, 12 3/4" x 13 3/4", ebonised frame

Los 182

Grove (M.). Spithead & Portsmouth, [1845], etched title and four uncoloured aquatint etchings, all titled (and some dated) within the plate, some foxing and marginal fraying, orig. printed wrappers incorporating repeat of title etching to upper cover, stitched as issued, fraying to extrems., oblong folio (27 x 40cm). Produced to commemorate the fleet review in June 1845 attended by Victoria & Albert whose paddle steamer can be seen in three of the views. A contemporary ink inscription to the upper cover reads by Miss Grove 1845. Very scarce. (1)

Los 341

*Manetti (Saverio). Avosetta, o Becca storto [Avocet], [1767-76], hand coloured etching with aquatint, plate dimensions 345 x 275mm, framed and glazed (1)

Los 373

*Prints. Moore (Henry, after), Derby from Chester Close near St. Marys Bridge, 30 Jan 1807 [but later restrike], hand coloured aquatint view, image size 300 x 420mm, together with other prints and ephemera including a 19th century indenture, an 1814 broadside advertising a performance of Macbeth at Covent Garden, a signed etching of Regent Bridge, Aberdeen, by W. Bremnar, etc., many framed and glazed (approx. 22)

Los 1

Herbert Dicksee, The Last Load, etching, signed in pencil, 31cm x 55cm.

Los 1

Damien Hirst, b. 1965 CICLOPIROX OLAMINE signed colour etching 114 by 110cm.; 45 by 43.25in. Executed in 2004, this work is number 64 from an edition of 145. Provenance Contemporary Editions, London

Los 1

Damien Hirst, b. 1965 PYRONIN Y signed and numbered on the reverse etching on paper 103 by 115cm.; 40.5 by 45.25in. Published in 2005 in an edition of 65. Provenance Paragon Press, London

Los 1

Property from a Private German Collection Martin Kippenberger, 1953-1997 UNTITLED signed, dated 91 and numbered 18/20 colour etching on dyed handmade paper held under plexiglass with plastic objects mounted to the outside overall: 100 by 82 by 9cm.; 39.375 by 32.25 by 3.5in. Provenance Akira Ikeda Gallery, Tokyo Acquired from the above by the present owner in 1992

Los 1

Sam Francis, 1923 - 1994 UNTITLED III signed and numbered 19/76 colour etching 88 by 99 cm.; 34.625 by 39in. Executed in 1987. Provenance Estate of Sam Francis Literature Connie W. Lembark, The Prints of Sam Francis: A Catalogue Raisonne 1960-1990, 1992, volume II, no. I 89, illustration in colour of another example

Los 1

Two 19th Century steel engravings, Dartmouth Castle and Kynance Rocks; a similar reproduction etching "Dittisham on the Dart" and a lithograph "Torquay"; a reproduction hand tinted county map of Leicestershire.(5).

Los 1

STANLEY ANDERSON. Etching, "The Rectory Chichester", titled label verso, signed and dated to plate 1919, signed in pencil, fine art trade guild blind stamp, 30cm x 41cm, framed.

Los 1

R B E WOODHOUSE. Etching, street scene Shrewsbury, possibly Butcher's Row, signed and titled in pencil, 25cm x 17cm, framed.

Los 1

R B E WOODHOUSE. Etching, "The Shambles, York", signed and titled in pencil, 25cm x 17cm, framed.

Los 1

MARGARET AULTON. Etching, "Butter Cross, Ludlow", titled and signed in pencil, 22.5cm x 11cm, framed; another print "Bridge at Bradford on Avon", 11cm x 15cm, framed.(2)

Los 1

A quantity of etchings and prints to include: Max Morris, etching cottages near Swindon, 13cm x 28cm; Schnell, etching, St Mary at Hill, 24cm x 10cm; Edward Cherry, etching, cathedral facade, 123cm x 9cm etc.(12).

Los 1

A framed and glazed etching depicting figures before a row of half timbered cottages, indistinctly monogrammed to plate JRD, 39cm x 34cm.

Los 1

HARVEY. Etching, study of a man in fur hat, signed in pencil and numbered 49/100, 20cm x 15cm, framed; another similar study of a young girl, 17cm x 16cm, framed.(2).

Los 1

Eileen A Soper (1905-1990) - Children playing on the beach, drypoint etching, signed in pencil to the margin, 14cm x 20.5cm

Los 1

Jan Sirks (1885-1938) - A Barque in full sail, etching, signed in pencil to the margin, 49cm x 33.5cm

Los 1

After Wyllie, William Lionel (1851-1931)-Signed artist's proof etching-The Battle of Jutland, 25cm x 50cm-see illustration

Los 1

After Dicksee, Herbert (1862-1942)-Etching-Footsteps-A study of two terriers published by Frost & Reed 1926, 36cm x 55cm-see illustration

Los 1

After Slocombe, Fred (19th Century)-Signed artist's proof etching-Landscape with shepherd, dog and sheep, 37cm x 62cm

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