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78475 Los(e)/Seite
Los 10
Elisabeth Frink D.B.E., R.A. (British 1930-1993) "Bellerophon from Children of the Gods" 1988, signed and numbered 67/70 in pencil in the margin, etching with aquatint.plate size 54.5cm x 37.5cm (21.5in x 14.75in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two minor marks in the upper margin and some slight undulations across the sheet. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Los 34
Paul Hawdon (British 1953-) "Il Duomo - Pisa" Signed, titled and initialled 'A.P.' (artist's proof) in pencil in the margin, etching.plate size 19.5cm x 24.5cm (7.75in x 9.75in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. There are some spots of foxing across the sheet. The print is ornately framed and glazed. The frame has some knocks and losses.
Los 205
NO RESERVE Battle of Waterloo.- Bowyer (R.) View from Mont St. Jean of The Battle of Waterloo, at the commencement of the grand Charge made on the French about 7 oClock in the Evening of the 18th June 1815, etching and aquatint with hand-colouring, platemark 380 x 600 mm (14 7/8 x 23 3/4 in), sheet 485 x 615 mm (19 x 24 1/4 in), central vertical fold, old spotting, browning, surface dirt, unframed, 1816; together with Bowyer's 'A Plan of the Glorious Battle of Waterloo', 1816, and R. Cooper and T. Sutherland's aquatint portrait of Lieut. General The Marquis of Anglesea at the battle of Waterloo, after Alken, engravings, each sheet approx. 485 x 350 mm (19 1/4 x 13 3/4 in), handling creases, surface dirt, marginal nicks and tears, all unframed, 1816 (3)
Los 49
Birds.- Audubon (John James) Common Gallinule (Plate CCXLIV), First edition, Common Moorhen, from "The Birds of America", etching and aquatint with hand-colouring, on Whatman wove paper with watermark dated '1835', platemark 310 x 495 mm (12 1/4 x 19 1/2 in), sheet 640 x 960 mm (25 1/4 x 37 3/4 in), full margins, minor nicks and small losses to extremities, some spotting, browning, and minor surface dirt, unframed, Robert Havell, [circa 1827-1838]; together with Audubon's Vireo Solitarus, Solitary Flycatcher (Plate 28), etching and aquatint with hand-colouring, on Whatman wove paper with watermark '1827', platemark 495 x 310 mm (19 1/2 x 12 1/4 in), sheet 970 x 640 mm (38 1/4 x 25 1/4 in), spotting and browning, stitch marks and toning visible to upper margin, minor nicks and tears to extremities, unframed, Robert Havell, [circa 1827-1838] (2)
Los 6
NO RESERVE Africa.- Prestel (Katharina Maria) A View of Joal, on the Coast of Guinea in Africa. Dedicated to the Sound Politicians of all the Trading Nations in Europe, etching and aquatint with full hand-colouring, sheet 450 x 570 mm (17 3/4 x 22 1/2 in), laid paper mounted on support, numerous old marginal tears repaired, mainly to extremities, handling creases and surface dirt, unframed, [1789]⁂ Scarce at auction. After an original drawing made by C.B. Wadström during a journey to the coast of West Africa in 1787.
Los 1135
Frederick (Fred) Lawson (1888-1968) - a moorland road, signed, watercolour, possibly on Cox paper, 10.5" x 14.75" together with a small watercolour by Gerald Palmer, another watercolour and gouache heightened with white depicting soldiers on horseback charging, possibly after Richard Simkin Orlando Norie, (shaped) and finally a black and white etching bearing the initials RSC 1881, depicting woodland scene, various sizes (4)
Los 1238
Hans Jager (German, 1887-1955), Reitender Jod (Riding Death), woodcut, 1922, titled, signed and dated to lower margin, 25 x 32cm, framed and glazed, with Frank Joseph Archer (1912-1995), portrait of a Flute Player, a fairground beyond, etching, 1936, signed and dated lower right, 13 x 9cm. framed and glazed. (2)
Los 1237
William Walcot (1874-1943), St Peters, Rome, etching, signed lower right, plate size 15 x 17.5cm, framed and glazed, with watercolour attributed to Joseph Thomas Tuite (1800-1875), view of Marksburg Castle, dated top right 9 July, bearing label to the reverse, framed and glazed, and nineteenth-century English School watercolour drawing depicting distant view of Stirling Castle with bridge and figures, 10 x 14cm, framed and glazed. (3)
Los 86
PAUL MANSARD, 19TH-20TH CENTURYBATAILLE DE LA SOMME-BOIS DE THIEPVAL; BASILIQUE D'ALBERT, SOMME; ARRASeach signed and titled and one dated: Paul Mansard / Bataille De la Somme-Bois de Thiepval; Paul Mansard / Albert; Paul Mansard / Arras / 1917 lower margincoloured etchingimage: 14.5 x 18.5cm; 5 3/4 x 7 1/4inframe: 24.5 x 29.5cm; 9 3/4 x 11 1/2intogether with watercolours by W. Hills (20th Century), Study of a barn and English School (20th Century), Rocks with sea beyond; M Oliver Rae (1868-1956) Polperro; Paul Mansard (19th-20th Century), Cathedral, and a poster of the Derryard Action, signed by David Rowlands (8)Paul Mansard was a pseudonym of the French artist H. Dupont who also went by the name of Marcel Augis.*sold without reserve
Los 40
AFTER JEAN-ANTOINE WATTEAU (1684-1721)SEATED LADYinscribed Gravé par Boucher d'apres Watteau / Efr de 1er tirage to mountetchingimage: 17.5 x 13cm; 7 x 5inframed: 37 x 26.5cm; 14 1/2 x 10 1/2intogether with two pen and ink and wash by Isobel (20th Century), A pair of costume designs (framed as one) and Isabella M (20th Century), Figure study on sheet music(3)*sold without reserve
Los 88
AFTER G.J. CASSE (19TH CENTURY) PORTRAIT OF ADMIRAL LORD NELSONetching by J.Piersonimage: 39 x 28cm; 15 1/4 x 11inframe: 53 x 42.5cm; 21 x 16 3/4intogether with four other prints: After R.Evans (19th Century) Sir Thomas Masterman; After J.Chapman (act.1792-1823), Admiral Sir Hyde Parker; After W.Evans (act. 1797-1856), Rear Admiral Sir Hyde Parker; English School (19th Century) Admiral Sir Hyde Parker Bart.(5)*sold without reserve
Los 28
ARR Property from a Private Collection LEONARD JOHN PEARCE (1931-2018)A THREE MASTED BARQUE UNDER FULL SAILsigned John Bower lower rightoil on panelimage: 22.5 x 35cm; 8 1/2 x 13 3/4inframed: 26 x 40cm; 10 1/4 x 15 3/4intogether with an etching of another Three masted barque under full sail on the high seas by the same hand(2)Pearce trained at City and Guilds, had a fascination with typography and pursued an early career in graphic design, becoming a member of the Royal Society of Industrial Artists and Designers. His interest in marine painting developed in the 1970s, signing his early work with the pseudonym John Bower as in the present example. His marines were especially prized by collectors of the genre in the USA, where he had a succession of one-man shows in Connecticut at the Seaport Museum, Mystic, and Workshop Gallery, Greenwich; in New York at Kennedy Galleries and the Incurable Collector, and on Long Island in Horton Point Lighthouse Museum. In 1982 Pearce was a medallist at the International Maritime Art Exhibition, and the following year was elected a member of the Royal Society of Marine Artists.
Los 90
Property from a London CollectionAFTER BENJAMIN WEST (1738-1820)THE BATTLE AT LA HOGUEetching and engraving, hand coloured, printed by William Woollettimage: 49 x 61.5cm; 19 1/4 x 24inframe: 69 x 81cm; 27 x 32intogether with: After William and Henry Barrud (19th Century) The Meet at Badminton and After E Dayes (19th Century) The Court of Alderman and Common Council of the City of London(3)*sold without reserve
"Ploughing",pencil signed to the margin, further annotated in pen and ink verso "Exh](https://cdn.globalauctionplatform.com/ba593ef4-cdcf-4e4c-95ee-af2600f5279b/b970a19e-5e5c-4ec6-8286-afc1012041ad/468x382.jpg)
Los 578
John Atkinson [Staithes group](1863-1924)"Ploughing",pencil signed to the margin, further annotated in pen and ink verso "Exhibited at artist's studio May 1920 / etcher John Atkinson / Ploughing / original proof etching",etching,17.5 x 25.5cms (plate), framed. Provenance: Bearing original Henry Whitley & Son printsellers label verso, hand-annotated in ink; "Ex Artist's studio, May 1920".
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78475 Los(e)/Seite