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Los 1

*Morisot (Berthe, 1841-95). Fillette au chat (Julie Manet), etching on laid paper with margins, an impression from the cancelled plate, some light overall toning, plate size approx. 150 x 117 mm, framed and glazed (1)

Los 1

*Nevinson (Christopher Richard Wynne, (1889-1946)). The Willows, etching, signed in pencil, plate size approx. 175 x 140 mm (6.75 x 5.5 ins), with margins, some minor surface marks and traces of damp to extrems., some discol. to upper outer corners where previously hinged, sheet size approx. 320 x 230 mm (12.75 x 9 ins) (1)

Los 1

*Pott (Constance Mary, 1862-c.1930). On the Medway, etching, signed, titled and inscribed 'To Alice with much love from Constance M. Pott', plate size approx. 247 x 373 mm (9.75 x 14.5 ins), some light mount staining, small portion to right hand margin torn and missing, just touching plate border, mounted (1)

Los 1

*Reynolds (Warwick, 1880-1926). Owl on a branch, etching, signed in pencil, plate size approx. 190 x 215 mm (7.5 x 8.5 ins), framed and glazed (1)

Los 1

*Robertson (Percy, 1869-1934). St. Paul's Cathedral, 1921, etching with drypoint, signed in pencil, plate size approx. 188 x 136 mm (7.5 x 5.25 ins), framed and glazed, together with Buckingham Palace, with marching troops and figures on The Mall, etching with drypoint, signed in pencil, plate size approx. 138 x 186 mm (5.5 x 7.25 ins), framed and glazed, plus one other signed etching of an estuary landscape, by the same artist (3)

Los 1

*Rushbury (Sir Henry George, RA, RE, 1889-1968 ). 'The Harbour', etching with drypoint, signed in pencil, plate size approx. 203 x 303 mm (8 x 12 ins), framed and glazed, with orig. label of James Connell & Sons, Glasgow to verso, together with Porta Maggiora, Orvieto, etching, signed in ink to lower margin, plate size approx. 195 x 237 mm (7.75 x 9.25 ins), framed (2)

Los 1

*Squirrell (Leonard Russell, 1893-1979). Street scene with steep hill and castle on a promontory beyond, 1931, etching, signed, image size approx. 245 x 335 mm (9.5 x 13 ins), with margins, some light toning, mounted (1)

Los 1

*Steinlen (Theophile Alexandre, 1851-1923). 'Temps d'orage', etching, second state, signed in pencil, plate size approx. 145 x 235 mm (5.75 x 9.25 ins), some mount staining, with margins (1)

Los 1

*Strang (William, RA, RE, 1859-1921 ). 'The Punishment', 1911, etching, first state, signed, plate size approx. 300 x 300 mm (12 x 12 ins), framed and glazed (1)

Los 1

*Shannon (Charles Haslewood, 1863-1937). 'Gathering Wood', lithograph printed in blue, approx. 240 x 470 mm (9.5 x 18.5 ins), framed and glazed, together with Sparks (Nathaniel, 1880-1957), Cheddar, Somerset, etching, signed in pencil, plate size approx. 200 x 190 mm (8 x 7.5 ins), with wide margins, mounted, plus other various etchings, lithographs, etc., including Boutet, Legros, two etchings of London street scenes with figures by Charles Laborde, one entitled Preche dans Leicester Street, the other entitled St. Pauls, etc. (10)

Los 1

*Simpson (Joseph, 1879-1939). 'A Russian Girl', etching, signed in pencil, and numbered 12/75, plate size approx. 302 x 213 mm (12 x 8.5 ins), framed and glazed, with period label to verso of David C. Lamond, Dundee, together with two other similar etched portraits by Joseph Simpson, one depicting a young man wearing a tam o'shanter, the other showing a woman with cat, each signed in pencil, the latter marked 'Trial Proof', plate size approx. 300 x 250 mm (12 x 10 ins) and similar, both framed and glazed (3)

Los 1

*Synge (Edward Millington, 1860-1913). The Bridge at Sisteron, etching, signed in pencil, plate size approx. 200 x 200 mm (8 x 8 ins), framed and glazed, together with 'On the Tagus', etching, a trial proof, signed in pencil, plate size approx. 175 x 175 mm (7 x 7 ins), framed and glazed, plus one other etching by the same artist of the interior of a barn, signed in pencil, plate size approx. 190 x 260 mm (7.5 x 10 ins), framed and glazed Edward Millington Synge studied under Sir Seymour Haden, and completed his first etching around 1890, becoming ARE ten years later. He travelled extensively on the continent, and married in 1908, but died suddenly in 1913. All his copper plates were destroyed in the first world war. (3)

Los 1

*Whistler (James McNeill, 1834-1903). Chelsea, etching, pub. J. S. Virtue, plate size approx. 130 x 200 mm (5 x 8 ins), together with Clark (Charles Herbert, 1890-), Cottage with trees beside a stream, etching, signed in pencil, plate size approx. 243 x 138 mm (9.5 x 5.5 ins), mounted, plus four other various etchings (6)

Los 1

*Whistler (James McNeill, 1834-1903). Passages from Modern English Poets. Illustrated by The Junior Etching Club, pub. Day & Son, [1865], forty-seven etched plts. on forty-five leaves, including two etchings by Whistler (The Angler & A River Scene), and works by Henry Moore, Tenniel, J. E. Millais, Charles Keene, Walter Severn, F. Barwell and others, first few leaves stained to lower margins (very slightly affecting etching by Henri Moore), small semicircular waterstain to fore-margin towards centre of volume, just touching engraved surface of some plates, otherwise in good condition, a.e.g., orig. blindstamped purple cloth gilt, rubbed and some marks and soiling, with some discol., minor wear to extrems., small 4to (1)

Los 1

*Wilkinson (Norman, 1878-1971). 'The Pilot', etching with drypoint, one of 100 proofs, signed in pencil, some marks to surface, plate size approx. 225 x 300 mm (8.75 x 11.75 ins), framed and glazed (1)

Los 1

*Wilkinson (Norman, 1878-1971). Fisherman on a lake, with castle beyond, etching with drypoint, signed in pencil, plate size approx. 163 x 225 mm (6.5 x 9 ins), framed and glazed (1)

Los 1

*Wilkinson (Henry, b.1921). Spaniels putting up a pheasant, coloured etching, signed in pencil, and numbered 24/75, plate size approx. 225 x 320 mm (9 x 12.5 ins), framed and glazed, together with an etching of a gundog by David Gee, signed in pencil, plate size approx. 125 x 175 mm, framed and glazed (2)

Los 1

*Wyllie (William Lionel, R.A. 1851-1931). HMS Victory and Submarines in Portsmouth Harbour, etching, signed in pencil, approx. 225 x 380 mm, framed and glazed (1)

Los 1

*Wyllie (William Lionel, R.A. 1851-1931). Proclaiming our Sailor King 1910, pub. Art Union, 1910, etching on India paper, unsigned, approx. 400 x 750 mm, framed and glazed (1)

Los 1

*Nevinson (Christopher Richard Wynne, (1889-1946)). Returning to the trenches, 1916, drypoint etching printed in dark brown, a strong impression with burr, signed and dated in pencil, from the edition of 75 on laid paper, with wide margins, in excellent condition, plate size approx. 150 x 201 mm (6 x 8 ins), sheet size approx. 216 x 280 mm (8.5 x 11 ins) See illustration on rear cover of this catalogue. (1)

Los 1

*Nevinson (Christopher Richard Wynne, (1889-1946)). Returning to the trenches, 1916, drypoint etching printed in dark brown, a strong impression with burr, signed and dated in pencil, from the edition of 75 on laid paper, with wide margins, in good condition, apart from some light surface soiling, and faint creases to margins, plate size approx. 150 x 201 mm (6 x 8 ins), sheet size approx. 216 x 280 mm (8.5 x 11 ins) (1)

Los 1

*Nevinson (Christopher Richard Wynne, (1889-1946)). Continental church with figures and tram, etching, signed in pencil, plate size approx. 255 x 355 mm (10 x 14 ins), with margins, in good condition, framed and glazed (unexamined out of frame) (1)

Los 1

*Nevinson (Christopher Richard Wynne, (1889-1946)). 'Reliefs at Dawn', colour etching, pub. Grant Richards, after the original painting by Nevinson (in the Imperial War Museum), image size approx. 390 x 510 mm (15.5 x 20 ins), framed and glazed (1)

Los 1

Corinth (Lovis, 1858-1925). Gesammelte Schriften, Berlin, Fritz Gurlitt Verlag, 1920, etched self-portrait frontis. (some light foxing), signed, eight full-page lithographs on pale green hand-made paper, each signed, and one full-page etching, signed, b&w illusts. to text, t.e.g., remainder untrimmed, some light foxing to endpapers and half-title, orig. reversed calf-backed boards with colour litho. design to upper cover, some overall light foxing, and very sl. rubbed, large 4to Limited edition of 120 signed copies, this being number XX of 20 special copies numbered in Roman numerals, with all of the plates signed by the artist, and the additional full-page signed etching. (1)

Los 1

WILLIAM STRANG Meal time. Etching. Unframed. Together with another etching by Strang and two etchings by A. Legros.

Los 1

SIDNEY TUSHINGHAM Market Place, Old Falmouth. Etching, signed. Unframed.

Los 1

THOMAS RILEY Etching. Together with a Pierre Bonnard print.

Los 1

MORTIMER MENPES Study of a man. Etching. Signed 6 x 8ins., unframed.

Los 1

WILHEMINA BARNS GRAHAM Solar eclipse. Coloured etching. Signed and dated 1999. Numbered 11/25. 11 1/2 x 14 1/2ins.

Los 1

SIR TERRY FROST R.A. Green Jack. Coloured etching. Signed, dated '00, inscribed and numbered 14/25. 15 3/4 x 8 1/2ins.

Los 1

YVES OSTERLIND French coast. Aquatint etching. Signed. 8 1/2 x 12ins.

Los 1

CHARLES NAPIER HEMY Escaping the revenue men. Etching by Willie Heydermann. Signed by the artist and etcher. Published Frost & Reed 1899. 15 x 26ins.

Los 1

WILLIAM WALCOT Library of St. Mark's, Venice. Etching. Signed. Label to the reverse. 5 x 7ins.

Los 1

CLAUDE ROWBOTHAM Planting oysters, Penryn river. Etching aquatint. Signed twice. 3 1/2 x 2 1/2ins.

Los 1

CLAUDE ROWBOTHAM Pendennis Castle, Falmouth from Mylor. Etching aquatint. Signed and inscribed. 3 1/2 x 2 1/2ins.

Los 1

CLAUDE ROWBOTHAM Cottage at Cadgwith. Etching aquatint. Signed and inscribed. 3 x 2ins.

Los 1

CLAUDE ROWBOTHAM Swanpool, Falmouth. Etching aquatint. Signed and inscribed. 3 1/2 x 2 1/2ins.

Los 1

CLAUDE ROWBOTHAM Harbour Peep, Falmouth. Etching aquatint. Signed. 3 1/2 x 2 1/2ins.

Los 1

CLAUDE ROWBOTHAM Butterfly boats. Etching aquatint. Signed and inscribed. 3 1/2 x 2 1/2ins.

Los 1

CLAUDE ROWBOTHAM Early morning, Falmouth harbour. Etching aquatint. Signed. 2 3/4 x 4 1/4ins.

Los 1

CLAUDE ROWBOTHAM The Water Witch in Falmouth harbour. Etching aquatint. Signed. 6 1/2 x 4 1/2ins.

Los 1

CLAUDE ROWBOTHAM Low tide, St. Ives harbour. Etching aquatint. 2 1/2 x 4 1/4ins.

Los 1

CLAUDE ROWBOTHAM Paddling at Portschatho. Etching aquatint. Signed. 2 1/2 x 3 3/4ins.

Los 1

CLAUDE ROWBOTHAM Falmouth. Etching aquatint. Signed and inscribed. 2 1/2 x 4 1/4ins.

Los 1

CLAUDE ROWBOTHAM Above St. Mawes. Etching aquatint. Signed and inscribed. 3 x 3ins.

Los 1

CLAUDE ROWBOTHAM A garden of flowers, Flushing. Etching aquatint. Signed. 4 x 3ins.

Los 1

CLAUDE ROWBOTHAM Six various small various etching aquatints, including Drake's Island, Plymouth Sound.

Los 1

GEOFFREY GARNIER Frigate and other shipping, after Condi. Etching aquatint. 13 x 17ins., unframed.

Los 1

ROBERT BORLASE SMART Venice, etching, signed, Claude Rowbotham, etching aquatint, signed and a Geoffrey Garnier etching, each unframed.

Los 1

JOHN PLATT Brixham town. Etching aquatint. Signed and inscribed. 10 x 13 1/2ins.

Los 1

MARGRIT CLEGG Rock drawing. Aquatint etching. Signed, inscribed and numbered 1 from an edition of 25. 17 x 13ins.

Los 1

JAMES McBEY River landscape. Etching. Signed and numbered XXII. 6 1/2 x 8 1/4ins.

Los 1

SEYMOUR HADIN Fishermen on a river bank. Etching. Signed. Together with two other etchings.

Los 1

A. AUDRES Women in woodland. Etching aquatint. Copyright 1924. Signed. 17 x 13ins.

Los 1

WILLIAM LIONEL WYLLIE Launching fishing boats. Etching. Signed. 8 1/2 x 19 1/4ins.

Los 1

WILLIAM LIONEL WYLLIE Shipping. Etching. Signed. 8 1/2 x 19 1/2ins.

Los 1

EDWARD BOUVERIE HOYTON Rocking Stone, Isles of Scilly. Etching aquatint. Signed and dated 1942. 14 x 21ins.

Los 1

GEOFFREY GARNIER Seventy-Fours returning to harbour. Etching aquatint. Signed and numbered five from an edition of 100. 13 x 17ins. Together with a similar work by the same.

Los 1

EDWARD BOUVERIE HOYTON The baths of Caracalla. Etching. Signed. 10 x 13 1/4ins.

Los 1

GEOFFREY GARNIER A Cornish carn. Etching. Signed and inscribed. 12 x 18ins.

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  • 78472 Los(e)
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