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78475 Los(e)/Seite
Los 198
William Holman Hunt, Abundance of Egypt, original etching in black ink, signed in the plate with artists name, only issued edition for the Art Union 1857, ex William Weston Gallery Royal Arcade Albermarle Street London, glazed oak frame, (excluding frame and mount : 20cm x 16.5cm) slight discolouration to top left side, paper label verso
Los 645
Central Bank of Ceylon, a initial engravers workings on transparent acetate showing the outlines of plate designs for a proposed 2 Rupees, c.1980, outline of the portrait W. R. D. Bandaranaike, design similar to the 50 and 100 Rupees of 1970, each of these is unique and they are remarkable survivors, as most were simply treated as printers waste Pick 77 for design £100-£150 --- This item is photographed on a white background to show it properly, but is an etching on transparent acetate (plastic). No returns will be accepted on grounds of failing to read or understand the description.
Los 903
Banque du Liban, an initial engravers working on transparent acetate showing the outline of a plate design for the reverse 500 Livres, 1988, showing the outline of the design as issued, each of these is unique and they are remarkable survivors, as most were simply treated as printers waste TBB B510, Pick 68 for type £80-£120 --- This item is photographed on a white background to show it properly, but is an etching on transparent acetate (plastic). No returns will be accepted on grounds of failing to read or understand the description.
Los 108
AR * Tunnicliffe (Charles Frederick, 1901-1979). The Sitting Hare, 1926, etching on laid paper with partial watermark, printed with plate tone, from the published edition of 75 impressions, signed and numbered 39/75 in pencil, plate size 13.7 x 18.7 mm (5.4 x 7.3 ins), sheet size 17 x 21 cm (6 3/4 x 8 1/4 ins), the sheet untrimmed, hinge-mountedQTY: (1)NOTE:Provenance: From the Collection of Robert Gilmor (1936-2022).Meyrick & Heuser, Charles Tunnicliffe: Prints : A Catalogue Raisonne? (2017), 29.
Los 117
* Austen (Winifred Marie Louise, 1876-1964). Shrewmouse, etching, signed in pencil lower right, titled lower left 12.5 x 15.5 cm mount aperture, framed and glazed, together with Leighton (Clare, 1898-1989). Blackbird fledgling, wood-engraving, signed lower right, numbered 2/30, 4.5 x 7.5 cm mount aperture, framed and glazedQTY: (2)
Los 123
* Carreck (Libby, 20th century). Wild Poppies, colour etching, titled, signed and numbered '67/250', framed and glazed, together with 17 other engravings, etchings, and pencil drawings by artists including: M.J. Mott, G Brender à Brandis, D. Hackman, Roybooney, A. Swan, Boyd Hanna, Christopher Cunliffe, H.J. Jackson, Anne Haywad etc., sizes from 6 x 6 cm to 29 x 23.5 cmQTY: (18)
Los 135
* McEwen (Rory, 1932-1982). Spring Wind, 1978, etching and aquatint on paper, signed in pencil and dated lower right, titled and numbered 44/150, mount stain, some light toning and few tiny spots, plate size 23 x 56.5 cm, mounted, framed and glazed (42.5 x 73 cm), with Christie's Certificate of Authentication (undated)QTY: (1)
Los 209
* Mezzotint Drolls. Laurie (R. & Whittle J. publishers). Affection, 20th July 1801, mezzotint printed in colours, eight lines of verse below the image, 360 x 255 mm, framed and glazed, together with Sayer (R. & Bennett J. publishers). Scene in the School for Scandal. "Lady Teazel by all that's Damnable" 1783, mezzotint with contemporary hand colouring, slight creasing and toning, 355 x 255 mm, framed and glazed, with Darly (Matthew). Tight Lacing or Hold Fast Behind, 1777, hand-coloured etching, slight toning, 350 x 245 mm, framed and glazedQTY: (3)
Los 218
* Rowlandson (Thomas). Peace and Plenty, Thomas Tegg, 1814, etching with contemporary hand-colouring, slight staining, 350 x 250 mm, framed and glazed, together with Heath (William). The Guard wot Looks after the Sovereign, Thomas McLean, 1829, etching with contemporary hand-colouring, some staining, 350 x 245 mm, framed and glazed, with Elmes (William). The Yankee Torpedo, Thomas Tegg, circa 1813, etching with contemporary hand-colouring, trimmed inside plate marks and laid on later card, 240 x 340 mm, framed and glazedQTY: (3)
Los 361
Wilson (Timothy). The Golden Age of Italian Maiolica-Painting, catalogue of a private collection, 1st edition, Turin: Allemandi, 2018, numerous colour illustrations, original cloth in dust jacket, covers very lightly rubbed to head & foot, large 4to, together with:Bromberg (Ruth), Canaletto's Etching, revised and enlarged edition of the catalogue raisonné, San Francisco: Alan Wofsy Fine Arts, 1993, numerous monochrome illustrations, original cloth in dust jacket, small mark to the front cover, large 8vo, plusFried (Michael), The Moment of Caravaggio, 1st edition, Princeton: University Press, 2010, numerous colour illustrations, original cloth in dust jacket, large 4toAfter Caravaggio, 1st edition, New Haven: Yale University Press, 2016, numerous colour illustrations, original cloth in dust jacket, 4to, andNorman (Diana, editor), Siena, Florence and Padua, art, society and religion 1280-1400, 2 volumes, New Haven: Yale University Press, 1995, numerous colour & monochrome illustrations, both in original wrappers, large 8vo, plus other Italian Renaissance & Old Master art reference & related, mostly original cloth in dust jackets, some paperbacks, G/VG, 8vo/folioQTY: (6 shelves)
Los 95
* Segerstrale (Lennart, 1892-1975). Hare/Vinterlandskap,1924, etching, signed to lower left margin, artist's proof, image size 16 x 22 cm, sheet size 29.5 x 39 cm, hinge-mounted, together with A pair of geese, 1926, etching, signed to lower right margin, artist's proof, image size 16 x 24 cm, sheet size 27 x 37.5 cm, a little light marginal spotting and toning, mounted, plus Geese departing, etching, signed to lower right margin, artist's proof, image size 16 x 23.5 cm, sheet size 27 x 37.5 cm, light marginal spotting, mounted QTY: (3)NOTE:From the Collection of Robert Gilmor (1936-2022).
Los 161
A Baume incabloc 17 jewels gold tone wristwatch. The watch having a circular champagne coloured dial with gold tone baton & elongated Arabic numeral indices, subsidiary dial to six & dauphine style hands to a bracelet strap. Personalised etching to verso. Ticking when movement applied, hands wind & set. Total weight approx 51.3g. Case including crown measures approx 3.5cm.
Los 60
Italian school of the second half of the 18th century."Possible sketch for the series of Funeral Monuments".Ink on paper.With old inscription in graphite.It has a drawing on the back.Provenance: private collection conceived since the 70s between London and Madrid.Measurements: 36 x 25,4 cm.The work is very reminiscent of the series of monuments created by Piranesi, a famous engraver. After studying architecture, he studied etching with Giuseppe Vasi in Rome. In 1743 he published his first series of prints, "Prima Parte di Architettura e Prospettiva". Produced at the age of 23, it already revealed his mastery as an engraver. Combining descriptive zeal and fantasy, his interpretations of ancient Roman monuments made an important contribution to the development of neoclassicism. In the collection "Carceri d'Invenzione" he transformed the ruins into vast dungeons full of passages and steep staircases that would greatly influence Romanticism and even Surrealism. Palatial architecture and English country houses are also indebted to Piranesi's engravings. Many plates were passed on to the present-day "Calcografia Nazionale" in Rome. In Spain, engravings by Piranesi are kept in the Biblioteca Nacional and the Museo de Bellas Artes in Valencia.
Los 16
Julian Trevelyan R.A. (British, 1910-1988), Camel Corps, 1972, etching with aquatint, signed in pencil lower right and numbered 25/250, on T.H. Saunders woven paper, printed by Studio Prints London, published by Christies Contemporary Arts, London with their blindstamp to lower right margin, H.35cm W.47.5cm, full sheet H.59cm W.77cm ARR
Los 256
Contemporary British SchoolHaiku: point of contact; Frequent II; a paireach indistinctly signed, inscribed and limited edition numbered to lower margincolour etchingsthe sights 26 x 24cm and 21 x 19cm respectively;together with another colour etching of a Scandinavian horse, signed and numbered, 23 x 22.5cm
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78475 Los(e)/Seite