§ GERALD LESLIE BROCKHURST R.A. (BRITISH 1890-1978) THREE PRINTS: ALMINA -1924; LE CASAQUIN DE LAINE; THE BLACK SILK DRESS Etching, signed in pencil to marginLE CASAQUIN DE LAINE, Etching, signed twice in plate, signed in pencil to marginTHE BLACK SILK DRESS, Lithograph, signed and dated in plate with printer's stamps to margin, signed in pencil to margin Dimensions:plate sizes 18cm x 13.5cm (7in x 5.25in); 20cm x 14.5cm (8in x 5.75in); 23cm x 16cm (9in x 6.25in) Provenance:Provenance: Private British collection Note: Gerald Brockhurst’s primary muses were Anäis Folin and Kathleen Woodward. Both sat for numerous portraits and figure studies with the aid of lavish period-style costumes and props, often in whimsical guises inspired by the heroines of Shakespeare or Greek mythology.Anäis, Brockhurst’s first wife, was the defining muse of his early portraiture. For most of the First World War the couple lived in Ireland where they befriended the artist Augustus John. During this period Brockhurst predominantly produced paintings, and was encouraged by John to adopt a freer paint-application technique.Brockhurst had experimented with printmaking in the 1910s, but it was not until the early ‘20s that he committed to etching in earnest. In a market increasingly oversaturated with etchings of landscapes and urban views, Brockhurst concentrated on portraiture, many of which were transpositions of compositions he had painted in the late 1910s and early ‘20s. He soon achieved distinction for his rendering of skin, hair and textiles with astonishing naturalism. Each composition is imbued with a refined stillness, with flesh that appears almost to glow and to possess conceivable weight and mass.From 1928 Brockhurst joined the Royal Academy Schools as a visiting teacher and met the sixteen year old Kathleen Woodward, who went by ‘Dorette’. She became his new muse, and the pair later married.In 1939 the couple moved to America where Brockhurst enjoyed great acclaim. Commissions from prominent figures including Marlene Dietrich, The Duchess of Windsor and J. Paul Getty helped crystallise his legacy as one of the most important British portrait artists of the early twentieth century. A retrospective of Brockhurst’s portraiture was held at the National Portrait Gallery in London, the Graves Gallery in Sheffield and the City Art Gallery in his native Birmingham.
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§ GERALD LESLIE BROCKHURST R.A. (BRITISH 1890-1978) OLIVER ST. JOHN GOGARTY Etching, signed in plate, signed in pencil to margin Dimensions:plate size 17.75cm x 14cm (7in x 5.5in), unframed Provenance:Provenance: Private British collection Note: Gerald Brockhurst’s primary muses were Anäis Folin and Kathleen Woodward. Both sat for numerous portraits and figure studies with the aid of lavish period-style costumes and props, often in whimsical guises inspired by the heroines of Shakespeare or Greek mythology.Anäis, Brockhurst’s first wife, was the defining muse of his early portraiture. For most of the First World War the couple lived in Ireland where they befriended the artist Augustus John. During this period Brockhurst predominantly produced paintings, and was encouraged by John to adopt a freer paint-application technique.Brockhurst had experimented with printmaking in the 1910s, but it was not until the early ‘20s that he committed to etching in earnest. In a market increasingly oversaturated with etchings of landscapes and urban views, Brockhurst concentrated on portraiture, many of which were transpositions of compositions he had painted in the late 1910s and early ‘20s. He soon achieved distinction for his rendering of skin, hair and textiles with astonishing naturalism. Each composition is imbued with a refined stillness, with flesh that appears almost to glow and to possess conceivable weight and mass.From 1928 Brockhurst joined the Royal Academy Schools as a visiting teacher and met the sixteen year old Kathleen Woodward, who went by ‘Dorette’. She became his new muse, and the pair later married.In 1939 the couple moved to America where Brockhurst enjoyed great acclaim. Commissions from prominent figures including Marlene Dietrich, The Duchess of Windsor and J. Paul Getty helped crystallise his legacy as one of the most important British portrait artists of the early twentieth century. A retrospective of Brockhurst’s portraiture was held at the National Portrait Gallery in London, the Graves Gallery in Sheffield and the City Art Gallery in his native Birmingham.
William Lee Hankey RWS RI ROI (1869-1952) The Kiss, 1917, signed lower right, blind stamped, etching, 25 x 20 cm (PL), frame 48 x 41 cm Provenance: The Collection of Mr Magdi Obeid, purchased Bonhams 29/11/2004 lot 231, label for Walker Bagshawe LondonCondition:Lot 147: The picture is an etching, framed under glazing- not examined external to the frame. The print has full margins, with blind stamp and signature present. The platemark is fully visible. Sheet is in good condition – no obvious tears, creases or faults. There is some general ageing (browning) to the sheet. Etching is clear and surface stable. The frame has general wear and tear.
After Giovanni Battista Piranesi (1720-1778)/Carceri d'invenzione/title page, second edition, 1761/etching, 55 x 42cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Scottish School, late 18th Century/Loch Archray, Perthshire/inscribed verso/oil on oak panel, 26cm x 39.5cm/an oil on panel depicting a horse, 22cm x 29cm, an oil on board depicting a church and an etching of a horse (4) CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Herbert Thomas Dicksee (1862-1942/Baffled/Wolves on a cliff/signed in pencil lower left/etching on vellum, 46.5 x 68cm CONDITION REPORT: Some noticeable damage to the sheet - most significantly there are large areas of creasing and warping around the margins of the sheet and intruding into the image itself in places. Aside from this, there is foxing throughout.
Anon/The Memorable Battle of La Belle Alliance fought at Waterloo in the Netherlands June 18th, 1815/published by W Bishop, Rolls Buildings, Fetter Lane, London/etching, 85cm x 56cm/unframed CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Roberto Matta (Chilean-Italian, 1911-2002)'L'appui de l'appui'from the 'Hom'mére IV Point d'Appui' series, 1983, etching and aquatint in colours, printed by l'Atelier Dupont-Visat, signed with artist's motif in pencil l.r., and numbered '96/100' with blind stampsheet 67 x 51cmCondition ReportFramed: 83 x 64.5cm
Roberto Matta (Chilean-Italian, 1911-2002)'L'essence de l'essentiel'from the 'Hom'mére IV Point d'Appui' series, 1983, etching and aquatint in colours, printed by l'Atelier Dupont-Visat, signed with artist's motif in pencil l.r., and numbered '96/100' with blind stampsheet 67 x 51cmCondition ReportFramed: 83 x 64.5cm
▴ Henry Moore OM CH FBA (1898-1986)'Stonehenge'etching and lithograph, a title page from the Stonehenge Suite, the etching on the title page printed by M Bass, London, and signed 'Moore' in pencil l.r., verso 'The Edition', numbered '20/60' and published by Ganymed Original Editions Limited, London, 197458 x 45cmProvenance: Purchased from Wildenstein & Co., New York. Condition ReportFramed: 71 x 58.5cmPresented in a double sided frame. Very slight cockling but appears to be in otherwsie good condition. Not viewed out of glazed frame.
▴ Lucian Freud OM CH (1922-2011)'A Couple'etching, 1982, signed with initials in pencil l.r., and numbered '25/25' l.l., printed on wove paper by Terry Wilson at Palm Tree Studios and with printer's blind stampplate 11.4 x 11.4cmProvenance: With Heffers Gallery, Cambridge; Mr Evan & Mrs Patricia Steadman - Mr Steadman was the former organiser of The Grosvenor House Antiques Fair.Condition ReportFramed: 39.5 x 34cmNot viewed out of the glazed frame. The work has been framed with an acidic mount. There is a small brown dot to the upper right quarter, please see images, but this does not affect overall enjoyment of the work. Some tiny black speckles to the background within the plate marks which appear to be ink rather than an issue with condition.
▴ Sir Howard Hodgkin CH (1932-2017)'Books for the Paris Review'etching, aquatint and carborundum in colours, artist's proof, signed with initials and dated '99' in pencil l.r., inscribed and numbered 'A/P II/X' l.l.sheet 37 x 41.5cmCondition ReportFramed: 46.5 x 51cmLight cockling but presents well overall and is ready to hang. Not viewed out of glazed frame.
Roberto Matta (Chilean-Italian, 1911-2002)'Carré-four'from the 'Hom'mére IV Point d'Appui' series, 1983, etching and aquatint in colours, printed by l'Atelier Dupont-Visat, signed with artist's motif in pencil l.r., and numbered '96/100' with blind stampsheet 67 x 51cmCondition ReportFramed: 85.5 x 68.5cm
▴ Julian Trevelyan RA (1910-1988)'Avenue of the Americas'etching and aquatint in colours, signed 'Julian Trevelyan' in pencil l.r., inscribed with title and numbered '30/50'plate 47.5 x 34.5cmCondition ReportFramed: 71.5 x 57.5cmLight cockling to the paper. Brown spots and speckles of staining throughout the margins and to the bottom of the printed area and buildings, please see additional condition images. Not viewed out of glazed frame.
▴ Richard Bawden RWS NEAC RE (b.1936)'Staircase to the Library'etching and aquatint with hand-colouring, artist's proof, signed 'Richard Bawden' and inscribed with titleplate mark 39 x 61cmProvenance: Fry Gallery, Saffron Walden, Annual Sale, November 2010.Condition ReportFramed size 58.5 x 77cmNot viewed out of glazed frame. Appears to be in good condition.
Roberto Matta (Chilean-Italian, 1911-2002)'La paix est une idée neuve'from the 'Hom'mére IV Point d'Appui' series, 1983, etching and aquatint in colours, printed by l'Atelier Dupont-Visat, signed with artist's motif in pencil l.r., and numbered '96/100' with blind stampsheet 67 x 51cmCondition ReportFramed: 85.5 x 68.5cm
▴ Richard Bawden RWS NEAC RE (b.1936)'Solitary Walk'etching and aquatint in colours, signed 'Richard Bawden' in pencil l.r., numbered '49/75'sheet 51 x 48.5cm, unframedtogether with: 'Canal Bridge near Skipton' etching and aquatint in colours, signed 'Richard Bawden' in pencil l.r., numbered '1/100'sheet 51.5 x 71cm, unframed, and'The Porch' etching and aquatint in colours, signed 'Richard Bawden' in pencil l.r., numbered '37/75'sheet 52.5 x 67.5cm, unframed (3)Condition Report'Solitary Walk': Light handling creases with some small specks of dirt to the margins. Previously rolled.'Canal Bridge near Skipton': Creasing to the margins with a diagonal fold to the bottom right corner. There is a horizontal line/ indentation along the centre of the bottom margin. Two tiny blue dots to the lower left corner. Previously rolled.'The Porch': Handling creases to the margins. Previously rolled.
▴ Anthony Gross RA (1905-1984)'Grape Pickers'etching, signed 'Anty Gross' in pencil l.r., inscribed with title and numbered '14/250' l.l.plate 18 x 34.5cmCondition ReportFramed: 51.5 x 56.5cmSome very light staining and small brown spots and speckles to the the margins but presetns well overall. Unexamined out of glazed frame.
Roberto Matta (Chilean-Italian, 1911-2002)'L'infra-rouge de la pensée brûlante'from the 'Hom'mére IV Point d'Appui' series, 1983, etching and aquatint in colours, printed by l'Atelier Dupont-Visat, signed with artist's motif in pencil l.r., and numbered '96/100' with blind stampsheet 67 x 51cmCondition ReportFramed: 85.5 x 68.5cm
▴ David Hockney OM CH RA (b.1937)'The French Shop' (Museum of Contemporary Art Tokyo 112; Scottish Arts Council 122) Etching and aquatint printed in black and red on wove paper, signed and dated 'David Hockney 71' in pencil l.r. and numbered '43/500', printed by The Print Shop, Amsterdam, and published by the Observer, Londonsheet 62.5 x 53.5cm, unframedCondition ReportSlight time staining with foxing throughout. Light handling creases with a 1cm crease mark just above the centre of the right edge. The print has been previously rolled and there is a small crease to the bottom left corner. Please refer to additional condition images.
▴ Bill Jacklin RA (b.1943)'Afternoon Skaters', 1998etching, signed 'Jacklin' in pencil l.r., inscribed with title and numbered '2/50'plate 71 x 56.5cmProvenance: Purchased from the Royal College of Art.Condition ReportFramed: 92 x 110cmNot viewed out of glazed frame but appears to be in good condition. Well presented and ready to hang.
Roberto Matta (Chilean-Italian, 1911-2002)'Ombre femelle'from the 'Hom'mére IV Point d'Appui' series, 1983, etching and aquatint in colours, printed by l'Atelier Dupont-Visat, signed with artist's motif in pencil l.r., and numbered '96/100' with blind stampsheet 67 x 51cmCondition ReportFramed: 85.5 x 68.5cm
▴ Norman Ackroyd RA (b.1938)'Walters Path'etching, signed and dated 'Norman Ackroyd 1985' in pencil l.r., inscribed with title and numbered '12/90'plate 58.5 x 88.5cmProvenance: Purchased from Christopher Mendez, London.Condition ReportFramed 80 x 108cmLight time staining. Not viewed out of glazed frame.
Peter Freeth RA,British b.1938-City Page, 1978; Midlands City; Cite Cite, 1979; In the City (Lamentation); Twilight City; (i) aquatint on wove, signed, titled and numbered 10/12 in pencil, plate: 24.6 x 20.7 cm, (ii) etching on wove, signed, titled and numbered 2/12 in pencil, plate: 9.3 x 20 cm, (iii) aquatint on wove, signed and dated in pencil, plate: 24.5 x 30 cm, (iv) aquatint on wove, signed, titled and inscribed 'AP' in pencil, plate: 38 x 49.4 cm, (v) aquatint on wove, signed, titled and numbered 3/12 in pencil, plate: 10.6 x 19.3 cm, (unframed)(ARR)(5)(VAT applied on hammer price)
Derek Boshier, British b.1937- Two People Dancing in Mexican Masks, 1983; etching on Rives Chiffon wove, initialled, dated, titled and inscribed H.C in pencil, an artist's proof aside from the edition of 50, from Vol. 1 Thirty-five Artist's Portfolio, plate: 14.4 x 22.5cm (unframed) (ARR) (VAT charged on the hammer price) Note: see Victoria & Albert museum, accession number E.619:6-1996, for similar example.
After Salvador Dali, Spanish 1904-1989 Don Quichotte, 1987; lithograph on BFK Rives, after the original 1964 etching, signed in the plate and numbered 763/1200 verso, published by Johnson & Johnson Art, New York, 1987, sheet: 66 x 50cm (unframed) Condition Report: After Salvador Dali, Spanish 1904-1989, Don Quichotte, 1987; lithograph on BFK Rives, signed in the plate numbered 763/1200 verso, published by Johnson & Johnson Art, New York, 1987, sheet: 66 x 50cm (unframed)
Collection of metalware and other items including a drypoint etching after James Power (RBA) titled 'Malines', signed in pencil, framed and glazed, acquired from with Abbott & Holder, July 2000, paper label verso, a boxed silver-plated christening mug, a copper jug with hinged cover, a pair of brass candlesticks and other items
After Jean Baptiste Vanmour (French, 1671–1737) Hand coloured etching Three early 18th century etchings from De Ferriol's 'Recueuil de cent estampes representant differentes nations du Levant', to include - plate 72 "Fille de Tine, Isle de l'Archipel", engraved by Jacques de Franssières (French, active 1715), plate 70 'Grec des Isles de l'Archipel, joüant du Taboura', engraved by G Scotin and plate 60 'Dgi-Guerdgi Albanois, qui porte au Bezestein des Foyes de Mouton pour nourrir les Chats, engraved by G Scotin, all framed and glazed, 42cm x 29cm D. Deighton (Early 20th century English School) Etching 'Sunset, Lincoln Cathedral', signed and titled in pencil, together with another by the same hand 'Brayford, Lincoln', signed and titled in pencil, both framed and glazed, 17.5cm x 22.5cm (5)
AN 18TH CENTURY QIANLONG CHINESE EXPORT PORCELAIN GRISAILLE DECORATED PLATE depicting from the etching based on the painting 'Les Oies de Frère Philippe' by Nicholas Lancret.22.5cm diameterIn good undamaged condition, no chips cracks or restoration - slight rubbing to the gilding - no major scratches.
Thomas Sutherland, British 1795-1838- Four prints including 'Capture of La Minerve', from J. Jenkins's Naval Achievements of Great Britain; hand-coloured etching, published May 1 1816, 17.1 x 26 cm, together with 3 other hand coloured etchings from J. Jenkins's Naval Achievements of Great Britain. Four (4).
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