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78475 Los(e)/Seite
Los 332
* Oxford. Nicholson (William), Wadham College, Front Quad, pub. Stafford Gallery, c.1905, lithograph signed in ink in lower left margin, blind stamp in lower right margin, slight surface dirt 260 x 350 mm, mounted, together with Radclyffe (William), South East View of the Taylor Building & University Galleries, c.1840, hand col. eng., trimmed to image, 225 x 355 mm, framed and glazed, with a good etching of Brasenose College & Radcliffe Camera, titled, blind stamped and indistinctly signed in pencil, together with another eight etchings, prints and engravings of Oxford colleges and buildings, various sizes and condition, mostly framed and glazed. Not examined out of frames. (11)
Los 406
Theatre. Three printed playbills, Theatre Royal, Birmingham, 1823, each advertising a number of forthcoming performances, incl. ‘Tom & Jerry; or Life in London’, ‘Monsieur Longuemare, the most renowned Performer in the known World on the Tight Rope’, ‘Oronoko; or, the Royal Slave’, and ‘Blood-Red Knight; or, the Fatal Bridge’, etc., each 610 x 180 mm (24 x 7 ins), each framed and glazed, together with a quantity of related ephemera, incl. a framed litho. port. of Lillie Langtry, an etching of Shylock by J. Mortimer, 1776, and a Vanity Fair print of George Bernard Shaw (creased and with closed tears) (a carton)
Los 534
A group of decorative tennis collectibles, comprising: a Victorian silver plated ashtray with tennis racquet decoration, the circular tray with raised centre surmounted by a model tennis ball and supporting cigarette rests modelled as Demon fishtail racquets, diameter 10cm., 4in; a silver plated cigarette case engraved as a prize M.A.C., TENNIS TOURNAMENT, 1ST. PRIZE SINGLES, 1913, WON BY, L.F. TURNBULL, the cover monogrammed, 10cm., 4in.; a late 19th century Continental spelter figure of boy playing tennis, the base bearing an indistinct signature, double toned bronze patina, height 32cm., 12 1/2in.; an American etching of Helen Wills at East Hampton, signed in pencil, dated 1924 in the plate, with legend reading HELEN WILLS AT EASTHAMPTON NO.1 (6 7/8" high, 4 7/8wide) PROOF IN POSSESSION OF MISS HELEN WILLS; an American colour lithograph of a lady playing tennis, published by Frederick A. Stokes Company, 1890, 27.5 by 21.5cm., 10 3/4 by 8 1/2in.; and a boxed Centenary Wimbledon Tennis Championships (1877-1977) porcelain plate by Spode, from a limited edition numbered 681 of 1,977, printed decoration incorporating details from the men's and ladies' trophies and hydrangeas, extensive gilding, diameter 27cm., 10 1/2in., complete with original box, certificate of authenticity and. sales booklet
Los 624
After Henry Alken senior SKITTLES. etching, hand coloured, published by Thomas McLean in 1820, the plate 17.5 by 22.5cm., 7 by 9in.; sold together with a French coloured engraving after Teniers, engraved by Laurent and titled 'Le Jeu De Quilles', mounted, framed & glazed, the image 25.5 by 35.5cm, 10 by 14in. (2). Provenance: The Collection of Lord Aberdare (1919-2005)
Los 653
Bernard Larjou, French 1908-1986- Head study; lithograph printed in colours, with full margins on wove paper, signed and numbered 14/35, 59x37cm: Raffi Kaiser, Israeli/French b.1931- "La Paix"; lithograph printed in colours, full sheet with margins, on Arches wove, signed and dated 1972, titled and dedicated in pencil, numbered EA, 55x76cm: together with one other lithograph by the same hand titled "A Hilda et Hilary"; etching, signed, dated 1979 and numbered HC in pencil, by the same hand: M F Crowther, late 20th century- "Petra", etching, signed, titled and numbered 2/10, (4) (unframed (may be subject to Droit de Suite)
Los 659
Pauline Macey, Irish, late 20th century- "Mountain Garden"; etching with aquatint, signed, titled and dated 1999, anointed A/P, 41x62cm: together with five other lithographs and linocuts by different hands to include Bernard Cheese and Michael Waight, (6) (unframed) (may be subject to Droit de Suite)
Los 660
Robert Batchelor, mid 20th century- "Lillies"; screen-print, full sheet printed to the edge, signed, titled and numbered 11/84, 50x58cm: together with five further etchings and lithographs by the same hand: Pip Carpenter, mid 20th Century- "Lillies"; etching printed with tone, signed, titled A/P in pencil, together with six other similar studies by the same hand, (13) (unframed) Note: Bob Batchelor was born and brought up in Georgetown, Guyana. He came to Scotland in 1946, aged 18, to study Drawing and Painting at Gray's School of Art, Aberdeen, he has lived in North East Scotland ever since. Until retiring in 1986, he was a dedicated and enthusiastic teacher, working as principal teacher of art at Harlaw Academy from 1966 to 1986.
Los 661
Myrtle Farquharson, late 20th century- "The Forbidden City- Beijing"; screenprint, A/P, titled and signed, 42x66cm: together with four other similar screenprints by the same hand: Alison Neville, Late 20th century- "Janpur Courtyard"; etching with aquatint, A/P, signed and tiled in pencil, 41x65cm, together with four other studies by the same hand, (10) (unframed) (may be subject to Droit de Suite)
Los 666
Kip Gresham, British, b.1951- "Gamma"; lithograph printed in colours, signed and dated 94, 52x58cm: together with further similar lithographs by the same hand: Ruth O'Donnell, Irish, b.1952- Still-life of pots; aquatint, A/P, signed, together with one other example by the same hand: Megan Fishpool, late 20th century- "Score Red Vonal KSZ"; etching with aquatint printed in colours, signed, (15) (unframed) (may be subject to Droit de Suite)
Los 737
Attributed to Violet M Baber Mimpriss exh 1914-1930- View of a village with a church in the distance; oil on board, 25.5x30cm: Violet M Baber Mimpriss exh 1914-1930- "Bosham Quay, Low Tide"; etching, signed, titled, numbered 1/50 and dated 1929 in pencil, 19x22cm: together with one other similar etching by the same hand, titled 'Mill, Bosham', signed, titled, numbered 10/50 and dated 1929 in pencil, 13.5x13cm: together with a portrait study in oils on canvas of a cleric, head and shoulders, signed with monogram and dated 16, 41x30.5cm., (4)
Los 789
Michael J Mounsey, late 20th century- "Simon"; drypoint etching, signed, titled, dated 1997 and numbered 1/10, 43x33cm: with one other example by the same hand, depicting a still life, signed and numbered 1/10: together with other 20th century etchings to include Cornelius McCarthy, Irish b.1935 Torso; artist's proof, signed and dated 92: Mark Clarke, late 20th Century- Nude female study; drypoint etching, signed, dated 99 and numbered 11/120:T D Pryce, Late 20th Century- "Room With a View"; etching, signed, numbered 2/50 and dated 96, (5) (may be subject to Droit de Suite)
Los 794
André Derain 1880-1954- Portrait of young woman; lithograph on Japon paper, full sheet, signed and numbered 10/25 in pencil, 57x40cm: Fernand Simeon 1884-1928- "First Communion...Paris"; drypoint etching, signed in pencil: Valdimir Silovsky 1891-1974-"St Vitus..."; etching, signed in pencil, (3) (unframed)
Los 811
* Eugenio Carmi, Italian b.1920- "Crunch"; screenprint in colours, signed, numbered 37/50 and dated '67 in pencil, 66x48cm: together with five other similar and related colour screen prints by the same hand, all signed, numbered and dated 67, 66x48cm., ea: Dolf Rieser, South African 1898-1983- "Flight Picture"; etching printed in colours, signed, titled, numbered 7=45 in pencil, 40x60: together with three other colour etching by the same hand, one depicting a bird and a flower, signed and numbered 10=50 in pencil; "Men/ (From Evolution)", signed, titled and inscribed 'Artist's Proof' in pencil; "Plants/ (From Evolution)", signed, titled and inscribed 'Artist's Proof' in pencil: Pauline Knight, mid-late 20th century- "Square Three Series Four"; aquatint printed in colours, signed, titled, numbered 2/3 and dated 1967, 53x38.5cm: Shirley Robinson 1925-1988- Town's Arms; linocut printed in colours, signed and dated 58 in pencil, 49x65cm: Ernest G Dunn, mid-late 20th century- "MacBeth"; lithograph in colours, signed, titled and numbered 43/50 in pencil, 36x48cm., (a lot, (unframed) (may be subject to Droit de Suite)
Los 845
* Richard Lacroix b.1939- "Cascades"; etching with aquatint printed colours, signed, titled, numbered 19/50 and dated 1962 in pencil, 42x39cm: Charles Bartlett b.1921- "Iron Bridge"; etching printed in colours, signed, titled and inscribed 'A/P' in pencil, 32x39cm: Frank Martin b.- "Promenade"; etching printed in colours, signed, titled and inscribed 'AP VII', 34x54cm., (3) (may be subject to Droit de Suite)
Los 189
FRED SLOCOMBE, SIGNED AND DATED 1886 TO THE IMAGE, BLACK AND WHITE ETCHING, Rural Street Scene with Figure, Horse and Cart, by Cottages, 13" x 18"; AFTER G SANDERS, ENGRAVED BY J RICHARDSON JACKSON, BLACK AND WHITE MEZZOTINT, PUBLISHED 1848, "Admiral Sir Charles Rowley Bart", 12" x 9" (A/F); and AFTER G WRIGHT, HAND-COLOURED PHOTOGRAVURE, Hunting Scene, 7" x 11" (3)
Los 380
AFTER FRED SLOCOMBE, ENGRAVED BY CHARLES WHYMPER, SIGNED BY BOTH TO THE MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1886, Wildfowler in Landscape, 14" x 21"; DOUGLAS ADAMS, SIGNED IN PENCIL TO MARGIN, TWO BLACK AND WHITE PHOTOGRAVURES, PUBLISHED 1893, Anglers Fishing from a Riverbank, 15" x 26"; Anglers Landing a Salmon, 15" x 25" (A/F) (3)
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78475 Los(e)/Seite