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Preisdatenbank abonnierenδ Julian Trevelyan (1910-1988) Lions (Turner 194) Etching with aquatint printed in colours, 1966-67, signed, titled and numbered from the edition of 250, on handmade Crisbrook paper, printed and published by Editions Alecto, London, with full margins, 504 x 623mm (19 3/4 x 24 1/2in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Julian Trevelyan (1910-1988) The White Nile (Turner 198) Etching with aquatint printed in colours, 1966-67, signed, titled and numbered from the edition of 250, on handmade Crisbrook paper, printed and published by Editions Alecto, London, with full margins, 535 x 670mm (21 x 26 3/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Hans Bellmer (1902-1975) Untitled Etching printed in colours, signed and numbered from the edition of 150 in pencil, on wove paper, with margins, 660 x 505mm (26 x 19 7/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Marc Chagall (1887-1985) L'arrivée de Tchitchikov (Chichikov's Arrival), from Les Ames Mortes (Cramer Books 17) Etching, 1923, from the total edition of 368, on Arches with the MBM watermark, printed by Louis Fort, Paris, published in 1948 by Teriade, Paris, with margins, sheet 285 x 372mm (11 1/8 x 14 5/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
A George V infantry officers sword, early 20th Century83cm straight single fullered blade, acid etch decoration of George V cypher surmounted by a crown, with pierced guard, fish skin grips with twist wire decoration, complete with metal scabbard. CONDITION REPORT: Some rusting to blade 8-12inch from tip and on acid etching, no dents to scabbard, pitting to plating of scabbard and some rusting, sword good fit to scabbard see images
Her Highness Princess Ann, mezzotint after Sir Godfrey Kneller, engraved by John Smith, 1720 plus HER HIGHNESS PRINCESS MARY (OF HESSE), mezzotint engraved by John Smith circa 1720s, plus three others similar all engraved by John Smith circa 1720s including PRINCESS CAROLINA ELIZABETH, PRINCESS AMELIA, PRINCESS AMELIA SOPHIA ELEANORA, all laid down on card plus EUGENE BEJOT: BAYONNE, etching approx 12 x14cm
Arst: Julia MillsTitle: Cornish HeadlandSize: 44 x 21 x 2cmMedium: Baulk & GlassJulia MillsAs a glass artist, I first found inspiration in Cornwall and have lived and worked in the far west since 1999, where I find inspiration in the ephemeral light of the coast. I love walking along the seashore - this constantly shifting interface between land and sea fuels my imagination and is a recurring theme in my work.Using the highest quality handmade glass sourced from around the world and enlivened by natural lines, tiny bubbles and intricate textures, I create contemporary glass art full of colour and movement. I enjoy working with the techniques of acid-etching and sand-blasting to manipulate and craft light as it falls onto the glass, experimenting with translucence, colour combinations and organic forms. Each piece transforms its surroundings with multi-faceted, colourful highlights and mesmerising reflections. DISCLAIMER: The Porthleven baulk/harbour defence wood is made (on the whole) of Douglas Fir Pine. The actual date of the wood is unknown, the wood broke on the 5th February 2014 and after that was stored outdoors in the harbour yard. Wood is a natural product that responds to temperature and humidity variations by expanding and contracting. You are purchasing a natural product as seen and the Charity the Fishermen's Mission cannot be held responsible for any changes in the wood after the auction on the 18th March 2017.
A GROUP OF SEVEN ETCHINGS BY VYACHESLAV KALININ (RUSSIAN B. 1939) a) The Birdsetching on paper plate: 15.5 x 17.5 cm (6 1/8 x 6 7/8 in.); overall: 39.3 x 31.6 cm (15 1/2 x 12 1/2 in.)signed in pencil lower rightb) Three Designs for Playing Cards, 1977 etching on paper each plate: 16 x 12 cm (6 1/4 x 4 3/4 in.); overall: 37 x 60 cm (14 1/4 x 23 5/8 in.)signed and dated in pencil lower right c) The Motherland, 1972etching on paper plate: 41 x 32.5 cm (16 1/4 x 12 5/8 in.); overall: 62 x 40 cm (24 1/2 x 15 3/4 in.)monogrammed and dated in plate; signed in pencil lower rightd) The Rodovo Dream, 1972tinted etching on paperplate: 50 x 65 cm (19 5/8 x 25 5/8 in.); overall: 60 x 75.5 cm (23 5/8 x 29 3/4 in.)inscribed and dated in plate Grav Kalinin V. V. / Okt 1972 / Der. Rodovo; signed in pencil lower right e) Bach`s Prelude, 1975 tinted etching on paper plate: 64.5 x 49.5 cm (25 3/8 x 19 1/2 in.); overall: 75.5 x 60.5 cm (29 3/4 x 23 7/8 in.)signed, titled and dated in plate; signed in pencil lower right; bearing a gifting inscription on versof) Hunters in an Abandoned Village, 1975 tinted etching on paper plate: 65 x 49.5 cm (25 5/8 x 19 1/2 in.); overall: 76.7 x 60 cm (30 1/4 x 23 5/8 in.)signed, titled and dated in plate; signed in pencil lower right; bearing a gifting inscription on versog) The Head of St. John, 1972 tinted etching on paper plate: 65 x 49.5 cm (25 5/8 x 19 1/2 in.); overall: 75.5 x 56 cm (29 3/4 x 22 in.)signed and dated in plate; signed in pencil lower right
John Piper (British 1903-1992): 'Nude I', limited edition etching (Levinson 389) signed and numbered 17/70 in pencil, pub. 1986, 72cm x 51cmProvenance: with the Goldmark Gallery Uppingham UK, label versoDDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
Piers Browne (b.1949) ''The Oak is left that grew beside their door...'' Wordsworth, signed in pencil, inscribed and dated (19)91, etching, together with two further etchings by the artist ''Against the Mountain Blasts'', ''The ruined sheepford, from Michael by Wordsworth'', 15cm by 18cm, 14cm by 17.5cm and 13.5cm by 17cm respectively (3)
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