78472 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenStanley William Hayter Albatross (B&M. 365) etching in colours, 1973, on BFK Rives, signed and dated in pencil, numbered 99/100 (there were also 25 artist's proofs), published by Editione M'Arte, Milan, with full margins, a tiny tear at the lower sheet edge, soft creasing in the margins, otherwise in good condition P. 491 x 513mm., S. 550 x 750mm.
David Hockney In an old book, from Fourteen Poems by C.P. Cavafy (Scottish Arts Council 6) etching, 1966, on Crisbrook, signed and dated in pencil, numbered 40/75 (there were also fifteen artist's proofs), published by Editions Alecto, London, with full margins, light- and mount-staining, a stain in the upper left margin on the plate mark but not extending into the image, remains of old tape to the left and right sheet edges on the reverse, other minor blemishes, framed P. 470 x 335mm., S. 560 x 400mm.
David Hockney The carpenter's bench, a knife and fire, from Illustrations for six fairy tales from the Brothers Grimm (S.A.C. 24) etching and aquatint with drypoint, 1969, on Hodgkinson, signed in pencil, numbered 43/100, published by Petersburg Press, London, with margins, pale scattered foxing mainly in the image and to the reverse, light-staining and remains of old glue in the margins P. 153 x 172mm., S. 292 x 293mm.; and Corpses on Fire (S.A.C. 22), from the same series, signed in pencil, numbered 72/100 (2)
David Hockney Made in April, from The Blue Guitar (S.A.C. 209) etching and aquatint in blue and red, 1977, on wove paper, signed in pencil, numbered 10/200 (there were also 37 artist's proofs), published by Petersburg Press, New York and London, with full margins, in very good condition P. 345 x 425mm., S. 460 x 530mm.; and The Blue Guitar (S.A.C. 199), frontispiece from the same series (2)
David Hockney In a chiaroscuro, from The Blue Guitar (S.A.C. 207) etching and aquatint in colours, 1976-77, on wove paper, signed in pencil, numbered 10/200 (there were also 37 artist's proofs), published by Petersburg Press, New York and London, with full margins, in very good condition P. 345 x 425mm., S. 460 x 530mm.
David Hockney Figure with still life, from The Blue Guitar (S.A.C. 208) etching and drypoint in colours, 1976-77, on wove paper, signed in pencil, numbered 10/200 (there were also 37 artist's proofs), published by Petersburg Press, New York and London, with full margins, in very good condition P. 425 x 345mm., S. 530 x 460mm.
David Hockney What is this Picasso, from The Blue Guitar (S.A.C. 218) etching and aquatint in colours, 1976-77, on wove paper, signed in pencil, numbered 10/200 (there were also 37 artist's proofs), published by Petersburg Press, New York and London, with full margins, in very good condition P. 345 x 425mm., S. 460 x 530mm.
David Hockney It picks its way, from The Blue Guitar (S.A.C. 202) etching and aquatint in blue and red, 1976-77, on wove paper, signed in pencil, numbered 10/200 (there were also 35 artist's proofs), published by Petersburg Press, New York and London, with full margins, in very good condition P. 345 x 425mm., S. 460 x 530mm.
Jaspar Johns (b.1930) Wallace Stevens, Some Poems, The Arion Press, San Francisco, 1985 (Field 234) etching and aquatint, on laid paper, with title, text and justification, signed in pencil, inscribed 'S' on the justification, from the edition of 26 numbered alphabetically (there was also a numbered edition of 300), with full margins, in very good condition, bound in pale grey covers, in a blue box with the title printed in silver on the spine S. 335 x 250mm. (overall); and Susan Sontag, Dancers on a Plane: John Cage, Merce Cunningham, Jaspar Johns, Anthony d'Offay Gallery, London, 1989, the book, signed in black ink by Cage, Cunningham and Johns on the frontispiece, number 108/200(books) (2)
Donald Judd [Untitled] etching, 1978, on wove paper, signed and dated in pencil, numbered 19/75, published by Styria Studio, with margins, two repaired splits in the upper right margin, a short abrasion running through the signature, a little soft creasing, otherwise generally in good condition, framed P. 560 x 685mm., S. 760 x 885mm.
Leon Kossoff Fidelma and Eoin etching printed with tone, 1988, on wove paper, signed and dated in pencil, inscribed 'A/P', with margins, four hard creases in the right margin, other soft creasing, unexamined out of the frame P. 505 x 460mm., S. 770 x 580mm.; with another etching and aquatint, 1978, signed and dated in pencil, inscribed 'T/P' (2)
Roberto Matta (1911-2002) Seven plates, from Les Oh! Tomobiles (Ferrari 60 - 69) etching and aquatints in colours, 1973, on japon nacre, each signed in pencil, numbered 66/100 (there were also 25 hors commerce copies), published by G. Visat, Paris, with full margins, the upper sheet corners glued to the backing on the reverse, the occasional fox mark in the margins, otherwise generally in good condition P. 420 x 558mm., S. 515 x 660mm.; and a lithograph in colours, signed in pencil, numbered 89/180 (8)
Victor Pasmore Untitled (Lynton page 140) etching and aquatint in brown and black, 1974, on wove paper, signed in pencil, inscribed A/P, one of twenty proofs aside from the edition of 55, published by Marlborough Gallery Inc, New York, with full margins, overall pale scattered foxing, staining and discoloration to the upper and lower sheet edges, other minor blemishes P. 375 x 375mm., S. 608 x 718mm; with Spiral Motif, etching and aquatint in brown, signed in pencil, inscribed A/P (2)
Victor Pasmore Two plates, from Metamorphosis (Linear Motifs) - A Suite of Eight Images (B&L. 57.1-2) two etching and aquatints in colours, 1971, on wove paper, each signed in pencil, proofs aside from the numbered edition of 55, published by Marlborough Graphics, London, with full margins, a little minor surface dirt and discoloration in the margins, otherwise in very good condition P. 292 x 374mm., S. 610 x 712mm. P. 273 x 371mm., S. 610 x 712mm. (2)
Victor Pasmore Blue Development (B&L. 44) etching and screenprint in blue and black, 1974, on wove paper, signed in pencil, a proof aside from the numbered edition of 60, published by Marlborough Graphics, with full margins, a pale band of discoloration to the extreme right sheet edge, a few very pale fox marks in the lower margin, otherwise in good condition P. 705 x 606mm., S. 375 x 375mm.
Victor Pasmore Senza Titolo IV (L. 57) etching and aquatint in colours, 1989, on Fabriano paper, signed and dated in pencil, numbered 77/90 (there were also fifteen artist's proofs), published by Marlborough Graphics Ltd, London, with full margins, a few scattered fox marks in the left margin, otherwise apparently in good condition, unexamined out of the frame P., 495 x 995mm, S. 700 x 1400mm
Victor Pasmore Blue Mandala (B&L. 66) etching and aquatint in colours, 1978, on wove paper, signed and dated in pencil, numbered 83/90, published by 2RC Workshop, Rome, with full margins, hard creases to the upper left and lower right sheet corners, general creasing to the printed surface and in the margins, a fox mark in the lower left corner of the image, otherwise generally in good condition P. 520 x 520mm., S. 750 x 991mm
Antoni Tapies Les Quatre Coins (G. 232) etching and aquatint in black and grey, 1970, on wove paper, signed in pencil, numbered 15/75, published by Maeght Editeur, Paris, with full margins, a little soft creasing at the upper sheet edge, otherwise in good condition P. 350 x 500mm., S. 580 x 775mm.
Antoni Tapies Jean Fremon, Equation, Daniel Lelong, 1987 the set of five aquatints in colours, on Arches, with title, text and justification, the first and last etching signed in pencil, number 8 from the edition of 25 (there was also an edition of 50 and 20 hors commerce copies), printed to the edges of the full sheets, in very good condition, loose in paper covers, within brown paper-covered boards and slipcase, in very good condition(portfolio)S. 315 x 250mm. (overall)
Joe Tilson Air Mantra (V.A.G. 50) etching and aquatint in colours with collage, 1979, on wove paper, signed and dated in pencil, numbered 37/75, published by Waddington Graphics, London, with margins, a tiny tear at the right sheet edge, a little soft creasing in the margins, otherwise apparently in good condition, unexamined out of the frame P. 745 x 835mm.
Joe Tilson Eye Mantra (V.A.G. 51) etching and aquatint in colours with collage, 1979, on wove paper, signed and dated in pencil, numbered 70/75, published by Waddington Graphics, London, with margins, a short hard crease in the upper left margin, soft creasing at the sheet edges, otherwise apparently in good condition, unexamined out of the frame P. 745 x 835mm.
David Wurtzel Dante's Inferno, published by the artist, Florence, 1976 the set of eight etching and aquatints in colours, on Arches, with handwritten justification, each signed and titled in pencil, numbered 11/25, with full margins, in very good condition, loose in a beige solander folder P. 330 x 400mm., S. 495 x 640mm.
Damien Hirst (b. 1965) Global-a-go-go (for Joe), from In a spin, the action of the world on things: Volume I etching and aquatint in colours, 2002, on wove paper, signed in pencil, from the edition of 68, published by C. Booth-Clibborn and the Paragon Press, London, the full sheet, in very good condition, framed Image: 27 x 26in. (70.5 x 67cm.), Sheet: 36 x 28in. (91.5 x 71cm.)
Damien Hirst (b. 1965) My Way, from In a spin, the action of the world on things: Volume I etching and aquatint in colours, 2002, on wove paper, signed in pencil, from the edition of 68, published by C. Booth-Clibborn and the Paragon Press, London, the full sheet, in very good condition, framed Image: 23 x 15in. (60 x 40cm.), Sheet: 36 x 28in. (91.5 x 71cm.)
Loading...
![Donald Judd [Untitled] etching, 1978, on wove paper, signed and dated in pencil, numbered 19/75, published by Styria Studi](http://lot-images.atgmedia.com/SR/10058/2307177/365-6-10058_468x382.jpg)
