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Los 669

Henry Moore (1898-1986) - 'The Show Sheep', etching, signed to lower right, and numbered PL VIII 54/80 lower left, 19 x 25 cmARR may be applicable

Los 670

Henry Moore (1898-1986) - 'Ready for Shearing', etching, 1974, pencil signed to lower right and numbered PL IX 54/80 lower left, 20.5 x 24.5 cm c/w receipt of purchase from Fischer Fine Art Limited London dated 1975ARR may be applicable

Los 671

Henry Moore (1898-1986) - 'Sheep back view', etching, pencil signed to lower right margin and numbered PL X 58/80 lower left, 21 x 19 cmARR may be applicableGood condition including frame

Los 691

Graham Clarke (b 1941) - 'It's a Doge's Life on the Grand Canal', ltd ed etching numbered 287/400, pencil signed to lower right margin, 54 x 68 cmARR may be applicable

Los 698

Dame Laura Knight (1877-1970) - 'Watching the Aerial Act', etching, pencil signed to lower right margin, 30 x 20 cm (loose, unframed and unmounted)ARR may be applicable

Los 972

Five various pairs of spurs to/w three silver-mounted whips and crops, a Swaine & Co crop with carved bone handle, a coloured etching of a Hunt by Tom Carr 'Forrard Away' and a pewter insulated jug, Adams, Hallcock & Co 1871 patent

Los 107

* Gillray (James). Sans-Culottes Feeding Europe with the Bread of Liberty, published H. Humphrey, Jany. 12th. 1793, hand coloured etching, slight overall toning, 305 x 365 mm, mounted, framed and glazed, together with A Burgess of Warwick Lane, published H. Humphrey, July 3rd. 1795, etching with contemporary hand colouring, 245 x 155 mm, mounted, framed and glazed (Qty: 2)NOTESThe first described item shows five vignettes, with a central group of John Bull, caught between Sheridan and Fox, who are forcibly feeding him with the bread of liberty. Both of the politicians are depicted as ragged and bare-legged sans-culottes, wearing bonnets-rouges. Each forces a small loaf inscribed 'Liberty', on the point of a dagger, into John's gaping mouth and at the same time picking his pockets. In the background, standing on a barren plain, are a gibbet with a hangman's noose and the ruins of Temple Bar. The other groups show French sans-culottes despoiling 'Holland', 'Savoy', 'Germany' & 'Prussia', and 'Italy'.

Los 117

* Piranesi (Giovanni Battista, 1720-1778). Veduta interna dell'antico Tempio di Bacco, from the Vedute di Roma, 1767, etching on laid paper, laid down on later backing card, some surface marks and minor wear, plate size 42.6 x 60.9cm (16.75 x 24 ins), sheet size 49.5 x 64.5 cm ( 19.5 x 25.4 ins), framed and glazed (Qty: 1)

Los 124

* Topographical views. A mixed collection of twenty-five views and plans, mostly 18th & 19th century, engravings and lithographs of British & foreign topographical views and plans, including Buck (Samuel & Nathaniel). The South-west prospect of the City of Carlisle, the South-west prospect of the City of Durham [and] the South prospect of the city of Berwick upon Tweed, circa 1745, together three uncoloured engraved panoramas, some wear and old sellotape stains, each approximately 310 x 810 mm, together with four uncoloured engraved aerial prospects by J. Kip, with Rossini (Luigi). Veduta dell' Interno del Tempio di Claudio in oggi S. Stefano Rotondo sul Monte Celio, published Rome, 1822, uncoloured etching, 360 x 490 mm, plus Vertue (G.). The North West View of Gainsborough in the County of Lincoln, 1747, uncoloured engraved panorama after N. Drake, trimmed to image with several marginal closed tears and some dust soiling, 410 x 600 mm, plus others similar, mostly large format, various sizes and condition (Qty: 25)

Los 247

* South Sea Bubble. The Bubbler's Medley, or a Sketch of the Times: Being Europe's Memorial for the Year 1720, printed for Carington Bowles, No. 69 in St. Paul's Churchyard, London, circa 1765-80, etching on laid paper, watermarked, trimmed just inside plate mark, bears the number 23 to lower right corner, sheet size 33 x 24.5 cm (13 x 9.75 ins) (Qty: 1)NOTESProvenance: From the estate of John Lawson (1932-2019). A satirical print on the South Sea Bubble or financial crisis in England of 1720, first published by Thomas Bowles in the same year, and reprinted by his nephew Carington Bowles some time between 1764 and 1793 when Carington was in business. The image comprises a variety of trompe l'oeil printed broadsides, playing cards and ballads, as well as an anamorphic image of a man on a horse to the lower right corner. The South Sea Company was a joint stock company created as a public/private partnership, whose stock rose purely on speculation and rumour, aided by insider trading and bribery of politicians, only to crash spectacularly in 1720, severely impoverishing many of its investors, including Sir Isaac Newton.

Los 69

La grande chasse. Etching. Cm 46,00 x 20,00. Publication: Lieure J., Catalogue de l'ouvre gravè de Callot, Editer par de la Gazette Des Beaux Arts, n. 353. . Frame present

Los 492

William Lionel Wyllie (1851-1931), St. Malo, drypoint etching, signed in pencil, 17cm x 24cm

Los 493

William Lionel Wyllie (1851-1931), Flotilla of gunships in the Channel, drypoint etching, signed in pencil, 21cm x 38cm

Los 494

Harold Wyllie (1880-1975), Tall ship moored in a harbour, etching, signed in pencil, 18cm x 32cm

Los 495

George Soper (1870-1942), Timber hauling, Devon, drypoint etching, signed, 17cm x 19cm, labelled versoProvenance: Graham Bentley Watercolours, Warwickshire. Purchased 2009 at a cost of £380.

Los 496

George Soper (1870-1942), The coal wharf, Topsham, drypoint etching, signed in pencil, 15cm x 27cmProvenance: Graham Bentley Watercolours, Warwickshire. Purchased in 2011 at a cost of £300

Los 499

Arthur Goodwin (d. 1989), The Cathedral, Chester drypoint etching, circa 1920, 16.5cm x 23cmProvenance: Graham Bentley Watercolours, Warwickshire. Purchased 2012 at a cost of £115.

Los 501

Herbert Dicksee (1862-1942), Prowling leopard, drypoint etching, dated 1922, signed in pencil, with blind stamp, 22cm x 41.5cm

Los 608

John Coughlan (b. 1932)"William Butler Yeats," Etching, Lim. Edn., 99 (100) copies, approx. 46cms x 36cms (18" x 14"), in oak frame. (1)

Los 379

An interesting etching signed by the Artist to the mount, together with one other

Los 157A

PARMIGIANINO (1503 - 1540) ETCHING - TWO PUTTI SQUEEZING GRAPES INTO A BOWL, 1772ARTIST: PARMIGIANINO (1503 - 1540)ENGRAVED BY BENIGNO BOSSI (1727 - 1797)

Los 173

NATURE DISPLAY'D, SHEWING THE EFFECT OF THE CHANGE OF THE SEASONS ON THE LADIES GARDEN' BY JAMES GILLRAY, PUBLISHED BY HANNAH HUMPHREY HAND-COLOURED ETCHING, PUBLISHED 22 MAY 1797 9 7/8 IN. X 9 7/8 IN. (252 MM X 252 MM)

Los 174

SAMUEL IRELAND ETCHING BASED ON A WORK BY JOHN HAMILTON MORTIMER FROM 1790s

Los 175

ETCHING BY C. GREGORI AFTER A. D. GABBIANI ETCHING BY G. B. GALLI AFTER A. D. GABBIANI

Los 178

SALVADOR DALI NUMBERED SIGNED LIMITED EDITION ETCHING 31/75 FROM 1970

Los 96

HAND-COLOURED ETCHING ON WOVE ca.1912 ARTIST PROOF - GEORGES BARBIER 1882-1932 - FRANCE

Los 98

THEATRE - HAND-COLOURED ETCHING ON WOVE ca.1912 ARTIST PROOF - GEORGES BARBIER 1882-1932 - FRANCE

Los 550

J McNeal Whistler, a black and white etching entitled "Chelsea"

Los 551

Joseph Pennell, black and white etching "On The River"

Los 700

Tim Bulmer (1958-), Volley Queen, hand painted etching, framed and glazed, overall 50 x 39 cm

Los 701

Osiah Masekoameng (South African 1965-), Rural worker, etching, signed and dated '97', framed and glazed, 32 x 40 cm

Los 730

Elevation of the entrance facade, Roehampton House, etching from Colen Campbell, Vitruvius Britannicus (London, 1715), framed and glazed, 64 x 56 cm

Los 29

CHARLES PATRICKSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (21/850) COLOURED PRINT, PIN MILL, 25 X 36CM, TOGETHER WITH A FURTHER BLACK AND WHITE ETCHING OF NORWICH BY A DIFFERENT ARTIST (2)

Los 679

A framed pencil signed etching together with a pencil signed sketch of a mountainous landscape

Los 883

A pencil signed black and white etching by Edward Cherry; various booklets etc

Los 656

An etching after Leonard Brewer, The Shambles, Manchester, signed and dated 1911, 13in x 11in

Los 620

FRANK BRANGWYN (1867-1956) The Fairground, etching, signed in pencil in the margin, 19.5cm x 20.5cm

Los 622

VICTORIA CROWE (20TH CENTURY SCHOOL) Head & chalice, etching, with gold leaf, signed, titled and numbered 5/35 in the margin, 20cm x 29.5cm

Los 409

Herbert Thomas Dicksee (1862-1942), etching, Ploughing scene, signed in pencil, 24 x 55cm

Los 415

Walter Sickert (1860-1942), etching, Street scene, possibly Camden, signed in pencil, 13.5 x 9cm

Los 616

* FRANK HENRY MASON (BRITISH 1875 - 1965), SAILING SHIP OFFSHORE etching, signed in pencil 20cm x 37cm Mounted, framed and under glass

Los 684

CHARLES A VANDERHOOF (AMERICAN 1853 - 1918), NEW YORK WATERFRONT SCENE etching, signed in pencil 20.5cm x 31cm Mounted, framed and under glass

Los 713

SIR DAVID YOUNG CAMERON RA RSA (SCOTTISH 1865 - 1945), CASTLE MOYLE (MOIL) etching, signed in pencil; initialled in the plate 17cm x 27cm Mounted, framed and under glass

Los 718

HEDLEY FITTON (BRITISH 1859 - 1929), HEVER CASTLE etching, signed in pencil, further signed in the plate 34cm x 21cm Mounted, framed and under glass Label verso: George Davidson, 123 Sauchiehall Street, Glasgow

Los 719

SIR DAVID YOUNG CAMERON RA RSA (SCOTTISH 1865 - 1945), THE SYCAMORE etching, signed in pencil; initialled in the plate 15.5cm x 12cm Mounted, framed and under glass Label verso: George Davidson, 123 Sauchiehall Street, Glasgow

Los 2063

An unsigned Oil on board depicting a mare and foal, a framed Frank Wright print of three horses in a river drinking and an Etching of a tacked up horse with dogs and hunting birds.

Los 2104

An Albany Howarth unframed pencil signed Etching of Kings College, Aberdeen.

Los 2145

A limited edition Etching 'Blue Sentineil', no. 83/100.

Los 2207

Halstead, a signed etching, 8" x 10" and a pen and ink drawing of Whittington Castle, signed G.H. Eldred 1900, 7 3/4" x 12".

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