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78472 Los(e)/Seite
Los 2767
Mark Millmore (British B.1956) - Cattle Crossing, signed limited edition coloured etching on paper, 25.5 x 48cm approx visible sheet size, together with two embroidered batik pictures of Indian style elephants with Howdahs, a pair of batik paintings on silk of fish, indistinctly signed and dated 89 and 90, and a watercolour of flowers in a trough, signed Muriel Buckler (6)
Los 2785
Felician Rops (1833-1898) Head of a long-haired character in a cap, monochrome etching, signed to plate, sheet size 38 x 33 cm, unframed (with surface tears), together with William Monk (1863-1937) sepia etching of country house, watercolour of a girl sewing signed M T Moore, etching of a landscape signed John Fullwood, watercolour design for a stained glass window, etc, all unframed (collection)
Los 2788
Suzuki Harunobu (1724-1770) woman with vase of iris, woodblock print, 23 x 16 cm together with R M Stewart (19th century school) pair of oil paintings on canvas of women in landscape settings, both signed and dated 1886, in gilt frames, A M Dyson, View of the Church and War Memorial, Wotton-under-Edge, signed limited edition etching and a watercolour of a landscape with church, signed Jones and dated 77, all framed (5)
Los 357
Late 19th century school - Study of a terrier with three dead rats in a barn interior setting, oil on board, unsigned, of oval form, 36cm max approx, together with a further oil painting on board of a terrier catching a rat, unsigned, 19 x 24cm approx, a further similar oil painting on board of a terrier inspecting a rat in a trap, 13.5 x 19cm and a black and white etching after J Yates Cannington of two terriers swimming in a river in pursuit of a rat, 14 x 29.5cm approx, all framed (4)
Los 462
Tom Maxwell (Scottish, 1874-1937), Etching on paper, The Clyde Trust building seen from the deck of a ship, Signed lower margin, 18cm x 25.5cm, Framed and glazed, With C. Martyn (British, 20th century), Two etchings on paper (framed together), 'The Tower Bridge, London' and 'St Paul's Cathedral From Bankside', Each signed and titled lower margin, gallery labels verso, 32.5cm x 41.5cm overall, Framed and glazed, And a further etching on paper, Bridge over a river (probably the Stirling bridge), Indistinctly signed and blind stamped lower margin, 17cm x 26cm, Framed and glazed (3) For condition information please view this lot on our website HERE.Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com
Los 230
* ALEXANDER ROY GIBSON (SCOTTISH 20TH CENTURY), OLD BUCKHAVEN hand coloured etching, signed and titled in pencil 16cm x 20cm Mounted, framed and under glass, along with two hand coloured etchings of East Bay, and Parish Church, Dunoon, and an etching of the Broomielaw, Glasgow, all by the same artist, also a pen and ink drawing signed M.Davey (5)
Los 956
WILLIAM LIONEL WYLLIE RA, RBA, RI, RE, NEA (BRITISH 1851-1931) HMS DREADNOUGHT MOORED IN PORTSMOUTH HARBOUR 1912 Drypoint etching, signed artist's proof, 18 x 25cm (7 x 9 3/4") CONTINENTAL SCHOOL (19TH CENTURY) Shipping On The Mediterranean Watercolour with gouache, 16 x 27cm (6 1/4 x 10 1/2") (2) Condition Report: WILLIAM LIONEL WYLLIE:. The paper shows signs of general discolouration throughout over the image and margins. . CONTINENTAL SCHOOL (19TH CENTURY):. Areas of acid discolouration affecting the areas vertically down the right hand section and to a lesser extent upper middle left area in proximity to the edge. .
Los 998
THE DISTRICT OF MENTEITH BY R B CUNNINGHAME GRAHAM - WITH ILLUSTRATIONS BY SIR D Y CAMERON Signed by Sir D. Y. Cameron and R. B. Cunninghame Graham and numbered 146 from the edition of 250 with original signed etching 'Lake of Menteith' by Sir D. Y. Cameron Publisher - Eneas Mackay (1930) Provenance - The Estate of the late Tom H. Shanks RSW, RGI, PAI (1920-2020) Condition Report: Available upon request
Los 1352
Allan GWYNNE-JONES (1892-1982)Lambs on a hillside 1927Etching21.5x29cmSigned & dated in pencilFrom the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Los 1356
Stanley Roy BADMIN (1906-1989) Addington, Surrey 1928Etching 5/4016x27.4cmSigned & titled in pencilAlso annotated in pencil: Addington, Kent 'Surrey' near Croydon 5/401927-281975 Now very much swamped by development a proof of this is in the pub 'Cricketers'From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Los 1357
Stanley Roy BADMIN (1906-1989) Elms at West Wickham 1925Etching 32/40Numbered, signed & titled in pencil14.5 x 20.2cmExhib. Fine Art Society Feb 1933 no 58. £2.12.6dAlso illustrated Philadelphia Record Nov 25th 1928.From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Los 1360
Stanley Roy BADMIN (1906-1989) Elm Tree (circa 1928 or earlier)EtchingSigned, titled in pencil15.5x12.2cmFurther inscribed in pencil 'Trial on Jap laid1/2 Brown 1/2 Black ink'Exhib Fine Art Society Feb 1933, no. 42 £2.12.6dFrom the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Los 1361
Stanley Roy BADMIN (1906-1989) The Tip Cart 1928Pencil study for the etchingInitialled, titled & dated in pencilImage size 9.5x12.5cm,Also annotated in pencil:1st state had shed. 2 prints only shed (?) removed after 1st st. B/B/-£250From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Los 1362
Stanley Roy BADMIN (1906-1989) The Tip Cart 1928EtchingSigned in pencilImage size 10x13cm,Also annotated in pencil:'Trial on Heads laid'Exhib. Fine Art Society Feb 1933From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Los 1364
Stanley Roy BADMIN (1906-1989) Coleford, Somerset 12/401929Also known as: 'The Carrying Funeral'EtchingSigned, titled & numbered in pencilImage size 13.5x20.2 cm.From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Los 1366
Stanley Roy BADMIN (1906-1989) 2nd Trial Deserted Kilns, circa 1927Etching, Signed & titled in pencil9.5x11.7cm,Also annotated in pencil:'Engraving. Kilns at Pole Hill (Kent) Chalk Quarry. Pencil suggestions for further works'Note: Catalogue card entry for this collection mentions "Accompanying note from SRB - the only 'clean' print of 3From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Los 1367
Stanley Roy BADMIN (1906-1989) Evening light Sevenoaks 1929Etching, artists proofSigned & titled in pencil12.7x16.5cm.From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Los 1369
Stanley Roy BADMIN (1906-1989) Burford Oxfordshire (Cotswolds)EtchingSigned & titled in pencil13.5x19.1cm,Also annotated in pencil:Trial without lettering R/R/SFrom the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Los 1370
Stanley Roy BADMIN (1906-1989) Ide Hill 1931Etching 3/3Initialled, titled & dated in pencil11.5x21cm.Also annotated in pencil:UnpublishedFrom the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Los 1380
Stanley Roy BADMIN (1906-1989) Surburbia1929?Etching 18/25Signed in pencil11.2x9.3cmFurther inscribed: 'Based on Girton & Tansfield roads Sydenham S.E.26Lived at 33 Girton when 10Engraved and printed SRB Ed of 25 1929?'From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
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78472 Los(e)/Seite