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78475 Los(e)/Seite
Los 113
Isle of Wight Art Glass vase of baluster form, 'Horizon' by Jonathan Harris.This piece is in perfect condition & shows no signs of chips, grazes or breaks etc & is signed 2001. We believe it to be rarer than the 'Blue Horizon' vase by the same artist. It stands approx 23cm tall and we have added an extra image showing some of the etching on the bottom. The scene is based on the idyllic Shropshire landscape surrounding the Jonathan Harris Studio.
Los 245A
James Priddy, Three colour etchings, In The Elan Valley, Worcestershire and Derwent Water, All titled and signed in pencil, Largest 27cm x 37cm, with a David Coster limited edition etching, moths, No 44/150, a print of a blue cockerel, a pencil drawing and a Chinese textile panel, all framed and glazed (7)
Los 278
AFTER JAMES MCBAY "Middle Eastern town scene", dry point etching, signed lower right, together with AFTER S JONES "Ploughing", dry point etching, AFTER JAMES GILLRAY "Morning ride", black and white engraving, later hand-coloured and AFTER MICHAEL BLACKER "Prior's Gate Rochester", limited edition colour print No'd. 6/175, signed in pencil lower right, together with various other prints and engravings
Los 254
CLEMENT COWLES "Seated Nude", pencil and wash study, signed lower right, dated 1965, together with HAYNES "Man with Spear", nude study, pencil, unsigned, watercolour, another by the same hand , together with AFTER SHEPPERSTON "Young child", study of child's head, limited edition etching 12/75, artists' blind studio stamp lower left
Los 470
*Palmer (Samuel, 1805-1888). The Herdsman's Cottage, 1850, etching on pale cream laid paper, with initials SP to lower left, the second state, as published in The Portfolio, 1872 (also issued in Hamerton's Modern Etching of 1875 and Etching and Etchers of 1880), a fine, rich impression, with wide margins, remains of sellotape mark to centre of the lower edge of the sheet, plate size 122 x 100 mm (4.75 x 4 ins), sheet size 340 x 247 mm (13.4 x 9.75 ins), framed and glazed Provenance: Craddock & Barnard's pencil annotation attached to verso of the frame. Lister E3, ii/ii. (1)
Los 473
*Rushbury (Henry George, 1889-1968 ). Orvieto, etching with drypoint, signed in pencil, plate size 192 x 236 mm (7.5 x 9.25 ins), sheet size 273 x 386 mm (10.75 x 15.2 ins), together with Squirrell (Leonard Russell, 1893-1979), Castle above a river, aquatint, signed in pencil, small puncture to upper central area, plate size 177 x 312 mm (7 x 12.5 ins), with margins, plus other various etchings, including Nelson Dawson, M. Rudge, Robin Spence, Charles William Taylor, Aubrey Howarth, etc. (12)
Los 479
*Tanner (Robin, 1904-1988). Illustration for Thomas Gray's Elegy, 1980, etching, signed with initials in pencil, and dated 1981, as published in Thomas Gray, Elegy written in a Country Churchyard, published by Robin Garton, 1981, in an edition of 100, plate size 138 x 144 mm (5.45 x 5.95 ins), sheet size 255 x 185 mm (10 x 7.25 ins), top edge gilt, original dark brown quarter morocco gilt, with paper wrapper, and publisher's cardboard box Garton 41, ii/ii. This copy numbered 77, and additionally signed by Robin Tanner to the limitation leaf. (1)
Los 354
*Boissieu (Jean-Jacques de, 1736-1810). Pie VII souverain pontif cedant … l'empressement des Lionnois, 1805, etching on laid paper, together with Le Moulin de Ruysdael, 1774, etching on laid paper, plus other similar large etchings by Boissieu including Entr‚e du Village de Lantilly, 1804, landscapes after Ruysdael, Asselin, Poussin, etc., circa 1773-1804, various plate sizes (8 large-format uncoloured etchings and 7 smaller scale etchings with hand colouring), all by Boissieu, sheet size 40.5 x 58 cm (16 x 22.75 ins) (15)
Los 355
*Bolswert (Schelte Adams, 1576-1659). Stormy Landscape, circa 1638, etching on laid paper, from the Set of Small Landscapes, after Peter Paul Rubens, with artist and engraver's name lower left, and name of the publisher Gillis Hendricx, Antwerp, lower right, trimmed to image, and with some marks, corner mounted on old backing paper, sheet size 300 x 420 mm (11.8 x 16.5 ins), together with Van Dalen (Cornelis, circa 1602-1665), Doubting Thomas touching Christ's wound, circa 1638, engraving on laid paper by Van Dalen after Wouter Pietersz. Crabeth (1593-1644), central vertical crease, trimmed just outside plate margin, sheet size 431 x 518 mm (17 x 20.4 ins), hinge-mounted on old backing paper, plus 9 other various Old Master prints after Rubens, Claude and others, including a hand coloured soft-ground etching of the head of a saint, possibly after Michelangelo, an etched portrait of Pietro Medici, dilettante di pittura, by Campiglia, etc., and two 19th century pen and wash drawings of Fountains Abbey and Dalswinton Castle, Scotland, and a pen & ink drawing of Indian cavalry men, by Edward Cornwall Gardner, signed and dated 1838 to verso (stained) (14)
Los 394
*Collignon (Francois, circa 1609-1657). Le Char de Triomphe, consacr‚ … la gloire de Louys XIV Roy de France et de Navarre, (after Stefano della Bella), circa 1645, etching on laid paper, some creases, trimmed just inside the plate, later blank outer margins, original sheet size 288 x 420 mm (11.3 x 16.5 ins), together with Franco (Giovanni Battista, 1498-1561), Melchisedek offering bread and wine to Abraham, etching and engraving on laid paper, laid down on later laid backing paper, some damage and repairs with small losses to lower right, trimmed inside the plate mark, image 264 x 412 mm (10.3 x 16.25 ins), plus Ferroni (Girolamo, 1687-1730), Joseph escaping from the arms of Potiphar (after Maratta), etching on laid paper, some marks and archival restoration to upper right, plate size 330 x 240 mm (13 x 9.5 ins), sheet size 365 x 270 mm (14.4 x 10.6 ins), and Bartolozzi (Francesco, 1727-1815), Figure from the Last Judgement, after Michelangelo, circa 1790s, soft-ground etching in black on handmade wove paper, some discreet restorations to outer margins and central vertical fold, plate size 41 x 31 cm (16.2 x 12.25 ins), with margins, plus other various etchings and engravings, mostly 17th and 18th century, including an engraving by Merian of the Fountain in the Weinmarkt at Augsburg, circa 1643, an etching of a grotto with fountains by Abraham Bosse after Francini, two engravings by Bartolozzi after Franceschini, a large etching by Gilliam van der Gouwen (active 1669-1720) of Gideon's battle with the Midianites, after Houet, an engraved portrait of Raphael by Meissens after Pontius, an etching of Berghem's The Shepherd and the Spinner, 1652, on laid paper with watermark (some soiling and marks), an engraved portrait of St. Mark by William Faithorne, dated 1653, etc De Vesme 1058 for the first work. (20)
Los 398
*Visentini (Antonio, 1688-1782). Prospectus a Substructionibus Rivoalti ad Aedes Civranorum, circa 1750-1780, etching on laid paper by Visentini after Canaletto, depicting the Grand Canal from the Palazzo Michiel dalle Colonne to the Palazzo Civran, some light spotting, plate size 27 x 42.7 cm (10.6 x 16.8 ins), sheet size 35 x 50.3 cm (13.75 x 19.8 ins), mounted Plate 7 from the second series of 12 plates, first published as a collection of 38 plates after views by Canaletto in 1742, and titled Urbis Venetiarum prospectus celebriores. (1)
Los 435
*Badmin (Stanley Roy, 1906-1989). Burford, Oxfordshire, 1931, etching on Basingwerk Parchment wove paper (watermarked), from the edition of 45, published by the XXI Gallery, signed and numbered 24/45 in pencil, plate size 137 x 194 mm (5.4 x 7.7 ins), sheet size 220 x 286 mm (8.7 x 11.25 ins) Beetles 25. (1)
Los 436
*Badmin (Stanley Roy, 1906-1989). Priory Pond, 1932, etching on laid paper, watermarked L.& CIE (FRANCE), signed, titled and additionally inscribed to lower blank margin Priory Farm Kingstanley Glos., and marked 2nd state, a rich, delicate impression, mounting glue stains to upper outer corners (minor loss to extreme upper right corner), plate size 132 x 157 mm (5.2 x 6.2 ins), sheet size 214 x 216 mm (8.4 x 8.5 ins) (1)
Los 439
*@Brockhurst (Gerald Leslie, 1890-1978). Fabian, 1921, etching on pale cream laid paper, from the published edition of 76 impressions, signed in pencil, a very good impression, plate size 176 x 126 mm (6.75 x 5 ins), with margins, framed and glazed (unexamined out of frame) Wright 23, iii/iii. (1)
Los 440
*@Brockhurst (Gerald Leslie, 1890-1978). Cypriano, 1928, etching on wove paper, from the published edition of 111 impressions, signed in pencil, a very good clean impression, plate size 162 x 95 mm (6.5 x 3.75 ins), sheet size 23.9 x 15.2 cm (9.4 x 6 ins), with margins, framed and glazed Wright 59, x/x. (1)
Los 443
*@Brockhurst (Gerald Leslie, 1890-1978). Young Womanhood, 1931, etching on wove paper, from the edition of 111 proofs, published July 1931, signed in pencil, a fine, rich impression, with light plate tone, plate size 231 x 175 mm (9.1 x 6.9 ins), sheet size 397 x 266 mm (15.7 x 10.45 ins), mounted Wright 70, vii/vii. Fletcher 70. (1)
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78475 Los(e)/Seite