Etching and aquatint printed in sanguine, 13 x 18 cm, signed and dated 7-4-1922 in the plate, signed in pencil, under passepartout, the passepartout w. annotation "Proefdruk Joh. D. Scherft" in pencil. Folds/ creased and a bit stained in wide blank margins. Von Essen learned the etching techniques in the printing office of Johan Scherft (1891-1969). This early etching and the other 3 in this lot were apparently made during that learning process, but in 1922 he had already had an exposition of his etchings in the Lakenhal in Leyden. (2) 'Two figures with cliffs in the background'. Etching, 17.3 x 12 cm, signed and dated 30-3-1922 in the plate, signed and "proefdruk Joh. D. Scherft" in pencil, under passepartout. -and 2 other early etchings under 1 passepartout w. the annotation "Proefdrukken Joh. D. Scherft". (total 4)
78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78475 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78475 Los(e)/Seite
(Défilé langs den duivel). Etching, 17.5 x 30 cm, signed, titled and numb. "No. 4" in pencil, signed and dated 1927 in the plate, under passepartout. (2) Diplomaten. Etching, 9.3 x 15.5 cm, signed, titled and numb. "No. 1" in pencil, under passepartout. W. unidentified coll. mark verso. -and 1 other by the same (De noodlottige maskers, signed, titled and "No. 1" in pencil). (total 3)
NEVIN HOLMES (TURKISH) AN 18CT GOLD ABSTRACT ANKLET OR LEG BROOCH, Signed ‘Nevin’. Born in Budapest, Nevin was the daughter of the Turkish ambassador, the niece of the Turkish poet Named Kemal and the niece of Abidin Dino of Paris, a painter closely associated with Picasso. Holmes studied painting and etching at the Central School of Arts and Crafts in London from 1958 - 1962 and gained a reputation as of the first modern jewellers to use rough, unpolished stones. She played a vital role in the British revival of jewellery as a creative art and earned a unique reputation as one of the most innovative jewellers of the 20th century in Britain. Nevin began producing her innovative designs in 1960, and her works were thereafter exhibited globally including London, America, France, Belgium and Turkey. Nevin’s works have been exhibited in some of the most prestigious galleries including the Greer Gallery in New York in 1962, the Egg and Eye Gallery in Los Angeles in 1970/1971, Goldsmith’s Hall in London and the esteemed Topkapi Museum in Istanbul. Her solo exhibition in Rome in 1960 at the LaFeluca gallery won critical acclaim. In 1961, she received the silver cup, the first prize at the National City of Marino, Italy and was the first living jeweller to have a solo exhibition at the Topkapi Museum in Istanbul. Provenance: Consigned by the niece of the acclaimed Turkish jewellery maker Nevin Holmes.Weight: 82gmsThe gold tested 18ct 12cm x 11cm x 6cm excluding chain.
NEVIN HOLMES (TURKISH) AN ABSTRACT PAIR OF RAW RUBY EARRINGS,6.5cm x 4cm each Born in Budapest, Nevin was the daughter of the Turkish ambassador, the niece of the Turkish poet Named Kemal and the niece of Abidin Dino of Paris, a painter closely associated with Picasso. Holmes studied painting and etching at the Central School of Arts and Crafts in London from 1958 - 1962 and gained a reputation as of the first modern jewellers to use rough, unpolished stones. She played a vital role in the British revival of jewellery as a creative art and earned a unique reputation as one of the most innovative jewellers of the 20th century in Britain. Nevin began producing her innovative designs in 1960, and her works were thereafter exhibited globally including London, America, France, Belgium and Turkey. Nevin’s works have been exhibited in some of the most prestigious galleries including the Greer Gallery in New York in 1962, the Egg and Eye Gallery in Los Angeles in 1970/1971, Goldsmith’s Hall in London and the esteemed Topkapi Museum in Istanbul. Her solo exhibition in Rome in 1960 at the LaFeluca gallery won critical acclaim. In 1961, she received the silver cup, the first prize at the National City of Marino, Italy and was the first living jeweller to have a solo exhibition at the Topkapi Museum in Istanbul.Provenance: Consigned by the niece of the acclaimed Turkish jewellery maker Nevin Holmes 52.7gms 6.5cm x 4cm each including drop.
NEVIN HOLMES (TURKISH) A GOLD BROOCH INSET WITH QUARTZ, Signed ‘Nevin’. Born in Budapest, Nevin was the daughter of the Turkish ambassador, the niece of the Turkish poet Named Kemal and the niece of Abidin Dino of Paris, a painter closely associated with Picasso. Holmes studied painting and etching at the Central School of Arts and Crafts in London from 1958 - 1962 and gained a reputation as of the first modern jewellers to use rough, unpolished stones. She played a vital role in the British revival of jewellery as a creative art and earned a unique reputation as one of the most innovative jewellers of the 20th century in Britain. Nevin began producing her innovative designs in 1960, and her works were thereafter exhibited globally including London, America, France, Belgium and Turkey. Nevin’s works have been exhibited in some of the most prestigious galleries including the Greer Gallery in New York in 1962, the Egg and Eye Gallery in Los Angeles in 1970/1971, Goldsmith’s Hall in London and the esteemed Topkapi Museum in Istanbul. Her solo exhibition in Rome in 1960 at the LaFeluca gallery won critical acclaim. In 1961, she received the silver cup, the first prize at the National City of Marino, Italy and was the first living jeweller to have a solo exhibition at the Topkapi Museum in Istanbul. Provenance: Consigned by the niece of the acclaimed Turkish jewellery maker Nevin Holmes.Weight: 40.9gmsThe gold 14ct or better 7.3cm x 3.6cm
NEVIN HOLMES (TURKISH) AN 18CT GOLD RING INSET WITH A PEARL, Born in Budapest, Nevin was the daughter of the Turkish ambassador, the niece of the Turkish poet Named Kemal and the niece of Abidin Dino of Paris, a painter closely associated with Picasso. Holmes studied painting and etching at the Central School of Arts and Crafts in London from 1958 - 1962 and gained a reputation as of the first modern jewellers to use rough, unpolished stones. She played a vital role in the British revival of jewellery as a creative art and earned a unique reputation as one of the most innovative jewellers of the 20th century in Britain. Nevin began producing her innovative designs in 1960, and her works were thereafter exhibited globally including London, America, France, Belgium and Turkey. Nevin’s works have been exhibited in some of the most prestigious galleries including the Greer Gallery in New York in 1962, the Egg and Eye Gallery in Los Angeles in 1970/1971, Goldsmith’s Hall in London and the esteemed Topkapi Museum in Istanbul. Her solo exhibition in Rome in 1960 at the LaFeluca gallery won critical acclaim. In 1961, she received the silver cup, the first prize at the National City of Marino, Italy and was the first living jeweller to have a solo exhibition at the Topkapi Museum in Istanbul. Provenance: Consigned by the niece of the acclaimed Turkish jewellery maker Nevin Holmes.Weight: 32.81gmThe gold tested 18ct. 28mm x 25cm
EIGHT QUEEN ELIZABETH I AND QUEEN MARY ENGRAVINGS AND PRINTS, comprising the following Queen Elizabeth: an etching by Charles David after Isaac Oliver, approximate size 22cm x 16cm, print after Isaac Oliver originally published in Heroologia Anglica 1620, an etching by Peter Vanderbank after Edward Lutterell, an etching after William Faithorne circa 1640-1645 with various historic handwriting over the paper, etching after Thomas Coxon, published by Henry Balam, an unidentified print depicting an aging Elizabeth holding a skull instead of the Orb and a further unidentified etching of Elizabeth with text below reading Elizabeth Queene of England, France and Ireland, together with a framed etching of Queen Mary I, engraved by Peter Vanderbank after Edward Lutterall (Provenance: The Arnold Fellows Collection)
A TIBALDI FOR BENTLEY SPECIAL EDITION SILVER FOUNTAIN PEN AND LEATHER DRIVING GLOVES, made to celebrate 60 years of production in Crewe for Bentley Motors, the pen case has an engine turned finish which echoes the Bentley dashboard texture and knurling etching which is found on functional Bentley fixtures and fittings, silver hallmark for Sheffield, with Bentley motif, nib stamped 18k, together with a wooden case, using the marquetry seen in some Bentley interiors, together with a pair of soft tan and black leather driving gloves, in Bentley box (condition report: in new condition)
A QUANTITY OF ASSORTED PICTURES AND PRINTS ETC, to include to unsigned 19th century landscape studies in charcoal - poor condition, Francis Antoine Bossuet pencil sketch of a Cathedral in Normandie, approximate size of paper 50cm x 35cm - dirty marks to the paper, etching with colours and verse 'Will Watch, The Smuggler Bold' published 1825, printed broadside with hand coloured etching 'Rules and Instructions for playing Skittles' published by G. Kearsley 1786, reprint of 'The Laws of the noble game of Cricket', etchings after Robert Hills comprising studies of horses published 1801 and studies of horses published 1817 together with studies of pigs probably by the same hand, ten engravings from the Frescoes in the Piccolomini library in Siena published 1881 - poor condition, assorted other prints including religious themed prints, some in very poor condition, a framed print of Arnold Fellows after a painting by John Haggis, distressed folio holders etc (Provenance: The Arnold Fellows Collection)
â–´ Graham Sutherland OM (1903-1980) Untitled, a platform with diversetching in colours, signed 'Sutherland' in pencil l.r., numbered '69/75' l.l.plate 48.5 x 75.5cm, unframed Condition ReportSheet: 64.5 x 85.5cmMounted: 69 x 94.5cmThere are some dirty marks and creases to the margins with some small spots of foxing starting to emerge, however, the printed area itself appears to be in good overall condition. There is a border of faint acid discolouration caused by the mount. The work is attached to a board behind with a strip of tape that has been applied to the reverse of the top edge.
â–´ George Chapman (1908-1993)Rhondda Valley street sceneetching, artist's proof, signed 'George Chapman' in pencil l.r., inscribed 'A.P.' l.l.plate 39.5 x 50cmCondition ReportFramed: 69 x 70.5cmThere is a slight abrasion to the bottom right margin but the printed area appears to be in good overall condition. There are some small thunderbugs trapped behind the glazing but the printed area does not appear to be affected. Framed with an acidic mount. Not viewed out of glazed frame.
â–´ Marc Chagall (Russian-French, 1887-1985)'L'Ivrogne et sa Femme', for La Fontaine's 'Fables'etching and aquatint with hand colouring, published 1952, signed in the plate and numbered '53/85' in pencil l.l.plate 29.5 x 24cmCondition ReportMounted: 47 x 41.5cmTime staining with a light crease to the upper left margin.
â–´ Roberto Matta (Chilean-Italian, 1911-2002)'La paix est une idée neuve'from the 'Hom'mére IV Point d'Appui' series, 1983, etching and aquatint in colours, printed by l'Atelier Dupont-Visat, signed with artist's motif in pencil l.r., and numbered '96/100' with blind stampsheet 67 x 51cmCondition ReportFramed: 85.5 x 68.5cm
â–´ Anthony Gross RA (1905-1984)'Tobacco Harvesters'etching, 1957, signed 'Anty gross' in pencil l.r., inscribed with title and numbered '14/50' l.l.plate 25 x 38.5cmCondition ReportFramed: 45.5 x 58cmFramed with an acidic mount but appears to be in otherwise good condition. Unexamined out of glazed frame.
â–´ Leon Kossoff (1926-2019)'The Booking Hall'etching, signed and dated 'Kossoff 82' in pencil l.r., inscribed with title and numbered '55/100'plate 18.5 x 18.5cmCondition ReportFramed: 49 x 47cmWell presented and ready to hang. There are some small thunderbugs trapped between the glazing and the mount but the print itself is unaffected. Not viewed out of glazed frame.
Extremely Rare Persian shashka with gold inlay, Qajar period, late 19th century. Steel blade with three fullers on each side, decorated with etching in the form of imitation patterns of Damascus steel. On one side at the base of the blade there is an inscription in Arabic "__ ____ ________" (O Sustainer of the worlds). The bone handle has iron fittings, decorated with gold kofgari, that cover the back of the handle. The wooden scabbard is covered with black leather, with iron fittings made in the form of the coat of arms of the Qajar dynasty, the fittings are in the shape of the Shah's crown with an image of a lion and a crown made of gold kofgari. A magnificent item, possibly belonging to a member of the Qajar dynasty during the reign of Mozafereddin Shah Qajar.Height: 95 cm;
Very beautiful North Italian morion helmet. Decorated with etching. Second half of the 16th century. Provenance: Giulia Morosini, sold by the American Art Association, New York, 10th-15th October 1932, lot 328 JWHA Inv. No. 1822 Exhibited Beaumont Art Museum, Texas, 5 December 1977-23 January 1978 Monmouth Museum, New Jersey, 27 February-6 May 1978 Schenectady Museum, New York, 13 September 1979 Lowe Museum, Miami, Florida, 1 December 1979-13 January 1980
MIRÒ, JOAN (1893-1983) "Feuilles éparses" 1965 Farbradierung, Bleistift signiert und mit dem Vermerk "2/10", HxB: 21/17 cm. Leicht vergilt. rahmen, HxB: 45/40 cm. | MIRÒ, JOAN (1893-1983) "Feuilles éparses" 1965Colour etching, signed in pencil and marked "2/10", HxW: 21/17 cm. Lightly yellowed. frame, HxW: 45/40 cm.
![A signed artist proof RSS discovery Dundee etching set in mahogany framing [72x82cm]](https://cdn.globalauctionplatform.com/d2168f73-c8b2-4cd1-b6dc-b0c400ffe884/ff6b8677-ff15-402b-8bd6-b0c501133a95/468x382.jpg)
![W.W.Rayland (1732-1783)Etching and aquatint titled' Jupiter Delivering Bacchus to Mercury, dated 1764.[Frame 56x36cm]](https://cdn.globalauctionplatform.com/d2168f73-c8b2-4cd1-b6dc-b0c400ffe884/b6306e60-1dec-4179-bfa8-b0c501131809/468x382.jpg)
A large selection of antique frames and artwork; Saint Gregory the Great, Etchings by S. Watts after Antonio C Wellcome and Pier Leone Ghezzi Standing before his easel on which is placed an image of the Virgin Mary, and pointing out of the window towards a procession of priests. etching by W.W. Ryland, 1762, after P.L. Ghezzi.
Lovis Corinth (1858 Tapiau/Ostpreußen - 1925 Zandvoort)Selbstporträt, Radierung auf Papier, Plattenmaß 16,5 cm x 10,5 cm, Passepartoutinnenmaß 19,5 cm x 13,5 cm, signiert, montiertLovis Corinth (1858 Tapiau/East Prussia - 1925 Zandvoort)Self-portrait, etching on paper, plate size 16,5 cm x 10,5 cm, inside mount size 19,5 cm x 13,5 cm, signed, mounted
HEDLEY FITTON limited edition (240/250) etching - entitled verso 'La Tour de L'horloge' signed, dated verso '28, 42 x 24cms, ITALIAN SCHOOL limited edition (1/15) etching - head and hands portrait, indistinctly signed with inscription and dated '87, 24 x 19.5cms, and PAULINE FAZAKERLEY watercolour - entitled verso, 'Towards Sacre Coeur, Paris', signed, 26 x 35cms (3)Provenance: private collection CardiffComments: all framed and glazed, ready to hang
AN IMPRESSIVE ARTS & CRAFTS OAK CASED CHIMING MOONPHASE LONGCASE CLOCK RETAILED BY "THE ASSOCIATION OF DIAMOND MERCHANTS LTD 6 GRAND HOTEL BUILDINGS TRAFALGAR SQUARE, LONDON" with shaped brass dial with foliate etching, 50cm high x 40cm wide with arched silvered and painted moon phase aperture bearing Arabic numeral, flanked by silvered chime controls Westminster and Whittington over silvered dial bearing brass Arabic numerals, 32cm diameter with single subsidiary dial bearing Arabic numerals all with blued filigree hands, the case with shaped pierced surmount over embossed copper relief, over glazed door flanked by pierced uprights and side panels, over leaded glazed pendulum door and side panels containing brass pendulum and weights over embossed copper relief on plinth base, 281cm (110inches) high x 76cm (30inches) wide x 44cm (17.5inches) deep Bears similarities to Walter H. Durfee (1857-1939) Condition Report:Available upon request
Rembrandt Harmenszoon van Rijn (1606 Leiden - 1669 Amsterdam)"Der Kartenspieler". OriginaltitelRadierung/Bütten, kaschiert auf Japan, 1641. In der Platte sign. und dat. 1641. Wvz. Bartsch 136, II. Beschnitten. Plattenmaß 9,2 cm x 8,3 cm. Blatt 10 cm x 9,3 cm. Rahmen. Etching on laid paper. Signed and dated 1641 in the plate. Bartsch 136, II.
Anthonie Waterloo (1609 Lille oder Utrecht - 1690 Utrecht)"Eine große Linde vor einer Herberge". OriginaltitelRadierung/Papier. In der Platte bez. "Anthonius Waterloo invenit et fecit / 1". Blatt 1 aus einer Serie von 6 Landschaften, Wvz. Hollstein Dutch L.251.113-118. Plattenmaß 23,5 cm x 29 cm. Rahmen.Provenienz: Norddeutsche alte Hoteliersfamilie.Etching on paper. Inscribed in the plate. Plate 1 from a series of 6 landscapes (Hollstein Dutch L.251.113-118).
Anthonie Waterloo (1609 Lille oder Utrecht - 1690 Utrecht)"Bauernhaus am Wasser". OriginaltitelRadierung/Papier. In der Platte bez. "Anthonius Waterloo invenit et fecit / 4". Blatt 4 aus einer Serie von 6 Landschaften, Wvz. Hollstein Dutch L.251.113-118. Plattenmaß 23,5 cm x 29 cm. Rahmen.Provenienz: Norddeutsche alte Hoteliersfamilie.Etching on paper. Inscribed in the plate. Plate 4 from a series of 6 landscapes (Hollstein Dutch L.251.113-118).
Loading...-
78475 Los(e)/Seite