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Los 885

Collection of 4 works by M. Dupuis, A. Heins and G. Vindevogel Maurice Dupuis, drawing, A. Heins etching and 2 charcoal drawings from Dupuis and Vindevogel. Maurice Dupuis, tekening, A. Heins ets en 2houtskooltekeningen Dupuis en Vindevogel. 19 x 31, 8 x 11.5, 39.5 x 29.5 & 36.5 x 21 cm

Los 400

20th century British, Rye, East Sussex, etching, unsigned, 12cm x 22.5cm, framed and glazed CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.

Los 1040

FS Begg - Otter and salmon, etching, pencil signed and dated '73 to lower right of mount, visible sheet dimensions 18x23cm, together with JC Harrison - Taking Flight, limited edition print in colours, signed and numbered 133/250 in pencil to the lower margin, the full sheet 60.5x44.5cm (2)

Los 1041

N Fielding and FC Turner - Aground!, etching, heightened in colours, published by Dean & Son, 31 Ludgate Hill, London, visible sheet dimensions 40x52.5cm

Los 1066

R.C. Alderton - Nonsuch Park, etching, signed and titled in pencil to the margin, 12 x 17.5cm; together with three others by the artist entitled Cringleford, Evening, and Frostender (4)

Los 1106

Alfred Blundell (1883-1968) - Wells Cathedral, etching, signed in pencil to the margin, 15 x 20cm; together with a monochrome print of Angel Hill, Bury St Edmunds (2)

Los 354

A good and interesting selection of decorative framed and glazed pictures and prints to include an Indian gouache of an elephant and a horse, a map engraving, floral topographical Japanese watercolour on silk, monochrome etching etc. (11)

Los 307

20 Graphiken und Zeichnungen mit Markthändlern und Schaustellern 1) Jean Jacques de Boissier, Radierung, "Die großen Scharlatane", 25 x 19 cm. – 2) Ferdinand Götz (1874–1936), handkolorierter Andruck, 1918, "Der Riese Jonathan", für die Meggendorfer Blätter, 17 x 23 cm. – 3) Martin Claus, Bleistiftzeichnung auf Pergament, "Schwertschlucker", datiert 22.4.1936, vom Künstler selbst signiert, für die Fliegenden Blätter, 22 x 25 cm. – 4) 3 altkolorierte Lithographien, um 1850, "Fahrende Händler", Maße jeweils 26 x 18 cm. – 5) Eugen Kirchner (1865–1938), Tuschfederzeichnung, um 1925, "Im Biergarten", für die Meggendorfer Blätter, Verso mit Verlagsstempel, 17 x 22 cm. – 6) Elsa Niemeyer-Moxter, Aquarell, datiert 13.7.1937, "Spielzeugbude auf dem Jahrmarkt", von der Künstlerin selbst signiert, für die Fliegenden Blätter, Verso mit Verlagsstempel, 22 x 25 cm. – 7) Carl Storch, Original-Zeichnung, 1922, "In der Schaubude", vom Künstler selbst signiert, für die Fliegenden Blätter, 18 x 14 cm. – 8) Hugo Frank (1892–1962), Tuschfeder- und Pinselzeichnung, "Bierhalle", für die Fliegenden Blätter, Verso mit Verlagsstempel, 12 x 11 cm. – 9) E. Regler, Tuschfederzeichnung, um 1900, "Bauchladen Verkäufer", 21 x 29 cm. – 10) Hugo Frank (1892–1962), Aquarell über Bleistift, "Marktschreier", vom Künstler selbst signiert, für die Meggendorfer Blätter, 32 x 27 cm. – 11) 2 x Heinrich Fick, Tuschfederzeichnungen, um 1900, "Der Jahrmarkt Jongleur", für die Meggendorfer Blätter, Maße jeweils 16 x 22 cm. – 12) Hugo Frank (1892–1962), Tuschfederzeichnung, "Ringkampfbude", für die Fliegenden Blätter, Verso mit Verlagsstempel, 21 x 13 cm. – 13) Hugo Frank (1892–1962), Tuschfederzeichnung, "Kasperl-Theater", 12 x 11 cm. – 14) 2 Blätter, unsigniert, Tuschfederzeichnung, datiert 9.12.1918, "Storch, der Nasendoktor", Maße jeweils 23 x 9 cm. – 15) Hugo Frank (1892–1962), kolorierte Bleistiftzeichnung, 1925, "Jahrmarkt", vom Künstler selbst signiert, für die Meggendorfer Blätter, Verso mit Verlagsstempel, 21 x 13 cm. – 16) P.O. Engelhard, Tuschfederzeichnung, 1903, "Froschmeier's Affen und Hunde Zirkus", für die Meggendorfer Blätter, Verso mit Verlagsstempel, 35 x 45 cm. – Und: 17) Hans Kalmsteiner, handkolorierter Andruck, um 1910, "Jahrmarkt", für die Meggendorfer Blätter, 17 x 24 cm. Start Price: EUR 280 Zustand: (2-3/-)20 Prints and Drawings of Market Traders and Showmen 1) Jean Jacques de Boissier, etching, "The Great Charlatans", 25 x 19 cm. – 2) Ferdinand Götz (1874–1936), hand-colored proof, 1918, "Der Riese Jonathan", for the Meggendorfer Blätter, 17 x 23 cm. – 3) Martin Claus, pencil drawing on vellum, "Schwertschlucker", dated 22.4.1936, signed by the artist, for the Fliegende Blätter, 22 x 25 cm. – 4) 3 colored lithographs, c. 1850, "Fahrende Händler", each measuring 26 x 18 cm. – 5) Eugen Kirchner (1865–1938), pen-and-ink drawing, c. 1925, "Im Biergarten", for the Meggendorfer Blätter, publisher's stamp on verso, 17 x 22 cm. – 6) Elsa Niemeyer-Moxter, watercolor, dated 13.7.1937, "Spielzeugbude auf dem Jahrmarkt", signed by the artist, for the Fliegende Blätter, publisher's stamp on verso, 22 x 25 cm. – 7) Carl Storch, original drawing, 1922, "In der Schaubude", signed by the artist, for the Fliegende Blätter, 18 x 14 cm. – 8) Hugo Frank (1892–1962), pen-and-ink drawing, "Bierhalle", for the Fliegende Blätter, publisher's stamp on verso, 12 x 11 cm. – 9) E. Regler, pen-and-ink drawing, c. 1900, "Bauchladen Verkäufer", 21 x 29 cm. – 10) Hugo Frank (1892–1962), watercolor over pencil, "Marktschreier", signed by the artist, for the Meggendorfer Blätter, 32 x 27 cm. – 11) 2 x Heinrich Fick, pen-and-ink drawing, c. 1900, "Der Jahrmarkt Jongleur", for the Meggendorfer Blätter, 16 x 22 cm. – 12) Hugo Frank (1892–1962), pen-and-ink drawing, "Ringkampfbude", for the Fliegende Blätter, publisher's stamp on verso, 21 x 13 cm. – 13) Hugo Frank (1892–1962), pen-and-ink drawing, "Kasperl-Theater", 12 x 11 cm. – 14) 2 sheets, unsigned, pen-and-ink drawing, dated 9.12.1918, "Storch, der Nasendoktor", 23 x 9 cm each. – 15) Hugo Frank (1892–1962), colored pencil drawing, 1925, "Jahrmarkt", signed by the artist, for the Meggendorfer Blätter, publisher's stamp on verso, 21 x 13 cm. – 16) P.O. Engelhard, pen-and-ink drawing, 1903, "Froschmeier's Affen und Hunde Zirkus", for the Meggendorfer Blätter, publisher's stamp on verso, 35 x 45 cm. – And: 17) Hans Kalmsteiner, hand-colored proof, c. 1910, "Jahrmarkt", for the Meggendorfer Blätter, 17 x 24 cm. Start Price: EUR 280 Condition: (2-3/-)

Los 3327

Georg Daniel Heumann (1691 Nürnberg - 1759 ebenda. 1740-1753 Hofkupferstecher in Göttingen)"Ritterspiel das in Sr. Königlichen Majestät Georg I. Gegenwart auf der Göttingenschen Universität den 1. August 1748 gehalten worden ist". OriginaltitelKupferstich (u. Radierung?)/Papier, 1748. Einblattdruck mit vielfiguriger szenischer Darstellung. Unterhalb deutsch-lateinische Legende mit Sign.; 22 cm x 42 cm (Passepartoutausschnitt). Rahmen.Weitere Exemplare befinden sich im Germanischen Nationalmuseum in Nürnberg und in der Royal Collection in England.Copper engraving (and etching?) depicting the tournament for George II King of Great Britain held at the University of Göttingen, August 1748.

Los 3325

Jacques-Philippe Le Bas (1707 Paris - 1783 ebenda)"L'Après Dinée". OriginaltitelRadierung/Papier. Nach einem Gemälde von Nicolaes Berchem. In der Platte sign. u. betitelt. Plattenmaß ca. 37 cm x 46 cm. Rahmen. Etching on paper. After a painting by Nicolaes Berchem. Signed and titled on the plate.

Los 3340

Luigi Rossini (1790 Ravenna - 1857 Rom)Rom-Ansicht "Veduta di Ponte Fabrizio". OriginaltitelRadierung/Bütten, 1822. Unterhalb Legende, Künstler-Bez. Ortsangabe Roma u. Dat.; Plattenmaß ca. 36,8 cm x 55,4 cm; Rahmen.Etching on laid paper, 1822. Signed, inscribed and titled in the plate.

Los 3305

Daniel Hopfer (1471 Kaufbeuren - 1536 Augsburg. Ab 1493 als Meister ansässig ebenda)"Solimanus Imperator Turcarum" (Soliman Herrscher der Türken). OriginaltitelEisenradierung/Papier. 1526-1536. Monogr. "D. H", Künstler-Symbol. Dargestellt ist Suleyman I. (1520-1566 zehnter Sultan des osmanischen Reiches) zu Pferde, neben ihm ein einfacher Fußsoldat mit Lanze. Das seltene Blatt stammt aus einer Folge von fünf Blättern mit Darstellungen osmanisch-türkischer Reiter nach 1526 geschaffenen Holzschnitten von Jan Swart van Groningen. Beschnitten, am rechten Rand oberhalb rest., auf Hinterlegkarton kaschiert. Blatt ca. 22 cm x 15 cm. Rahmen.Vgl. Hollstein 66.I, Bartsch VIII.487.58.Weitere Exemplare befinden sich im Victoria & Albert Museum und im Britischen Museum in London.Etching on paper, 1526-1536. Signed with monogram "DH" in the plate, further artist's symbol. Cut to margins, restored to the upper right margin, laid down on a backing board.

Los 1154

A framed and glazed etching after Adolphe Appian (1818-1898) titled "Un Soir, Bords du Rhone a Rix", depicting two figures in a boat on the Rhone. Image size 12.5cm x 21cm

Los 1155

MIRANDA HALSBY (b. 1948): A framed and glazed etching with aquatint, "St Marks, Reflections". Pencil signed and no. 2/30. Plate size 29cm x 39cm. Abbott & Holder exhibition invitation verso

Los 1001

George Rodway Ltd, London Etching Machine, P.M.C (London) Ltd, Pat No 487611 to chrome cog, 33cm overall width, copper gas lamp cover, 28cm wide. (2)

Los 316

A group of decorative pictures and prints to include a map of Picardie, 9cm x 15cm; David Ballardie 'The Bell', etching, framed and glazed, 9.5cm x 20.5cm; a Japanese wood block print, framed and glazed, 23cm x 16cm; an engraving of a French town and further (10) Qty: 10 Frame on map loose; woodblock print with some staining; frames with dents and scratches

Los 75

Francis Seymour- Haden (1818-1910) "Thomas Haden of Derby" Etching, signed in pencil, 35cm x 25cm.framed and galzed over 47cm x 60cm. small areas of foxing.

Los 77

CUNNINGHAME GRAHAM R. B.  The District of Menteith. Ltd. ed. 59/250, signed by the author & the illustrator D. Y. Cameron. Slipped in orig. etching by Sir D. Y. Cameron & plates after wash drawings by Cameron. Folio. Leather backed brown marbled brds. with leather title label in d.w. Edition deluxe, Stirling, 1930.

Los 84

FIELDING T. H.  The Art of Engraving with the Various Modes of Operation. Plates. Orig. dark green cloth. 1844; also 11 other vols. re. engraving, etching & art reference.  (12).

Los 336

Graham Clarke (1941 -  ) etching with colour, artist's proof, entitled Gout de Grenouille, artist's proof, signed and titled in the margin, approx 58 x 72 cms, framed and glazed. 

Los 299

Jack Coutu ARE, ARCA (British 1924-2017) Owl and Ivy, etching and aquatint, signed and dated 1960, numbered 40/50, 53 x 72cm

Los 312

After Charles Murray (1842 - 1923) A Busy Dockyard, etching; a coloured map of Wales and the friontispiece for The Marchants Mapp of Commerce, 1638, together with Edwin Hayes RHA RI ROI (1819-1904) Yarmouth Pier, signed and dated 1883, pencil, 7 x 12.5cm; three 18th/19th century coloured prints of Orford, an early 19th century print of the monastery at Dunwich and a print of Angel Lane, Ipswich

Los 392

John Bellany (1942-2013) The Queen of the Night from Mozart's 'The Magic Flute', signed, inscribed and numbered 'l.c 66/200 The Queen of the Night, John Bellany', Three plate etching in colours 74 x 60cmCondition is good as you would expect with ageSome dirt under the glaze

Los 484

Nick Ward (contemporary), Cockerel and hens, signed, dated, and numbered '13/18 N Ward 1983' (along the bottom), etching on textured paper, 6 x 8.5cm, (oval); 20.5 x 22.5cm (framed)

Los 489

M C Wishaw, The Emperor's New Clothes, coloured etching, signed below in pencil and marked 'No.1'

Los 977

A Collection of Framed Pictures to include a French folk art style acrylic painting, depicting a stylised racecourse, together with a watercolour of a cottage marked F G Fraser, an etching depicting a cottage dated 1923 signed Wm. B Robins, and a Percy Lancaster engraving depicting an antique dealer, and a Rosalyn S Evans Limited Edition print No.2/50.

Los 197

6 prints - 2 botanic studies, street scene, 2 hunt pictures and etching of Edinburgh Castle

Los 3910

Rembrandt van Rijn, Harmensz.: (1606 Leiden - Amsterdam 1669). Christus und die Frau von Samaria in Ruinen. Radierung auf Bütten, dessen Struktur nur schwach sichtbar ist, 1634. Plgr. 12,3 x 10,7 cm. Mit Rändchen unter Passep. mont. New. Ho. 127 V (v. V). B. 71. W.-B. 71. Vorzügl. Abdruck des V. Zustands mit den endgültigen Überarbeitungen. - Sehr gut erhalten, vereinz. Fleckchen. - Christ and the Woman of Samaria. Etching on laid paper with small margins under passepartout. - Very well preserved, occasional small stains. D

Los 1059

Laymarie,J.: Marc Chagall. Monotypes 1961-1965. Catalogue établi par Gérald Cramer. Mit 1 Original-Radierung und zahlreichen, teils farbigen und montierten Abbildungen. Genf, Cramer, 1966. 4°. 131 S., [2] Bll. Original-Leinwand mit farbig illustr. Umschlag. In Lieferungs-Schuber und -Karton. Cramer 65. - Erste Ausgabe. - Eines von 100 numerierten Exemplaren der Vorzugsausgabe (GA 1575), von Chagall signiert und mit ╔der Original-Radierung "L'Apparition"╗ auf Japan. - Tadellos. - One of 100 numbered copies of the special edition (GA 1575), signed by Chagall and with the original etching "L'Apparition" on Japan. - Impeccable.

Los 3912

Rembrandt van Rijn, Harmensz: (1606 Leiden - Amsterdam 1669). Die Anbetung der Hirten mit der Lampe. Radierung auf Bütten, desssen Drahtlinien nur schwach sichtbar sind. um 1654. Blgr. 10,5 x 12,9 cm. Auf Plattenkante geschn. Unter Passep. mont. New Hoh. 279 III (von III). W.-B. 45. B. 45. Ganz ausgezeichn. Abdruck des III. Zustands mit den endgütltigen Überarbeitungen. Gut erhalten. - The Adoration of the Shepherds, with the lamp. Etching on handmade paper. Trimmed to platemark. Under passep. - Excellent impression of the III. state. D

Los 3903

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Bärtiger Mann, an einen Erdhügel gelehnt stehend. Radierung auf Bütten, um 1630. Plgr. 11,5 x 8 cm. Mit Rand unter Passep. mont. New Ho. 48 III (v.III). B. 151. W.-B. 151. Ausgezeichn. Abdruck des III. Zustands mit den Überarbeitungen. Gut erhalten. - Bearded Man in a Coat and Fur Cap Leaning against a Bank. Etching on laid. Mounted under passep. Excellent impression. D

Los 3904

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Bettler und Bettlerin im Gespräch. Radieurng auf Bütten 1630. Plgr. 7,8 x 6,6 cm. Mit kl. Rand unter Passep. mont. New Ho. 45 II (v. III). B. 164. w.-B. 164. Ausgezeichn. Abdruck des II. Zustands vor den starken Überarbeitungen. Gut erhalten. - Beggar Man and Beggar Woman Conversing. Etching on laid. Mounted under Passep. - Excellent impression of the II. state before the major revision. D

Los 1211

Grafikmappe der Städelschule Frankfurt.: 1995-97. Mappe mit 3 Serigraphien, 2 Lithographien u. 1 Kaltnadelradierung von verschiedenen Künstlern. Mit Impressum u. 6 typogr. bezeichneten Einlegebl. Alle Bl. sign. bzw. monogr., dat. u. num. Im Impressum nochmals num. Auf leichtem Karton. Je Blattgröße 49,5 x 69,5 cm. Lose in Olwd.-Kassette mit Rtit. (Gering berieb. u. best.). Eines v. 50 Ex. Vollständig. - Enthalten sind Arbeiten von Thomas Bayrle, Georg Herold, Jörg Immendorff, Per Kirkeby, Christa Näher und Hermann Nitsch. Herausgegeben von C&L Deutsche Revision AG. - In guter Erhaltung. - One of 50 copies. Portfolio with 3 serigraphies, 2 lithographies and 1 drypoint etching by various artists of the Städelschule Frankfurt. Each sheet signed or monogrammed, dated and numbered. Mounted on cardboard. Loose in original cloth case (slightly rubbed and bumped). - Good condition.

Los 3908

Rembrandt van Rijn, Harmensz.: (1606 Leiden - Amsterdam 1669). Auferweckung des Lazarus, kleine Platte. Radierung auf Bütten, dessen Drahtlinien nur undeutl. sichtbar sind, 1642. Plgr. 15 x 11,4 cm. Mit Rändchen unter Passep. mont. New Ho. 206 II (v. II). B. 72. W.-B. 72. Brillanter Abdruck des II. Zustands mit den endgültigen Überarbeitungen in sehr guter Erhaltung. - Vereinz. Fleckchen. - The Raising of Lazarus, small plate. Etching on laid paper. With margins. Fitted under passep. - Brilliant impression of the II. state with the final revisions. D

Los 3907

Rembrandt van Rijn, Harmensz: (1606 Leiden - Amsterdam 1669). Die Verkündigung an die Hirten. Radierung 1634. 25,7 x 21,7 cm., Blgr. 27,2 x 23,5 cm. Mit d. Namensz. in d. Platte. In den Ecken auf Papier geklebt. B-44. H-120. BB 34-J. - Abdruck des 19. Jhdts. aus einer Ausgabe von Basan's "Recueil de Rembrandt", aufgeklebt auf Papier mit WZ "Arches". - The Proclamation to the Shepherds. Etching. Glued to paper in the corners. Impression of the 19th century. with watermark. R

Los 1055

Full title: French school, after Abraham Bosse (1602-1676): 'The ratcatcher', oil on canvas in period frame, 17/18th C.Description:Dim.: 98,5 x 84 cm (the frame)Dim.: 72 x 58 cm (the work)Ê The present work is painted after the engraving 'Le marchand de mort aux rats', part of the series 'Les cris de Paris' (Cries of Paris).While it has lost most sense of perspective, due to the suppression of the surrounding landscape, the work remains highly attractive. The subject is quasi unknown on a painting.Ê Abraham Bosse (1602 - 14 February, 1676) was a French artist, mainly as a printmaker in etching, but also in watercolour. Roughly 1600 etchings are attributed to him, with subjects including: daily life, religion, literature, fashion, technology, and science. Most of his output was illustrations for books, but many were also sold separately.ÊRef.: The Metropolitan Museum, New York, Accession Number: 60.634.53, for the original engraving. (link available on rm-auctions.com)The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com

Los 282

Two framed and glazed signed etchings. August Auglay (1853 - 1925) An etching surrealist cartoon of a clown, cello and a dog, signed. The other an etching of a puppet theatre, indistinctly signed. H.56 W.41cm (largest)

Los 218

Charles William Cain Downstream, River Tigris Etching Signed Together with an other Gufas, Baghdad

Los 380

Joseph Buttons?: a signed soft ground etching, old Covent Garden, 2/25, in aluminium strip frame

Los 392

Susie Perring: a signed etching, "Artichoke for Martin", Taylor: an artist proof screen print, "Golden Spire" XII/XX, Sally Rosenbaum: two signed colour prints, and a number of other pictures, various, framed and glazed

Los 204

CHARLES HOLME (ED): MODERN ETCHING AND ENGRAVING, London, The Studio, 1902, 1st edition, 4to, original wraps, lacks most of backstrip and wraps detached

Los 111

George Vernon Stokes (1873-1954) British, three dogs on a sand dune, etching, signed in pencil, 8" x 11.5".

Los 117

Leslie Moffat Ward (1888-1978) British, an estuary scene, etching, signed, 5" x 11", mounted, along with another etching by the same hand of fishermen on a tarn, 7" x 9.75", mounted, (2).

Los 118

Leslie Moffat Ward (1888-1978) British, 'The Medway near Rochester', etching, trial proof, signed and inscribed in pencil, 6" x 8.75", mounted,

Los 119

Leslie Moffat Ward (1888-1978) British, 'Cement Works From Near Hythe', etching, signed and inscribed in pencil, 7" x 9.75", mounted.

Los 120

Leslie Moffat Ward (1888-1978) British, 'Low Tide, Hammersmith', etching, signed and inscribed in pencil, 8" x 10.75", mounted.

Los 125

Wilfred Fairclough (1907-1996) British, figures in Venetian costume, etching, signed and dated in pencil, 8.25" x 5".

Los 126

Wilfred Fairclough (1907-1996) British, figures in a Venetian Plaza, etching, signed and dated in pencil, 7.75" x 5".

Los 134

G.B. Piranesi, An antique etching of 'Trofeo di Ottaviano Augusto', 25.5" x 15.5".

Los 142

Catherine Grubb, (b. 1945) 'Eve', etching, signed, inscribed and numbered 7/50 in pencil, 14.75" x 17.75".

Los 335

Frank Martin (1921-2005) 'Dolores del Rio', etching, inscribed, numbered 39/100 and signed, 19.25" x 13.25", No 227 in Hollywood Continental Catalogue.

Los 336

Frank Martin (1921-2005) 'How I learned to tap dance like Ginger Rogers', etching, (Artists Proof) inscribed, and signed, 19.75" x 13.25", No 133 in Hollywood Continental Catalogue.

Los 337

Frank Martin (1921-2005) The Stag at bay, etching, inscribed, numbered 47/50 and signed, 13.5" x 7.5", No 146 in Hollywood Continental Catalogue.

Los 338

Frank Martin (1921-2005) 'Bacarolle', etching, inscribed, numbered 65/100 and signed, 12.75" x 18.5", No 223 in Hollywood Continental Catalogue.

Los 1171

British Georgian Officer's spadroon with brass hilt, wire bound grip, some etching remaining to top of 81cm blade and stamped GG. PLEASE NOTE ALL BLADED ITEMS ARE SUBJECT TO OVER 18 CHECK ON COLLECTION OR DELIVERY

Los 937

A FRAMED ORIGINAL ETCHING OF THE HORSE GUARDS PARADE BUILDING, SIGNED BY THE ARTIST CYRIL ANNING

Los 1236

AN UNFRAMED BEVELED EDGE WALL MIRROR WITH FLORAL ETCHING

Los 577

JOHN GIBSON (1790-1866) “A comforting embrace”, etching with aquatint in sepia, inscribed 'J. Gibson Rome), 25 cm x 45 cm

Los 605

ISP “A Saint in an archway, another figure in foreground “, black and white etching, bearing initials within the print, 12.5 cm x 8.5 cm CONDITION REPORTS Overall condition appears good though the piece appears glued down. See images for further detail.

Los 677

AFTER HENRY WILKINSON "English Partridge in a landscape", coloured etching, No'd. 150, signed in pencil, image size 25 cm x 34 cm, together with VICTOR BALFOUR BROWNE "They were still restless", colour print, limited edition No'd. 153/300, another by the same hand "The big bodied beasts on the flats", colour print, limited edition No'd. 154/300 and another "The blighter's asleep", colour print, limited edition No'd. 153/300, a pair of chromolithographs AFTER J SANDERSON WELLS "Hunting scenes", AFTER ALEXANDER CHARLES JONES "British Fox Superiority Society Hound Show", colour print, limited edition No'd. 51/850, AFTER ROBERT HAINAND "Mallard and Moorhen", limited edition print No'd. 32/51, signed in pencil, AFTER CECIL ALDIN "Jumping powder", chromolithograph, unsigned, AFTER F C TURNER "Ascot Heath Races", colour print, AFTER JONATHON SAINSBURY "Spaniel putting pheasants up", colour print, limited edition No'd. 49/600, signed in pencil lower right, AFTER PHILIP RICKMAN "Woodcock Lunan Bay", colour print, limited edition No'd. 6/500, signed in pencil lower right, AFTER JAMES POLLARD "Epsom - Preparing to start", colour print and four further colour prints AFTER PHILIP RICKMAN including "Ducks", "Snipe", "Grouse" and "Ptarmigan"

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