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78472 Los(e)/Seite
Los 119
A PAIR OF AQUATINT ETCHINGS BY LAURA KNIGHT (BRITISH 1877-1970) comprising:a) Dancing on Hampstead Heath, etching and aquatint on cream wove paper, 1923, edition of 55 proofs, plate mark 27.3 x 19.7 cm (10 3/4 x 7 3/4 in.), full sheet measuring 40 x 25.7 cm (15 3/4 x 10 1/8 in.), signed lower right, inscribed with title and edition along lower border;b) Some Holiday, etching and aquatint on cream wove paper, 1925, edition 21 / 30, state III, plate mark 34.7 x 24.7 cm (13 5/8 x 9 3/4 in.), full sheet measuring 46 x 30.5 cm (15 3/4 x 12 in.), inscribed with title and edition along lower borderLITERATUREG. Fredric Bolling and Valerie A. Withington, The graphic work of Laura Knight: including a catalogue raisonne of her prints (Brookfield: Ashgate Publishing, [1993]), p. 47. [Dancing on Hampstead Heath]
Los 140
PABLO PICASSO (SPANISH 1881-1973) Le repos du sculpteur devant un centaure et une femme, from La Suite Vollard, 1933, published by A. Vollard, Paris, 1939 etching on Montval paper plate mark: 19 x 26.2 cm (7 1/2 x 10 1/4 in.), full sheet measuring 34.5 x 44 cm (13 5/8 x 17 3/8 in.) signed lower right, dated in plate upper right, watermark Picasso, edition of 260 (in addition to an edition of 50 with wide margins) PROVENANCEAcquired from gallerist Anton Giulio Bragaglia in Rome in October 1948 by the grandfather of the present owner. (Copy of invoice available upon request)Thence by descentLITERATUREBloch 167; Baer 320
Los 150
•AR Valerie Thornton, RE (1931-1991) "The story of Jonah, Mascuto", coloured etching and aquatint, signed, dated 88, numbered 37/90 and inscribed with title in pencil to lower margin, 29 x 24cms, together with "Etruscan Parting" coloured etching and aquatint, signed, dated 88, numbered 25/90 and inscribed with title in pencil to lower margin 26 x 35cms, both unframed (2)
Los 320
A 19th Century clear crystal drinking glass by John Northwood, the slender round funnel bowl acid etched with a Greek Warrior with shield and spear between repeat borders, mounted to a slender slice cut stem abov e a circular spread foot. Etching glass by drawing a pattern in a layer of wax on the surface of the glass and then plunging it into hydrofluoric acid was first practised in the late 18th century. The process was developed commercially in the 1840s. By 1861 John Northwood (1836-1909) and James Northwood (1839-1915) at Wordsley, West Midlands, were among the first major producers to use it extensively. They had earlier invented the template etching machine for inscribing the pattern through the wax. With the invention in 1864 of a gear-driven, geometric etching machine, interlocking patterns such as loops or the ever-popular 'Greek key' border patterns were applied to virtually all table glass. They were used especially on the new paper-thin glass that appeared in the 1870s.
Los 1043
CECIL ALDIN (1870-1935) SIGNED ETCHING - 'A MOST POPULAR GENTLEMAN' an etching of a Spaniel, signed in the margin 99/100 and by the artist Cecil Aldin. Mounted and framed (glass missing) and with a label on the reverse, A most popular Gentleman, original etching, Cecil Aldin. 25cms by 20cms
Los 437
Map of Ireland. Geography Bewitched! or, a droll caricature map of Ireland. This portrait of Lady Hibernia Bull is humbly dedicated to her husband the Great Mr. John Bull. c.1795, engraved map with original hand colouring, 21x17cm; Cham-Paign and Real-Pain, 19th century colour engraving, 15x18.5cm; The Happy Return, P&P Gally, colour etching circa 1820, 17x21cmProvenance: from the estate of Elizabeth Pepys-Cockerell, whose husband John was a descendant of the diarist Samuel Pepys. His ancestors had a long association with Sezincote in Gloucestershire
Los 92
* Ballooning Prints. A collection of 32 various ballooning prints, mostly 19th century, including Experience de la Machine Areostatique de Mrs. de Montgolfier, d'Anonai en Vivarais, reppetée a Paris le 27. Aoust 1783, au Champ de Mars, [1790], hand-coloured engraved vue d'optique, probably published in Augsburg in 1790, with printed caption in French and German below the image, trimmed to plate margins, some light surface soiling, 29.5 x 39.5 cm (11.6 x 15.5 inches), old wooden frame, glazed, together with Grand Aerostatic Balloon, in which M: Blanchard on Saty. Octr. 16th 1784 ascended from the Royal Military Academy at Little Chelsea..., published by R. Wilkinson, 1784 [corrected to 1800?], hand-coloured etching, close-trimmed, some light surface soiling, sheet size 35.5 x 25.5 cm (14 x 10 inches), old wooden frame, glazed, plus The Three Favorite Aerial Travellers, by F. Bartolozzi after Rigaud, published by E. Wyatt, June 25th 1785, The Entrance of His Majesty Louis XVIII into Paris, 3rd May 1814, published by Richard Holmes Laurie, 1st Feby. 1820, (hand-coloured), Cremorne Gardens, Thursday June 20, 1850. Visit of the Ambassador from Nepaul, Balloon Ascent by Lieut. Gale (small printed broadside), The Chinese Pagoda and Bridge, erected over the Canal in St. James's Park, for the Grand Jubilee of the 1st of August 1814, & The New London Bridge, as it appeared when opened in presence of the Majesties, on the 1st of August, 1831, published Whittle & Laurie, Septr. 9, 1814 and R.H. Laurie, circa 1831, respectively (both hand-coloured later restrikes), Wien aus dem Luftballoon Gesehen von Sudwesten by Sandmann, after Jacob Alt, circa 1850, etc., all framed and glazed, various sizes (Qty: 32)
Los 321
The District of Menteith - a boxed folio by R.B. Cunninghame Graham Containing an original etching by Sir D.Y. Cameron, R.A., LL.D., entitled 'Lake of Menteith', signed in pencil, 11 x 17.5cm, and ten reproductions of wash drawings A limited edition work, numbered 24 of 250 copies, signed by both author and illustrator Printed by The Observer Press, Scotland, 1930
Los 10
EARLY CONTINENTAL SWORD possibly 17thc and probably Dutch/Flemish, with a highly decorated silver coloured metal hilt and double shell guard including various figures, with a colichemarde blade and etched decoration (etching is worn and some rust marks to blade). Devoid of a scabbard. Blade 80cms long
Los 159
James Abbott McNeill Whistler, American (1834-1903) Etching "Black Lion Wharf from Thames Set 1859" Mounted on Cardboard. Impression measures 7" x 8-3/4", sheet measures 8-3/4" x 11-3/4", cardboard measures 10" x 13". Condition: Toning, creases, staining from age and mounting. Estimate: $200.00 - $400.00 Domestic Shipping: $58.00
Los 281
* Broadsides and Bills. Lydiard Marsh Farm, In the parish of Lydiard Tregooze. To be sold by auction on Monday 23rd of March, 1818, all the live and dead stock, Farming and Dairy utensils &c. of Mr. W. Dore, who has given notice to quit the said farm..., 1818, small advertising bill, old folds, tipped on to later card, 280 x 220 mm, framed and glazed, together with, 5 Pounds Reward. Lost (supposed to be stolen), on Friday Night the 10th, or early on Saturday morning the 11th February from a farm yard at Oare in the parish of Wilcot, Wilts, a Bright-Bay Galloway, about 14 hands high, aged, long in the back, lame in the near leg behind, both knees broken and used to go in harness, February 13th, 1832, small advertising bill, some showthrough of ink manuscript on verso, tipped on to later card, 280 x 225 mm, framed and glazed, with, William Simon, Rat Destroyer, Four Crosses, Cilcen, Mold, 1844, small bill of sale for rat poison used over seven nights, signed by Mr. Simon, old folds, 180 x 145 mm, mounted, framed and glazed, plus, A whimsical description & pedigree of Spanker the famous trotting mare..., published S. W. Fores, 1820, small hand bill with an etching of the horse with jockey up, with a description of its achievements below, 205 x 285 mm, mounted, framed and glazed, and, John Gill's Advertiser, published J. White, Sheffield, circa 1870, large advertising broadside printed on yellow paper and advertising about forty different products and services, including a bookseller, tobacco, pubs, tailors, photographic studios, concert halls, hair dressers, printers and drapers, old folds, 465 x 365 mm, mounted, framed and glazed (Qty: 5)
Los 320
* Hibbert (John). The Prize Ox at the Bath and West of England Society, 1803, Weight Ten Hundred, rough fat eight score and upwards, fed on grass and hay only, Bred and Grazed by Mr. Hall, Leigh Court, Somersetshire, [1803 or later],t uncoloured etching, slight spotting, 230 x 325 mm, mounted, framed and glazed (Qty: 1)Not in the Rothamsted collection.
![* Woodman (Richard). The print of the Celebrated Bull Alexander & the rest of the cattle, [1818], uncoloured etching with](https://cdn.globalauctionplatform.com/26655152-a6d8-43ec-bafb-aa41011fa6e3/41141a64-1997-4e84-b46e-aa42011c74bc/468x382.jpg)
Los 357
* Woodman (Richard). The print of the Celebrated Bull Alexander & the rest of the cattle, [1818], uncoloured etching with aquatint after Benjamin Marshall, trimmed inside plate mark with loss of sub-title and publisher, 500 x 625 mm, framed and glazed in a large near contemporary swept gilt gesso moulding, (Qty: 1)Rothamsted collection number 44.
Los 525
Lydekker (Richard) . Animal Portraiture, 1912, 50 colour plates with tissue guards, some light spotting throughout, publishers original gilt decorated brown cloth, folio, Wild Life of the World, 3 volumes, circa 1915, numerous colour and black & white illustrations, some light spotting, uniform original gilt decorated green cloth, boards & spines lightly rubbed to head & foot, 8vo, together with, Foster (Birket [illustrator]), Milton's L'Allegro and Il Penseroso, 1855, 30 black & white steel etching illustrations, some light spotting, original gilt decorated brown cloth, boards & spine slightly rubbed to head & foot, 8vo, and, Thomson (Hugh [illustrator]) , The Ballard of Beau Bruce and other poems of the XVIII Century, by Austin Dobson, 1892, numerous black & white illustrations, some minor spotting, original gilt decorated red cloth, boards & spine lightly rubbed, 8vo, plus other 19th & early 20th century illustrated & juvenile literature, including Percy F. Westerman, Arthur Conan Doyle, Charles Dickens, Harry Collingwood, all original decorative cloth, G/VG (Qty: 3 shelves)79 volumes
Los 78
Thomas Cornell (1937-2012), Decartes, signed and numbered 83/100, dated '64, etching, 22 x 14cm (PL) together with another portrait etching by Thomas Cornell and a quantity of prints by a variety of hands to include: a lithograph after Steinlen, an Eric Gill woodcut entitled 'Stay Me with Apple', two Clifford Webb prints titled 'Eardisland', a wood engraving of magnolias signed Monica Poole, a lithograph titled 'Spring Morning' signed Stow Wengenroth, a woodcut titled 'The Thrush's Song' signed Margaret Wells, an Anglesey Farmyard by William T Rawlinson, two rural landscapes by Gwen Raverat, Garden of Satanic Delights by Barry Moser, Holly by Monica Poole, Apple Picking by Gwenda Morgan, a woodblock print of an old mill signed Valenti Angelo, two woodcuts of agricultural labourers by Claire Leighton, a woodcut of a farmyard dated 1935, a 'Harvest Mouse' and 'On the Hills' by Joan Hassell, a woodcut of a cottage signed Miriam McGregor, The Ship of Death, Martin Secker, a modern fine tempera painting titled 'Fruit of the Promised Land', a country garden woodcut by John Farleigh and a woodcut of a harvest scene by Agnes Miller Parker
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78472 Los(e)/Seite